Killing With A Smile – Caught in the Crossfire

PARKWAY DRIVE
w/ Emmure, The Words Alive, Structures
The Roundhouse, London
17/11/12

Parkway Drive are the headliners at tonight’s show at a packed out London Roundhouse, and judging from the expectant air looming about the venue, it’s going to be a great night.

Up first are the techiest band tonight; Structures. They sound great and manage to get the crowd pumped up early in the night. Definitely one to watch live, as they sound a great deal more powerful on a stage than a CD.

Next on are The Word Alive, who blend melody and heaviness superbly. They manage to cram loads of songs into their relatively short set and the crowd seem to be warming to them by the middle of the performance. Pleasingly, the band seem utterly grateful to be able to play to so many people, and thank the crowd over and over, which is good to see!

Emmure are probably the ultimate marmite band. Yes, lots of people will turn their noses up at them, but they manage to pull off one of the best live performances of the year tonight. They sound monumentally heavy, and the crowd react to all of frontman Frankie’s commands without thought. They too sound better live than on a cd, thanks to massive tone and drums, along with Frankie’s unique vocal delivery. Grand.

Parkway Drive however, will ALWAYS steal the show when it comes to a live performance. Packing 2 projectors and all the lights you’d ever want onto the stage tonight, PWD are on perfect form, sounding monstrous as usual. They are deliver their set like it was their last ever show, with the crowd response matching as they go mental throughout the entire performance. With a lengthy setlist comprising of all their best songs from previous records and some huge new tracks from new release ‘Atlas’, their show is pretty much spot on, and they remain THE live band to beat. Very, very impressive indeed.

Words & Photos: Jake Owens

PARKWAY DRIVE
‘Atlas’
[Epitaph]

After creating an exceptional album with ‘Deep Blue’ expectations are high for Parkway Drive‘s November 2012 full length release ‘Atlas‘. Having such a large and passionate fan-base, Parkway Drive could put out a duff record and it still be widely adored, but there is no need for concern as the Australian quintet have yet again composed an astounding record.

Despite moving away from the completely conceptual approach of ‘Deep Blue’, Parkway Drive stick to the same format as other releases and open with an instrumental piece that slowly builds expectation when dark lyrics capture attention. Anticipation is intensely hanging in the air as ‘Old Ghosts / New Regrets’ roars into action with a driven speed that demands a mosh-pit to open.

Noting the success of the anthemic ‘Home Is For The Heartless’ from their last album, Parkway Drive have offered a few more dramatic and powerful moments which will surely cause unity at a live show. ‘The River’ and ‘Wild Eyes’ could easily fill a stadium whilst title-track ‘Atlas’ includes some exciting moments that reflect Bleeding Through’s orchestral approach.

If old-school, meaty Parkway Drive riffs are what you are crave there are still several tracks that cater for those hungry needs including ‘Sleigh of Hand’ which hosts licks similar to ‘Idols And Anchors’. And for those after a fast-paced assault on the ears, look no further than one of the closing tracks ‘Snake Oil And Holy Water’ which is sure to rip a new one into any venue.

As a whole ‘Atlas’ encompasses the true essence of what every fan loves about Parkway Drive. It could be seen as a more polished version of ‘Killing With A Smile’ whilst embracing the mature moments of ‘Deep Blue’.

Parkway Drive aren’t doing anything unconventional, they aren’t re-writing metalcore; they are continuing to define it. Each album the band produce develops over time as a milestone in the genre, in a few years time ‘Atlas’ will be reflected upon in the same inspiring light as all of their other works. Ultimately, Parkway Drive continue to set the standard in metalcore, a marker in musical excellence that very few others will reach.

Words: Emma Wallace