Tag: hardcore

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Music News

Dag Nasty to reform, Rites of Spring to release demos

ritesofspring_dischordFunny things are a happening in Washington DC right now. Following the news this week that Dag Nasty have reformed (the original ‘Can I Say’ line up), Dischord Records have announced that they have re-issued the original Rites of Spring demos.

All of this has come, no doubt from the forthcoming ‘Salad Days’ documentary that is currently being put together by Scott Crawford in the US, a film neding funding for completion right now but is much anticpated in the hardcore scene.

Dag Nasty will play on 28th December at the Black Cat venue in Washington and the Rites of Spring demos that were released on casette only in 1984 will get its first official release on October 23rd from the Dischord website.

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Live Reviews Music

Red Bull Bedroom Jam 2012 Live Final Review


Last Monday saw the Red Bull Bedroom Jam competition come to an exciting climax with Dead Harts, Golden Tanks and I Divide competing head to head in a live final streamed for all to see via the RBBJ website.

The first act to take to the stage was Dead Harts. As soon as the northern lads launched into their brutal take on emotive hardcore it was clear to see that this event was going to be a weird one. The band were absolutely caning it onstage, but with an audience made up of journalists and industry professionals the mosh pit that needed to kick of never happened.

Although also falling under the umbrella of hardcore, Golden Tanks had a different style to Dead Harts. With a swagger similar to Every Time I Die, this band wear their influences on their sleeves. Personally I’ve seen this act numerous times before and they’ve torn the stage apart, but tonight it is a more restrained performance. Maybe the pressure of the strange setting has to the boys. Nonetheless James Illsley nails a sweet solo and Tanks’ performance is an overall success.

I Divide bring a whole different approach to the final, more than anything they are a straight up rock band, the sort of thing that would dominate a more versatile radio playlist. Vocalist Tom Kavanagh sinks into the performance, he is completely overpowered by the music and barely opens his eyes throughout their set, either that or he’s ridiculously nervous. It’s probably the least energetic performance, but sound wise the most refined, a polished effort from a solid band.

As far as interludes go, having Don Broco play a surprise set as the votes are counted isn’t bad! If I Divide looked polished, Don Broco are on another level of professionalism, ‘Priorities’ is rock music at its finest. Front man Rob Damiani even manages to get the surly press filled crowd a bit hyped up. Don Broco have really stepped up their game from the early days and it’s delightful to see the RBBJ alumni demonstrating why this competition is so significant to underground acts in the industry.

Finally, host Katie Parsons brings the three finalists together to reveal the winner. This year I Divide are crowned champions, and they look thoroughly ecstatic. Their second performance of the night to celebrate the victory is full of confidence and they justify themselves as a worthy winner.

It really is a cliché to say, but it was so hard to pick between the three acts. Dead Harts were ferocious, comparable to home-grown heroes While She Sleeps. Golden Tanks had riffs with groves as commendable as Cancer Bats but ultimately it was I Divide’s slick set and catchy choruses that stole the show.

Words: Emma Wallace

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Album Reviews Buzz Chart Music Reviews

Giants

GIANTS
These Are The Days

This isn’t the first time Giants have graced our buzz chart, earlier this summer they launched into the top spot with lead single ‘Snakes’. Now with a mini-album to add to their arsenal, Giants are again dominating the Crossfire stereo.

The band seem to display what a lot of hardcore and punk bands are lacking at the moment, it’s something that is impossible to put your finger on, but this band just get it right. Basically, their style is gnarly as fuck without the guys taking themselves too seriously.

‘These Are The Days’ races through as an adrenaline fueled assault. ‘When It Comes Down To It’, ‘Bottled Up’ and ‘Snakes’ are barely over a minute each, but why drag out the length of a song when you’re already nailing the point in a nutshell?

The bass and guitar tone of the mini-album gives the overall impression of an old school skate punk record, whilst the occasional ‘two-step’ pace and constant aggressive vocals propels ‘These Are The Days’ straight back into the realms of present day hardcore. This is a little corker that needs to be blasted out at full volume.

Words: Emma Wallace

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Music News

Salad Days: The Birth of Punk Rock in the Nation’s Capital

minorthreat_by_jim_saahIf we had a spare $32,000 right now, we would not hesitate to invest it into Scott Crawford’s Washington DC punk scene documentary ‘Salad Days’ that should hopefully come to fruition in 2013.

Scott, like us grew up obsessed with the DC punk scene, listening to bands such as Fugazi, Minor Threat, 3, Bad Brains and so many others that he decided to start filming with various bands, promoters and locals who were active in the scene to tell the full story of how this movement, this energy haven became so popular with youth culture and spread to the likes of us here in London.

“Salad Days: The Birth of Punk Rock in the Nation’s Capital” needs funding so if you are reading this and have a few quid tucked away then spend it on something that will educate and inspire another generation that will hopefully kickstart another music scene that means something and will be looked back on fondly just as this is.

Take in this new documentary trailer and look forward to someone out there stepping up.

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Music News

Converge cover Black Flag, Negative Approach & The Cure

Hardcore legends Converge are back with a new album on epitaph records this October 12th titled ‘All We Love We Leave Behind‘ and have rolled out cover versions of classic predecessors Black Flag, Negative Approach and The Cure.

The new album landed at crossfire HQ last week and we can tell you that even though it’s their 8th album, it will annihilate your ears.

Vocalist Jacob Bannon added, “I think we really stepped up our game on this record. The most important thing to this band is that with every album we want to create something that excites us and moves us in some way. There are a lot of subtle nuances on this record are really special to us and we definitely hit those individually on this record.”

Watch the video for first track Aimless Arrow here and stream these covers. You will be surprised by The Cure!

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Album Reviews Buzz Chart Music

Obey The Brave

OBEY THE BRAVE
Young Blood
Epitaph Records

Ferocious drumming, intense vocals and deep riffs epitomise Obey The Brave‘s first release through Epitaph records, ‘Young Blood’. Ex-Despised Icon vocalist Alex Erian delivers sinister shouts and brutal screams, an example of his deathcore roots coming into their own and making ‘Young Blood‘ heavy. Very heavy indeed. Yet, although essentially a metalcore album, the two-step rhythms of modern hardcore raise ‘Young Blood‘ head and shoulders above the rest with guest vocals from Terror’s Scott Vogel on ‘Get Real‘ emphasising the ‘core’ element of this genre in all its glory.

With experimental interludes such as ‘Grim‘ flashes of more recent Emmure shine through, but the most relevant comparison has to be to The Ghost Inside’s ‘Get What You Give‘ which was released earlier in 2012. Originality is a slight down fall for Obey The Brave, there are plenty elements similar to Parkway Drive, Stick To Your Guns, Hundredth and many other metal/hardcore acts. But in all honesty Obey The Brave aren’t trying to be something special or something unique; during opener ‘Lifestyle‘ the lyrics “Not trying to reinvent the wheel – we keep it simple, we keep it real,” are performed with vehement passion, this band just want to make an impact with the intensity of their music and with ‘Young Blood’ thats a task well and truely achieved.

Words: Emma Wallace

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Music Music News

Ceremony To Play FREE Show This Thursday

So this morning there was a lot of fuss and bother over this Thursday’s intimate Green Day show selling out in seconds. Well who gives a damn when in all honesty the place to be this Thursday is actually London’s Old Blue Last where Californian hardcore band Ceremony will take to the stage.

Whats more, in true punk style Ceremony’s intimate gig is FREE entry, so rather than selling a kidney in order to purchase a Green Day ticket on ebay (reportedly priced at £295.00!) you can spend your pennies on beer and have an awesome time at this tiny show.

All the details you need are listed on the poster below.

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Live Reviews Music

7 Seconds, Madball, H2O live at Underworld, London

7 Seconds / Madball / H2O
London, Underworld
6th August 2012


It’s safe to say that London feels like a pretty special place to be this Monday evening, a line up of this calibre is the stuff most festivals are made of and not a regular night in the subterranean confines of the Underworld. Each of these hardcore heavy hitters is capable of headlining this place on their own so it comes as no surprise that the venue is packed to the gills and the sold out sign is up on the door.

H2O are billed here tonight as the rather obvious ‘Thicker Than Water’ and are a last minute addition to this already strong bill. The NYHC posi-core outfit are as entertaining as ever, vocalist Toby Morse bounces from left to right as they tear through ‘1995’, ‘F.T.T.W.’ and ‘Fair Weathered Friend’ oozing PMA from every pore. You have to love hardcore back slapping and both Madball and 7 Seconds are given their props tonight as H2O rip out covers of ‘Pride’ and ‘Satyagraha’ respectively.

Next up are old school bruisers Madball, front man Freddy Cricien inciting the now heaving crowd on the Underworlds floor. For forty five minutes they stomp with an anger and energy that’d put their younger contemporaries to shame. A set culled from their whole back catalogue is delivered with venom tonight, ‘We The People’, ‘Spit On Your Grave’ and ‘Set It Off’ are a steamroller of riffs and beatdowns that incite the crowd into whirling dervishes. Cricien leaves the stage to rapturous applause, sweat dripping from his shit eating grin.

You have to pity any band that has to follow the runaway train that was Madball, this is something 7 Seconds vocalist Kevin Seconds acknowledges as the Californian melodic hardcore four piece take the stage to a slightly diminished audience. Undeterred the four piece rip through a set of classics including ‘The Crew’ and ‘In Your Face’ that soon get the remaining crowd whipped up into a suitably moshing mood. Their faster, melodic take on punk a welcome tonic to Madball testosterone fuelled set. All in all this was a stonking night of hardcore royalty from the old to newer school, from speed to crunch, that shows that this movement is as alive and well as it has ever been.

Words: Miles Hackett

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Live Reviews Music

Your Demise live at Reading Sub89


Your Demise
SUB89, Reading
14th August 2012

Your Demise at Reading’s Sub89 was a show made up of a mix of emotions; brilliant fun, nostalgic, painful and at times embarrassing. The embarrassment is really down to the crowd. At the start of Your Demise’s set they just aren’t into it. You wouldn’t think they have paid to see one of the UK’s most exciting bands that launch into their business all guns blazing, you’d think its some mediocre act that no one gives a damn about; the half empty room just doesn’t respond to the energy bouncing around on stage. Ed Mcrae does his very best to excite the crowd, and part way through the show, his efforts begin to pay off. His ability to entice some action on a miserable midweek show is definitely an asset and no matter what people may think of Mcrae on a musical or personal level, he is showing classic traits of a skilled showman.

Earlier this year, Your Demise dropped ‘The Golden Age‘ an album that divided opinions to say the least, with the main stream of criticism coming from older fans despising the poppier sounding tracks such as ‘These Lights‘. However, Your Demise clearly love ‘The Golden Age‘ and enjoy performing it. Its great to see a band sticking to their guns, Mcrae shouts, ‘Recently we dropped a record, ‘The Golden Age’, and there’s nothing you can fucking do about it!‘. The band needn’t worry though, as tonight, ‘These Lights‘ is triumphant. After his hard work hyping the crowd, Mcrae is in his element as the younger generation of Your Demise and hardcore fans lap up the high tempo track.

Considering the crowd were so dull at the start of the Your Demise’s set, the polar opposite response for ‘Burnt Tongues‘ is electrifying. Taken from one of the bands earlier albums ‘Ignorance Never Dies‘, the simplicity of the song unites the audience in movement. ‘Miles Away‘ keeps up the intensity as crowd surfers start to fly over the barrier. Set closer ‘The Kids We Used To Be‘ is euphoric. Looking around it’s hard to spot anyone not screaming lyrics, ‘So let’s bring back the best years. Nights spent hanging out. Not giving a fuck….‘. It’s a sincere reminder to cherish the good moments in life.

Yet its bizarre how quickly events can change, one minute everyone is having the time of the life, the next the sound cuts out and bassist Jimmy Sampson is crying for help. It appears in the chaotic, high energy end to the set, Ed Mcrae has hurt himself; badly. ‘He’s dislocated his knee!’ Another band member shouts and poor Ed is dragged off the side of the stage to receive medical assistance.

The lights go up and background music plays through the club’s PA. The crowd leave in dismay, contemplating what just happened. Its such a shame the show ended on a downer after all the effort the band put in to to raise the tempo. Your Demise won over a boring audience mainly due to Ed Mcrae putting in a stellar performance. However their commitment won’t go unnoticed, this crowd will be back for more at another Your Demise show as punters walk away from Sub89 still hungry for more.

Words & Photo: Emma Wallace

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Live Reviews Music

Coke Bust / Sick Fix live at Platform, London

Coke Bust / Sick Fix
Platform, London
5th August 2012


A little bit of Washington DC arrived in town tonight in the shape of straight edge hardcore ragers Sick Fix and Coke Bust. In true DIY spirit this gig is hosted in a youth centre basement, is all ages, has stalls selling feminist literature, is bring your own booze, and leave your attitude at the door.

First onto the floor are the female fronted Sick Fix who lurch into a set of grindcore fuelled hardcore. Pounding with a rage and intensity of acts like Nails their twisted riffery chugs and lacerates through the blast beats to the beatdowns and is only let down by the small PA that just cannot handle a noise of this magnitude. Vocalist Michelle Northam vents her spleen in a guttural fashion, her face reddening with each rasp as she paces back and forth. This girl has some serious lungs on her. Tracks from their forthcoming debut album ‘Vexed‘ are aired tonight and after thirty minutes of relentless brutality they are greeted with rapturous applause and a queue at the merch table. This is band that takes no prisoners.

It’s Coke Bust‘s second visit to these shores and if you caught their last London show in 2010 you know you’re in for a treat. It becomes quickly apparent that they are sharing their drummer with Sick Fix, this man has to be a machine! After 30 minutes of blast beat skin pounding during their set he’s back to do it all over again with Coke Bust, a task which he makes look effortless. If only it were an Olympic sport, he’d be in for a medal. Coke Bust are just as fast and furious in their song delivery as their support tonight but in contrast encompass a more traditional hardcore sound, buzzing riffs and beatdown’s providing a cutting backdrop to front man Nick Tape’s scathing delivery, as he throws himself left to right, thrusting the mic into the crowd for odd gang chorus. A new track from their recent Vaccine split 7″ is debuted alongside more familiar material from their 2010 debut ‘Lines In The Sand‘. As the crowd is ushered forwards for the finale the pit erupts in a fitting climax to an awesome show.

It’s great to witness two bands that take the power and precision speed of grindcore but manage to break it’s monotony yet retain its ferocity. Sick Fix and Coke Bust manage this whilst each putting their own unique spin on it. If this is the new sound of hardcore emerging from DC these days then we can expect more excellent shows by young bands like these.

Words: Miles Hackett