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The Gaslight Anthem

THE GASLIGHT ANTHEM
Handwritten
(Mercury Records)

‘Handwritten’ is more of a natural evolution than ground-breaking revolution for The Gaslight Anthem, with not a great deal changing sound or format wise. But this is no criticism as again the band presents another solid album that portrays their All-American Rock’n’Roll/Post-Punk style.

With a mixture of Bruce Springsteen charisma and Hot Water Music emotive rock, title track ‘Handwritten’ and first single from the album ‘45’ are nostalgic perfection. There is something about The Gaslight Anthem ‘s vintage sounding guitar tone that touches the heart and sends the mind back to a time and age that not many of us have visited.

The main area of evolution for the band is the lyrical content which appears more open, personal and engaging. A perfect example of the lyrical maturity coming at the end of the album, the beautifully captivating acoustic track ‘National Anthem’ is the definitive moment of the record and the perfect conclusion. Brain Fallon claims to have written the song in one take, yet again demonstrating his unrivaled song writing talent and emotional awareness.

You can always trust in The Gaslight Anthem to deliver but although ‘Handwritten’ is bloody good, it seems nothing will quite match their second (and mainstream breakthrough) full-length ‘The ’59 Sound’. Despite ‘Handwritten’ hosting its own potentially stadium filling anthems and vintage gems, ‘The ’59 Sound’ still remains the bands’ strongest effort to date, arguably this may remain the same for a long time, after all you can’t beat perfection.

Words: Emma Wallace

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Tame Impala

Apocalypse Dreams
Free Download
Modular People Records

tame_impala_apocalypse_dreams_artworkWhen Tame Impala‘s first EP dropped into my ears in 2008, those 5 tracks were played on repeat over and over again and I never managed to get bored of them do this day. I still get shudders when i hear ‘Half Full Glass Of Wine‘ but they were soon shut down when they released their debut album Innerspeaker dropped in 2010. It just didn’t feel the same. The anticipation from that first EP had spoiled my expectations and the full length disappointed me but turned on thousands more.

Today they have released their first offering of what is coming in October from the their second full length titled Lonerism, and now i’m right back their in the repeat phase once again; chomping on aural delights and swimming in their psychedelic, Australian haze that I was craving for. Put this new track in your pipe and smoke it today. i’m pretty sure this could well be some of their best work yet.

Apocalypse Dreams is out there from today as a free download, grab it from the widget below and note that tickets for their UK tour in October have been announced today too.

October 30 – Brixton Academy – London, UK
November 1 – Ritz – Manchester, UK
November 2 – Leadmill – Sheffield, UK
November 3 – ABC – Glasgow, UK

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Purity Ring

PURITY RING
Shrines

(4AD)
www.purityringsongs.com

A surprising entry straight into this writer’s Top 5 albums of the year so far, upon first listen, Purity Ring may seem like one of those average electronic-based, female-fronted, indie-leaning acts that seem to be popping up all over the place. However, their debut album is one that will make you fall hook, line and sinker for them after just a couple of listens. The ethereal vocals and unpredictable accompanying synth-led sounds are pieced together in such a way that the catchiest of hooks seem totally unobvious and organic yet will be stuck in your head for days.

Save for one track which we think interrupts the pure brilliance of the rest of the record with its disappointing musical arrangement (‘Cartographist’ – why are you not at the end of the record?!) each and every song on this album is a work of glitchy, catchy brilliance, underpinned with a throbbing urgency and littered with slightly disturbing lyrics, erring on the nonsensical. Crawlersout, Belispeak and Obedear mark just a few of the moments of excellence and work well as markers of sheer songcraft as they’re placed strategically throughout the record. Purity Ring are every bit as intriguing and accomplished as the first tracks they’ve released have led everyone to believe. One act that surely live up to the underground hype and should certainly burst out of their ‘scene’ in impressive style.

Sarah Maynard

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JOIA

JOIA
Match Light

(self release)
www.facebook.com/joiaofficial

We are fans of the independent here at Crossfire and Joia are eager to get their music out there on their own. In fact, their debut EP will be made available for download entirely free of charge on 16th July. The eponymous lead track ‘Match Light’ expertly marries the downbeat with a more uplifting pre-chorus leading into a chorus that you can’t help but sing along to. We defy you to not have the “sunshiiiiine” melody in your head after hearing the song just once.

Singer Athina’s vocal penetrates the assured instrumentals with its soft melodious quality, resulting in a perfect balance of lilting guitars and sheer melodic delight. This is definitely one for when you’re feeling a bit melancholy, but it’s not without its glimmers of light, as the EP’s title alludes to. These guys are ones to watch, that’s for sure.

Sarah Maynard

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Gnarwolves

GNARWOLVES
CRU

(Tangled Talk / Day By Day)

gnarwolves_cru

Pop-punk in the most old-school of senses (well maybe not the *most* old school, but not the namby pamby new-school), Gnarwolves’ debut EP is packed with short, sharp nuggets of riotous goodness. Barely stepping over the punk-rock two minute marker with this sextet of tracks, the slightly gruff vocals are earnest and rousing. You can imagine them inciting a drunken singalong of the highest order.

Despite being short in length, there is nothing throwaway about these tracks. Rather they’re anthemic and heaped with raw emotion. In a good way. Guitars rollick along to a joyous drumbeat until ‘Community, Stability, Identity’ breaks things up with a decidedly slower pace, starting off with an eerie sense of quiet and then crashing into a full-on onslaught of instrumentals; it’s reminiscent of something off Weezer’s Pinkerton.

The perfect marriage of party and poignancy is achieved on this EP which harks back to early Saves The Day and Hot Water Music with a dash of something a tad more modern. A cracking debut.

Sarah Maynard

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Pierce The Veil

PIERCE THE VEIL
Collide With The Sky
(Fearless Records)

Don’t let the screaming and synths put you off. Pierce The Veil have crafted an album with a depth of sound and intricate melodies that you can totally get lost in. Singer Vic’s vocals soar above searing guitars and pummeling drumbeats but there are interludes of quiet amongst the full-on noise. The overwhelmingly heavy instrumentals are offset by the sheer melody of the vocals throughout although there’s admittedly the odd background scream here and there to keep the intensity up.

The riff on ‘Bulls In The Bronx’ is ballsy and bold, leading into a catchy melodic chorus punctuated with a guttural growl. A bizarre acoustic guitar picked interlude brings a samba-influenced flavor to proceedings before building back into the heaviness. Production is intense throughout this record, with the sound always feeling very big. There are also several guest spots on the album, the most notable being Jason Aalon from letlive. on the truly epic centrepoint ‘Tangled In The Great Escape’. His slightly deeper melodies intertwine with Vic’s higher pitched vocals to create something quite special. The chorus is one of the catchiest on the record yet unassumingly so and elegantly put together. It’s almost six minutes long and a lot happens in that time. Heavy and gracefully beautiful in twists and turns (see the piano epilogue), this is definitely a standout track.

With proggy, screamo, hardcore and punk elements, along with PTV’s unique ability to bring in the unusual instrumentals, this album is an ambitious and impressive effort.

Sarah Maynard

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The Hickey Underworld

THE HICKEY UNDERWORLD
The Frog
(PIAS)
www.facebook.com/thehickeyunderworld

thehickeyunderworld_frogAn immense yet disconcerting music video accompanies this single which is the first to be taken from The Hickey Underworld‘s forthcoming second album. Can you figure out what’s going on in the below? Because we’re not entirely sure. Could be any number of scenarios leading to the neverending-suicide-attempt-loop. Definitely some fucked-up shit. The starring roles are taken by the members of the band and the single itself also has that unnerving air about it. A darkly driven riff with vocals edging towards a pained howl yet somehow sounding calm and collected at the same time. Basically cool-as-fuck.

This is an achingly brilliant piece of off-kilter rock and roll and when it’s played live, the volume is ramped up with both instrumentals and vocals making such a visceral and alarming impact that the air is knocked clean out of your lungs. And you may be left a little deaf.

Sarah Maynard

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Death Grips Double Helix

deathgripsdoublehelix2012 will undoubtedly be the year that Deathgrips top the polls for the most innovative music out there. Due to the flood gates unleashing a million boring musical projects a month across the internet that get hyped one week and forgotten the next, Deathgrips have progressed from mixtape hype to insane live shows and major label backing fueled by their incredible knack of making electrifying music. They are simply light year’s ahead of the pack.

This week they released Double Helix, another dose of infectious media from the album The Money Store that sees vocalist Stefan Burnett cocking the hammer and busting the thunder from the rear-view camera of a reversing vehicle.

“So you really wanna know how I freak it?” – Yes mate, because we are intrigued to find out how your unique skeletal system is bombin’ it. Watch this. Take it in and pass it on. Sick.

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The Skints

‘PART AND PARCEL’
(Bomber Music)

Four school friends from East London with a shared love of traditional ska, reggae and punk, The Skints delivered a great (and, alas, underrated) debut in 2010’s ‘Live, Breathe, Build, Believe’. ‘Part And Parcel’, though, is a record that won’t be so easily brushed aside – mainly because it’s just too damn good.

They band have come a long way in the last two years, now placing more emphasis on reggae and less on ska-punk. However, the gritty edges haven’t been smoothed over, and the delivery is still razor-sharp; witness singer/guitarist Joshua Waters Rudge’ dazzlingly fast flow on ‘Live East, Die Young’, a catchy yet downbeat tale of local folks who took a few wrong turnings in life and paid the price.

That said, ‘Part And Parcel’ is not all tales of troubled times. Co-vocalist/multi-instrumentalist Marcia Richards deservedly takes centre stage more often, lending her soulful tones to ‘Ring Ring’, a love song laden with tinkling piano and trebly, sctatchy guitar straight out of the ‘60s. Elsewhere, the sweet harmonies and choruses of ‘Lay You Down’ and ‘Can’t Take No More’ will lodge themselves in your head – and you’ll be grateful.

Just like Capdown and The King Blues before them, The Skints are the latest in a long line of great British bands providing a strong message for the mind and a beat for the feet. In particular, if ‘Rub-A-Dub (DoneKnow)’ doesn’t get you dancing, youd be well advised to check your pulse.

‘Part And Parcel’ may owe a lot of its inspiration to the best of Jamaican music, but this is unmistakeably a London record, and easily a contender for one of the best of 2012. The band will be doing a full UK tour in October, and will play several gigs /festivals/other bits n’ bobs in the meantime – check www.theskints.co.uk for more info.

Alex Gosman

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Killer Mike

Killer Mike
R.A.P. Music
(Williams Street Recordings)

killermikealbumsleeveThere are a few ways of getting my attention and making me love what you’re doing – one is to be affiliated with Outkast and the other is to have El-P giving you beats – Killer Mike fits the bill with both of these and as such it was with excitement that I listened to his new album, R.A.P. Music [Rebellious African People].

The production is superb, that much goes without saying with El-P’s trademark layers surrounding the Atlanta rapper, whilst never engulfing him and stifling his lyrics and delivery. This isn’t your usual Dirty South fayre though, with opening track Big Beast laying down the gauntlet – never before have Bun B and T.I. rapped over so visceral a beat, their drawl sounding perfect alongside the Company Flow man’s beats. It’s not all dense though, there are plenty of catchy moments within the album, from the short-but-sweet Go [complete with DJ Abilities scratches], the bump-in-your-cars Southern Fried and the sing-a-long chorus of Anywhere But Here.

This album certainly isn’t just about the beats though, Mike kills it throughout regardless of the lyrical content. Bigging up himself up comes extremely easily, lyrics like “I go in, I go hard / I go stupid, oh my God / Shamalamadoomalama Shamalamadoomalama even when I ain’t saying shit”, “Ain’t I fresh, ain’t I clean / ain’t I ride through my city in the meanest machine” on some serious pimp shit, it makes sense that the rapper who seems larger than life says at much in his raps. He gets political too, breaking the light-heartedness immediately with a character assassination of a former President “I leave you with four words: I’m glad Reagan dead” and slams the police on Don’t Die, which sounds like NWA sent back from the future to smack kids listening to Drake: “I woke up this morning to a cop with a gun / who told me that he looking for a n**** on the run / I thought for a second, then I screwed my face / and asked them dirty pigs ‘why the fuck you in my place?’ / He said ‘Chill or we kill, this is a warning’ / then I told him ‘Fuck you, where is the warrant?'”

Whether he’s envoking the spirit of Ice Cube or reclining in the bask of his own Atlanta accent, Killer Mike has stepped up massively with this record. As he says himself on Jojo’s Chillin, “This album was made entirely by Jaime and Mike”, he’s always been a talent but going in so hard and with El on the boards behind him [and with a stellar verse on Butane], this is nothing short of a revelation.

Abjekt