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Skateboarding News

Brad Cromer’s part from Outliers

Ph: Barton

brad_cromer_skate

Brad Cromer’s section in Transworld’s Outliers flick kicks off 2015 in style. Endless technical steez with switch prowess and a reminder of what bar this year is set at. Cannot wait.

Download the full flick from iTunes.

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Preview

Pond share new music video

pond

Ahead of their forthcoming album, Man It Feels Like Space Again, Perths finest purveyors of mind bending psych have dropped a brand new music video for their epic new track ‘Sitting Up On Our Crane’. Pond also offer the track as a free download via their website for a limited time.

Watch this tripped out visual roller coaster below and catch their fantastic live show in the UK in February 2015.

Man It Feels Like Space Again is due January 26th 2015 via Caroline Records.

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Features Music

Crossfire Albums of 2014

crossfire_albumsofyear_2014

Was 2014 the year that pop music died? It was definitely another year of us not giving a single toss about it. Some will remember it as the year that U2 shat on most people’s mp3 collections. Others who lost their mp3 collections to some hard drive failure will be sobbing and turning to vinyl finally, in a year that sales for the good stuff rose to record figures and rightly so.

As usual, hundreds of albums came and went. Some were over-hyped, others made us dance, sing, shout and write about them. Here’s a list of our top 10s and favourite songs from the reprobates who supply the good ship Crossfire with their love and passion monthly.

If you want in on this and feel the urge to contribute reviews in 2015 then get in touch.

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ZACHARY LEEKS:

1. Vertical Scratchers – ‘Daughter Of Everything’ – (Merge Records) review
2. Pusrad – ‘Erarre Humannum EST’ – (Dead Beat)
3. BRONCHO – ‘Just Enough Hip To Be Woman’ – (Dine Alone Records)
4. Fugazi – ‘First Demo’ – (Dischord Records)
5. The Proper Ornaments – ‘Wooden Head’ (Fortuna Pop)
6. Wax Children – ‘Angst’ – S/R review
7. OFF! – ‘Wasted Years’ – (VICE)
8. The Ghost Of A Sabre Tooth Tiger – ‘Midnight Sun’ – (Chimera)
9. Useless Eaters – ‘Bleeding Moon’ – (Castle Face Records)
10. J Mascis – ‘Tied To A Star’ (Sub Pop) review

Honourable mentions: Sleaford Mods, Afghan Whigs, Run The Jewels, Cheatahs, Jonathan Boulet.

Song of the Year: The Proper Ornaments – ‘Now I Understand’ (Fortuna Pop)

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NICK HUTCHINGS:

1. Oozing Wound – ‘Earth Suck’ – (Thrill Jockey) review
2. Chain & The Gang – ‘Minimum Rock & Roll’ – (Dischord) review
3. White Fence – ‘For The Recently Found Innocent’ – (Drag City) interview
4. Ty Segall – ‘Manipulator’ – (Drag City) review
5. Thee Oh Sees – ‘Drop’ – (Castle Face) review
6. Half Japanese – ‘Overjoyed’ – (Joyful Noise) interview
7. Pissed Jeans – ‘Shallow’ (reissue) – (Sub Pop) interview
8. Black Pus / Oozing Wound – ‘Split LP’ – (Thrill Jockey)
9. J. Mascis – ‘Tied To A Star’ – (Sub Pop) review
10. King Gizzard & The Lizard Wizard – ‘I’m In Your Mind Fuzz’ – (Heavenly Recordings) review

Song of the Year: Black Pus – ‘Blood Will Run’ (Thrill Jockey)

This is Brian Chippendale from Lightning Bolt’s “other band” playing a cautionary tale from the obnoxiously / deliciously titled “Split LP” with Oozing Wound. Related to a controversial shooting incident, this feels even more apt given recent incidents in Ferguson, USA. Aside from the heaviness, I love how the “yo” at the beginning could almost be the beginning of Skee-Lo’s ‘I Wish’ – that is until the deep drumming and heavy shredding…

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MILES HACKETT:

1. ACxDC – ‘Antichrist Demoncore’ – (Meletov)
2. OFF! – ‘Wasted Years’ – (Vice) review
3. The Lawrence Arms – ‘Metropole’ – (Epitaph)
4. Cold World – ‘How The Gods Chill’ – (Deathwish)
5. Mongol Horde – ‘Mongol Horde’ – (Xtra Mile)
6. Boston Strangler – ‘Fire’ – (Fun With Smack)
7. Praise – ‘Lights Went Out’ – (React)
8. Old Firm Casuals – ‘This Means War’ – (Randale)
9. Foreseen – ‘Helsinki Savagery’ – (2 Buck Spin)
10. Vanishing Life – ‘Vanishing Life’ – (Collect)

Song of the Year: ACxDC – ‘Filicide’ (Meletov)

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TIM LEWIS:

1. Self Defense Family – ‘Try Me’ – (Deathwish)
2. The Number Ones – S/T – (Static Shock Records / Deranged Records) review
3. Code Orange – ‘I Am King’ – (Deathwish)
4. Good Throb – ‘Fuck Off’ – (S/R)
5. Perspex Flesh – S/T – (Static Shock Records)
6. Angel Du$t – ‘A.D.’ – (React! Records)
7. The Lowest Form – ‘Negative Ecstasy’ – (Iron Lung Records)
8. Renounced – ‘The Melancholy We Ache’ – (Carry The Weight Records)
9. Eagulls – S/T – (Partisan) review
10. The Flex – ‘Wild Stabs in the Dark’ – (Milk Run Records)

Honourable mentions: Hank Wood and the Hammerheads, FKA twigs, Give.

Song of the Year: Self Defense Family – ‘Cottaging’ (Deathwish)

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PETE CRAVEN:

1. Grand Collapse – ‘Far From The Callous Crowd’ – (Pumpkin Records)
2. OFF! – ‘Wasted Years’ – (Vice Records) review
3. Los Pepes – ‘Everyone’ – (Wanda Records)
4. Neighbourhood Brats – ‘Recovery’ – (Deranged Records)
5. No Problem – ‘Already Dead’ – (Deranged Records)
6. 7Seconds – ‘Leave A Light On’ – (Rise Records) review
7. Burning Heads – ‘Choose Your Trap’ – (Opposite Productions)
8. Young Conservatives – S/T – (Obscene Baby Auction)
9. Castro – ‘The River Needs’ – (Boss Tuneage)
10. Give – ‘Electric Flower Circus’ – (Adagio 830)

Song of the Year: Neighbourhood Brats – ‘Complete Mess’ – (Deranged Records)

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JAMES SHERRY:

1. Sleaford Mods – ‘Divide & Exit’ – (Harbinger)
2. OFF! – ‘Wasted Years’ – (Vice Records) review
3. Pusrad – ‘Erarre Humannum EST’ – (Dead Beat)
4. The Boston Strangler – ‘Fire’ – Boston Strangler
5. Vertical Scratchers – ‘Daughter Of Everything’ – (Merge) review
6. The Ghost Of A Sabre Tooth Tiger – ‘Midnight Sun’ – (Chimera)
7. King Gizzard & The Lizard Wizard – ‘I’m In Your Mind Fuzz’ – (Heavenly Recordings) review
8. Black Lips – ‘Underneath The Rainbow’ – (Vice Records) review
9. Goat – ‘Commune’ – (Rocket Recordings) review
10. Sun Kil Moon – ‘Benji’ – (Caldo Verdi)

Honourable mentions: Street Beef, The Flex, Eagulls, Big Ups, Chain & The Gang, Control Group, Hank Wood & The Hammerheads, Reigning Sound, Satan’s Satyrs, J Mascis and The Allah-Las.

Song of the Year: Sleaford Mods – ‘Tweet Tweet Tweet’ – (Harbinger)

The_Xcerts_There_Is_Only_You_

CHRIS BUNT:

1. The Xcerts – ‘There Is Only You’ – (Raygun Music) review
2. Cloud Nothings – ‘Here and Nowhere Else’ – (Wichita)
3. Ryan Adams – ‘Ryan Adams’ – (Pax AM)
4. Manchester Orchestra – ‘Cope’ – (Loma Vista Recordings)
5. Thom Yorke – ‘Tomorow’s Modern Boxes’ – (S/R)
6. Eugene Quell – ‘A Great Uselessness’ – (Sonic Andehonic) review
7. Caribou – ‘Our Love’ – (Merge/City Slang)
8. Fucked Up – ‘Glass Boys’ – (Matador)
9. Flying Lotus – ‘You’re Dead!’ – (Warp)
10. Gnarwolves – S/T – (Big Scary Monsters)

Song of the Year: Cloud Nothings – ‘I’m Not Part Of Me’

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DAVE PALMER:

1. GOAT – ‘Commune’ – (Rocket Recordings) review
2. BRONCHO – ‘Just Enough Hip To Be Woman’ – (Dine Alone Records)
3. Sheer Mag – ‘7”’ – (S/R)
4. Wax Children – ‘Angst’ – (S/R) review
5. Slippertails – ‘There’s A Disturbing Trend’ – (Fleeting Youth)
6. Cheatahs – S/T – (Wichita) review
7. The Proper Ornaments – ‘Wooden Head’ – (Fortuna Pop!) review
8. Silo – ‘Work’ – (Novennial Paralysis) review
9. Honeyblood – S/T – (Fatcat)
10. Vertical Scratchers – ‘Daughter Of Everything’ – (Merge Records) review

Honourable mentions: Lee Ranaldo’s ‘Acoustic Dust’, Fucked Up’s ‘Glass Boys’, Ex Hex’s ‘Rips’ and Fait’s ‘Atmosphere’ EP.

Song of the year: Girl Band – ‘Lawman’ – (self released)

under_color_of_official_right

JOE PARRY:

1. Protomartyr – Under Color Of Official Right – (Hardly Art)
2. Ought – More Than Any Other Day – (Constellation)
3. Perfect Pussy – Say Yes To Love – (Captured Tracks)
4. Eagulls – Eagulls – (Partisan) review
5. Run The Jewels – RTJ2 – (Mass Appeal)
6. Nothing – Guilty of Everything – (Relapse)
7. Alvvays – Alvvays – (Transgressive)
8. Fear of Men – Loom – (Kanine)
9. Angel Olson – Burn You Fire For No Witness – (Jagjaguwar Records)
10. Dean Blunt – Black Metal – (Rough Trade)

Honourable mentions: BRONCHO, Obliterations, Honeyblood, Todd Terje, A Twilight Sad, Cayetana, Cave Needles, White Lung, LOWER and Wild Beasts.

Song of the year: Todd Terje feat. Bryan Ferry – ‘Johnny & Mary’ – (Olsen Records)

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Skateboarding News

Blake Carpenter’s Dekline True Blue part

blake_carpenter_skate

Blake Carpenter‘s switch skills end this 7 minute journey from the new Dekline video on a massive high. Not bad for an am…

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Skateboarding News

KOTR 2014: Highest, Longest, Most edit

drop_in_skate

So here’s the awards for Thrasher’s annual King of the Road. Press play for insane crooks, shit smearing, nollie tre front boards, gnarly drop ins and more.

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Skateboarding News

Manolo Robles Darkstar edit

manolo

Manolo Robles pushes his tekkers for Darkstar once again today with this technical life edit. The ender is one of the longest you will ever see.

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Music News

Cheatahs share new music video

cheatahs_sunne

Following the announcement of their February EP, Sunne, London ‘gazers Cheatahs have shared a new music video to accompany the lead track, ‘Controller’.

Directed by Federico Urdaneta, of the All Too Human film collective, and co-written by guitarist James Wignall, the video holds a darkly amusing subtitled narrative. Stream it below.

Sunne is due for release on February 23rd 2015 via Wichita Records.

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Buzz Chart

Drug Church

drug_church

Drug Church
‘But Does It Work?’
No Sleep

What with front-man Patrick Klindon’s thorough involvement with Self Defense Family as of late, it’s refreshing to hear noise from New York punks Drug Church again. The five-piece end their silence with the announcement of a new EP for 2015, and have shared lead track ‘But Does It Work?’ online today.

Following the band’s well received 2013 LP, Paul Walker, Drug Church’s latest offering sounds as though it could have been taken from the very same sessions. The mingling bass guitar riffs, huge dynamic changes and Klindon’s distinctive vocals all ring true with their 2013 sound, despite the band seeking out prolific DC producer J. Robbins to record the EP.

Stream ‘But Does It Work?’ below.

Swell is released on February 9th via No Sleep Records.

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Features Home Skateboarding

Up River with Weed Socks. That YouGov?

Illustration: George Yarnton
Words: Chris Lawton
Why this article exists: Thank YouGuv

george_yarnton_illustration_crossfire1It’s a great time to be a skateboarder. Whether you’re a teenager rocking high-waters, retro board shapes and no-complies, or a 30-plus Wu-tang and switch-mongo advocate, the indie brands have something for you. At the exact same time, identikit athletes perform for energy drink sponsors and a global audience. At the grass-roots, these contradictions feed and are fed by an ‘anything goes’ attitude that had been absent since the victory of street skating in the culture wars of the early 90s. Skating has become more at ease with difference, from trick selection to age and gender. Or so it may seem to those of us who immerse ourselves in this stuff out of weird compulsion.

But increased popularity has attracted unwanted attention from the mainstream media. The Guardian recently recommended Supreme 5-panels and Palace t-shirts to metropolitan creatives struggling with what to wear at the weekend. Whilst appropriating our style they sneer at the act of skateboarding: along with the New York Times, the BBC and Marie Claire, they can’t help but flap and point at the ‘new’ phenomena of the over-30 male skateboarder and female skaters of any age whatsoever. Marie Claire got themselves rightfully slapped down for suggesting that girls should only be interested in skating to pick up cute boys, but it’s the Telegraph who have been particularly generous. Not satisfied with paying an ex-FHM writer to tell us to quit in our teens, they tasked Harry Wallop, self-styled consumer expert and grandson of the Earl of Portsmouth, to cry ‘mid-life crisis’ at those who refuse to cease skating after an arbitrary age milestone. Because skateboarding is for teenage boys – and what’s funnier than some 35, 40 or 50 year-old who’s too poor for a sports car?

As aristocratic journos and media arseholes seek to define us as either desperate mid-lifers or ignorant teenagers, respected market researcher YouGov comes to the rescue. They promise to give their clients a “detailed portrait of their customers’ entire lives….allowing brands and their agencies to assess consumer behaviour with greater granularity, accuracy, and immediacy than ever before.” And luckily for us, they have a profile for ‘people who do skateboarding’. YouGov’s skateboarder is male, aged between 18-24, in low-skilled work or unemployed, and has a disposable income of less than £125 a month. Unfortunately, he also says some pretty dumb things. His favourite brands and entertainment include Skittles sweets and Glorious Goodwood Horse racing….Thanks YouGov, you’ve just provided empirical evidence to support Wallop et al.’s view that skateboarding is overwhelmingly for ill-informed nose-pickers who’ll buy anything gaudy or colourful.

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Of course, there are big caveats. For every ‘real’ skateboarder who make up their relatively small sample, you’ll undoubtedly have at least three berks who list skating amongst a menu of random ‘extreme dude’ activities. You know the guy: he frequently pops up on TV dating shows (“Hi, my name’s Tristan – I’m into Coldplay, extreme sports – like skateboarding and bungee jumping – I live with my mum and have a pierced buttock”). Secondly, the brand and entertainment choices are likely to be selected from YouGov’s clients. Welcome or Magenta are unlikely to be amongst the options. But with all those caveats said and done, this profile does have elements of truth.

Young males do make up a very large part of skateboarding. Skate industry reps will tell you that ‘kids’ make up their target market. The briefest visit to a skatepark shows this to be true. The bravest, most thought-provoking Jenkem articles are inevitably followed by comments from 15 year old Americans slurring the author’s and each others’ sexual preferences.

Salty older skaters may protest, “no way, brah…. we’re the 21st century’s travelling warrior poets: modern-day beatniks, like Kerouac in vulcanised sneakers.” But there’s a good reason our video and graphic output remains streets ahead of other contemporary sub-cultures (even during the dark years of the mid-2000s when brands churned out nothing but logo boards and every video was edited to cry-baby indie-rock). Energetic, wilful stupidity. However much of a well-travelled, bohemian Zen warrior you may like to think you are, however eclectic your music taste, or how many art galleries you’ve visited, if you skate – you’re 70% idiotic teenager ‘til the day you die. And this is a great thing. Take Jacob Ovgren’s amazing art for Polar, or World Industries in the mid-90s – when our culture is at its best, it’s mainlining pure youthful stupidity alongside the obligatory time lapse photography and Smiths lyrics.

Of course, the average age of skateboarders is getting older. No real skater quits any more, unless they’ve been super unlucky with injury. Our challenge is to move beyond the persistent level of sexism and homophobia – to mature a tiny little bit without losing sight of what it means to be a skate rat.

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The other message from YouGov’s profile is the accessibility of skateboarding to lower income groups. You don’t need to afford skiing trips or golf club membership to be a committed skateboarder. The appeal to people from deprived backgrounds as well as more comfortable suburban families drives skateboarding’s sense of creativity and grittiness. Very little good music is created by the posh – there needs to be some struggle, some risk. For less than £200 you can skate exactly the same set-up and sneakers as Eric Koston. However elitist and judgemental skating can sometimes be, it is ultimately democratic.

And this gets us full circle. Why do ‘they’ have such a dim view of the act of skateboarding? Your average middle-class adult can go on a snowboarding holiday, and no one bats an eyelid. Terrible people join golf clubs, and impress other terrible people by doing so. No criticism of these things, but they cost money. You can lose a lot of precious life worrying about why the arseholes judge skateboarding the way they do – but the opinion and lifestyle pages of the Telegraph, Times, Independent, Guardian etc. also tend to say some pretty terrible things about other pastimes with relatively low financial barriers to entry. Cycling? Also full of desperate mid-lifers who can’t afford an affair. Running? Sad try hards who need to get out more. Music fan over 25? You’re a “Dave” who should visit Dignitas.

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In short, if you’re an adult, and do any of these things: the UK commentariat hates you. So don’t worry about it: skateboarding’s amazing, and free, and sketchy, and grubby. If you did something else, the arseholes will still call you terrible things. And this is why: from William the Conqueror to David Cameron, the rich have always played – be it fox hunting or croquet. Only in relatively recent years have normal folk been able to devote significant time to leisure activities. Just 40 years’ ago, many in the north and midlands traded their school uniform for a hard hat and a lifetime of back-breaking coal mining. The modern Western world, with all its ills and inequalities, gives most of us the opportunity to play.

In addition to saying bitter things about skateboarding, Harry Wallop wrote ‘Consumed: How Shopping Fed the Class System’, in which he argues that it is spending that gives us our social status. In his world, we are defined by what we consume. If we buy similar products and play at similarly expensive games, we have ascended to their social level. If we spend our money on a skateboard, or a pair of running shoes, or a bike, we’re a scumbag – we’ve brought nothing of value, and thus have no value. And when you realise that an enormous share of newspaper columnists and other ‘opinion formers’ belong to a tiny elite (47% went to Oxford or Cambridge compared to less than 1% of the population, according to the Cabinet Office’s ‘Elitist Britain’ study), its not surprising they can’t see anything positive in skateboarding – it merrily spits in the face of the values of their elite.

So whether you’re 15 or 45, if you skate, you’re a stupid genius, sticking two fingers up at our social ‘betters’. They can keep Harry Wallop and YouGov, we’ve got Kareem Campbell, Chewy Cannon and Dave Mackey.

– Chris Lawton.

Follow us on Facebook, Twitter or Instagram for daily skate news. If you would like to contribute articles to CF then get in touch.

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Skateboarding News

Ben Raemers and Horsey’s section from Albion

Ph: Horsey switches it up for Rob Shaw’s lens

albion_ review_dvd_ horsey_photo_by_rob_shaw-skate

Get even more footage of Ben Raemers this time cutting it up alongside Horsey in their joint section from the Albion video. Essex represent!