Category: Music

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Album Reviews Buzz Chart Music Reviews

Deaf Havana

Deaf Havana
‘Fools And Worthless Liars – Deluxe Edition’

I have to admit, when I first heard Deaf Havana‘s material after the departure of unclean vocalist Ryan Mellor, I couldn’t help but feel a bit disheartened. It really lacked the punk bite that their early work was full of. But eventually 2011’s ‘Fools And Worthless Liars‘ began to grow on me, and I’d happily put it up there as one of the most solid rock albums to come from the UK that year.

Via a short documentary put out in summer 2012, the band announced they would be re-releasing the album later this autumn. Rather than just doing some fancier album artwork and a couple of bonus tracks, Deaf Havana went the extra mile and re-recorded the whole thing. Ever the pessimist and never fully content, front man James Veck-Gilodi admitted he didn’t feel the album completely reflected his taste in music where as this re-release does.

All of the songs have been reworked, some slightly, others completely, making the album a totally different listen to the record that appeared first time around. Tracks that were previously acoustic are now performed as a full band and rockier numbers are now toned-down gems. Its beautiful. Lets pick a few stand out tracks to discuss…

Opener ‘The Past Six Years’ feels like its heavily influenced by Irish Rock (think Flogging Molly), and despite being a million miles away from DH records such as ‘It’s Called The Easy Life’ it gets this album off to an optimistic and quite literally stomping start. Piano and vocal track ‘Anemophobia’ is absolutely stunning. Broken down to structurally core elements, James Veck-Gilodi sounds vulnerable and desperate against the lonely notes. Its a heart wrenching performance that could connect with even the emptiest of souls. During ‘Hunstanton Pier’ the guitar tone adds nostalgia and brings the lyrical content to life, but its ‘I’m A Bore Mostly’ that epitomises why this album is a must have.

The recording process of using multiple microphones placed around an old warehouse is slightly bizarre but the effect it has on the track puts it into a different dimension. As the music reverberates through your speakers it feels as if you are there with James as he passionately performs. Even the sound of him slamming the door as he leaves the ‘studio’ is included on the track, a unique element that adds a personal touch to the piece, emphasising the emotion.

Again it has to be said, this isn’t Deaf Havana of old, but thats not a criticism. Its not their early punk/hardcore style, its not their most recent mainstream rock vibe, it’s something else. It is a showcase of the band’s (and in particular their dynamic front man’s) extraordinary talent. It is a touching album which has re-worked a commendable original into something worth treasuring.

Words: Emma Wallace

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Buzz Chart Music News Reviews Single Reviews

DJ Shadow vs STEREO:TYPE

A specially curated, new mash up of DJ Shadow’s ‘I Gotta Rokk’ track has been released for free download by London turntablist surgeon STEREO:TYPE and IRN MNKY today.

Commissioned alongside six other incredible artists by Xfm’s Eddy Temple-Morris, STEREO:TYPE was invited to create a new mix using the former UNKLE members’ tracks, in a tribute to his career in music. The new mash-up was aired on the Xfm Remix Show last Friday and blends classic samples from Guns N’Roses, The Prodigy and Led Zeppelin cut into DJ Shadow’s beats.

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“The reason I asked STEREO:TYPE for this DJ Shadow mix was simple.” Eddy Temple Morris explains. “STEREO:TYPE was the author of, without a word of exaggeration, the best mix anyone has ever done for The Remix show in my near 13 year tenure at Xfm. My approaching Chris STEREO:TYPE came with DJ Shadow’s blessing too, and the man himself acknowledged Chris as a kindred spirit and sonic perfectionist.”

Both Eddy and STEREO:TYPE will headline the decks of the Battersea Barge for this year’s Crossfire Halloween Massacre on Saturday October 27th

Get your tickets sorted now from here.

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Music News

Dag Nasty to reform, Rites of Spring to release demos

ritesofspring_dischordFunny things are a happening in Washington DC right now. Following the news this week that Dag Nasty have reformed (the original ‘Can I Say’ line up), Dischord Records have announced that they have re-issued the original Rites of Spring demos.

All of this has come, no doubt from the forthcoming ‘Salad Days’ documentary that is currently being put together by Scott Crawford in the US, a film neding funding for completion right now but is much anticpated in the hardcore scene.

Dag Nasty will play on 28th December at the Black Cat venue in Washington and the Rites of Spring demos that were released on casette only in 1984 will get its first official release on October 23rd from the Dischord website.

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Live Reviews Music

Pierce The Veil Live at The Underworld

PIERCE THE VEIL
w/Crown The Empire, The Getaway Plan
The Underworld, London
21st September 2012

It’s a great feeling when you can sense excitement in the air. Tonight’s show at Underworld sold out long in advance and every punter inside this dungeon like venue is experiencing the same static charge that makes neck hair stand to attention. Senses are heightened as the show kicks off.

First on are Australian rockers The Getaway Plan. After a short hiatus the boys are over on our shores to seduce with their impressive melodies. Definitely the most mainstream of all acts on the bill tonight, but there’s no shame in that when the sophisticated ‘The Reckoning‘ is delivered to perfection. The Getaway Plan perform solidly, and will most definitely have drawn in a few new fans with their set.

Crown The Empire are what many dislike about metalcore these days. Their gimmick laden nonsense wins the hearts of the crowd but would see metal gods of the past turning in their graves. Random dustup elements, generic riffs and mock brutal breakdowns with dual clean and screamed vocals defines their music. Imagine The Blackout combined with Asking Alexandria finished off with an overdose of American sleaze. In their matching suits and styled haircuts Crown The Empire are every scene kid’s wet dream. Fair play to the band, they know what is working in the market currently, they will develop a loyal following from younger metal fans, but their musical integrity is questionable.

Just like with Crown The Empire, the average age of a Pierce The Veil fan at the Underworld tonight seems to be about 16. But the difference with Pierce The Veil is that their music can appeal to a much wider audience than those screaming in front of them; their music isn’t made to target a particular market, their sound feels sincere and a genuine combination of heart-felt cultural and musical influences.

With tracks from ‘Collide The Sky‘ now making a welcome appearance on PTV’s set list, their repertoire has been turned up a notch. The fast paced ‘Hell Above‘ makes for a triumphant opener that instantly portrays the bands intent to make this show a great one. ‘Bulls In The Bronx‘ contains one of this years sweetest solos and proves to be song structure excellence in a live environment. Old favourites like ‘Caraphernelia‘ and ‘Bulletproof Love‘ result in mass sing-alongs and crowd surfing frenzies. Ending with ‘King For A Day‘ sums up Pierce The Veil’s dominance, they own this show and have performed impeccably tightly in this crowed sweat box.

Pierce The Veil provide a masterclass tonight. Although they could be battling in an over saturated market, they are carving their own way, breaking out and away from stereotypes with something unique and undeniably special.

Words & Photos: Emma Wallace

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Buzz Chart

Tweak Bird

tweak_bird

The mighty Tweak Bird are back with a brand new EP titled ‘Undercover Crops’ scheduled for release on October 29th via Volcom Entertainment.

Featuring 7 brand new songs the ‘Undercover Crops’ E.P. was recorded over a long weekend in June 2012 with Toshi Kasai, who alongside Dale Crover, produced and recorded Tweak Bird’s previous two releases, 2008’s Reservations EP and 2010’s self-titled LP.

The band are currently supporting the Melvins on tour across the US and hope to be back in the UK soon for live shows. Until then, Download their new track ‘People’ for free as a taste of what’s coming on this incredible new ‘bubblegum stoner rock’ EP and await a new video coming very soon.

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Album Reviews Buzz Chart Music

Streetfight Silence

Streetfight Silence
‘Cutting Strings’
[Angry Badger Records]

On first listen Streetfight Silence’s debut seems slightly average, not exactly an album to shout about. But in fact this record is one of those that slowly but surely reels you in with the catchiest of choruses and hook laden tracks.

‘Low’, ‘Find Me’ and ‘White Flags’ are textbook pop-punk. Think back to early You Me At Six and Fall Out Boy, back when their music had grittier riffs yet still a strong ear for melody. Streetfight Silence have their own melodic genius in Russ Merry whose vocals are exquisite. Merry hosts a range that even idols Josh Franceschi and Patrick Stump would be proud of.

Surprisingly the stand out track from ‘Cutting Strings‘ is ‘6th November’ which showcases the bands emotional integrity through beautiful acoustic guitar work and heart felt lyrics. A song that will certainly appeal to many a City & Colour fan. ‘Pieces’ closes the album in a dramatic style culminating a successful first record for the young band.

A greater punch in the production department would make ‘Cutting Stings‘ a true force to be reckoned with. Hearing these tracks in a live environment is sure to give them the extra beef they deserve and inspire many a sing-along.

Words: Emma Wallace

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Live Reviews Music

Red Bull Bedroom Jam 2012 Live Final Review


Last Monday saw the Red Bull Bedroom Jam competition come to an exciting climax with Dead Harts, Golden Tanks and I Divide competing head to head in a live final streamed for all to see via the RBBJ website.

The first act to take to the stage was Dead Harts. As soon as the northern lads launched into their brutal take on emotive hardcore it was clear to see that this event was going to be a weird one. The band were absolutely caning it onstage, but with an audience made up of journalists and industry professionals the mosh pit that needed to kick of never happened.

Although also falling under the umbrella of hardcore, Golden Tanks had a different style to Dead Harts. With a swagger similar to Every Time I Die, this band wear their influences on their sleeves. Personally I’ve seen this act numerous times before and they’ve torn the stage apart, but tonight it is a more restrained performance. Maybe the pressure of the strange setting has to the boys. Nonetheless James Illsley nails a sweet solo and Tanks’ performance is an overall success.

I Divide bring a whole different approach to the final, more than anything they are a straight up rock band, the sort of thing that would dominate a more versatile radio playlist. Vocalist Tom Kavanagh sinks into the performance, he is completely overpowered by the music and barely opens his eyes throughout their set, either that or he’s ridiculously nervous. It’s probably the least energetic performance, but sound wise the most refined, a polished effort from a solid band.

As far as interludes go, having Don Broco play a surprise set as the votes are counted isn’t bad! If I Divide looked polished, Don Broco are on another level of professionalism, ‘Priorities’ is rock music at its finest. Front man Rob Damiani even manages to get the surly press filled crowd a bit hyped up. Don Broco have really stepped up their game from the early days and it’s delightful to see the RBBJ alumni demonstrating why this competition is so significant to underground acts in the industry.

Finally, host Katie Parsons brings the three finalists together to reveal the winner. This year I Divide are crowned champions, and they look thoroughly ecstatic. Their second performance of the night to celebrate the victory is full of confidence and they justify themselves as a worthy winner.

It really is a cliché to say, but it was so hard to pick between the three acts. Dead Harts were ferocious, comparable to home-grown heroes While She Sleeps. Golden Tanks had riffs with groves as commendable as Cancer Bats but ultimately it was I Divide’s slick set and catchy choruses that stole the show.

Words: Emma Wallace

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Live Reviews Music

Torche Live at XOYO


Torche
w/ Old Forest
XOYO, London
16th September 2012

An unfortunate injury to a band member sadly meant Hang The Bastard were unable to play XOYO this evening, leaving just two bands to share the stage. There has been more conjecture among underground pundits about the potential of Old Forest rather than their music: tonight’s performance did little to quell the excitement of the former, but raised some inevitable frustrations regarding the latter.

The south-west London three-piece grab strands from Seattle grunge and stoner rock with remarkable confidence, weaving them into a set of loud, down-tuned rock music, the proficiency of which belied the obviously tender ages of the band members. There can be no doubt that they have written some killer riffs and play them with intuitive composure, but it is not merely the fresh-facedness of the band that shows them to be a touch unfinished. It would be good to see them once they have taken possession of the prerequisite self assuredness to rock out, strum hard and loosen up. At present, it all makes for a rather stilted spectacle, and while their live sound is already formidable, it could just be spectacular with time.

Torche’s new album, ‘Harmonicraft’, tends very much towards the melodic side of the band’s sound. It is a brighter and less overtly riffed-up version of what some have felt the need to label, in abhorrent taste, ‘bubblegum stoner.’ The horror. However, such fuss has certainly played a part in wafting the band’s sweet yet heavy tones to some very lofty ears and there was a sense of expectation in XOYO. The venue was unusually busy for a Sunday night, thronging with an amusing blend of people who had presumably been told to be there by Zane Lowe and others who would not have needed any prompting to see this band play a genuine shore, or ditch.

Those who might have feared Torche’s newest material might be a case of ‘too much Grohl and not enough soul’ should, I imagine, have been assuaged by their blistering performance this evening. The songs from ‘Harmonicraft’ sound refreshingly heavy live – even the saccharine-sweet ‘Kicking’ had something of the night about it – while diehards were well served by a generous haul of older songs from ‘Meanderthal’ and their self-titled debut. This was a great set. It had the populism of the Foos alongside the pugilism of Floor (frontman Steve Brooks’ previous, highly recommended sludge metal band). And, support bands of the capital take note, they looked like they were having a great time.

Words: Martin Brown
Photos: Graham Berry

Old Forest
Torche

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Music News

Iron Maiden will headline Download Festival 2013

ironmaiden_downloadfestival

IRON MAIDEN today announced that they will headline Download Festival on Saturday 15 June 2013, bringing their triumphant “Maiden England” tour to Donington Park on the 25th Anniversary of their first headline performance at the legendary home of rock in 1988 when an astounding 107,000 fans turned out to see their spectacular “Seventh Son” show, still the highest ever attendance there.

This will also be a record FIFTH time that the multi million selling British rock pioneers will have topped the bill at Donington, following two Monsters of Rock performances (1988 and 1992) and two spectacular Download Festivals (2003 and 2007).

Frontman Bruce Dickinson says “We’re absolutely over the moon to be headlining Donington again. The idea of returning exactly 25 years later with a show inspired by that same 1988 “Seventh Son” Tour, was too good an opportunity to be missed! And, thanks to modern technology, we’ve been able to update and improve on the original production. We will be bringing a huge new lightshow, stage set, various incarnations of Eddie, plenty of pyro and all kinds of other exciting stuff for the fans. And of course treating the fans to lots of their favourite songs from that period! We’ve had many great times at Donington and there is always a wonderful mix of bands and a really wild crowd who love their metal, all of which makes for a memorable show and fantastic party atmosphere!

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Live Reviews Music

Devil Sold His Soul Live

Devil Sold His Soul
Shadows Chasing Ghosts, The Elijah
Album Release Show, The Fighting Cocks, Kingston
17th September 2012

Devil Sold His Soul released their third album ‘Empire of Light‘ on the 17th of September and courtesy of the folks at Banquet Records, they celebrated with a release show at the Fighting Cocks in Kingston that night.

If you’ve ever been to the Cocks then you know it’s a rad little rock pub that has a leopard print pool table, and has hosted some amazing shows in conjunction with Banquet (the local independent record store, run by people who love their music as much as we do). For example Four Year Strong, Tonight Alive, Let Live and New Found Glory have all graced this tiny stage. So, keeping all that in mind as well as this show being a sell out, the evening promises to be something very special.

First up to break the ice is the jaw-droppingly amazing band The Elijah. If you haven’t seen them, or heard them before, then this is a band you have to see to believe. Their music is a big batch of prog-rock, alternative and melodic songs that hit you hard. Although their set is only a short one tonight, within a minute of playing they’ve captured everyone’s attention and hold it right until the end. Their headline Underworld show on November 16th, is definitely a date for your diary, you won’t regret it.

Shadows Chasing Ghosts are up next, if I had to define SCG’s style I’d say throw Alexisonfire into a room with Asking Alexandria. So to follow The Elijah is a big ask, and to warm up the stage for the Devil boys is a pretty big ask too, one can’t help but feel a bit sorry for Shadows Chasing Ghosts as the room empties a fair bit. Unfortunately, he sounds not quite right either, making it a set full of good intentions, but it’s only just adequate in comparison to The Elijah.

Then with a quick sound check out of the way Devil Sold His Soul come on, and the room erupts as the band launch into their set. The room starts to heave as one mass, and everyone’s heads start to rock as the boys launch into an epic metal soundscape. The band are pitch perfect, you actually get nearly the same sound as you hear when you listen to the albums at home. It’s genuinely amazing. Every single person in the room is moving (to some degree) all the way through this set. Think metal meets the Pied Piper of Hamelin as everyone’s hypnotized by the set.

It was genuinely a pleasure to witness this intimate gig from a band that could definitely command the attention of a far bigger audience. They rip their way through most of Empire including a searing rendition of ‘A New Legacy’, but they also throw in some older material in the shape ‘An Ocean of Lights’, ‘Drowning/Sinking’ and ‘Dawn On The First Day’. I thoroughly recommend catching them on their tour later this year.

Words: JJ Nattrass