Categories
Album Reviews

Hard Ons

Alfalfa Males Once Summer Is Done Conform Or Die
Boss Tuneage

www.myspace.com/hardonsband

A brand new 19 song album from Sydney’s perennial noiseniks The Hard Ons, and if you’re having a little trouble trying to unscramble the title, it reads a little better as “Alfalfa Males : Once Summer is Done : Conform or Die” – in other words three album titles in one, and as good a directive as any to the musical mission you are about to embark on.

There are big, burly punk rocking numbers, laden with chunky riffage and snotty fuck-you vocals that hit you right in the chops. There are sugar frosted songs dripping in melody and a general sense of feel good fuzziness. And then hellfire and damnation is unleashed to the tune of crushing bolts of frenzied cranium crunching noise to batter your senses in a brutal sonic attack.

Are you keeping up with all this? There are no half measures, and whether the boys are laying down some primo syrupy tuneage or shredding your senses, the delivery hits you like torpedo. And there’s some typically not-so-obvious humour, “The Media Frenzy That Followed” especially cracked me up and reminded me of a hilarious conversation about sport being like cuisine!! Whilst “Keep Talking My Eyes Aren’t Completely Glazed Over” is one of the best song titles you’ll hear all year!

It would be so fuckin’ easy for the Hard Ons to rest on their laurels and just rehash the old hits, but they refuse to comply and pander to the masses, and that’s why I always look forward to hearing what gonzoid jams they’ll come up with next. And this album is right up there, quality collection of songs.

Pete Craven.


PRETEND IT’S VANILLA

HARD-ONS | MySpace Music Videos

Categories
Album Reviews Buzz Chart

Pulled Apart By Horses

Pulled Apart By Horses
Transgressive

www.pulledapartbyhorses.com

If you’ve followed the progress of Pulled Apart by Horses over the past two years, their self-titled debut shouldn’t come as much of a surprise.

The majority of the tracks have been set-list regulars since the band’s very early days; a few of which have been previously released in a different form, and others which fans will undoubtedly recognise from their live show. While some might consider this retreading of old ground a failing of Pulled Apart by Horses, I would argue that this is precisely what makes it the thrilling debut that it is.

Clocking in at just over 35 minutes, the eleven songs contained on PABH have been condensed, road-tested and significantly accelerated to recreate the raucous energy of their live performances. While the band could probably have holed themselves up in a studio and squeezed out an album’s worth of new songs, here we have a record that the band (and their fans) has lived with long enough to feel comfortable within. Old singles “Meat Balloon” and “I Punched a Lion in the Throat” might feel familiar, sure, but they’ve never sounded better and more polished than now.

Out of the new tracks, highlights come from “I’ve Got Guestlist To Rory O’Hara’s Suicide” and the equally brilliantly titled “Yeah Buddy”. The former is a snarling, straight-up punk number, frantic from the off before breaking down into its glorious shouted refrain – “Enjoy your fucking misery!” The latter, meanwhile, is the closest the album comes to a genuine pop crossover track, with good use of backing vocals and strong riffs as ever.

If its riffs you’re looking for, incidentally, you’ll be able to dine off this album for a very long time – or at least until they get around to recording a follow-up. The 7 minute “Den Horn” quite appropriately closes the record by taking the pick of these, and hammering it out for most of the songs duration. As the feedback trails off you should feel thoroughly battered and bruised from Pulled Apart by Horses, but it’s unlikely to stop you reaching for the play button again.

Sleekly Lion

Categories
Album Reviews Buzz Chart

Fashawn

Ode To Illmatic
Free Mixtape

www.myspace.com/fashawn

It takes a brave man to do what Fashawn has done on Ode To Illmatic. The Fresno MC has taken beats from Nas’ seminal 1994 album and states in his introduction aimed to “pay homage to one of the greatest MCs in our generation” rather than bite the album. As great as his debut album Boy Meets World was, he could easily have fallen flat on his face by trying this, but, to his eternal credit, he makes a great job of it.

It can be quite hard to pinpoint why Fashawn is so good. His voice doesn’t have that distinctive twang of a Lil Wayne or Blueprint, he doesn’t try and be a punchline rapper nor does he aim to impress with verbal gymnastics. But when going in over these classic beats, he just seems to fit perfectly into the music. CA State Of Mind, his own take on NY State Of Mind and The World Is Yours highlights his ability over Premo and Pete Rock production and sets the benchmark for the rest of the mixtape.

The proof of his ability is that this mixtape doesn’t make the listener want to turn it off and put on the original. In fact, it makes the listener ride Fashawn’s version out and then play the original because it has come as a reminder of what a brilliant album it is. He even brings in Talib Kweli for a little cameo, replacing AZ on Life’s A Bitch. Fashawn doesn’t just hold his own, he takes another step up on the hip hop pedestal. All this fun for free? Baller. You can grab the entire thing, absolutely free, here.

Check out CA State Of Mind below for a taster while the mixtape is downloading.

Abjekt.

Categories
Album Reviews Buzz Chart

LCD Soundsystem

You Wanted A Hit (Soulwax Mix)
DFA/EMI

www.lcdsoundsystem.com

The last time these two acts collided we were treated to a record that left club-goers’ ear drums reverberating that drumbeat during the weekend, and the week that followed. I am of course talking about when Sound of Silver’s Kraftwerk-inspired opener Get Innocuous was given the Soulwax-on wax-off remix treatment. Though I’m a huge fan of James Murphy’s punk-infused cultural commentary over a glittering multi-instrumental electronic soundscape, I cannot hide my preference towards the Dewaele brothers kick-snare, kick-snare bass overhaul.

LCD Soundsystem’s last album (a 40 year old man’s verbal confusion of what the hell is going on in music right now while simultaneously making music better than anyone else is right now), This Is Happening, was a sublime conclusion to a ride I’m sure Murphy never expected to take. It’s a long departure from the wry ‘Daft Punk Is Playing At My House‘, which of course was played at the very house parties it gently raised an eyebrow towards. The Soulwax remix of that track did just the same, but when music is made to be danced to then there’s no stopping them, hipsters, music fans or casual head-nodders close to whoever’s house Daft Punk is playing in. Why should we stop them?

So when Soulwax went about their usual business for ‘You Wanted A Hit’ off the final LCD Soundsystem LP it was unquestionably a case for writers and bloggers to avoid awkward ‘you expected a hit’ wordplay and just let the beat do the talking. And it’s huge, utterly massive. Another testament to back up the part of the weekend never dies belief system. But you expected that, right?

Stanley

Categories
Album Reviews Buzz Chart

Off With Their Heads

In Desolation
Epitaph

www.myspace.com/offwiththeirheads

‘In Desolation’ is OWTH‘s debut for Epitaph, with Mr Brett himself personally endorsing these Minneapolis Punkers, and with good reason.

I’ve seen OWTH a couple of times (they’ve toured the UK twice) and liked them a lot. As for their recorded output, I have a couple of seven inches, and the previous LP ‘From The Bottom’, which although quite good, did not exactly blow me away. So, I stuck this disc in the player, and was ready to be… well… entertained. Here’s hoping!

Hey… wait… the opening number ‘Drive’ is fantastic! And song # 2 ‘My Own Medicine’ has literally grabbed me by the throat… “if your looking for a reason, you got one in each hand” – yeah! Jeez, not just entertained, blown away!!! Wow! By song # 4 ‘ZZYZX’ I’m rocking to the OWTH sound, big time, all the way through to closing number ‘Clear The Air’. This is bloody excellent!! It’s been on repeat in my stereo for days…

This is a magnificent collection of rough edged melodic Punk, and Ryan Young’s craggy vocals cut through like a power saw. This hits me with a wave of general feel-goodness, as when I heard Avail, Dillinger 4 and Hot Water Music for the first time. And the songs Ryan sings might dwell on loss, loneliness and separation, but are anything but downbeat. And that’s the point; to cure the heartache and elevate the spirits through the music. Oh, they did mine!

A highly recommended album that’s a definite for my year-end Top Ten. OWTH are back on these shores in August, go see ‘em, sing your heart out…

Pete Craven

Categories
Album Reviews Buzz Chart

Tobacco

Maniac Meat
Anticon

www.myspace.com/tobacco

While Tom Fec might be better known for making blissed out psychedelia with band Black Moth Super Rainbow, this solo project presents a different approach. Although Tobacco’s music is certainly still psychedelic, his muddy, beat-heavy approach to the genre will delight hip hop heads and noise rockers alike.

With Maniac Meat, his second full length album, Fec has heaped more dirt on an already grimy sound. Tobacco, indeed, is an appropriate moniker, as each synth melody sounds clogged with tar like images from an anti smoking campaign. While this might sound like a difficult listen, however, its strong drum beats keep the songs focussed and completely engaging.

Two guest spots from Beck provide album highlights, in particular Fresh Hex (below) which features a rare clarity of vocal and comprehensible lyrics. Elsewhere, though, it’s business as usual, as Fec utilises the muffled vocoder effects that he has become synonymous with throughout his career. While Maniac Meat is 16 tracks long, few of these break the three minute mark, setting a great pace to the record. After a furious start, there is some variation offered later on, with the floating arpeggios of Six Royal Vipers bringing a brighter feel to the mix; although admittedly, this soon becomes caked in thick layers of glorious fuzz.

Existing fans of Tobacco, or indeed Black Moth Super Rainbow, are unlikely to be disappointed by this, an album I would rank amongst Fec’s best material to date. For the unfamiliar, though, be sure to check out this intriguing blend of hip hop beats and grubby electronics.

Sleekly Lion.

Categories
Album Reviews

We Are Scientists

Barbara
PIAS

www.myspace.com/wearescientists

With the release of latest album ‘Barbara’, We Are Scientists continue to back up some ultimately quite serious lyrical content with a general accompaniment of tomfoolery and ensuing hilarity. Proving once again that they know how to write a catchy pop-song, ‘Nice Guys’ features the usual brooding verses, melodic chorus and nifty guitar solo. They meld these three together in indie-pop perfection.

The band have created their own low budget video for the track, which features vocalist Keith Murray skating around on a scooter attempting various daring tricks and having a blast. Lyrics pop up along the bottom of the screen, karaoke-style, but they’re not the actual lyrics… They’re what someone might hear if they didn’t know what the words were. A prime example of We Are Scientists making fun of themselves and not taking anything too seriously.

I can’t write anything about this band right now without mentioning their own contender for the official World Cup song which they played on Zane Lowe’s show recently and are apparently recording and releasing as a single. It really has to be heard to be believed.

So I realize I haven’t exactly talked that much about the track itself, but it’s a given that any single from We Are Scientists will be a stellar tune and it’s always far more interesting to examine the band’s extra-musical antics.

Winegums.

Categories
Album Reviews

Yelawolf

Trunk Muzik
Ghet-O-Vision

www.myspace.com/yelawolf

There isn’t a huge amount that Alabama is famous for musically really. Rich Boy is from the city of Mobile but he’s hardly a name to throw around to big up your States. That’s all changed now though with the emergence of Yelawolf, a half-white, half-Cherokee rapper from Gadsden who dropped his Trunk Muzik this year and has seen his name bandied around by many people in terms of “next awesome rapper”.

Having been signed briefly to a major and been let go without having released anything, it could have been easy for the disillusioned Michael Atha to drop his dream, but his return is a massive mixtape full of bangers and much more. His double-time rapping may be something of an acquired taste but hearing him go on Good To Go, which features the always great Bun B, it’s hard not to bounce along to his flow.

Other highlights of the mixtape include a beat which says “fuck you” throughout the entire song [F.U.], a track called Lick The Cat [I know, right?], a track featuring Raekwon and a brilliant remix of Juelz Santana’s Mixing The Medicine, where he states he’s mixing the medicine, tripping on the mescaline and has moonshine in his bottle. If you were thinking this is some kind of Bubba Sparxxx, you’ve got another thing coming.

Check out the video for Pop The Trunk and try, just try, not to get into it. It’s impossible. With a new mixtape planned and a deal with Interscope signed, this could, and should, be the start of something big for Yeller.

Abjekt.

Categories
Album Reviews

Pendulum

Immersion
Warners

www.pendulum.com

Since the huge success of their last album ‘In Silico’, Pendulum set themselves a high standard to live up to with this release. Could this be possible, you may ask, and the answer appears to be yes it can. In fact, their new album ‘Immersion’ appears to be their best yet, with the album going straight to number one in the UK charts on its release.

It brings yet more dance and rock infused crowd pleasers, straying even further away from their original roots and is sure to keep the listener on their feet in appreciation and sheer disbelief at how unbelievably good their new music is and just how far they have progressed as a band. Their new album continues with their signature heavy guitar riffs and buzzing bass lines, as well as drawing on inspiration from other genres like dubstep and electro house and combining them with their drum and bass and rock roots to create something magical.

The album kicks off with its opening track ‘Genesis’, which has an immense electro build up before unleashing their full sound in ‘Salt In The Wounds’ which includes a mixture of complex beats and riffs with a strong dubstep breakdown half way through. Other tracks like their single ‘Watercolour’ give the album an element of fun with electronic keyboard sounds and memorable drum beats which mix great with the infamous vocals of lead singer Rob Swire.

The album also features a track with the Prodigy’s Liam Howlett who has recently praised the band on their success and revealed that the band were a huge inspiration on their ‘Invaders Must Die’ album. Howlett appears on the song ‘Immunize’ which is certainly one of the most catchy songs on the album with its Prodigy inspired beats which is sure to be left going round in your head.

All in all, this is definitely among the band’s best material to date, at points you almost feel that, if you close your eyes, you are hearing them live with the sound so crystal clear. ‘Immersion’ certainly leaves you wondering what Pendulum could possibly do next to top it.

Lou Cooper.

Categories
Album Reviews

Noisia

Split The Atom
Vision/Divison

www.myspace.com/denoisia

Who would have thought that Dutch, drum and bass trio Noisia had it in them to create such mind altering noise and complex heavy drum beats? Well, they have certainly showed what they can do with their new single, ‘Split the Atom’ which is off their recently released album of the same name.

The band have proved that they are a mark above the rest with this new song and its use of cleverly infused sounds which build up into an epic percussion line consisting of aggressive synths, dark drum beats and reverberating echoes of distant voices; all of which send you into another world. The song completely reflects the band’s personality; it’s loud, intricate and it gives the listener an insight into the creative minds of these Dutch geniuses.

The single release also includes two remixes of the song by Ed Rush & Optical and Bar 9. The Ed Rush remix brings more of a dance element to the music whilst still keeping those strong bass lines and dramatic build-ups. Whereas the Bar 9 track is a lot darker and gives a grimier, dirtier dubstep feel to the music.

All are without doubt great songs and are definitely worth a listen.

Lou Cooper.