Bring Me The Horizon & Draper

BRING ME THE HORIZON & DRAPER
‘The Chill Out Sessions’

With their third studio album ‘There Is a Hell, Believe Me, I’ve Seen It. There Is a Heaven, Let’s Keep It A Secret’, Bring Me The Horizon began to experiment with the atmospherics of their sound. Now collaborating with producer/chillstep artist Draper, the Sheffield based metallers have embraced this element and dropped an exquisite EP, ‘The Chill Out Sessions’.

As the name and artwork suggests this EP is a beautiful sound scape, the perfect backing track to relaxation yet it maintains elements of Bring Me’s emotional charged music.

Although Bring Me The Horizon will always remain attached to the metal scene, the direction of this EP isn’t a surprise as vocalist Oli Sykes is publicly fixated on post-rock band Worship, likewise guitarist Jona Weinhofen equally adores Scandinavian experimentalists immanu el. With immanu el reported to feature on Bring Me The Horizon’s next full length ‘Sempiternal’, the band’s development will be an exciting prospect to witness.

Download ‘The Chill Out Sessions’ for free here.

Words: Emma Wallace

Vans Warped Tour UK 2012


10,000 music fans, 28 bands from 6 countries performing across 4 stages with 4,065 cans of Monster Energy Drink consumed, sums up the triumphant success that was 2012’s sold out Vans Warped Tour UK.

After soaking up the brilliant atmosphere for the early part of the event at London’s iconic Alexandra Palace, team Crossfire situated themselves in the main room to bring you back the info on performances from the Monster stages.

First off, we caught Breathe Carolina [3/5]. Now obviously this sort of electro/screamo vibe is not normally the kind of thing you would hear us raving about, but fair play to the duo, they really know how to work a crowd. The music maybe takes itself a little too seriously considering it is essentially just pop, but nonetheless, Breathe Carolina are widely adored by hyper-active fans.

Breathe Carolina

Following Breathe Carolina comes a completely different monster, UK born and bred metalcore titans, Architects [5/5]. Their thunderous blast beats and sub drops destroy the ear drums of a riff hungry crowd who respond with the biggest pits of the event so far. ‘Follow The Water’ and ‘These Colours Don’t Run’ are particular highlights of Architects’ set which ends with a union of voices screaming ‘You Fucking Pigs’ and the whole band surfing across the crowd.

Architects
On Stage With Architects
On Stage With Architects

3oh!3 [4/5] introduce themselves as a pop band, realistically that’s what they are, not typically a traditional Warped Tour artist. However, when you perform with such stage presence it doesn’t matter what genre you are tied to. ‘Don’t Trust Me’, ‘Starstrukk’ and ‘Punkbitch’ are all guilty pleasures to a crowd usually fed on punk and metal, but there really is no shame in enjoying these pop tarts when the bass is cranked up to such a dirty level.

Bringing the music back to the classic sound of Warped Tour, New Found Glory [3/5] bounce through an energetic set featuring all their hits with ‘My Friends Over You’ and a cover of Sixpence None The Richer’s ‘Kiss Me’ highlighting a charismatic performance. Showing professional brilliance, the band fought through technical difficulties to produce some of the most fun filled pits of the day. Even without being the biggest pop-punk fan, the infectious and uplifting sense of nostalgia was enough to get anyone involved.

After having been away from consciousness for a while, The Used [4/5] return to the UK with a commanding presence. ‘All That I’ve Got’ and ‘The Taste Of Ink’ are captivating and allow fans to reminisce the days when The Used were undoubtedly the king of emo. But it’s ‘Pretty Handsome Awkward’ that stands out of a polished set due to the punishing pit it creates.

Although known for being a bit hit and miss when it comes to live performances, Bring Me The Horizon [5/5] stole the show this time around at Warped. If the sound of screaming was deafening when the band walked on to the stage, words cannot describe the intensity when front man Oli Sykes appeared. It seems this generation’s metal poster boy left his demons behind for Bring Me’s set, as his presence was nothing short of iconic. Technically brilliant, impeccably tight, energetic across the stage and featuring surprisingly impressive clean vocals from Jona Weinhofen, this performance cements Bring Me The Horizon as the ones to beat in metal with new material from forthcoming album ‘Sempiternal’ sounding equally as brilliant as previous work.

Oli Sykes - Bring Me The Horizon
Oli Sykes
Bring Me The Horizon

Oddly enough, Lostprophets [3/5] appear a little out of place as headliners. Although their extensive and impressive history earns them this slot, they aren’t quite the buzz band they used to be. But ‘Shinobi vs Dragon Ninja’ brings utter destruction whilst ‘Rooftops’ holds the crowd firmly in the palm of Ian Watkin’s hand. When a set list is filled with classics such as ‘Can’t Catch Tomorrow’ and ‘Last Train Home’ you wonder why we ever doubted their dominance.

Ian Watkins - Lostprophets
Lostprophets
Vans Warped Tour UK Crowd

Words: Emma Wallace
Photos: Emma Wallace

Deftones


DEFTONES
‘Koi No Yokan’

Warner Bros. Records

‘Koi No Yokan’ was already tipped as one of this year’s hottest albums, but when ‘Leathers’ and ‘Tempest’ were dropped early as a prelude, anticipation for this record became sky-high.

The hype was justified as in just over 50minutes, Deftones manage to portray beauty in the heaviest fashion whilst maintaing a tender sense of vulnerability.

As always Deftones have offered a record packed full of individual miniature gems, whether it is the storming ‘Swerve City’ or chugging ‘Gauze’. However on first listen ‘Koi No Yokan’ is lacking a masterpiece… Diamond Eyes featured ‘Sex Tape’ and White Pony hosted ‘Change (In the House of Flies)’ yet this record doesn’t have that one heart-wrenching, standout track on its debut play. But give ‘Koi No Yokan’ patience and it starts to shine, it’s a grower and firmly reconfirms Deftones as the championed king of the alt-metal throne. This record in a live environment will be astounding.

Words: Emma Wallace

Of Mice & Men Interview

Of Mice & Men InterviewThere is one band that is currently taking over metalcore. You don’t have to look very far to find out who it is, flick through any magazines, browse on sites like Tumblr and they are everywhere. ‘They’ are Of Mice & Men. Not only are the band known for their punishingly heavy shows and bouncing riffs, Of Mice & Men have a reputation for being one of the most positive and enthusiastic bands in the scene at the moment.

Crossfire’s Emma Wallace caught up with vocalist Austin Carlile and drummer Val Arteaga ahead of their sold out London show as part of their Autumn/Winter UK & Europe tour. Here’s what went down…

You’ve been massively busy this year, but what’s been the highlight of your recent touring schedule?

Val: Everyday that we get to get on stage is a highlight. We spent the summer on Vans Warped Tour and every single date of that tour was insane. We’ve just finished an August Burns Red tour, and again every single date on that was amazing.

Austin: We’re here ready to start a sold out UK run, how awesome does that sound? That needs to be a highlight. We played New York last night, woke up, flew here, got here and have to play a show tonight. Its hectic but its awesome.

Sounds very intense, but like you say, awesome too. Do you suffer from jet-lag with all the traveling?

Austin: Oh boy yeah! But today I had an English Breakfast… man! £5 but it was massive. That helps sort the jet lag out.

Val: Oh man I’m so jealous. Can’t believe I missed out on that.

You’ve changed the set list around a bit recently, which songs get the pits started?

Austin: All of them! ‘The Depths’, ‘Ohioisonfire’… Oh and ‘The Flood’ is a banger. Anything heavy.

Well your new stuff is particularly heavy, is that the way your looking to go in the future?

Austin: I’d say it’s more like a step for us. We wanted these last tracks to come out as their own piece, we wanted to show our fans this is a direction we can go but not one we may stay with. For the longevity of the band, I think we’ll stay with the melodicore style, we’re a band that includes singing, and that will be something that won’t ever fully disappear.

Does that mean clean vocals will be coming back when you release new material?

Val: Yeah, for sure.

Austin: Yes. 100%.

When is the new album coming out? Everyone is excited for it!

Austin: 2013…!

Val: If the world doesn’t end.

Austin: What?! I don’t want the world to end. Why’s the world ending?

Val: I don’t know it’s just supposed to soon.

Austin: Oh man. Well I don’t care. As long as the world isn’t dead before our third album, it can explode the week after, but it’s something the world needs to hear!

Who do you think are the best acts around at the moment in your scene?

Austin: Our boys in Memphis May Fire who will tear apart the UK. And, well because of their front men, Linkin Park and Slipknot. Corey Taylor, man he’s just awesome, the best front man around.

He is awesome! Who do you think is the best front man of all time then?

Austin: Frank Sinatra! Haha hands down Frank! And I can answer for Val, he’ll say Michael Jackson.

Val: Hell yeah. Michael Jackson is the man!

Austin, so would you say Corey Taylor and Chester Bennington have inspired you?

Austin: Well obviously a bit. They are amazing. But when I started the band I never thought we’d get anywhere near their level, I’m pretty realistic. And still if someone said to me right now that I would be touring with Slipknot, I’d be like ‘Man… So sick!’.

Is your persona on stage different to who you really are?

Austin: For sure! For Val that’s ridiculous, of course he’s different! Emma you’ve seen him beat the shit out of a drum kit and look at him now, he’s like a like a puppy.

Val: True. I feel like our personas will always be a bit different on stage, but they aren’t massivelly different to what we are really like.

Austin: Hey, mine’s different!

Val: How so?

Austin: Well in real life do I walk around growling at people? No! I don’t spit at people in real life either.

Val: I guess not, but you’re pretty weird in real life and on stage!

Austin: It’s a bit like being in a theatre, you are different on stage, you play a character. I’m like Dr Jeckyll and Mr Hyde, a bit like the single Austin and the not single Austin… too completely different people!

Val: Aww…

Austin: Dude that wasn’t meant for an ‘Aww’, it was meant for an ‘Oh. Shit’. I’m dangerous. Actually I’m being stupid, I’m not at all. But single Austin is tastefully playful, like I am on stage.

Val: Dude no one cares…

Before you go on stage, how do you get ready?

Val: It’s a secret.

Austin: No, I’ll break it down for you. Phil and Tino set up and do all the gear and stuff and Alan and I stay on the bus and we get pumped to music, something heavy like Lamb Of God or Korn. We head bang together! Then the tour manager is like ‘Guys come on!’ And we meet up with other guys, have a little huddle, get more pumped. Alan yells at us. He’s a bit mental. And then we shout at each other, go more mental. Then we are ready. I love it.

Last time I spoke to you guys, you felt something was lacking on tour, do you remember?!

Austin: No.. Oh wait. Yeah. A tour kitten. Yeah I caught up with Emma before a show and went on about cats. We wanted a tour kitten to come on the bus with us. A cute kitten to cuddle. Actually last time I spoke to you I was dressed up as a cat, and now I’m all over Tumblr like that, a bit embarrassing…

So my last question is do you have a tour kitten now?

Austin: No, unfortunately not. Although Alan does have a kitty back home, she’s real cute. I moved on from cats, I want a tour puppy now. Man I’m so metal…!

Austin Carlile, Of Mice & Men

Words: Emma Wallace
Portrait Photos: Tim Easton
Live Photos: Emma Wallace

We Are Lost Boys

WE ARE LOST BOYS
‘Life’

[Wolf At Your Door Records]

There is always something great about having lyrics describing everyday battles delivered to you in a matter of fact fashion, and that’s what We Are Lost Boys do so well with their latest EP ‘Life’. This is gritty British pop-punk laid bare for all to see with lead single ‘T.W.O.T.W’ epitomising the style they are aiming for.

But the issue with We Are Lost Boys is their lack of individuality; they couldn’t sound any more like Lower Than Atlantis if they tried. The transparent nature of their lyrics would come across as beautifully honest if it wasn’t for the blatant comparison to the work of their peers.

It’d be harsh to criticise this EP completely just because it’s not particularly unique… ‘Life’ is a great attempt, We Are Lost Boys just need to focus on carving their own way otherwise they will always be in the shadows of more established artists.

Words: Emma Wallace

Blitz Kids

Blitz Kids - Never DieBLITZ KIDS
‘Never Die’

[Hassle Records]

For a young band Blitz Kids sound mature beyond their years with latest mini-album ‘Never Die’. Opening track ‘You’re Dead To Me’ shows great intent to carve their own space in the new wave of British rock acts taking the world by storm. And with emotional vocals and uplifting guitar tone during ‘Strangers With Memories’ an overall feel of anthemic rock slots Blitz Kids neatly alongside their peers We Are The Ocean, Lostprophets and Deaf Havana.

The band recorded the 6 track album at Stakeout Studios with Jason Wilcock which appears to be an intelligent choice as the slick production refines the sound to a polished finished product. With stand out track ‘Never Die’ available for a FREE download from the band’s website and with an extensive UK tour coming up (including a support slot with the awesome Mallory Knox) it’s worth checking out Blitz Kids now as they prepare to fully make their make in 2013.

Words: Emma Wallace

Pure Love Live at The Boileroom, Guildford

Pure Love 1 copyright Emma WallacePURE LOVE
w/ Sharks, Scholars

The Boileroom, Guildford
26/10/12

The tiny Boileroom is packed tonight, not just with people but with a heavy sense of curiosity and excitement. First up are Scholars, although relatively unknown they manage to gain the interest of the whole room. Tracks such as ‘Blinda Data‘ really show this bands capability and with an impressive live show, make a note of Scholars as a potential buzz band for 2013.

Sharks have a strong fan base in the venue tonight, it appears every other person is wearing one of their shirts. So you’d think they would captivate the crowd, however they make little impact. ‘Arcane Effigies‘ creates a small sing along, but they don’t have half the presence and movement of Scholars. Unfortunately the old-school punk look and gimmicks don’t pay off, this is a case of image over substance.

Pure Love 1 copyright Emma Wallace

There is a genuine sense of excitement as Frank Carter, Jim Carroll and band take to the stage. They don’t stay there long. Just after one track Frank parts the crowd and takes the show into the pit. He declares ‘Put your phones away, stop posting photos on instagram looking like your having fun, lets have some real fucking fun. Stop making digital memories, lets make some real ones,’ and instantly the Pure Love party starts.

Despite their full-length still to be released the majority of the crowd somehow seem to the know every track word for word. Song after song is a mass of dancing bodies with Frank screaming into faces of the audience and Jim performing on the shoulders of the rest. Frank crowd surfing over to the bar for a beer whilst the drum kit moves from the stage into the pit for ‘Riot’ seems perfectly natural in this chaotic bliss.

Carter’s initial speech of ‘Guildford you are about to have the best 45 minutes of your entire life,’ seemed a bit presumptuous to start with, annoyingly arrogant even. But hats off to him, he was right. This has to be one of the greatest shows to have ever hit this sweat box venue, and arguably one of the best shows of the year. With every single punter leaving the venue with a grin from ear to ear it’s clear Pure Love are more than just a little project, this band could really achieve something.

Words & Photos: Emma Wallace

Parkway Drive

PARKWAY DRIVE
‘Atlas’

[Epitaph]

After creating an exceptional album with ‘Deep Blue’ expectations are high for Parkway Drive‘s November 2012 full length release ‘Atlas‘. Having such a large and passionate fan-base, Parkway Drive could put out a duff record and it still be widely adored, but there is no need for concern as the Australian quintet have yet again composed an astounding record.

Despite moving away from the completely conceptual approach of ‘Deep Blue’, Parkway Drive stick to the same format as other releases and open with an instrumental piece that slowly builds expectation when dark lyrics capture attention. Anticipation is intensely hanging in the air as ‘Old Ghosts / New Regrets’ roars into action with a driven speed that demands a mosh-pit to open.

Noting the success of the anthemic ‘Home Is For The Heartless’ from their last album, Parkway Drive have offered a few more dramatic and powerful moments which will surely cause unity at a live show. ‘The River’ and ‘Wild Eyes’ could easily fill a stadium whilst title-track ‘Atlas’ includes some exciting moments that reflect Bleeding Through’s orchestral approach.

If old-school, meaty Parkway Drive riffs are what you are crave there are still several tracks that cater for those hungry needs including ‘Sleigh of Hand’ which hosts licks similar to ‘Idols And Anchors’. And for those after a fast-paced assault on the ears, look no further than one of the closing tracks ‘Snake Oil And Holy Water’ which is sure to rip a new one into any venue.

As a whole ‘Atlas’ encompasses the true essence of what every fan loves about Parkway Drive. It could be seen as a more polished version of ‘Killing With A Smile’ whilst embracing the mature moments of ‘Deep Blue’.

Parkway Drive aren’t doing anything unconventional, they aren’t re-writing metalcore; they are continuing to define it. Each album the band produce develops over time as a milestone in the genre, in a few years time ‘Atlas’ will be reflected upon in the same inspiring light as all of their other works. Ultimately, Parkway Drive continue to set the standard in metalcore, a marker in musical excellence that very few others will reach.

Words: Emma Wallace

Memphis May Fire Interview

Dallas band Memphis May Fire are rapidly emerging in the metalcore scene and blew away many fans and critics alike with latest release ‘Challenger’. This autumn the band headed over to our shores with Of Mice and Men for a fully sold out Rise Records tour. We sent Emma to catch up with singer Matty Mullins backstage at the London date. Although Matty has been reported as coming across with arrogant swagger on stage, the Memphis May Fire front man is actually impeccably polite and full of honest truths about the scene and his band. Here’s what he had to say…

Matty Mullins, Memphis May Fire

Your older brother is also a musician, do you think his example has influenced you?

Of course, 100%. When I was growing up, his band was doing really well in the Christian scene, and they were touring in a bus just a few months into their career, so seeing that was like ‘Wow’. I also found his live show really inspirational, it wasn’t just his success that motivated me.

My sister dated a lot of musicians, so I got to meet lots of interesting people through her. My whole family has influenced me really, my mum took me to contemporary Christian concerts! I went to DC Talk as one of my first shows, my mum used to take me to Creation Fest, so musically I think I had a privileged upbringing.

My brother was living it and my mum and sister also got me involved, so I guess I was involved musically from a very young age. I’ve always known how the game works, I thank my family for that.

Which songs are you most proud of lyrically?

Jeez… I know it’s not really a proper answer, but I guess all of them. I can’t say a specific song as the albums are all different from each other.

If you listen to all our albums back to back you can see that my lyrical style changes. ‘Sleepwalking’ was more poetry and philosophically influenced, ‘Between The Lies’ was more me writing politically and morally. From then on we went to ‘The Hollow’ and that was a significant change, it was written about people that I know and experiences that people go through. Not necessarily things I have personally experienced but events people close to me have. Death, divorce and other issues are mentioned there. I think it gives our fans an outlet to relate to. ‘Challenger’ is different again. It’s about us as a band and who we are as people, and it reveals some things we struggle with.

As every album is different, my lyrics don’t stand alone. It’s more like a journey. I love that some people are touched by my lyrics, but I’m not hugely proud of them currently. I don’t think I have peaked. There is still a long way to go and I perceive myself to write much better lyrics in the future.

Do you think your personality comes across differently in the media and on stage to what is actually is like?

Yes. For sure. Our music is somewhat heavy and wild. This isn’t my personality. I’m not a manly man. I don’t drink massive amounts or like tough sports. I don’t live a ‘heavy’ lifestyle. A little bit of my personality comes out through my music, but the bold image I display on stage is quite different to who I really am. I’m quite quiet and through our music I can release emotions that I can’t release day to day. I feel I can articulate myself and get my point across in a louder fashion through music than I can through any other means.

Memphis May Fire, Electric Ballroom 10.10.12

Who would you consider to be the best front man in history?

Oh my gosh! That is a difficult question. I’m going to have to really think about this one. I reckon some people might hate me for my answers, as my musical upbringing was very different from many others. I reckon everyone would be like ‘Iggy Pop’ or ‘Mick Jagger’, but for me, it’d be Toby Mac from DC Talk. Despite being in his late 40s he still goes wild on stage and he does a hip-hop project on the side that’s really cool. There are some great front men in the heavier world currently. Jake from August Burns Red is amazing. In our genre, he’s hands down the best. I also want to mention Anthony Green, he’s amazing too.

If we are talking about stage presence, I think Christian from Blindside is so different, but in a good way. His moves are like no other. He doesn’t do metal stomps or hardcore hand movements. He just does flowing dance moves, it’s like he really connects with the music.

You’re on tour with Of Mice & Men at the moment, Austin Carlile is another much loved front man, what do you think it is that makes him so popular?

I think it’s because he’s developed so much over the past few years that he’s been touring. I saw videos from the Attack Attack! days and he’s made massive steps since then. And what’s more, it’s really inspiring that he’s doing this, and so well, with such a serious heart condition.

He has to be careful on tour because of his condition, but it doesn’t stop him being awesome on stage. He’s a real passionate dude as well, he loves his fans and he always tries to give the best performance he can which is really important when you are fronting a band.

What qualities make up a good front man?

To be original anymore is impossible. Everything has been done. So taking something that’s not original and putting your own twist on it is really important. Showing individuality is the key I suppose.

So Memphis May Fire are on the latest Punk Goes Pop album, how did you get involved and why did you chose ‘Grenade’?

Well, we were approached, there was a huge list of songs, and ‘Grenade’ looked like it suited us best.

You see, we’ve never been a funny band. We don’t try and be popular by acting stupid, so we wanted to pick something that still reflected our style. Lyrically, I think it transcends the sort of thing we write rather than being a more stupid style of pop song. On ‘The Hollow’ there are a lot of songs about heartache and ‘Grenade’ is sort of similar. It was fun to sing it. I’m not the biggest Bruno Mars fan but I think his voice is really cool, I respect him. Although I’m pleased with the song, and I think the whole album is great, its not something we are looking to perform live. We don’t want to be a band that rides off someone else success.

What are you planning for the rest of 2012 and 2013?

Literally two days after we get off this tour we will be heading out with Asking Alexandria, As I Lay Dying and Suicide Silence in America. That’s going to be massive- maybe the biggest tour we’ve done as a band. I’m so stoked to be going out with As I Lay Dying, they are iconic. Then after that tour we are off to Soundwave Festival in Australia, then there are two more US tours that haven’t been announced yet.

It sounds very full on! Will you be back over in the UK at all?

Yes. That I can confirm. The details are still a secret at the moment, but it’s going to be awesome!

Words: Emma Wallace
Live Photos: Emma Wallace
Portrait: Tim Easton

Memphis May Fire, Electric Ballroom 10.10.12

Straight Lines live at Face Bar, Reading


STRAIGHT LINES
w/ Evarose, Streetfight Silence, Ascent
Face Bar, Reading
13th October 2012

With arguably a decline in show attendance in the scene at the moment, smaller scale gigs are always going to suffer on an absolutely miserable Saturday night. It seems that the temptation not to venture out in the torrential rain to Reading’s Face Bar was too strong for many as Ascent open up to a grand total of five people. A few more dawdle through the door mid-set but there is a large void in the centre of the room as punters head to the bar rather than appreciate the performance in front of them.

Its really disheartening to see a band play to so few people especially when they are actually pretty decent. Reminiscent of Francesqa, the Newbury based band certainly have a great level of musicianship. The gritty and slightly unclean vocals would set them apart from their peers, if there were people to listen…

Next on are local-ish Streetfight Silence, their presence has an immediate impact as a fair number gather around the stage to engage with their You Me At Six/Lower Than Atlantis inspired pop-punk. ‘We Must All Learn’ is a polished rock song and forthcoming single ‘Low’ is instantly appealing with a dirty, chugging baseline and catchy chorus. By upping the tempo the band captivate the small crowd in what can only be seen as a success in tough circumstances.

The first of the touring bands to perform is Evarose. By being and all girl quartet the group are already standing out from the others, but if you let the music do the talking rather than appearance, they are not so different; its fairly standard pop-rock. Their sound is solid, there are a number of tracks that are pretty good but unfortunately its nothing astounding. However what is impressive is vocalist Dannika Webber and bassist Connie Raitt doing their up-most to hype up a dull audience and their enthusiasm is refreshing. It must also be noted that Robyn Griffith offers some unique fills behind the kit making Evarose sound stronger as a unit.

Headline act Straight Lines have an individual tone to their music; slightly jangled guitars and jerky riffs allow them to be comparable to rock outfits such as The Xcerts, Tiger Please and Max Raptor. Front man Thomas Jenkins is a typically friendly and upbeat Welsh-man attempting charismatic chat between songs. Displaying flashes of humor such as greeting the audience with ‘Hello Reading Festival!’ is an endearing quality of the band.

Although there is little movement in the audience, it’d be fair to say that Straight Lines have a successful night in Reading. By mid set they are playing to a reasonably full room who seem to be fully appreciating the music, but just in a stand-there-smile-and-rock-your-head kind of way. The performance reaches its highlight towards the end when ‘Ring The Bell’ and ‘Commitments’ (taken from the band’s latest release ‘Freaks Like Us’) demonstrate Straight Line’s talent in song-writing through their attentive ear for melody. Straight Lines are a band full of promise, their dedication to touring the circuit gives them much credibility. Lets hope their commitment sees them rise up the ranks like they deserve to.

Words: Emma Wallace