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The Good The Bad And The Zugly

The Good The Bad And The Zugly
Anti World Music
(Fysisk Format)

The Good The Bad And The ZuglyHailing from the Norwegian capitol of Olso, The Good The Bad And The Zugly are self-confessed scum punk revivalists. They are dirty, nasty, smelly and sound like something rotting in the crotch of GG Allin’s jockstrap. So who better to produce their debut album than Turbonegro degenerate Tommy Manboy? It’s safe to say he was the perfect choice of producer (was this actually produced? It sounds like he mainly just helped the band spit beer over the mixing desk) and has captured twelve songs of snotty, high-speed gutter punk that shares a needle full of cider with the likes of The Dwarves and Zeke and then jabs it right in your eye.

First off, you might be wondering what the fuck a zugly is? Well, it’s the bass player’s nickname and you can bet he ain’t pretty. Just like the music. And the lyrics. “Out in the park, smoking doobies with the good, the bad and the zugly groupies – call the cops, I don’t give a fuck!” You get the picture. This is distorted, cop baiting, phlegm flicking, snot sucking dirty arse punk rock n’roll.

Fucking filthy. And a lot of fun.

James Sherry

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The Computers

The Computers
‘Love Triangles Hate Squares’
www.thisisthecomputers.com

For a band to successfully ‘re-invent’ themselves is a tricky feat to pull off, but in the case of sharply-dressed Exeter quintet The Computers, ‘Love Triangles Hate Squares’ is less reinvention than evolution – and an impressive evolution at that.

The band have long had a love affair with garage-rock and surf, but on 2010’s ‘This Is The Computers’, these vintage sounds struggled to breathe under the onslaught of raging hardcore punk guitars and vocalist Screaming Al’s, er, screams. It wasn’t a bad record by any means – and made for some blistering live shows – but you couldn’t help but wonder if the band were capable of greater things.

Indeed, they were, and ‘Love Triangles…’ is the proof. Most of the aforementioned raging guitars n’ screams are gone, and in their place you’ll find rocking piano, smooth organ and some seriously soulful vocals. Make no mistake, the likes of ‘Selina Chinese’ and lead single ‘Disco Sucks’ boast enough firepower to get a dead donkey up and dancing, but it is the Motown-esque stomp of ‘Mr Saturday Night’ and the mournful ‘C.R.U.E.L’ will most likely stick in your head for longer.

The Computers of 2013 are all about the songs, and on ‘Love Triangles…’ they deliver them with the kind of swagger and showmanship that has been part of a musical lineage all the way from Elvis to Rocket From The Crypt. Oh, and we promise that if you go see them live, they will utterly SLAY you. Check out ‘Disco Sucks’ on the link below.

Alex Gosman

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Suicidal Tendencies

SUICIDAL TENDENCIES
’13’
Suicidal Records

Suicidal-Tendencies-13When casting their critical eyes back on the roots of American Hardcore, revisionists more often than not overlook Suicidal Tendencies. Fair enough, a fast track musical evolution and a jump to bigger record labels diluted their early sound, but you’d be a fool to deny the influence domestically and, as word got out, internationally, of the early Eighties ST incarnation.

Still fronted by Mike Muir, who’s doggedly kept the ST name alive for over 3 decades, this is their first studio album in many, many years (the clue is in the title Holmes) and they are clearly back in 2013 with something to prove.

Track one “Shake It Out’ is driven by a defiant “Suicidal’s Back” chant, Mike howling like Ozzy, and dryly requesting someone to please get him “a Diet Pepsi”, hah! Of course, the 2013 ST are far removed from their early self, slugging out highly polished thrash, layered hard rock riffage and the funky breaks that have defined their most popular output. Tellingly, for a guy who has been through the peaks and troughs of the music industry, Mike’s lyrics revolve about self-resolution, staying true to yourself, and making the most of life. Pretty good PMA I’d say and full of conviction.

Suicidal will forever be associated with skateboarding, and track seven, the rowdy “Show Some Love… Tear it Down”, features vocal props from, amongst others, Danny Way, Tony Trujillo, the Olsen bros, and Mike’s own big bro Jim. That kicks down the door for “Cyco Style” which is the essence of this bands agenda, wrapped and loaded in 4:40minutes of molten blast…. “bombs away”… you got it.

I’m not bowled over by all thirteen of “13”s tracks, but there are some solid moments that I can get in to. For diehard Suicidal fans I’d have thought this album will easily satisfy, and make for a decent addition to the collection. Now, fix that bandana, and get in the pit Cyco…

Pete Craven

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Goldblade

GOLDBLADE
‘The Terror of Modern Life’
Overground Records
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This is the fifth album from Goldblade, and I am kicking myself somewhat for having left it temporarily gathering dust on my review pile, because it’s an absolute belter. Brother John Robb and his Comrades of The Golden Blade deliver thirteen robust songs here, bursting with rocking energy and rousing choruses that lay bare a vision of modern day Broke and Broken Britain. The messages contained are shrouded in cynicism, which is honestly not too hard when you take a look around you. The bleak reality on the ground runs contrary to the Feel Good Dictates spoon-fed us by those goons in the Ministry of Truth.

Right from the off, and the explosive “This is War”, Goldblade crank up the jams with some mighty powerful dark, twisted, and foaming at the mouth Punk Rock. There’s a brief interlude in momentum for the outstanding Ruts recalling dub/rocker “Serious Business”, but otherwise it’s crash, bang and wallop right thru to the crashing chords and sonic cacophony of the closing number.

This is spirited music, a red-hot jukebox of hits that taps in to the unforgettable energy of greats like The Clash, UK Subs, DK’s and Adolescents. Recommended.

Pete Craven

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AC4

AC4
‘Burn The World’
(Deathwish/Ny Vag)

While Refused were intent on pushing punk rock forward, tearing and ripping up the rule book and starting again, frontman Dennis Lyxzen has both feet placed firmly in the eighties with the old school hardcore punk attack of AC4. ‘Burn The World’ is the band’s second album, released on both Lyxzen’s Ny Vag label and Converge’s Deathwish imprint, and continues their straight–up, high-speed, snotty hardcore attack.

Whilst AC4 offer nothing new or fresh to the musical world, who really gives a damn when it sounds this fun? It’s impossible not to get swept up in the band’s infectious joy as they obviously love and pay the utmost respect to the music they are aping. Energy and enthusiasm crackles from every single one of the sixteen tracks here. The production is powerful and heavy yet manages to retain an important fizzy garage feel that suits the bands energy and Lyxzen’s vocals are snotty and snarled, yet melodic.

Sweden has offered so many great punk bands over recent years. Bands such as Regulations, The Vicious, UX Vileheads and now AC4, have effortlessly taped into the life-affirming energy that legends like 7-Seconds, Minor Threat and the like laid out all those years ago. AC4 take the baton, and run with it at high speed.

James Sherry

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GG Doom

GG DOOM
‘But How?’
(MF DOOM Remixes)

Not everybody would get away with this but the fine skills of producer Grip Grand has merged MF Doom’s unique vocals to a mix of TV, radio and film samples and applied some tasty, lo-fi beats that will leave you salivating for more.

As Doom says sampled in here: “You gotta give this bum some props”. GG Doom‘s ‘But How?’ is a freebie, so get down there and download it whilst it’s still hot from here.

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Alkaline Trio

ALKALINE TRIO
‘My Shame Is True’
(Epitaph)

When you consider that the four Ds (drugs, drinking, depression and death) have been Alkaline Trio’s lyrical stock-in-trade for most of their seventeen (!) year existence, it’s amazing that ‘My Shame Is True’ (their ninth album) sees the Chicago crew sounding so vital.

The opening ‘She Lied To The FBI’ and ‘The Temptation Of St. Anthony’ belt along with the kind of hooks and addictive choruses that bands half the Trio’s age would kill for, replete with Matt Skiba’s black-humoured story telling. So far, business as usual – and business is good. ‘I, Pessimist’, featuring guest vocals from Rise Against’s Tim McIlrath, is one of the best things the Trio have ever done, and should sound amazing live.

However, the songs that really colour ‘My Shame Is True’ are those of lost love and regret. Hardly fresh ground for this most endearingly maudlin of bands, but the likes of ‘Kiss You To Death’ and epic closer ‘Until Death Do Us Part’ could teach your average screamo band a thing or two about dealing with heartbreak.

“I hear the telephone works both ways/Think you can make a little effort someday?” croons co-vocalist/bassist Dan Andriano on the piano-laden ‘Only Love’. He sounds troubled, but hopefully he’ll find comfort in knowing that, with songs as good as these, we’ll be listening whenever Alkaline Trio call.

Alex Gosman

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Parquet Courts

Parquet Courts
‘Light Up Gold’
(Dull Tools)

The words Parquet Courts may not mean much to most just yet, but punk and indie listeners on both sides of the Atlantic are going to get a fine taste of pure American post-teen rock rowdiness coming their way soon.

This New York four piece throw out pumped-up attitude with the passion and devotion for great, original rock music before coating it with the texture and flavour of a steak done rare. The band previously released a 4-track EP which was exclusively available on cassette and have followed that with a stunning fifteen track LP titled ‘Light Up Gold’ that pays homage to the likes of the 80’s US post punk scene and has the drive of the very best indie out there.

Vocalist Andrew Savage leads the pack with gritty, iconic vocals on opener ‘Master of My Craft’. His lazy style emanates the East Coast’s post-punk scene beautifully and he also delivers some pretty tasty lyrics too.

Parquet Court’s personality shines with every snare that drummer Max Savage makes. Don’t assume the brothers are doing all the hard work though, the marvelous rhythm, lively guitar and driving bass fuse together to move with soul in ‘Tears O Plenty’. What really works on this full length though are the jagged chords that are filtered with a vintage fashion in ‘Borrowed Time’, ‘Yr No Stoner’ and the absolutely must have: ‘Stoned And Starving’. This record has a wide variety of tunes that include the moody ‘N Dakota’ and gratifying melodies in tracks such as ‘Disney P.T’ plus title track ‘Light Up Gold’.

This album is one of the most exciting finds of the year so far. Look out for them this week as they cruise through London to play three debut shows. If their live sets are as spiky as on tape, then you will be in for a treat.

Jenny Chu

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UK Subs

UK SUBS
XXIV
Captain Oi!

Brothers and Sisters, the time to decide whether you dig the UK Subs is I believe long passed. You will definitely know by now if you do.

Inching ever closer to a fully continuous A to Z of album titles, “XXIV” is their 24th long player, and although that does include a few live releases, a majority are studio recordings, dating all the way back to ‘79’s “Another Kind of Blues”. That’s a pretty phenomenal legacy, and in Charlie Harper they are fronted by one of Punks endearing legends, a guy who has resolutely kept this band going for over 30 years.

I was a bit disappointed by the last album “Work in Progress” but approached “XXIV” with fresh ears, and guess what – it’s mostly a real ripper, chock full of some of the best Subs material since the two mid-Nineties albums “Quintessentials” and “Riot” that saw the classic Harper/Garret/Gibbs line-up regrouped to great effect. Opener “Implosion 77” launches “XXIV” in blistering fashion, Charlie hollering megaphone style to a thumping beat and striking power chords. I was surprised they threw in the harp driven “Coalition Blues” so early on, but it does in fact work, and nails some bang-on topical lyrics about the public school government, and all those “ministers who can’t administer”. From here on in it’s a steady mix of fast thrashers and mid-paced hoary punk rockers, and good old Charlie sounding in fine fettle.

The ‘expanded’ version of this album is boosted by an acoustic collection of songs, so kick back as Charlie and Alvin Gibbs split vocal duties, and these seasoned old rockers show a they can be sensitive boys when they want to. I’ve played these acoustic tracks a number of times, and there are some real nice tunes. “Thunders in The Wind” has Alvin pondering on the opiate felled Johnny Thunders, and warning of too much junkie business, whilst “Stormy Day” is a snappy shanty those of us down on the coast will very much understand.

A solid album from the UK Subs, and for longtime fans a definite cause for celebration.

Pete Craven

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Such Gold

Such Gold
‘MISADVENTURES’
Razor & Tie Records
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Such GoldAmerican pop-punk is kicking off in the UK – is it just because they’re American? Hell no. It’s because pop-punk is awesome.

After having a few setbacks in 2012 Such Gold have retained their strength and are back with their debut studio album, Misadventures that oozes impeccable pop-punk. If you have been with Such Gold from the start and you have enjoyed their previous EP’s, you’re truly in for a treat.

The album kicks off with the aggressive, yet upbeat ‘Two Year Plan’, which is pretty much the album condensed into two minutes and eighteen seconds of pure pop-punk brilliance. To be honest, most the songs merge into each other. They’re not particularly bad, just generic pop-punk tunes. However, there are a couple of songs which are more distinctive than the others. ‘Storyteller’ is a lot heavier than the rest and offers a chance for the listener to really appreciate the devotion that these guys have put in.

The lyrics portray a veil of youthful emotion. When vocalist Ben Kotin sings …and I wish that I could say the days alleviate / this artificial pain I never thought that I’d be feeling at this age”, his words strike a familiar chord; this is music you would listen to while trashing your ex’s house.

Kotin’s vocals blend perfectly with the pounding drums and contagious guitars to create a relentless wave of emotional angst and passion throughout. Everything that comes out of his mouth just seems like he is in a hurry to tell you, and that you must know whatever he is saying instantly.

Misadventures has everything that you would expect from a pop-punk record: catchy riffs, great beats and a singer screaming into your ear drums. Oh, and what is a pop-punk song without the whole band shouting in the background? Although most of the songs just get a nod of approval, there are some goldmines – pun not intended. It’s a good album, not spectacular, but worthy of your time none the less.

Words: Emily Gunn