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Tobacco

Maniac Meat
Anticon

www.myspace.com/tobacco

While Tom Fec might be better known for making blissed out psychedelia with band Black Moth Super Rainbow, this solo project presents a different approach. Although Tobacco’s music is certainly still psychedelic, his muddy, beat-heavy approach to the genre will delight hip hop heads and noise rockers alike.

With Maniac Meat, his second full length album, Fec has heaped more dirt on an already grimy sound. Tobacco, indeed, is an appropriate moniker, as each synth melody sounds clogged with tar like images from an anti smoking campaign. While this might sound like a difficult listen, however, its strong drum beats keep the songs focussed and completely engaging.

Two guest spots from Beck provide album highlights, in particular Fresh Hex (below) which features a rare clarity of vocal and comprehensible lyrics. Elsewhere, though, it’s business as usual, as Fec utilises the muffled vocoder effects that he has become synonymous with throughout his career. While Maniac Meat is 16 tracks long, few of these break the three minute mark, setting a great pace to the record. After a furious start, there is some variation offered later on, with the floating arpeggios of Six Royal Vipers bringing a brighter feel to the mix; although admittedly, this soon becomes caked in thick layers of glorious fuzz.

Existing fans of Tobacco, or indeed Black Moth Super Rainbow, are unlikely to be disappointed by this, an album I would rank amongst Fec’s best material to date. For the unfamiliar, though, be sure to check out this intriguing blend of hip hop beats and grubby electronics.

Sleekly Lion.

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Single Reviews

Minus The Bear

Omni
Dangerbird Records

www.myspace.com/minusthebear

Minus The Bear’s latest album ‘Omni’ has passed by the media with little/no fanfare but their fans and interested parties have been taking note of the band’s latest addition to their catalogue and the video for their latest single ‘My Time’ is sure helping. Slightly bizarrely featuring break-dancers and a stark white background, it’s kind of retro and kind of unexpected.

The song itself is typical Minus The Bear in its lo-fi electro feel versus guitar-riffs aesthetic but is somewhat funked up with keyboard riffs that are rather more catchy than is usually the case with MTB. A sort of call and response vocal which packs a punch as the repetition of the refrain builds up really provides the main hook in this song and will worm its way into the permanent bank of bits-of-songs-that-whirl-around-your-brain.

Arty but with the talent and tunes to back it up, Minus The Bear have a solid cult following but by rights they really should be picking up a whole new fanbase with tracks and videos as good as this.

Winegums.

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Album Reviews

We Are Scientists

Barbara
PIAS

www.myspace.com/wearescientists

With the release of latest album ‘Barbara’, We Are Scientists continue to back up some ultimately quite serious lyrical content with a general accompaniment of tomfoolery and ensuing hilarity. Proving once again that they know how to write a catchy pop-song, ‘Nice Guys’ features the usual brooding verses, melodic chorus and nifty guitar solo. They meld these three together in indie-pop perfection.

The band have created their own low budget video for the track, which features vocalist Keith Murray skating around on a scooter attempting various daring tricks and having a blast. Lyrics pop up along the bottom of the screen, karaoke-style, but they’re not the actual lyrics… They’re what someone might hear if they didn’t know what the words were. A prime example of We Are Scientists making fun of themselves and not taking anything too seriously.

I can’t write anything about this band right now without mentioning their own contender for the official World Cup song which they played on Zane Lowe’s show recently and are apparently recording and releasing as a single. It really has to be heard to be believed.

So I realize I haven’t exactly talked that much about the track itself, but it’s a given that any single from We Are Scientists will be a stellar tune and it’s always far more interesting to examine the band’s extra-musical antics.

Winegums.

Categories
Album Reviews

Yelawolf

Trunk Muzik
Ghet-O-Vision

www.myspace.com/yelawolf

There isn’t a huge amount that Alabama is famous for musically really. Rich Boy is from the city of Mobile but he’s hardly a name to throw around to big up your States. That’s all changed now though with the emergence of Yelawolf, a half-white, half-Cherokee rapper from Gadsden who dropped his Trunk Muzik this year and has seen his name bandied around by many people in terms of “next awesome rapper”.

Having been signed briefly to a major and been let go without having released anything, it could have been easy for the disillusioned Michael Atha to drop his dream, but his return is a massive mixtape full of bangers and much more. His double-time rapping may be something of an acquired taste but hearing him go on Good To Go, which features the always great Bun B, it’s hard not to bounce along to his flow.

Other highlights of the mixtape include a beat which says “fuck you” throughout the entire song [F.U.], a track called Lick The Cat [I know, right?], a track featuring Raekwon and a brilliant remix of Juelz Santana’s Mixing The Medicine, where he states he’s mixing the medicine, tripping on the mescaline and has moonshine in his bottle. If you were thinking this is some kind of Bubba Sparxxx, you’ve got another thing coming.

Check out the video for Pop The Trunk and try, just try, not to get into it. It’s impossible. With a new mixtape planned and a deal with Interscope signed, this could, and should, be the start of something big for Yeller.

Abjekt.

Categories
Album Reviews

Pendulum

Immersion
Warners

www.pendulum.com

Since the huge success of their last album ‘In Silico’, Pendulum set themselves a high standard to live up to with this release. Could this be possible, you may ask, and the answer appears to be yes it can. In fact, their new album ‘Immersion’ appears to be their best yet, with the album going straight to number one in the UK charts on its release.

It brings yet more dance and rock infused crowd pleasers, straying even further away from their original roots and is sure to keep the listener on their feet in appreciation and sheer disbelief at how unbelievably good their new music is and just how far they have progressed as a band. Their new album continues with their signature heavy guitar riffs and buzzing bass lines, as well as drawing on inspiration from other genres like dubstep and electro house and combining them with their drum and bass and rock roots to create something magical.

The album kicks off with its opening track ‘Genesis’, which has an immense electro build up before unleashing their full sound in ‘Salt In The Wounds’ which includes a mixture of complex beats and riffs with a strong dubstep breakdown half way through. Other tracks like their single ‘Watercolour’ give the album an element of fun with electronic keyboard sounds and memorable drum beats which mix great with the infamous vocals of lead singer Rob Swire.

The album also features a track with the Prodigy’s Liam Howlett who has recently praised the band on their success and revealed that the band were a huge inspiration on their ‘Invaders Must Die’ album. Howlett appears on the song ‘Immunize’ which is certainly one of the most catchy songs on the album with its Prodigy inspired beats which is sure to be left going round in your head.

All in all, this is definitely among the band’s best material to date, at points you almost feel that, if you close your eyes, you are hearing them live with the sound so crystal clear. ‘Immersion’ certainly leaves you wondering what Pendulum could possibly do next to top it.

Lou Cooper.

Categories
Album Reviews

Noisia

Split The Atom
Vision/Divison

www.myspace.com/denoisia

Who would have thought that Dutch, drum and bass trio Noisia had it in them to create such mind altering noise and complex heavy drum beats? Well, they have certainly showed what they can do with their new single, ‘Split the Atom’ which is off their recently released album of the same name.

The band have proved that they are a mark above the rest with this new song and its use of cleverly infused sounds which build up into an epic percussion line consisting of aggressive synths, dark drum beats and reverberating echoes of distant voices; all of which send you into another world. The song completely reflects the band’s personality; it’s loud, intricate and it gives the listener an insight into the creative minds of these Dutch geniuses.

The single release also includes two remixes of the song by Ed Rush & Optical and Bar 9. The Ed Rush remix brings more of a dance element to the music whilst still keeping those strong bass lines and dramatic build-ups. Whereas the Bar 9 track is a lot darker and gives a grimier, dirtier dubstep feel to the music.

All are without doubt great songs and are definitely worth a listen.

Lou Cooper.

Categories
Album Reviews

Guido

With the Purple dubstep sound having been made relatively mainstreamly popular through Joker and ably backed up by Gemmy, it was interesting to see where fellow Bristolian Guido would take it with his album Anidea. Building on a variety of influences, Guido has tailored an extremely listenable twelve track album that is sure to be critically acclaimed across the board.

From the opening track, it’s clear that the producer knows how to pen a tune with a catchy hook. Whilst the title track might not be the most complex of melodies, it’s a head-nodding slow-burner which segues into the defiantely purple Orchestra Lab and Woke Up Early with their flowing basslines and periodic squelches.

He does move into more R&B influenced territory with the vocoder vocalled Beautiful Complication and Way U Make Me Feel but it’s with the fuzzed out Shades Of Blue and 80’s esque brass of Mad Sax that he really excels. He never overdoes the bass, which would routinely ruin his melodies, instead keeping a happy medium throughout allowing each track to glide as a whole through the speakers.

This album was eagerly awaited by many and it’s no disappointment. Check out Cat In The Window below to get a taster.

Abjekt.

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Album Reviews Buzz Chart

Dead Confederate

Following the critical acclaim of album ‘Wrecking Ball’, Dead Confederate release another single ‘Start Me Laughing’ from their debut full-length. The song immediately pulls you into the gloomy state of this almost haunting, melodic music with the fast paced guitar riffs of lead guitarist Walker Howle and Jason Scarboro’s strong drum beats.

Start me Laughing’ gives you an inside look into the inner workings of the band and what makes their music so good. The use of John Watkins’ keyboard stylings and Brantley Senn’s heavy bass riffs adds depth and complexion to this intricate, musical masterpiece. In comparison to the rest of their music, this appears to be one of the bands heavier songs, with lead singer, Hardy Morris’ emotional shouts and bursts portraying what their music is all about. It is easy to see why they have been compared to bands like Nirvana and My Morning Jacket, when you hear their raucous, yet inspiring solos that leave you wanting to hear more. Live this band are absolutely stunning as their recenty Barfly headline slot proved so look out for new album plans too as the new record is finished and almost ready for your ears.

Lou.

Categories
Album Reviews

Breakage

Breakage may well be known as a D&B producer, but with his latest album, Foundation, he certainly proves his prowess on the boards with a variety that’s unnervingly on point regardless of the genre he locks down. His use of guests also help to enhance the beats on the 16 track album, from the legendary David Rodigan to the hipster’s favourite Burial through to UK Funky MC Donae’o.

Indeed, Rodigan’s appearance, which rides alongside the relentless throb of sub-bass and the impossibly hype-bringing bars of D Double E and Footsie on Hard, is a perfect way to break out the album, as it does on track three. Whether he brings the old school flavour, like on the short Digiboy Radio with its authentic crackle and hum or hits more two-step vibes of Over featuring Zarif [standard instant reload material], Breakage does it tight and does it big.

Obviously his more straight up D&B tunes are there for the purists and prove him to be the shining star that many see him as, but its his dexterity which stands out on Foundation. With Speechless, he rounds the album off with as mainstream a track as you could imagine and yet it still sounds cool and ingrains itself with its catchy chorus and dubstep vibings.

Yep, this is a biggun, it’s no surprise the plaudits are clamouring to lay accolades on this one.

Abjekt.

Categories
Album Reviews

Trash Talk

With the release of their new album, Eyes and Nines, Trash Talk find themselves in the unusual position of being a hardcore band attracting mainstream plaudits. It’s not exactly a new phenomenon, yet it’s nonetheless bizarre to see a band gain so much critical acclaim, while the rest of the genre goes virtually unnoticed. Still, Trash Talk doesn’t seem to be paying too much attention to the hype, as they stomp from venue to venue leaving a trail of controversy in their wake.

Of course, it’s the band’s live show that is responsible for their growing reputation, yet Eyes and Nines is an uncompromising record that stands proudly on its own two feet. While fans of the band might comment on increasingly sharper production since their early recordings, if broadsheet readers are hoping to find something vaguely accessible then they should think again. What can be found here is an aggressive collection of songs that rarely exceed a minute and a half, flipping between breakneck speed and slow, brutal riffs.

Trash Talk are arguably at their best when in the crossover between these two styles. Album highlights Flesh and Blood and Explode are good examples of this, both racing out of the traps in a frenzy of guitars before breaking down into steady beats with fist-pumping sing-a-long vocals. Completing a trio of consecutive songs, Hash Wednesday shows off the band’s variety, with brooding doom guitars that recall the likes of Harvey Milk.

While this might not be the gateway record or gentle introduction to hardcore some might have hoped for, what Trash Talk have produced is their best and most furious record to date. Inevitably coming to a town near you soon, Eyes and Nines will always be best experienced live with the band in their natural environment. Check out the band’s new video below to get a sample of what that might look like.

Sleekly Lion.