Slam Dunk Festival have announced 13 more bands who will be playing the 3 date festival around the UK this May. With headliners All Time Low, Four Year Strong and Deaf Havana already announced to play the festival, the festival will now host the likes of
Kids In Glass Houses, Bury Tomorrow, Cancer Bats, Heights, Heart In Hand, Tonight Alive, Heroes For Hire, House VS Hurricane, The American Scene, Gnarwolves, Blitz Kids, Captain Chunk! and [spunge]
Slam Dunk Festival dates:
25th May – Leeds University
26 May – The Forum, Hatfield
27th May – Civic, Wolverhampton
For ticket information visit www.slamdunkmusic.com.
A Wolf At Your Door Records Facebook
The eagerly anticipated debut album of Cambridgeshire rock band Mallory Knox is almost here with a release date of 21st January. The album is being released through Wolf At Your Door Records.
Opening song ‘Beggars’ is easily one of the most catchy songs on the album, with a very upbeat tone to it, it is clear that Mallory Knox’s style is fitting into the new trend of upcoming rock bands such as Don Broco and Deaf Havana – but Mallory Knox are much heavier. It’s a fast paced and exciting album for sure.
Mikey Chapman’s easily recognisable and unique voice will make you remember who Mallory Knox are as he uses his lungs to their full capacity; some ‘singers’ scream and shout, but not Mikey, he can actually sing, which can sometimes be rare from a rock band nowadays. Bassist and backing vocalist Sam Douglas’ voice mixes in perfectly in all songs, it’s sort of like soft whispering in your ears.
Acoustic guitars and slow drum beats are proven to be a a new development from the band as we are introduced to songs such as ‘1949’ and ‘Bury Your Head’ which are a work of art. One thing a rock band can never go wrong on is having a slow intro to a song into full on headbanging with thrashing guitars.
Loud, uncompromising and bold is an easy way to describe this album. One outstanding song on Signals is ‘Bury Your Head’, this being the first ever “slow” song by Mallory Knox, it is sung with emotion and has is truly stunning. The soft piano is something new from the band that have never shown a calm side that is quite like this.
The only trouble to Mallory Knox is that some of their songs can sound very familiar, and that is because a lot of the songs sound the same, but that isn’t to say they aren’t fantastic. Signals is a difficult album to review as it clearly shows the band incredible development since filming ‘Resuscitate’, their second ever music video, in a potato warehouse in the middle of nowhere in early 2010.
Expect a lot more from Mallory Knox in 2013.
RATING: 10/10 FOR FANS OF: Young Guns, Don Broco, Deaf Havana, You Me At Six
Check out Mallory Knox’s latest single ‘Lighthouse’:
w/ There For Tomorrow, Canterbury
Sherperd’s Bush o2 Academy, London
15th November 2012
Shepherds Bush Empire was the venue for Deaf Havana’s biggest headline show to date. Selling out five days before the show, this was shaping up to be quite spectacular, and in no means did the night disappoint.
There for Tomorrow, forming in 2003, have established themselves as a major act on the rock circuit in the US, playing all the dates on the 2011 Vans Warped tour and releasing two full-length studio albums. Having headlined the Garage in London in November 2010 with support coming from Deaf Havana, it was clear from the start that the quartet had some fans around the venue with various screams and dancing, an overall solid performance.
Next up were main support Canterbury. After gaining a major fan base after releasing their debut album, ‘Thank You’ as a free download in 2009, they returned in 2012 with their much anticipated follow up studio album ‘Heavy in the Day’. Playing songs from both albums, including ‘Wrapped in Rainbows’, ‘Survivor’ & ‘Gloria’, at the end of which front man Mike Sparks thanked the crowd for their constant support of both themselves and more importantly the British Rock scene, which he then went onto say was booming which was apparent from tonight’s British acts. Finishing off their set with ‘Friends? We’re More Like A Gang’, Canterbury continue to show why their ones to watch in 2013.
A year on from releasing their album ‘Fools and Worthless Liars’, Deaf Havana are playing their biggest headline show since forming in 2005. Albeit with some technical issues early on, and starting their set with an alternative, slower version of ‘Youth In Retrospect’, it wasn’t long before they sent the sold out crowd into frenzy. Having the option to play material off both their original and deluxe edition, it was anyone’s guess as to which versions of the songs they were going to be played. A song that stood out to me on both versions of the albums was ‘Anemophobia’, tonight they showed how diverse they were as a band both live and recorded as they started the song off on a piano like that of the alternative version and then kicked in as the whole band to finish it off.
During their set it was clear to see how overwhelming the night was to James Veck Gilodi and his fellow bandmates. They used the platform to announce that they will be supporting fellow Brits You me at Six at their Wembley show that was met by a lot of screams from the crowd. Coming on for an encore, they were joined by eight members of the London Youth Gospel Choir to do renditions of their three songs ‘The World or Nothing’, ‘Fifty Four’ and Finished off with ‘Hunstanton Pier’.
This show will stick in the minds of the band and fans alike for quite sometime, and tonight has been a clear reminder that Great Britain have got one of the finest rock scenes, which Deaf Havana will keep climbing.
For a young band Blitz Kids sound mature beyond their years with latest mini-album ‘Never Die’. Opening track ‘You’re Dead To Me’ shows great intent to carve their own space in the new wave of British rock acts taking the world by storm. And with emotional vocals and uplifting guitar tone during ‘Strangers With Memories’ an overall feel of anthemic rock slots Blitz Kids neatly alongside their peers We Are The Ocean, Lostprophets and Deaf Havana.
The band recorded the 6 track album at Stakeout Studios with Jason Wilcock which appears to be an intelligent choice as the slick production refines the sound to a polished finished product. With stand out track ‘Never Die’ available for a FREE download from the band’s website and with an extensive UK tour coming up (including a support slot with the awesome Mallory Knox) it’s worth checking out Blitz Kids now as they prepare to fully make their make in 2013.
Our selection of ‘Must See Shows’ this month pretty much caters for everyone. Whether you are after big breakdowns, dark atmospherics or just straight forward rock anthems look no further than this list. Oh and November also features Warped Tour. Get in.
w/ Pins, Childhood, Deaf Club
02 – OXFORD The Jericho Tavern, 03 – BIRMINGHAM The Sunflower Lounge, 04 – BRIGHTON The Haunt, 06 GUILDFORD The Boileroom, 07 – LONDON XOYO, 08 – BRISTOL The Croft
If moody atmospherics spark interest in your head, look no further than 2:54. This indie duo are set to take off big time after comparisons to the likes of The XX and Alpines. This is definitely a case of catch them in an intimate setting whilst you still can.
05 – GUILDFORD Boileroom, 08 – BOURNEMOUTH Soundcircus, 09 – BATH Komedia, 10 – LONDON Warped Tour
These venues really are to small to handle Crossfaith. If you saw them tear apart the UK earlier this year in support of Of Mice & Men you’ll know exactly what we are talking about. Mashing up a combination of The Prodigy and brutal breakdowns this Japanese band epitomize the meaning of ‘Must See Show’.
w/ Canterbury, There For Tomorrow
08 – COVENTRY Kasbah, 09 – LEEDS Met Uni, 10 – MANCHESTER Ritz, 11 – GLASGOW ABC, 12 – NEWCASTLE Academy, 14 – PORTSMOUTH Pyramids, 15 – NORWICH UEA, 16 – LONDON Shepherds Bush Empire
We picked Deaf Havana out as one of the highlights of Hevy Festival this summer due to their anthemic pop-rock tunes and seeing them in an enclosed environment will only top those brilliant festival performances. And after releasing a brilliant alternative version of ‘Fools & Worthless Liars’ last month, here’s hoping that they add in a few of their acoustic numbers to the set too.
w/ Emmure, The Word Alive, Structures
14 – BIRMINGHAM Ballroom, 15 – MANCHESTER Academy, 16 – LEEDS University, 17 – LONDON Roundhouse
Gracing the buzz chart and currently sitting in the ‘Album of the Week’ spot with ‘Atlas’, it’s no secret that we love Parkway Drive at Crossfire. If you have seen their latest DVD ‘Home Is For The Heartless’ you’ll know that if any ticket bearers are in for a treat with PWD’s live show.
w/ TRC, Prowler
26 – NORWICH Waterfront Studio, 27 – READING Face Bar, 28 – BOURNEMOUTH Soundcircus, 28 – BRISTOL The Croft, 29 – PLYMOUTH The White Rabbit
Stating their influences as ‘Big beats. Strong booze. Loose morals. Good times.’ its clear to see that a Polar show is going to be wild. If you are heading to see them out of curiosity, don’t sit down or just stand, get involved otherwise front man Adam Woodford might just force you to himself…
w/ Hello Mexico, Black Shapes
16 – LONDON The Underworld
For one night only post-rock newcomers The Elijah will be playing their epic debut album ‘I Loved I Hated I Destroyed I Created’ accompanied by the Niche London String Quartet. This show is will definitely be a spectacle to behold.
10 – LONDON Alexandria Palace
Lostprophets, Bring Me The Horizon, New Found Glory, Less Than Jake , Man Overboard, The Story So Far , 3oh!3, The Acacia Strain, Awolnation, Architects, Breathe Carolina, Bury Tomorrow and many more all under one roof at London’s iconic Alexandria Palace. Need we say anymore?!
‘Fools And Worthless Liars – Deluxe Edition’
I have to admit, when I first heard Deaf Havana‘s material after the departure of unclean vocalist Ryan Mellor, I couldn’t help but feel a bit disheartened. It really lacked the punk bite that their early work was full of. But eventually 2011’s ‘Fools And Worthless Liars‘ began to grow on me, and I’d happily put it up there as one of the most solid rock albums to come from the UK that year.
Via a short documentary put out in summer 2012, the band announced they would be re-releasing the album later this autumn. Rather than just doing some fancier album artwork and a couple of bonus tracks, Deaf Havana went the extra mile and re-recorded the whole thing. Ever the pessimist and never fully content, front man James Veck-Gilodi admitted he didn’t feel the album completely reflected his taste in music where as this re-release does.
All of the songs have been reworked, some slightly, others completely, making the album a totally different listen to the record that appeared first time around. Tracks that were previously acoustic are now performed as a full band and rockier numbers are now toned-down gems. Its beautiful. Lets pick a few stand out tracks to discuss…
Opener ‘The Past Six Years’ feels like its heavily influenced by Irish Rock (think Flogging Molly), and despite being a million miles away from DH records such as ‘It’s Called The Easy Life’ it gets this album off to an optimistic and quite literally stomping start. Piano and vocal track ‘Anemophobia’ is absolutely stunning. Broken down to structurally core elements, James Veck-Gilodi sounds vulnerable and desperate against the lonely notes. Its a heart wrenching performance that could connect with even the emptiest of souls. During ‘Hunstanton Pier’ the guitar tone adds nostalgia and brings the lyrical content to life, but its ‘I’m A Bore Mostly’ that epitomises why this album is a must have.
The recording process of using multiple microphones placed around an old warehouse is slightly bizarre but the effect it has on the track puts it into a different dimension. As the music reverberates through your speakers it feels as if you are there with James as he passionately performs. Even the sound of him slamming the door as he leaves the ‘studio’ is included on the track, a unique element that adds a personal touch to the piece, emphasising the emotion.
Again it has to be said, this isn’t Deaf Havana of old, but thats not a criticism. Its not their early punk/hardcore style, its not their most recent mainstream rock vibe, it’s something else. It is a showcase of the band’s (and in particular their dynamic front man’s) extraordinary talent. It is a touching album which has re-worked a commendable original into something worth treasuring.
UK indie label A Wolf At Your Door Records have announced their latest signing as Post-hardcore Brighton based band Eager Teeth.
Eager Teeth formed just over 18 months ago from the ashes of Telegraphs, Chaos Days and This City and have already started to cause a stir with their nostalgic brand of alternative post-hardcore. The band have spent much of this summer in the studio with emerging producer pair Thomas Mitchener and Steve Sears (Gallows, Spycatcher) tracking their brilliant self-titled debut album, which is set for release early next year.
AWAYDR are certainly an exciting label to join, having launched Deaf Havana’s career and with up and coming artists Marllory Knox and Hildamay on their roster. To mark the beginning of the AWAYDR and Eager Teeth partnership, album track ‘Exorcise Bike’ has been made available for FREE DOWNLOAD, you can grab it below.
WE ARE THE OCEAN
Maybe Today, Maybe Tomorrow
With ‘Maybe Today, Maybe Tomorrow’ being the first album to come from British band We Are The Ocean since the slightly controversial departure of unclean vocalist Dan Brown, full attention will be paid to every move the band make on this one by fans and critics alike.
The first – and maybe most obvious thing – to say is that if you’re expecting more Alexisonfire inspired post-hardcore like their earlier releases ‘Cutting Our Teeth’ and ‘Look Alive’ you will be disappointed. Its clear that after Dan’s departure the band have sharpened up their image and gone for a more refined, mainstream sound with Liam Cromby stepping in to the lime light. Interestingly it’s similar process to what once tour partners Deaf Havana went through; who previously were a southern-hardcore inspired quintet lead by aggressive vocalist Ryan Mellor, now a straight-forward (but still bloody good) rock quartet with guitarist/clean-vocalist James Veck-Gilodi at the helm.
Its no surprise that Zane Lowe picked single ‘Bleed’ as his ‘Hottest Record In The World’ as it jumps straight out as the real star of the album. Other highlights include anthemic title-track ‘Maybe Today, Maybe Tomorrow’, sensitive opener ‘Stanford Rivers’ and ‘Pass Me By’ which has an almost Frank Turner-esque vibe to it.
Despite the album being solid, it may turn off some of their older fan base. With their newfound maturity, We Are The Ocean have lost a bit of charm; the gritty spark that saw them leap out of their local scene to dominate the underground market. The band won’t be too disheartened though as ‘Maybe Today, Maybe Tomorrow’ will sit comfortably on Radio 1’s playlist and HMV’s shelves, instantly appeal to fans of You Me At Six, Kids In Glass Houses, Lostprophets and (new) Deaf Havana. ‘Maybe Today, Maybe Tomorrow‘ is an focused and accessible album showcasing whats hot in British rock music right now. Its sure to be a hit and will see the We Are The Ocean boys go far.
Its fair to say that Hevy Festival was a resounding success this year. Plenty of ‘partying hard’ was had and the sun shone throughout! With three stages of awesome music, we though we’d bring you the highlights, the bands who really stood out, so that you can be sure to check them out at any future shows or events…
FRIDAY 3rd AUGUST
Described by some critics as ‘McFly with tattoos’, Deaf Havana are a little out of place here, especially coming on as headliners after Deez Nuts. Leaving their original southern hardcore influences behind and filling their set with pop-rock genius, Deaf Havana impress the critics and cynics a like. Old school fans will be a little disappointed that tracks from ‘Fools And Worthless Liars’ dominated, but when James Veck-Gilodi has the balls to perform a beautiful solo rendition of `Friends Like These’, a vulnerable yet triumphant highlight of the festival is being witnessed for all to see.
Trapped Under Ice
With a hench front man and chugging bass lines, basically, you don’t fuck with TUI. The kids are in their element during Trapped Under Ice’s set, these guys know how to do hardcore, everyone is moving, this is the real deal, a blistering combination of punishing punk and a whole lot of fun. Perfect.
Bleed From Within
After a small amount of heckling from the crowd due their strong Scottish accents, Bleed From Within launch into a powerful performance, a master class in modern metal. Front man Scott Kennedy doesn’t stay still for more than a second and gives the set some real guts. Riffs in the vein of As I Lay Dying blow away any remaining hangovers. After a dominating set here and having recently signed to Raw Power Management and Century Media, expect these guys to become metal titans with their next release.
Hevy’s line up is full of hardcore bands. Some bad ones, some average ones and some real treats. Last Witness are right up there with the best. Adrian Cecil goes absolutely nuts on bass whilst the crowd go a even more insane. The bizarre competition to ride an inflatable dolphin on top of the crowd isn’t needed, everyone is two-stepping and surfing over the barrier as it is. The bouncers certainly earned their money during Last Witness’s set.
SATURDAY 4th AUGUST
Seahaven’s emotive post-punk is blissful in the summer sun. ‘It’s Over’ is a calming yet tormenting track that highlights their set. Their melodies are unmatched throughout the whole weekend and fully deserve the recognition they receive from the Hevy crowd.
These guys had a rough deal at Hevy. First off the sound cuts out just as front man Dani Winter Bates launches into his first scream. But ever the charismatic front man, it doesn’t faze him; he interacts with the crowd at ease whilst the techies get to work. Once everything is sorted the set is victorious, Mehdi Vismara performs exquisite solos with the crowd lapping up every note with glee. Catastrophically for the band, the plug is pulled as the set over runs during the time of highest momentum. The last song is cut short and the crowd are left in disgruntled. Bury Tomorrow deserved more than just a 20 minute set, however the cheers that resound long after the band leave the stage emphasizes that Bury Tomorrow are the next big thing in British metalcore.
Despite creating two genre defining albums, recent live outings from Daryl Palumbo and co. have, at best, been mixed. Fortunately, the band delivered a bursting performance of chaotic tracks taken from their back-catalogue, including ‘Everything You Ever Wanted to Know About Silence‘ and highlight ‘Siberian Kiss‘.
Finishing the night, we were treated to a masterclass in partying from the king of not giving a shit, Mr Andrew WK. Opening with ‘It’s Time To Party‘, followed by ‘Party Hard‘ and ramming the theme down our collective throats with ‘Party Til’ You Puke‘, we got exactly what we were hoping for from the set. Chaotic, ridiculous but ultimately a insane amount of fun, the night drew to a close as a sea of sweat and smiles.
SUNDAY 6th AUGUST
Despite this being the third festival the band had played this weekend, Leeds bruisers Hawkeyes played one of the most compelling sets of the Hevy. Setting up his microphone in the middle of the audience, singer and guitarist Paul Astick encouraged the crowd to get as close as possible, creating a raucous basement show feel in the middle of the English countryside.
On paper, an experimental spoken-word act stands out on the Hevy line-up, but with the crowed pouring in to witness them at the Red Bull Bedroom Jam stage proves they were an inspired booking for the festival. Rousing, affecting and impossible to take your eyes off, Listener are a band to be genuinely excited about.
Although they have put out four albums in their career, Hundred Reasons are destined to be remembered for just one. Fortunately, said album ‘Ideas Above Our Station‘ was one of the finest pieces of British post-hardcore of the noughties. Realistic enough to know that they’ll never recapture that time, yet smart enough to give fans what they want, Hundred Reasons played IAOS in full to incredible effect. Despite the waves of nostalgia, the 12 songs still sounded as fresh as the first time they were played and were delivered with boundless energy, with the excitement of the band only matched by that of the crowd.
Vinne Caruana, the I Am The Avalanche and former Movielife frontman loves to tell a story. So much so that he only managed to play around six songs in the entire set, whilst treating us to tales of New Jersey and his ex-wife. Despite complaining that he’d ruined his voice, the songs he played still held up, with Movielife anthems including ‘Walking On Glass‘ proving a real treat.
After a disappointing return last year, it was great to see the Descendents on incredible form. The Californian legends most definitely deserved to play to more people than they did (sadly, this was a true for a lot of the bands over the weekend), but hearing tracks like ‘Everything Sux‘, ‘Hope‘ and of course ‘I’m The One‘ live will be a memory that anyone who still holds a torch for the band will never forget.
Brutality Will Prevail, Broken Teeth, Demoraliser, Napoleon, Brotherhood Of The Lake, Grade, Acoda, Page 44 and Never Means Maybe are the last of the bands to be added to this years Hevy which takes place between August 03 and 06 at Port Lympne Wild Animal Park in Kent.
Although all are worth watching, out of the latest additions, the bands we most recommend catching are Brotherhood of the Lake and Demoraliser. Brotherhood of the Lake for their heart-wrenching emotive hardcore that commentates on dark subjects such as depression with great honesty. And Seige of Amida Records signed Demoraliser for their bone-crushingly heavy metalcore.
So the final line-up is insanely strong with the bill including Deez Nuts, Deaf Havana, Sharks, Bury Tomorrow, Feed The Rhino, Madball and Devil Sold His Soul plus all the other bands we mentioned above and on our must watch list. Here at Crossfire HQ we’re pumped and if the weather stays this beautiful (fingers crossed!!) Hevy is sure as hell going to be a weekend to remember. Tickets are still available, what are you waiting for? Pick one up now!