Category: Buzz Chart

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JAWS

JAWS
Toucan Surf
Rattlepop Records
www.jawsjawsjaws.co.uk

With a chorus catchy enough to entice a bit of a sing-a-long but with a tempo slow enough to make sure you don’t have to put a lot of effort in, ‘Toucan Surf’ (released Digitally 27.08.12 via Rattlepop) is the soundtrack to a lazy afternoon in the sun. In fact, soundtrack is quite a key word here, because Jaws produce the sort of sound that doesn’t instantly demand your attention but is inviting enough to give you an overall uplifting feeling. ‘Toucan Surf’ is background music that will slowly manifest in your mind and eventually come through and repeat permanently in your conscious.

Dazed vocals, resounding jangling guitars and lo-fi synths give off impressions that the track was born in Florida, California or another suitably sunny location, a sizable achievement when it actually originates from the less than appetizing Birmingham, UK.

‘Surf-pop’ is a trending genre at the moment, but Jaws aren’t just any old band, they are the leaders of the pack, these guys are the ultimate chill-out indie band and ‘Toucan Surf’ is sure to propel the band to where they ought to be.

WORDS: EMMA WALLACE

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Poison Idea

Poison Idea/strong>
The Fatal Erection Years
Southern Lord

Southern Lord have come up with a treat on this monster collection of early Poison Idea, that collates their ’83 debut ‘Pick Your King’ EP, ‘84’s ‘Record Collectors Are Pretentious Assholes’ LP, compilation tracks, and then a 20 song live set from ’83, in their hometown, Portland, Oregon.

The 13 tracks on ‘Pick Your King’ barely shade a minute average running time and are plain fucken blitzkrieg, fire and anger, slashing guitar lines and in singer Jerry A’s a true heavyweight of boiling over barked belligerence…. a genuine classic record… then, now and forever. Period.

P.I. followed up with the snappily titled ‘Record Collectors Are Pretentious Assholes’ album, 8 tracks of ferocious heaviness that were a step up from their earlier material, and brutally fused the primal energy of The Germs, early ‘Flag, D.C. Hardcore, fused with the filth and power of Discharge and GBH. The encroaching shadow of Motörhead was never too far away, as a creeping metallic edge took root. And the cover of the LP was true a Punk collector’s wet dream, with a stack of guitarist Pig Champions prized vinyl on display.

The compilation tracks are ‘Laughing Boy‘ from the ‘Drinking is Great’ EP, and P.I.’s 3 tracks from the Pushead compiled ‘Cleanse The Bacteria’ album, a 1985 collection of new/fresh worldwide Hardcore. Their ripping Stooges cover ‘I Gotta Right’ was included on a bonus 12” that accompanied the first pressing. I’ve still got mine, righteous vinyl!

And, to close, a live set that is just what you’d hope P.I. would be nailing it like in ’83, rabid and pissed, hateful and loud. It ends with one of my favourite songs ‘Marked for Life’, that would eventually surface on the ‘War All The Time’ album, in ’87.

No shit, this remains some of the most raging Punk committed to vinyl, and the legend of these hallowed records continue to be passed to subsequent generations of young Punks. They’ve suffered tragedies, bust-ups and mishaps along the way, but singer Jerry A is still out there doing it. Not giving it up.

WORDS: PETE CRAVEN

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Of Mice and Men

OF MICE & MEN
The Flood (Deluxe 2 Disc Re-Issue)
(Rise Records)
http://www.facebook.com/ofmice

Southern California’s Of Mice & Men are constantly growing in popularity. The band -who are currently on the Vans Warped Tour- have quenched fans’ thirst for new material with a 2 disc deluxe re-issue of their critically acclaimed album ‘The Flood’ featuring 4 new tracks.

The bonus tracks start with a tantalizing instrumental piece ‘The Calm’. The reverberating clean guitars are a beautiful yet eerie experience to behold, clearly implying the saying ‘The calm before the storm’…

As ‘The Storm’ picks up tempo, Austin Carlile’s strained and emotional screams kick start a typical ballsy Of Mice & Men riff. On the original release of ‘The Flood’, ‘Ben Threw’ and ‘Ohioisonfire’ showed Of Mice & Men’s capability to produce intense riffs and rhythms whilst maintaining an underlying bounce, but they are nothing in comparison to the punishing assault of third bonus track, ‘The Flood’ and final new number, ‘The Depths’. It seems that after the departure of Shayley Bourget, clean vocals have been left to one side with the band focusing on a new level of heaviness.

Presented with flowing continuity, the bonus tracks are an impeccable addition to ‘The Flood’. The production of the tracks is highly commendable in its own right, the magnitude of the atmospherics are on the same level as Bring Me The Horizon’s ‘There Is a Hell, Believe Me I’ve Seen It. There Is a Heaven, Let’s Keep it a Secret’. With its new additions, the re-issue can be appreciated by fans from across the metal spectrum with influential elements of artists such as The Devil Wears Prada, We Came As Romans, Pierce The Veil & even Slipknot shining through.

If first time around, ‘The Flood’ begged to differ that metalcore was a dying art, the re-issue demolishes any ideas that the genre is dated and builds a platform from which Of Mice & Men can dominate the current scene. The flood is coming again.

Words: Emma Wallace

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The Gaslight Anthem

THE GASLIGHT ANTHEM
Handwritten
(Mercury Records)

‘Handwritten’ is more of a natural evolution than ground-breaking revolution for The Gaslight Anthem, with not a great deal changing sound or format wise. But this is no criticism as again the band presents another solid album that portrays their All-American Rock’n’Roll/Post-Punk style.

With a mixture of Bruce Springsteen charisma and Hot Water Music emotive rock, title track ‘Handwritten’ and first single from the album ‘45’ are nostalgic perfection. There is something about The Gaslight Anthem ‘s vintage sounding guitar tone that touches the heart and sends the mind back to a time and age that not many of us have visited.

The main area of evolution for the band is the lyrical content which appears more open, personal and engaging. A perfect example of the lyrical maturity coming at the end of the album, the beautifully captivating acoustic track ‘National Anthem’ is the definitive moment of the record and the perfect conclusion. Brain Fallon claims to have written the song in one take, yet again demonstrating his unrivaled song writing talent and emotional awareness.

You can always trust in The Gaslight Anthem to deliver but although ‘Handwritten’ is bloody good, it seems nothing will quite match their second (and mainstream breakthrough) full-length ‘The ’59 Sound’. Despite ‘Handwritten’ hosting its own potentially stadium filling anthems and vintage gems, ‘The ’59 Sound’ still remains the bands’ strongest effort to date, arguably this may remain the same for a long time, after all you can’t beat perfection.

Words: Emma Wallace

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Tame Impala

Apocalypse Dreams
Free Download
Modular People Records

tame_impala_apocalypse_dreams_artworkWhen Tame Impala‘s first EP dropped into my ears in 2008, those 5 tracks were played on repeat over and over again and I never managed to get bored of them do this day. I still get shudders when i hear ‘Half Full Glass Of Wine‘ but they were soon shut down when they released their debut album Innerspeaker dropped in 2010. It just didn’t feel the same. The anticipation from that first EP had spoiled my expectations and the full length disappointed me but turned on thousands more.

Today they have released their first offering of what is coming in October from the their second full length titled Lonerism, and now i’m right back their in the repeat phase once again; chomping on aural delights and swimming in their psychedelic, Australian haze that I was craving for. Put this new track in your pipe and smoke it today. i’m pretty sure this could well be some of their best work yet.

Apocalypse Dreams is out there from today as a free download, grab it from the widget below and note that tickets for their UK tour in October have been announced today too.

October 30 – Brixton Academy – London, UK
November 1 – Ritz – Manchester, UK
November 2 – Leadmill – Sheffield, UK
November 3 – ABC – Glasgow, UK

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Purity Ring

PURITY RING
Shrines
(4AD)
www.purityringsongs.com

A surprising entry straight into this writer’s Top 5 albums of the year so far, upon first listen, Purity Ring may seem like one of those average electronic-based, female-fronted, indie-leaning acts that seem to be popping up all over the place. However, their debut album is one that will make you fall hook, line and sinker for them after just a couple of listens. The ethereal vocals and unpredictable accompanying synth-led sounds are pieced together in such a way that the catchiest of hooks seem totally unobvious and organic yet will be stuck in your head for days.

Save for one track which we think interrupts the pure brilliance of the rest of the record with its disappointing musical arrangement (‘Cartographist’ – why are you not at the end of the record?!) each and every song on this album is a work of glitchy, catchy brilliance, underpinned with a throbbing urgency and littered with slightly disturbing lyrics, erring on the nonsensical. Crawlersout, Belispeak and Obedear mark just a few of the moments of excellence and work well as markers of sheer songcraft as they’re placed strategically throughout the record. Purity Ring are every bit as intriguing and accomplished as the first tracks they’ve released have led everyone to believe. One act that surely live up to the underground hype and should certainly burst out of their ‘scene’ in impressive style.

Sarah Maynard

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JOIA

JOIA
Match Light
(self release)
www.facebook.com/joiaofficial

We are fans of the independent here at Crossfire and Joia are eager to get their music out there on their own. In fact, their debut EP will be made available for download entirely free of charge on 16th July. The eponymous lead track ‘Match Light’ expertly marries the downbeat with a more uplifting pre-chorus leading into a chorus that you can’t help but sing along to. We defy you to not have the “sunshiiiiine” melody in your head after hearing the song just once.

Singer Athina’s vocal penetrates the assured instrumentals with its soft melodious quality, resulting in a perfect balance of lilting guitars and sheer melodic delight. This is definitely one for when you’re feeling a bit melancholy, but it’s not without its glimmers of light, as the EP’s title alludes to. These guys are ones to watch, that’s for sure.

Sarah Maynard

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Gnarwolves

GNARWOLVES
CRU
(Tangled Talk / Day By Day)

gnarwolves_cru

Pop-punk in the most old-school of senses (well maybe not the *most* old school, but not the namby pamby new-school), Gnarwolves’ debut EP is packed with short, sharp nuggets of riotous goodness. Barely stepping over the punk-rock two minute marker with this sextet of tracks, the slightly gruff vocals are earnest and rousing. You can imagine them inciting a drunken singalong of the highest order.

Despite being short in length, there is nothing throwaway about these tracks. Rather they’re anthemic and heaped with raw emotion. In a good way. Guitars rollick along to a joyous drumbeat until ‘Community, Stability, Identity’ breaks things up with a decidedly slower pace, starting off with an eerie sense of quiet and then crashing into a full-on onslaught of instrumentals; it’s reminiscent of something off Weezer’s Pinkerton.

The perfect marriage of party and poignancy is achieved on this EP which harks back to early Saves The Day and Hot Water Music with a dash of something a tad more modern. A cracking debut.

Sarah Maynard

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Pierce The Veil

PIERCE THE VEIL
Collide With The Sky
(Fearless Records)

Don’t let the screaming and synths put you off. Pierce The Veil have crafted an album with a depth of sound and intricate melodies that you can totally get lost in. Singer Vic’s vocals soar above searing guitars and pummeling drumbeats but there are interludes of quiet amongst the full-on noise. The overwhelmingly heavy instrumentals are offset by the sheer melody of the vocals throughout although there’s admittedly the odd background scream here and there to keep the intensity up.

The riff on ‘Bulls In The Bronx’ is ballsy and bold, leading into a catchy melodic chorus punctuated with a guttural growl. A bizarre acoustic guitar picked interlude brings a samba-influenced flavor to proceedings before building back into the heaviness. Production is intense throughout this record, with the sound always feeling very big. There are also several guest spots on the album, the most notable being Jason Aalon from letlive. on the truly epic centrepoint ‘Tangled In The Great Escape’. His slightly deeper melodies intertwine with Vic’s higher pitched vocals to create something quite special. The chorus is one of the catchiest on the record yet unassumingly so and elegantly put together. It’s almost six minutes long and a lot happens in that time. Heavy and gracefully beautiful in twists and turns (see the piano epilogue), this is definitely a standout track.

With proggy, screamo, hardcore and punk elements, along with PTV’s unique ability to bring in the unusual instrumentals, this album is an ambitious and impressive effort.

Sarah Maynard

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Buzz Chart Single Reviews

The Hickey Underworld

THE HICKEY UNDERWORLD
The Frog
(PIAS)
www.facebook.com/thehickeyunderworld

thehickeyunderworld_frogAn immense yet disconcerting music video accompanies this single which is the first to be taken from The Hickey Underworld‘s forthcoming second album. Can you figure out what’s going on in the below? Because we’re not entirely sure. Could be any number of scenarios leading to the neverending-suicide-attempt-loop. Definitely some fucked-up shit. The starring roles are taken by the members of the band and the single itself also has that unnerving air about it. A darkly driven riff with vocals edging towards a pained howl yet somehow sounding calm and collected at the same time. Basically cool-as-fuck.

This is an achingly brilliant piece of off-kilter rock and roll and when it’s played live, the volume is ramped up with both instrumentals and vocals making such a visceral and alarming impact that the air is knocked clean out of your lungs. And you may be left a little deaf.

Sarah Maynard