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Enter Shikari announce intimate tour

Enter Shikari have recently announced a 24-date tour, which will not be visiting your average towns/cities. The tour, which has been named as the “Return To Energiser” tour, are mostly in small capacity venues.

The most expensive show, in Hatfield, is set at a price of £20 – the band say that this is because they are raising money for ActionAid UK and that they have “something special” planned for the show.

The Hertfordshire band said: ““We speak to a lot of people who come to the big shows and we’re very aware that a large number of them travel distances to come and see us. Not everyone lives in a major city, so we figured it was time we went out and tried to visit some people a little closer to home. It’s going to be awesome to be in small rooms and up-close-and-personal with crowds again, plus visiting some new places along the way”

Support for the shows comes from Hacktivist.

The tour dates are below:

APRIL
04 – DORKING Dorking Halls
05 – FROME Cheese & Grain
06 – PLYMOUTH University
08 – FALMOUTH Princess Pavilion
09 – SALISBURY City Hall
10 – WESTON SUPERMARE Grand Pier
12 – SWANSEA Brangwyn Hall
13 – EBBW VALE Leisure Centre
15 – NEW BRIGHTON Floral Pavilion
16 – KILMARNOCK Grand Hall
17 – INVERNESS Iron Works
18 – ABERDEEN Garage
21 – GALASHIELS Volunteer Hall
22 – LINCOLN Engine Shed
23 – SCARBOROUGH Ocean Rooms
24 – SCUNTHORPE Baths Hall
26 – HATFIELD Forum
27 – NORTHAMPTON Roadmender
28 – PETERBOROUGH Cresset
30 – BELFAST Mandela Hall

MAY

01 – DERRY Nerve Centre
02 – CORK Pavilion
03 – DUBLIN Academy
05 – COVENTRY Kasbah

 

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Pure Love

PURE LOVE
‘ANTHEMS’
(Vertigo/Mercury)

purelove_albumcoverListen without prejudice, as George Michael once said. After all, it’s tempting to view this record through a prism of ‘What Frank And Jim Did Next’, given their pedigree in Gallows and The Hope Conspiracy, and given Frank’s assertion that he’s “so sick of singing about hate” on first single ‘Bury My Bones’. That track is included here, and although it’s a decent tune with a great riff, there are more rewarding treasures to be found on ‘Anthems’.

Frank is blessed with a kind of cold croon that, when paired with Jim’s chiming, often Johnny Marr-esque guitars, creates a sound that will lodge in your consciousness whether you like it or not. The soaring choruses of ‘Handsome Devil’s Club’, ‘Riot Song’ and ‘The Hits’ will sound absolutely epic live, and they even manage to pull off a decent ballad in ‘Heavy Kind Of Chains’.

That’s not to say that all the duo’s rough edges have been smoothed over, though. Opening track ‘She’ rides in on a spiky riff reminiscent of early Manic Street Preachers, whilst ‘Scared To Death’ sees Frank howling away like in the days of old. “All’s fair in love and war/And I’m a soldier in both” he asserts, over a barrage of jagged power chords from Jim, to exhilarating effect.

Ultimately, ‘Anthems’ is an album brimming with addictive, unadulterated rock n’ roll songs and no little confidence. Only time will tell if that’s enough to gain Pure Love the same kind of rabidly devoted fanbase that the duo’s previous bands enjoy, but there’s definitely enough quality here to merit them being taken seriously as a band in their own right.

Alex Gosman

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Live Reviews

Dropkick Murphys live at The Forum, London

Dropkick Murphys
(Teenage Bottle Rocket and Crowns)
London Forum,
18/1/13

Crowns’ jaunty folk suits the vibe of the evening perfectly, but although they deserve the applause from those present, the echo of a third-full Forum does their sound no favours. They’d probably sound great in a packed pub, so check them out at the Old Blue Last on Feb 20th. Go on, it’s free.

Entertaining antics abound during Teenage Bottlerocket’s set, mostly courtesy of the band themselves, the roadie in an Iron Maiden ‘Eddie’ mask urging the crowd to greater efforts, and the topless forty-something guy flailing his arms (and moobs) around in the impressively-sized pit. And the music? The cynical among us might dismiss the likes of ‘Radio’ and ‘Skate Or Die’ as mere Ramones rip-offs, but few bands channel da bruddas’ love of breakneck-speed, power chord driven melodies as well as the Wyoming quartet do tonight.

The Dropkick Murphys may be approaching their 20th anniversary as a band, but you can still rely on them to give it 100%, rock like bastards, and generally be the ultimate Friday/Saturday night band. Tonight they are nothing short of outstanding, barrelling through old (‘The Gauntlet’, ‘Worker’s Song’) and new (‘Burn’, ‘Going Out In Style’) with such tenacity and ferocity that not even two brief power outages can stop them.

It’s a beautiful sight to behold as both band and sold-out crowd fling themselves around the place with wild abandon, but an unexpected highlight comes courtesy of the mandolin-led ‘Rose Tattoo’. Released barely a month ago, it’s already a fan favourite, with bassist/vocalist Ken Casey almost drowned out by a 2,000-strong sweaty choir. It’s a genuinely poignant moment, and a fine riposte to those who would dismiss the Dropkicks as mere musical rabble rousers.

They’ve never been a ‘cool’ band, but the Dropkicks’ combination of Irish folk music, punk rock and raw honesty has got them further than they ever expected. Certainly, as a rip-roaring finale of ‘Skinhead on the MBTA’ heralds the usual mass stage invasion, it’s clear that no-one here cares about such a triviality – and nor should they.

Alex Gosman

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Fidlar

Fidlar
‘Fidlar’
(Wichita Recordings)
[8/10]

FIDLAR_Album_sleeve_artFidlar, formed of four guys from LA, bring their self-titled album to our shores, and it’s nothing short of memorable, rowdy rawness. The 14 tracks make up a gritty backbone that will soon if not already establish this band, dragging them out of the back streets of the underground scene and placing them fearlessly and certainly confidently on the radar of new music for 2013.

From when ‘Cheap Beer’ kicks in, there is a riot between the squealing ear-piercing guitar vs the chanting vocals full of bold, head strong ambiance. ‘Stoked And Broke’, ‘Whore’ and ‘Max Can’t Surf’ are quite frankly, about being young, free and drunk. Track after track, it fills to the rim with intentions of trouble and havoc. These guys aren’t reminiscing, they’re living the good times and ‘5 To 9’ is the mob telling us in under 70 seconds that they have no plans on growing up any time soon.

Despite tracks like ‘Gimme Something’ overflowing with opinion they’re just a bunch of kids that are telling it how it is, but simply, they balance being too chilled to start a revolution but have the energy and balls to shout down many of the big dogs also releasing music this year. It’s the huge intro in ‘White On White’ and the sing along melody in ‘Blackout Stout’ that are going to make Fidlar a house hold name, raging even the biggest veterans of punk and hardcore.

Stand out track ‘Wait For The Man’ could even one day play host to that beer ad, just put Fidlar in a beach hut with surf boards and a few pints and off they go.

Each of the 14 slices have been produced with liberty and commotion in mind, and despite being mixed and handled by Rob Schanapf (previous duties: Elliot Smith, Beck, Guided By Voices) what remains is consistent freedom to do whatever the hell they want.

Catch Fidlar on their UK tour in February

21st Birmingham Academy 3
22nd Dublin Academy 2
24th Bristol Louisiana
25th London The Garage – NME Awards show
26th Oxford Academy 2
27th Brighton The Haunt
28th Leeds Cockpit

Jenny Chu

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Music News

Greg Ginn and Mike Vallely form ‘Good For you’

goodforyou_sleeveBlack Flag’s guitar henchman Greg Ginn has joined forces with non-other than skateboard legend Mike Vallely and recorded some tracks. This new project, under the name of ‘Good for You’ sees Ginn screeching back to Loose Nut territory on the 11 track album we have here in the office recorded at at Ginn’s Casa Destroy Studios in Taylor, TX.

The long player titled ‘Life is Too Short to Not Hold a Grudge‘ will be released on February 26th, naturally on SST Records. Get a taste of one of the tracks ‘Hanging Around’ (Like a Fucking Piñata) that isn’t the strongest track on the album but a good introduction of this new project.

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Music News

Mudhoney UK tour dates and album announced

Classic grunge/garage reprobates Mudhoney have a new album coming on April 1st titled ‘Vanishing Point’ that will be backed up by a UK tour. Have a free mp3 taste of what’s coming from their 9th album here.

UK Tour dates:

4 Jun: Brighton, Concorde 2
5 Jun: Glasgow, ABC
6 Jun: Newcastle, Academy 2
7 Jun: Manchester, Academy 2 (with Meat Puppets)
8 Jun: London, The Forum (with Meat Puppets)
9 Jun: Bristol, Academy
10 Jun: Birmingham, Institute Library

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Music News

Video of Henry Rollins on Channel 4 news last night

Black Flag singer and all round hardcore legend Henry Rollins found himself live on Channel 4 news last night with Jon Snow. The news featured a look back to Punk Rock’s roots in documentary style and discussed punk, the questioning of authority and a new resuurgence of the scene. Watch it below.

In related punk news, look out for the killer new book (that we are currently reading) by Jon Savage titled ‘Punk: An Aesthetic’. Jon’s work is outstanding at usual and a must read.

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Bad Religion

Bad Religion
‘True North’
(Epitaph)

I think pretty much every superlative to describe the uber-lengthy career of Bad Religion has by now been well exhausted. So, let’s cut to the chase; having dusted themselves down in the mid-Eighties, following a brief loss of direction (read; ‘Into The Unknown’) these guys have been going hard at it ever since, and gaining a rabid global following along the way. ‘True North’ is their 16th studio album, and a landmark in stubbornness and perseverance, if nothing else.

Recorded in summer 2012, the assembled 16 tracks pretty much tick every Bad Religion box, with intelligent satirical vocals played out to a 2 minute burst of concise guitar filled melodic exuberance, and layered with their by-now infamous backing vocals – “In Their Hearts is Right” particularly indicates opportunities in Barbershop, if all else fails.

Yes indeed, there is energy aplenty in these songs, and the impassioned social message they shout about is one I relate to; a world of money hungry bankers and corporations, lying politicians, and a bitter realization that humankind is slowly but surely destroying the planet that sustains us. I had “Land of Endless Greed” running thru my head earlier, listening to the latest developments on Goldman Sachs, and their attempts to take advantage of a fall in the top rate of income tax, and stuff their pockets with further millions in bonuses. Incidentally, the song smokes.

Funnily enough, one of the standout tracks for me, “Dharma and The Bomb”, is the least stereotypical Bad Religion sounding song on the album, a sun drenched, good time garage rock ‘n roller, that I could have done with at least another 60 seconds of. And those with a sharp ear will note references to The Adolescents, Germs, and Sham 69. I’ve had this album now for a few days, have spun it regularly, and can declare it a top notch Bad Religion album, a band that still do it for me, talk my language, sing my song.

Pete Craven

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Mallory Knox

Mallory Knox
‘Signals’
A Wolf At Your Door Records
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mallorysignalsaLBUMThe eagerly anticipated debut album of Cambridgeshire rock band Mallory Knox is almost here with a release date of 21st January. The album is being released through Wolf At Your Door Records.

Opening song ‘Beggars’ is easily one of the most catchy songs on the album, with a very upbeat tone to it, it is clear that Mallory Knox’s style is fitting into the new trend of upcoming rock bands such as Don Broco and Deaf Havana – but Mallory Knox are much heavier. It’s a fast paced and exciting album for sure.

Mikey Chapman’s easily recognisable and unique voice will make you remember who Mallory Knox are as he uses his lungs to their full capacity; some ‘singers’ scream and shout, but not Mikey, he can actually sing, which can sometimes be rare from a rock band nowadays. Bassist and backing vocalist Sam Douglas’ voice mixes in perfectly in all songs, it’s sort of like soft whispering in your ears.

Acoustic guitars and slow drum beats are proven to be a a new development from the band as we are introduced to songs such as ‘1949’ and ‘Bury Your Head’ which are a work of art. One thing a rock band can never go wrong on is having a slow intro to a song into full on headbanging with thrashing guitars.

Loud, uncompromising and bold is an easy way to describe this album. One outstanding song on Signals is ‘Bury Your Head’, this being the first ever “slow” song by Mallory Knox, it is sung with emotion and has is truly stunning. The soft piano is something new from the band that have never shown a calm side that is quite like this.

The only trouble to Mallory Knox is that some of their songs can sound very familiar, and that is because a lot of the songs sound the same, but that isn’t to say they aren’t fantastic. Signals is a difficult album to review as it clearly shows the band incredible development since filming ‘Resuscitate’, their second ever music video, in a potato warehouse in the middle of nowhere in early 2010.

Expect a lot more from Mallory Knox in 2013.

RATING: 10/10
FOR FANS OF: Young Guns, Don Broco, Deaf Havana, You Me At Six

Check out Mallory Knox’s latest single ‘Lighthouse’:

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P.O.S

P.O.S.
We Don’t Even Live Here
(Rhymesayers Entertainment)

www.doomtree.net

pos_we_dont_even_live_hereIt had been a little while since the last album from Minnesota’s P.O.S but, like all the best artists, the wait was well worth it. His new album, ‘We Don’t Even Live Here’, is the natural progression from its predecessor, ‘Never Better’, seeing the rapper embrace the electronic side of music that he loves whilst maintaining his punk rock ethics, melding them into another powerful statement against authority.

From the opening track Bumper, where fuzzed distortion and thunderous drums smash through the speakers, Stefon Alexander lays down his values – “They on some nonsense, we on some non-stop”. He loves his family, his crew and his friends, he hates being told what he should do and how he should live within walls and his lyrics get right to the root of the problem. His greatest triumph on this record however is that he delivers his ideas without becoming a preacher, it’s not tired and it doesn’t feel like you’ve heard it all before.

There is plenty for hip hop heads to get involved with too, ‘Fuck Your Stuff’ reps his crew brilliantly on a ridiculously big beat, ‘Wanted/Wasted”s beat has a classic Doomtree sound and the stripped-down ‘Lockpicks, Knives, Bricks and Bats’ could easily find itself on earlier P.O.S. albums, sonically speaking. The variety never stunts to flow of the record either, the Bon Iver assisted ‘How We Land‘ is the standout track and ‘Get Down’ three-quarters of the way through the album is as big a dance track as you’ll hear all year.

We love P.O.S., always have, always will and when he drops albums like this, it’s hard to see that ever stopping. The chorus line from Get Down sums it up perfectly:

“No-one gives a fuck about shit, so fuck your shit, we fuck shit up cos shit’s fucked anyway, shit is run into the ground (I know right?), I don’t wanna think about it, I just wanna get down”

So what are you waiting for? Get down then!

Abjekt