Categories
Buzz Chart

Girl Band

Girl Band
‘De Bom Bom’
Any Other City Records
Girl_Band

It’s safe to say that Dublin’s Girl Band blew everyones mind at the start of the year with the utterly mammoth sounds of ‘Lawman’ and ‘Cha Cha Cha’. Their early 2014 shows sent us double giddy with new, genuinely exciting music from a band that, at times, could craft truly indescribable sounds.

Following on from these early live successes and mind melting first singles, Girl Band embarked upon a rigorous touring regime, having spent the best part of this year cruising round the UK spreading their deliciously destructive noise as far and wide as possible. Now, they come to you with latest single ‘De Bom Bom’.

This is everything you’d suspect and more. Clearly these four Irishmen have developed a different way of musical thinking, for their primitive yet simultaneously advanced and futuristic sounds recall of very few before them. Such pioneers as Albini and Yow might spring to mind, but these are merely two comparisons, without doubt there are many journalistic minds that would cram all kinds of obscure reference points next to Girl Bands relentless, unforgiving music, but for now, there’s little to say other than, “you must listen to this band“.

Dave Palmer

Pre-order ‘De Bom Bom’ / ‘I Love You’ here.

Categories
Buzz Chart

Fucked Up

Fucked_Up
Fucked Up
‘The Way We Did’ / ‘Blink’

Fucked Up are clearly on a roll at the moment; before the ringing has faded from full length Glass Boys, they’ve decided to punish our eardrums again with the new 7” ‘Blink’ / ‘The Way We Did’. Unsurprisingly, considering these are outtakes from Glass Boys, the two songs continue in the same vein of mid tempo gravelly hardcore cut with anthemic hard rock.

‘The Way We Did’ is centred around a poppy chorus and guitar solo, neither of which would sound out of place in an Andrew W.K. song. ‘Blink’ is harder and grittier, a more traditional Fucked Up song if a band so dedicated to experimentation can be said to have a tradition, but still, dare I say it, mellower than it would have sounded if recorded a few years back. Like their recent full length, the songs here showcase a new era for Fucked Up, but still with the impressively intricate format that have gained them such a loyal following. Spin it this weekend!

Jono Coote

Categories
Buzz Chart Single Reviews

Allah-Las

allah-las_no_werewolfAllah-Las
‘No Werewolf’
Innovative Leisure

Allah-Las have a superb new album out on September 15th. ‘No Werewolf’ doesn’t even feature on the new record, yet it has been filling our ears on repeat all weekend.

How could anyone resist music so achingly cool? Allah-Las’ dark, yet dulcet tones concoct a serving of garage surf-rock so aurally delicious, that Roky Erikson himself surely couldn’t do anything but grin and lick his chops as this triumphant instrumental brews.

Some might say ‘No Werewolf’ is monotonous, maybe even predictable, but I’d argue the opposite. This is utterly hypnotic, often indulgent, garage rock to make your head spin. Maybe there’s even a hint of primitive psychedelia in there too, or, dare I say it, some rock ‘n’ roll? After all, this is a cover version of The Frantics’ 1960 single, ‘Werewolf’.

Regardless of comparison and influence, ‘No Werewolf’ feels like the fastest two minutes and twenty nine seconds of your life. With each additional play, you just don’t want this song to end, genuinely living in fear of the last chord. Surely the most essential cover version of the year, it’s an understatement to say Allah-Las have outdone themselves.

Dave Palmer

Categories
Music News

Thurston Moore forms noise rock supergroup

Thurston_Moore

Following Thurston Moore and Kim Gordon’s unfortunate separation, Sonic Youth have remained on permanent hiatus since 2011. Hard as it may be to imagine, there is infact some exciting news to be shared for more than one member of Sonic Youth.

Proactive as ever, we already know Thurston Moore plans to release a new solo album under the guise of, The Thurston Moore Band. What’s more exciting, though, is the fact that Steve Shelly and Debbie Googe are making up the band behind him on the road, with a first show booked already for August 19th at Ocii, Amsterdam.

Moore’s upcoming solo album, The Best Day, will be released later this year via Matador Records. Listen to his latest single below and keep your ear to the ground for more news on this fantastic marriage of musical skill.

Categories
Live Reviews Music

Reviewed: Wonkfest 2014

Wonkfest 2014, The Grosvenor, July 26th
Words: Jono Coote
Photos: Mark Richards

wonkfest poster

Some people argue that less is generally more. However, when it comes to punk gigs I find that as a general rule, more is more, and so the Wonkfest all-dayer at the Grosvenor pub meant a change in my usual weekend skate plans (this sacrifice made easier by the closeness of Stockwell skatepark, which was hit for the majority of the day until dutch courage sunk into the unhinged clumsiness of the intoxicant). This year’s proceedings were given a bittersweet tinge by the fact of this being the last weekend of punk music before the Grosvenor shuts its doors, victim to the ruthless redevelopment of London as a playground for the rich and braying. In their world of hair gel and paparazzi there is little place for a venue such as the Grosvenor, welcoming as it does punks, poets and oddballs. When the battle is lost, what more to do than dance and raise a drink to the good times?

Alongside the Bird’s Nest in Deptford, the pub has been one of South London’s punk enclaves for as long as I’ve been visiting the city. Its floral wallpaper and battered pool table evoke the spirit of a traditional London pub in a way that East London’s hipster retro bars can only envy, with the large gig room at the back coming as a surprise in what seems at first to be such a cramped space. Originally planning to make a full weekend of gig-going, diminishing funds meant that my focus had to be narrowed down to the Saturday. This was the obvious choice due to a killer line-up featuring some of the best live spectacles that the UK punk scene has to offer. I headed down late in the afternoon to find the bar heaving, the buffet decimated (it turns out that buffets are an often overlooked key ingredient to an epic all-dayer), and London dub/ska/punk outfit Jakal in full swing. The day was almost sold out by this point, the crowd was starting to fill out the gig room and the vibes were good. The band’s heavy dub sounds, occasionally ramping up into a skanking whirlwind of noise, were the perfect choice to keep everyone dancing and grinning as the beer started to fly.

wonkfest jakal

This turned out to be a brief excursion into the fray as I had some stuff to take care of, unfortunately missing the Kimberley Steaks in the process. I returned in the middle of the Restarts’ rendition of ‘Big Rock Candy Mountain’, a good moment to walk into whichever way you look at it. At some point a bottle of Buckfast was produced on stage and passed around the crowd, with everyone drinking a toast to the venue and its owner, while on stage the band pummeled through a set of raw and dirty hardcore punk.

wonkfest restarts

The crew started to show up as I headed outside for a pint and some sun, before rolling in en masse to see the Reverends’ set of melodic, early 80s influenced shout-a-longs. With a tight set of songs to match a big stage presence, I highly recommend catching them next time they’re on a bill near you. Manchester stalwarts Revenge of the Psychotronic Man were up next, a freight train of high octane hardcore and drinker’s poetry straight through your cranium. Its times like this when injuries really become a drag, the front was calling but I was too beaten and scarred to answer. I lurked at the back with my beer and soaked in the atmosphere, and was still pretty fucking stoked.

wonkfest meansteed

Meansteed were the evening’s wild card, but with that much energy and the songs to back it up they immediately converted the crowd to their AC/DC meets Sex Maniacs riffage – skate metallers unite! We staggered out to the beer garden with grins on our faces, giving our ear drums and sweat glands a break to enjoy the warm Brixton evening, before heading back inside to see special guests and last minute additions Hard Skin. By this point the day was catching up to me, so I can’t remember any specific pearls of wisdom from Fat Bob but I’m sure everyone was roundly heckled between shouting along to Oi! classics like ‘First Day Angry Song’, ‘Crack on Have a Booze’, ‘Whose that Boy?’ and watching the landlord crowd-surfing across the entire room.

wonkfest hard skin and john the landlord

Being, as it was, Wonkfest, closing duties went to Wonk Unit. Having gone outside again for air, we walked back in to the entire crowd shouting along to ‘Wood Pigeon’ which I’m assuming was their first song. It is testament to the band’s song writing abilities and to the crowd’s booze tolerance that, after a full day in the pub, synapses were still moving fast enough to keep up with front man Alex’s frenetic and poetic delivery. In fact, the combination of heat and all day drinking didn’t have the usual knock out end result on too many, and the crowd were still grinning and dancing until the very last chord of the intricate and mesmerising melodic punk that Wonk Unit specialise in had faded into the night.

We staggered home safe in the knowledge that one of London’s punk institutions had been done proud – if ever a venue had a fitting send off, it was Wonkfest 2014. RIP the Grosvenor!

wonkfest wonk unit 2

Categories
Buzz Chart

TRAAMS

TRAAMS_selmaTRAAMS
‘Selma’
Cissa

Lo-fi post-punk trio TRAAMS have dropped a new (old) video for ‘Selma’, taken from their new EP Cissa.

A stop-motion experiment in magnetic tape, the video is an ’80s inspired collage recorded to VHS, doused in the neons that made the decade such an eyesore. It’s a great complement to the song itself – the kraut-like repetition judders like bad tracking; the delayed visuals as wonky as the verses. Influences aren’t hard to pick out, but ‘Selma’ is a fun ride and addictive enough to stand on its own.

Catch TRAAMS at Beacons Festival, August 9th on the Vice stage. Cissa is out now on Fat Cat Records.

Chris Bunt

Categories
Music News

Melvins Vs Butthole Surfers

melvins

Melvins have announced they will release a brand new album titled Hold It In on October 14th via Ipecac Records. Not only will they be releasing brand new music, but also forming with a new line-up. The album will see Buzz and Dale joining forces with the Butthole Surfers’ guitarist Paul Leary and bassist J.D. Pinkus.

Surely a line-up to get excited about more than any, Buzz comments on the upcoming album:

“Hold It In is a refreshing piece of fiction in a boring world of fact and bullshit. Paul is one of the best guitar players I have ever heard and Pinkus has an outside the box type of approach to both guitar and bass that you just have to let it ride. I can’t believe this actually happened. I’m thrilled.”

Hit this for old times sake.

Categories
Music News

J Mascis shares new track from upcoming solo album

J_Mascis_wide_awake

J Mascis has shared a new track from his upcoming acoustic solo album Tied to a Star.

Streaming on SoundCloud now, ‘Wide Awake’ is a soothing ode to insomnia, featuring guest vocals from Cat Power, and J’s finest finger picking.

Hit play on this fantastic new track below, and pre-order Tied to a Star here, it drops August 25th via Sub Pop.

Categories
Album Of The Week Album Reviews Buzz Chart

The Number Ones

The_Number_OnesThe Number Ones
The Number Ones
Static Shock Records / Deranged Records

Ever since the hardest, meanest band ever, Crowd Control, played their last show, the members have been extremely busy. Going on to play in bands such as Strong Boys and Disguise as well as others, the most interesting post-Crowd Control band is definitely The Number Ones, a punk band taking influence from late seventies / early eighties power pop. This LP serves as a collection of all their work up to this point and is vital to anyone with even an iota of interest.

Current fans of the band may be disappointed to find that there are only two new songs, Favourite Game and Heartsmash, however both keep the extremely strong form seen in their previous records. Whilst I understand the disappointment, the demo tracks and ‘I Wish I Was Lonely’ single have been re-recorded and sound all the better for it, while ‘Tell Me Why’ is now one of the strongest songs on the record because of this. The Sharon 7” they released late last year was probably my favourite record of the year so it’s no surprise to say that they are the stand out of the whole LP, ‘Girl’ especially, with the four way harmonies on the final chorus are as brilliant as anything you will hear this year.

Lyrically is where this record really stands above its contemporaries. With ‘Boy’ features the lyrics “That boy crosses my mind a lot, cause he’s more hard than he is soft” and “He’s got six other brothers, they’re expecting and another and then they’ll be happy with their lot”. Lyrics made even more wonderful when sung in their charming Irish lilt, their verse is so brilliantly simple and easy to relate to, I really hope more and more people take note of this band.

The Dublin punk and hardcore scene is something that is very close to my heart. I find myself falling back in love with the scene’s wide range of bands so often, from the grungey, hardcore influenced Nibiru to the Lockin’ Out worshipping Bang Bros, The Number Ones are yet another brilliant and totally different band to what has come before. To have a collection of ten songs on one LP and for it all to be utterly brilliant puts them ahead of any other band attempting this style of music. An album thoroughly recommended to anyone who gets off to The Exploding Hearts, Buzzcocks or even fellow countrymen, The Undertones. Utterly essential.

Tim Lewis

Categories
Music News

Fucked Up drop two new tracks

Fucked_Up_Blink

Having released their fourth studio album, Glass Boys, all of five minutes ago, it barely comes as a suprise that Fucked Up have already shared two brand new songs online.

Clearly the writing process for Glass Boys was fruitful as the band have revealed that ‘The Way We Did’ and ‘Blink’ are part of a series of upcoming 7″s they are self releasing to follow the album. Hit this below.