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Vans Warped Tour UK 2012


10,000 music fans, 28 bands from 6 countries performing across 4 stages with 4,065 cans of Monster Energy Drink consumed, sums up the triumphant success that was 2012’s sold out Vans Warped Tour UK.

After soaking up the brilliant atmosphere for the early part of the event at London’s iconic Alexandra Palace, team Crossfire situated themselves in the main room to bring you back the info on performances from the Monster stages.

First off, we caught Breathe Carolina [3/5]. Now obviously this sort of electro/screamo vibe is not normally the kind of thing you would hear us raving about, but fair play to the duo, they really know how to work a crowd. The music maybe takes itself a little too seriously considering it is essentially just pop, but nonetheless, Breathe Carolina are widely adored by hyper-active fans.

Breathe Carolina

Following Breathe Carolina comes a completely different monster, UK born and bred metalcore titans, Architects [5/5]. Their thunderous blast beats and sub drops destroy the ear drums of a riff hungry crowd who respond with the biggest pits of the event so far. ‘Follow The Water’ and ‘These Colours Don’t Run’ are particular highlights of Architects’ set which ends with a union of voices screaming ‘You Fucking Pigs’ and the whole band surfing across the crowd.

Architects
On Stage With Architects
On Stage With Architects

3oh!3 [4/5] introduce themselves as a pop band, realistically that’s what they are, not typically a traditional Warped Tour artist. However, when you perform with such stage presence it doesn’t matter what genre you are tied to. ‘Don’t Trust Me’, ‘Starstrukk’ and ‘Punkbitch’ are all guilty pleasures to a crowd usually fed on punk and metal, but there really is no shame in enjoying these pop tarts when the bass is cranked up to such a dirty level.

Bringing the music back to the classic sound of Warped Tour, New Found Glory [3/5] bounce through an energetic set featuring all their hits with ‘My Friends Over You’ and a cover of Sixpence None The Richer’s ‘Kiss Me’ highlighting a charismatic performance. Showing professional brilliance, the band fought through technical difficulties to produce some of the most fun filled pits of the day. Even without being the biggest pop-punk fan, the infectious and uplifting sense of nostalgia was enough to get anyone involved.

After having been away from consciousness for a while, The Used [4/5] return to the UK with a commanding presence. ‘All That I’ve Got’ and ‘The Taste Of Ink’ are captivating and allow fans to reminisce the days when The Used were undoubtedly the king of emo. But it’s ‘Pretty Handsome Awkward’ that stands out of a polished set due to the punishing pit it creates.

Although known for being a bit hit and miss when it comes to live performances, Bring Me The Horizon [5/5] stole the show this time around at Warped. If the sound of screaming was deafening when the band walked on to the stage, words cannot describe the intensity when front man Oli Sykes appeared. It seems this generation’s metal poster boy left his demons behind for Bring Me’s set, as his presence was nothing short of iconic. Technically brilliant, impeccably tight, energetic across the stage and featuring surprisingly impressive clean vocals from Jona Weinhofen, this performance cements Bring Me The Horizon as the ones to beat in metal with new material from forthcoming album ‘Sempiternal’ sounding equally as brilliant as previous work.

Oli Sykes - Bring Me The Horizon
Oli Sykes
Bring Me The Horizon

Oddly enough, Lostprophets [3/5] appear a little out of place as headliners. Although their extensive and impressive history earns them this slot, they aren’t quite the buzz band they used to be. But ‘Shinobi vs Dragon Ninja’ brings utter destruction whilst ‘Rooftops’ holds the crowd firmly in the palm of Ian Watkin’s hand. When a set list is filled with classics such as ‘Can’t Catch Tomorrow’ and ‘Last Train Home’ you wonder why we ever doubted their dominance.

Ian Watkins - Lostprophets
Lostprophets
Vans Warped Tour UK Crowd

Words: Emma Wallace
Photos: Emma Wallace

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Features Music

Must See Shows: November 2012

Our selection of ‘Must See Shows’ this month pretty much caters for everyone. Whether you are after big breakdowns, dark atmospherics or just straight forward rock anthems look no further than this list. Oh and November also features Warped Tour. Get in.

2:54
w/ Pins, Childhood, Deaf Club

02 – OXFORD The Jericho Tavern, 03 – BIRMINGHAM The Sunflower Lounge, 04 – BRIGHTON The Haunt, 06 GUILDFORD The Boileroom, 07 – LONDON XOYO, 08 – BRISTOL The Croft

If moody atmospherics spark interest in your head, look no further than 2:54. This indie duo are set to take off big time after comparisons to the likes of The XX and Alpines. This is definitely a case of catch them in an intimate setting whilst you still can.

CROSSFAITH
05 – GUILDFORD Boileroom, 08 – BOURNEMOUTH Soundcircus, 09 – BATH Komedia, 10 – LONDON Warped Tour

These venues really are to small to handle Crossfaith. If you saw them tear apart the UK earlier this year in support of Of Mice & Men you’ll know exactly what we are talking about. Mashing up a combination of The Prodigy and brutal breakdowns this Japanese band epitomize the meaning of ‘Must See Show’.

DEAF HAVANA
w/ Canterbury, There For Tomorrow

08 – COVENTRY Kasbah, 09 – LEEDS Met Uni, 10 – MANCHESTER Ritz, 11 – GLASGOW ABC, 12 – NEWCASTLE Academy, 14 – PORTSMOUTH Pyramids, 15 – NORWICH UEA, 16 – LONDON Shepherds Bush Empire

We picked Deaf Havana out as one of the highlights of Hevy Festival this summer due to their anthemic pop-rock tunes and seeing them in an enclosed environment will only top those brilliant festival performances. And after releasing a brilliant alternative version of ‘Fools & Worthless Liars’ last month, here’s hoping that they add in a few of their acoustic numbers to the set too.

PARKWAY DRIVE
w/ Emmure, The Word Alive, Structures

14 – BIRMINGHAM Ballroom, 15 – MANCHESTER Academy, 16 – LEEDS University, 17 – LONDON Roundhouse

Gracing the buzz chart and currently sitting in the ‘Album of the Week’ spot with ‘Atlas’, it’s no secret that we love Parkway Drive at Crossfire. If you have seen their latest DVD ‘Home Is For The Heartless’ you’ll know that if any ticket bearers are in for a treat with PWD’s live show.

POLAR
w/ TRC, Prowler

26 – NORWICH Waterfront Studio, 27 – READING Face Bar, 28 – BOURNEMOUTH Soundcircus, 28 – BRISTOL The Croft, 29 – PLYMOUTH The White Rabbit

Stating their influences as ‘Big beats. Strong booze. Loose morals. Good times.’ its clear to see that a Polar show is going to be wild. If you are heading to see them out of curiosity, don’t sit down or just stand, get involved otherwise front man Adam Woodford might just force you to himself…

THE ELIJAH
w/ Hello Mexico, Black Shapes

16 – LONDON The Underworld

For one night only post-rock newcomers The Elijah will be playing their epic debut album ‘I Loved I Hated I Destroyed I Created’ accompanied by the Niche London String Quartet. This show is will definitely be a spectacle to behold.

WARPED TOUR
10 – LONDON Alexandria Palace

Lostprophets, Bring Me The Horizon, New Found Glory, Less Than Jake , Man Overboard, The Story So Far , 3oh!3, The Acacia Strain, Awolnation, Architects, Breathe Carolina, Bury Tomorrow and many more all under one roof at London’s iconic Alexandria Palace. Need we say anymore?!

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Album Reviews Buzz Chart Reviews

Architects

The Here And Now
Century Media

Architects are one of those bands who appear to have had an astronomic increase in popularity over the past few months when, in fact, they’ve been plugging away , building their way up through the UK underground for a good few years. The fact that magazines such as Rock Sound and Metal Hammer are now featuring them on their covers shows just how far they have come, mind. And their latest album ‘The Here And Now’ is a demonstration of the band’s potential and scope to really hit the mainstream (as far as metal can).

Spikey edges with technical riffs and raw vocals still remain in some tracks but Architects have embraced the more melodic side of their music with open arms. Anthemic singalongs, balladesque clean vocals, toning down of riffs’ sharp edges – this is a band who are definitely making a stab at the mainstream and they may well lose some of their original fans because of this. But the fact remains that this is a great album which actually benefits from the injection of variety that comes from the inclusion of less-jagged elements which are expertly juxtaposed against the metal grit which is definitely still present.

It’s on songs like ‘Year In, Year Out/Up and Away’ (which features guest vocals from Dillinger’s Greg Puciato) that Architects’ roots in more frenetic and full-on metal stylings really shine through and it’s because they’ve stayed true to this side of their sound, at least to some extent, that the band can get away with their new-found leanings to those more radio-friendly of songs. And it seems to be getting them more and more attention as the band have seen latest single ‘ Day In, Day Out’ played by the likes of the really quite mainstream Zane Lowe and Fearne Cotton on daytime and early evening Radio 1.

Winegums