10 Life Lessons I learnt from the Wu-Tang Clan

wutang

Back in 1997, the summer I turned 18, I was finishing school and I had no idea where I was heading. What I did know was that I loved Hip Hop and in particular the Wu-Tang Clan. The rap super group had just released their sophomore album ‘Wu-Tang Forever’ and it was a double disc extravaganza of stanzas that solidified their legend status and tore away any of the glitz and glamour that was rapidly infecting the culture. ‘Wu-Tang Forever’ dropped at exactly the right moment to shine a light for all the fans who were finding it hard to associate themselves with vinyl suits, blowing wads of cash on fizzy wine and sing-a-long hooks. RZA said it best as he closed off ‘Bells of war’ (Track 8, Disc 2) “Pick up the Wu-Tang double CD and you’ll get all the education you need this year”. So, what has the Wu-Tang Clan taught me? Here are 10 important life lessons from the Clan. – Ralph Lloyd-Davis

WuTang_2

The first lesson I learnt from studying Wu lyrics was the economic reality of living in a low budget environment. ‘C.R.E.A.M.’ is probably the most infamous track off their debut album ‘Enter the 36 Chambers’ where Raekwon the Chef and the Rebel INS Inspectah Deck recount their struggles coming up in the ghetto as Method Man chants the acronym of truth “Cash Rules Everything Around Me – CREAM! Get the money, Dollar Dollar bill yo!” This chorus was a wake up call to say that if you’re not earning a living in this world, it won’t stop for you. In today’s economic climate with an already massive and steadily growing divide between rich and poor and a shrinking middle class, I’m surprised the Clan hasn’t been invited to talk at more political rallies or market forums.

The second lesson was delivered on Method Man’s debut album ‘Tical’, the second album to come from the Staten Island-based stronghold. It wasn’t a lesson in street smarts or how to spend thousands of dollars frivolously. It was a lesson in love. ‘All I Need’ featuring R & B royalty Mary J. Blige, is a love song between a man and a woman where their steadfast support of one another has helped them surpass any obstacle in their path. The duet is inspired by the famous soul duet between Marvin Gaye and Tammi Terrell of the same name, and is given a modern day twist with Method Man’s slang and a sample of Notorious BIG’s ‘Me & my Bitch’ (“Cry together, lie together, I swear to God I hope we fucking die together”), which in itself is a melancholic tale of a turbulent love affair. Method Man’s promise of “mad love to give” his girl and his admiration for her having a “mind of her own” are testament to a mutual respect for the opposite sex that is often missing from rap lyrics. In any case it taught me to look for a strong independent woman to love and not just a pretty face.

Lesson number three (also known as Rule 4080) was taught to me by the GZA a.k.a. the Genius, a name that already inspires enlightenment. The GZA is probably perceived as a wiser member of the Clan due to his prior experience with the music industry. Before the Wu-Tang Clan stormed onto the scene, the GZA had already released a solo album on Cold Chillin Records entitled ‘Words from the Genius’. Needless to say his solo career under Cold Chillin didn’t bear fruit, so when he had a second opportunity to drop a debut album (thanks to some clever deal brokering by the RZA that ensured each member of the Clan could sign with a second label and release solo material independent of their group contract), he let rip on the shady side of the record business with his song ‘Labels’. In just under 3 minutes, the GZA taught me all about how the record executives, A&Rs and other nefarious characters will try and screw over the recording artist and neglect their talent. The most impressive part is that GZA fires shots at virtually all of the existing labels by using their monikers as double-entendres, for example “We’ll all emerge off your set, now you know God damn / I show living large niggas how to flip a def jam / And rough up the motherfuckin’ house cause I smother / You cold chillin’ motherfuckers, I still warn a brother / I’m ruthless my clan don’t have to act wild / That shit is jive, an old sleeping bag profile”. Thanks to the GZA I understood fairly fast that there would be snakes and sharks in business – A fact that proved true in later life.

The fourth lesson wasn’t actually from one of the 9 emcees but instead from one of their close affiliates, Poppa Wu. On Ghostface Killah’s debut album ‘Ironman’, the subject of faith and religion was introduced quite frankly in several of the featuring songs. On track 13 ‘Black Jesus’, Poppa Wu preached openly about the knowledge of self, (Black) Man being God and time being infinite thus debunking the fable of Adam and Eve and the dawn of creation. These views are foundations for the Five Percent Nation, a faith that separated itself from the Nation of Islam during the 1960’s. The Wu-Tang Clan often refers to man as God and woman as Earth which is direct use of the Five Percent lexicon. I am not a religious person, if anything I’m an atheist, but it’s always good to get another perspective on what this life is all about. Something that always stays with me is when Poppa Wu says “Don’t you know if a man could take and flip himself inside out, God, He’ll fall out and die if he sees the shit that goes on…inside?” Conscious observations such as these are food for thought when you think about how complex the human body is and how much we take it for granted.

Lesson five was a hidden jewel that I didn’t find for quite sometime. Listening to Raekwon’s stellar debut album ‘Only Built for Cuban Linx’, there’s a skit before ‘Spot Rusherz’ (track 14) where Raekwon and Ghostface are procrastinating about the heat in their car and an unreleased Wu-Tang song is playing in the background. I finally tracked this song down to a mixtape by DJ Format promoting the American beer St. Ides. The St. Ides track endorses the beverage but more importantly it serves a cautionary warning against drink driving. Raekwon explains how it’s alright to carry on drinking as long as you catch a ride home and don’t get behind the wheel yourself: “With St. Ides in my system / Crack another I’m blessed, let’s go get the next one / And get over, the object is to stay sober / Lay on the sofa, better yet, dial my chauffeur”. Don’t drink and drive kids.

Lesson six is about sex. Safe sex. At the height of their popularity the Wu-Tang Clan were dropping solo albums, mixtape and radio verses and featuring on just about every compilation CD being burnt. One of these compilations was ‘America Is Dying Slowly’ which set out to promote safe sex amongst the youth. The Clan got the title track ‘America’ with each Clan member recounting their experiences and knowledge about sexually transmitted diseases and how to prevent catching them. I guess this song went to my head and my heart because I lost my older brother to AIDS and I know for a fact that it’s easier to get caught up in the heat of the moment and skip that simple gesture of protecting yourself and others.

The seventh thing I learnt from the Wu – and they actually mentioned this on two occasions, first by honorary member Cappadonna (‘The Pillage’ track 3) and then by Ghostface Killah and featuring artists Jadakiss (‘Pretty Toney’ track 17) – was don’t get caught. Run! ‘Run’ paints a vivid picture of what it’s like to escape the Police and the risks you face if you get caught. As an 18 year old Hip Hop fan, I was getting up on walls with my marker pens regularly and smoking a lot of weed in the street, so I always had my eyes scanning the horizon for undercover detectives and have-a-go heroes looking to spoil my fun. After a few run ins with the law and other unsavoury characters I eventually relinquished these pastimes. In fact, I do remember distinctly pulling up my baggy jeans and tying my shoe laces properly after getting chased through the wrong neighbourhood late at night by some stick up kids. Swag isn’t going to save you from getting stabbed. Lesson learnt.

A step away from the abstraction of Five Percent Nation philosophy, the RZA has a penchant for conspiracy theories notably with his verse on ‘School’, track 14 of Masta Killa’s solo album ‘No Said Date’. My eighth lesson was all about not accepting everything you’re taught in school and questioning history. The song starts off with Masta Killa rapping about his introduction to the rap culture which is nice enough but the real main course of knowledge is delivered by the RZA as the beat speeds up to accommodate his feverish flow. As a child, RZA questions his teachers lessons and is quickly asked to leave and reprimanded for disrupting the class. The facts RZA speaks about aren’t necessarily true, but they do shed like on a few questionable moments in the history of the human race and possible cover ups. Here’s an example of RZA’s outburst: “I stood like a man then I questioned my teacher / Why don’t we speak about the wisdom of the sages? / And how did Europe black out in the dark ages?/ And when they got light did they white-wash the pages? / And the inquisition, why was Christian’s thrown in cages? / And why would they try to destroy the nation? / With their birth control and bring control fluoridation? / And why it seems that half the school is racist? :She said “Diggs, to the office!” We about faces…”

For their ninth lesson, the Clan taught me about life in the ghetto, something a lot of rappers could claim responsibility for but Raekwon, Ghostface, Cappadonna and U-God broke it down into easy to understand verses. the self-titled ‘Ghetto’ (track 11 of Ghostface Killah’s ‘Apollo Kids’ album) is a soulful stroll through the tougher side of town. With the soulful prompts of Marlena Shaw sampled from ‘Woman of the Ghetto’ each of the rappers covers a select theme: the scene in the ghetto (Raekwon), making money (Cappadonna), dealing with snitches (Ghostface) and raising kids (U-God). Obviously the picture painted by each rapper is pretty stark and unglorified but it’s cool to hear U-God talk about the solidarity of a community that the rest of society tries to forget. For someone who’s never lived in the ghetto, this is a eye opening composition.

The final lesson from hours upon hours of listening to the Wu-Tang is an odd one and if you had to pick the oddball of the group, most fingers point in the direction of Ason Unique a.k.a. Ol’ Dirty Bastard. ODB, God bless his soul in Heaven, had an acute knack for coming out with some the funniest yet scariest lyrics of the entire Clan. On his debut album ‘Return to the 36 Chambers’, ODB touched upon the topic of young love and all the craziness hormones can induce between people of the opposite sex. In ‘Don’t u Know’ ODB begins by rapping about flirting with girls in his school and how his emotions make him feel rather horny. Featured artist Killah Priest recounts his tale of his teenage sweetheart before ODB takes us back into the classroom. The teacher tells the children to open up their text books and read the first paragraph on oral sex. Naturally ODB is taken aback (“I said ‘Oral sex! What kinda class is this?’ The girl next to me said ‘What’s wrong with you Miss?'”) so the teacher decides to skip the theory part and jump into a practical demonstration on the unassuming rapper. As the teacher begins to perform fellatio on ODB, the story cuts with the promise of a sequel. I think the main lesson I got from this track is to be weary of horny cougars in the classroom.

Raekwon reckons solo careers have harmed Wu Tang

raekwonRaekwon recently discussed the effect that solo careers have had on the Wu Tang Clan.

The Chef claimed that he felt the quality of their material as a group has gone down with every solo album released, saying:

“I feel like in a way, us doing solo things hurt us. I never told nobody that. When we had something so pure and so solid together [at the beginning], it could’ve been structured more togetherly [later on] … if we knew it had to stay like that. But when we allow[ed] each other to [work on solo projects], some did better than others and when some did better than others, it caused a certain kind of reaction in the whole movement”.

You can check out the whole interview below:

Evidence

Cats & Dogs
Rhymesayers Entertainment

When Dilated Peoples MC Evidence announced he was signing to independent rap heavyweights Rhymesayers Entertainment, a number of eyebrows were raised. However, two years down the line, the LA native has finally dropped his second solo album and the label has proved the perfect home for the record, continuing the tradition of fine releases.

This album doesn’t try to be fancy – there’s no sampling obscure hipster indie acts, there’s no turns with Evidence trying his hand at singing – this is a straight up, no holds barred, rap record and it’s all the better for it. Mr Slow Flow laces slamming beats from the likes of long-time friend Alchemist and legendary DJ Premier to fantastic effect, permeated by quality guest spots from the likes of Slug, Aesop Rock, Prodigy of Mobb Deep and Raekwon.

His distinctive voice delivers perfect line after perfect line with lyrics that are both meaningful and yet never convaluted. It says a lot for his talent that he’s able to rap in the way he always did and yet still seem fresh and as such is certain to gain some new fans on this record as well as please his legions of old fans who loved his Weatherman LP so much.

So yes, this is a rap album, nothing more, nothing less. But when you hear his flow over the beats on It Wasn’t Me, You and To Be Continued, you won’t want anything else. Evidence is an underrated gem and hopefully this album will turn more people onto his undoubted talent.

Trillzilla.

Raekwon writing autobiography

raekwonWu-Tang member Raekwon has announced that he is planning to begin work on his autobiography soon. The rapper who played the HMV Forum this month, his second UK show spoke to AllHipHop and commented on his latest mission: “That’s in the making soon. I just gotta deal with certain things at certain times in my life. When it’s time to happen, yeah I got a great story and I’m going to tell the truth. It’ll be something that you can jump on a plane or get on the bus and say: ‘Yo that kid evolved as a man‘”.

Of his life, the rapper said: “I aint perfect, nobody’s perfect. We all do dumb shit and we all get caught up in certain situations but at the end of the day I know I became a man. I’m not no sucker nigga running around not doing right by my children, or raising them the wrong way. I’m in their life, I wish I could be in their more. But daddy gotta work. I got a vicious story that I’ma tell sooner or later“.

Look out for updates on this via his tweets and click here for a review of his London show.

Live Review: Raekwon

The Forum, London
18.03.11

Opening for Raekwon can never be easy. Let’s face it, everyone is there for the main man and whilst there were plenty of people in the venue, it wouldn’t have been a surprise to see the support acts find it difficult to get motivated infront of a crowd who only had the Wu member on their minds. However, as UK stalwart Verb T stepped to the stage with Fliptrix and Jam Baxter, along with their man behind the decks, DJ Madnice, the energy was top notch from the off. All three rappers gave their all, bouncing around, pumping fists and even bringing the crowd out of their slumber for some call and response – a sterling effort and proof the UK can still do it big.

Then it was time for the main event, though at almost 10.45, Rae had kept people waiting enough for his entrance. Still, all that yawning and feet aching was forgotten when C.R.E.A.M. blasted out over the speakers and the portly, beanie-clad MC appeared from the back to face his adoring fans. He ran through tracks from his recent albums, Cuban Linx 2 [Ten Bricks and House of Flying Daggers were stand-out] and his current release Shaolin v Wu Tang whilst interspersing with classic Wu Tang material, which, of course, got the biggest cheer from the crowd.

Slow to warm up, he was soon in his zone imploring the crowd to look after their mothers and grandmothers whilst telling his fans that he never thought he’d ever get the chance to play in London, let alone keep coming back and enjoying every second. In fact, he said, he was looking forward to going to the nearby Jamaican food spot because the owners love his big belly. A lot more charismatic than most people would think, the Chef then bigged up ODB and Nate Dogg before his DJ dropped a medley of classic old tracks that influenced him and Wu in the early days.

It wasn’t the greatest show ever, but clearly Raekwon is an MC to be admired and respected. Stopping a track after one verse was a bit tiresome but when you’ve got so many bangers, it’s hard to fit everything in. Overall, a good night was had and the amount of Ws in the air was testament to the popularity of the crew – Wu Tang never dies!

Abjekt.