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Buzz Chart Reviews Single Reviews

Weekend

Weekend
‘Mirror’
Slumberland Records

WeekendThere’s a reason why 80’s inspired post-punk never seems to go away – when it’s done well, it can be devastating. Thanks to bands like Savages, These New Puritans and Crossfire favourites Wax Idols, there’s a dark new wave flooding the scene. Brooklyn trio Weekend are another contender fighting for a space on that brooding storm cloud.

Latest track ‘Mirror’, taken from their forthcoming album Jinx, glides between melody and intensity, with that driving Peter Hook-esque bassline pulsating throughout, held together with almost tribal drumming. Immersive and powerful, hazy but not overwhelming, ‘Mirror’ doesn’t deny its influences but is exciting enough to avoid sounding unoriginal or dated. The hugely memorable vocal, “I feel sick, sick, sick, sick, sick, sick, in my heart” could easily sound trite in the wrong hands, but it’s sang with such conviction on ‘Mirror’ that instead it just tightens the songs grip.

The passion exhibited on the track may in part be due to the fact singer Shaun Durkan’s father played in 80s post-punk band Half-Church. Choosing to embrace his father’s influence rather than rebel against it has clearly enhanced the band’s sound, but Weekend are well on the way to forging their own distinct history – having already toured with Pains of Being Pure at Heart and British post-punk royalty Wire.

Weekend’s forthcoming album Jinx will be out through Slumberland Records in July.

Augustus Groove

Categories
Buzz Chart Reviews Single Reviews

Drug Church

Drug Church
‘Donny’s Woods’
No Sleep Records

DRUGCHURCH_donnyswoodsThis is the first glimpse of material from Drug Church’s upcoming debut ‘Paul Walker’. The band side with AltPress to premiere their new song ‘Donny’s Woods’, described by frontman Patrick Kindlon; “For everyone who ever thought about faking their own death, we present ‘Donny’s Woods’ a song about how quickly people will forget about your ass.”

Drug Church’s assuring ode to the reclusive is everything you’d expect, hard and fast, quick and nasty. Expect more of the same from these degenerate punk loners on their ordinarily titled debut album Paul Walker due July 22nd through No Sleep Records, it’s sure to be a belter.

Dave Palmer

Categories
Music News

John Lydon: ‘I’d like to kill Jimmy Savile’

JimmySavile_johnlydonThe PIL boxset that has just been released pulled up a rather interesting interview with John Lydon. Allegedly this was recorded by the BBC but never aired back in 1978 when the interview was broadcast, where the Sex Pistols frontman discusses his take on how Jimmy Savile was a total wrong-un and was on his personal hit list.

It seems that Rolling Stones frontman Mick Jagger was also on Lydon’s kill list. This interview is a must listen. Press play.

Categories
Album Reviews Buzz Chart

The Men

The Men
‘New Moon’
(Sacred Bones)

TheMen_NewMoonSome bands are content to rest on their laurels. Too many bands are happy to make the same record over and over again, never really moving forward, never progressing for fear of alienating their audience, too scared to take risks, frightened what it might do to their career, their finances.

Then there are bands that are in it for creative rewards. Endlessly and fearlessly evolving and moving forward, never content to sit still and stagnate. Brooklyn heads The Men are one of these bands. The primal raging hardcore roar of their early records has gradually given way to a sprawling, face-melting psychedelic noise with a country twang. Vibes and vapours of Crazy Horse, Dinosaur Jr, Pavement and Ween ripple from each track; classic American skewed song-writing with tunes that stick in your head and a thrilling free-form approach to rocking. When The Men go full tilt on a song like ‘Electric’ they damn near take the roof off, elevating the floor, punching holes in the walls. Then there’s ‘Open The Door’, a tender, roaming country ballad that recalls Stephen Malkmus at his most inspired. And there is so much more besides.

Already a strong contender for album of the year. How do I know this? Because I’ve played it pretty much every day for a month straight and I just keep falling more and more in love with it. The songs take on new meanings, new layers, new melodies. The Men are a very special band. Watch them grow and journey with them.

James Sherry

Categories
Live Reviews

NoMeansNo live at the Lexington, London

NoMeansNo
The Lexington, London
May 31st 2013

Ph/Video: Steve Cotton

nomeansno_liveOnly last October Canadian oddball punk trio NoMeansNo headlined The Underworld in Camden to a sweat-drenched, heaving crowd of rabid fans hanging onto every note and word. Fast forward seven months and the band are back in the capitol, doing it all over again for yet another (mainly repeat custom) crowd, crammed into the smaller confines of The Lexington, waiting to be barraged yet again with two-hours of the jarring, inventive high-energy punk rock that the band have made their own. And it is for this reason that NoMeansNo continue to pull crowds across the world well over thirty years since they formed with almost no help or awareness from the mainstream media. NoMeansNo are far too original and forward thinking to fit in the tidy, neat easy-to-understand boxes that the mainstream media like their artists to fit in.

Once again, NoMeansNo don’t disappoint, thrilling with a set that cherry picks from their whole back catalogue – peaking with ‘The Tower’ and ‘Oh No Bruno’ from what is wildly regarded as their finest work, the 1989 album ‘Wrong’. Sometimes they are unhinged and freeform (“It’s not polite to wank in public,” shouts bassist Rob Wright to his drummer and brother John Wright when he goes one step too far with his jazz drumming! “I learn’t the hard way,” he laughs.)

And then, at a complete polar opposite, they end the set with a trio of stripped down, high-energy Ramones covers!

Musicians of this calibre can do anything, and that’s what NoMeansNo do. After all of these years they are still as inventive, humorous, sarcastic, awkward, energetic and punk rock as they were when they started in 1979. Not bad for a trio of grey old men!

James Sherry

Categories
Live Reviews

Wayne Kramer live at The Blues Kitchen, London

Wayne Kramer
w/ The Good The Bad
The Blues Kitchen,
Camden London
June 28th 2013

It started at SXSW earlier this year. The legend that is Brother Wayne Kramer, guitarist with the notorious, most righteous, most radical motherfucking rock n’roll group of all time – THE MC5 – was in Texas to play shows with Rage Against The Machine guitarist Tom Morello. Also there to promote his Jail Guitar Doors charity, he happened upon Danish psych-surf mongers The Good The Bad and joined them onstage for an impromptu and incendiary version of ‘Kick Out The Jams’. “Thelonious Monk is alive and well with an electric guitar in The Good The Bad,” stated Wayne. “They’re my idea of a cool band and one of the most original I’ve seen in the last decade.”

Obviously keen to repeat the experience, Kramer was invited to play Glastonbury for the first time at the invitation of Billy Bragg and tonight’s gathering at The Blues Kitchen in Camden is a warm up for that set.

The evening starts with an acoustic set from Kramer. He starts by announcing that tonight is the 20th anniversary of legendary ‘poop rocker’ GG Allin’s death before kicking into a wonderful version of the MC5 classic ‘High School’, which has the whole crowd singing along with the infectious chorus and raising the roof!

Next up, Wayne plays a cover of The Clash B-side track ‘Jail Guitar Doors’ – a song that was written about him by Mick Jones back when Wayne was incarcerated for drug dealing back in the seventies and is now of course also the name of Kramer’s charity. The rousing track works perfectly striped down to acoustics and once again, the motley collection of old punks and rockers sing along to every word.

Danish surf punks The Good The Bad are up next and crash through a short set of high-octane instrumental rock that keeps the energy levels high as guitars blast back and forth but it’s when Wayne takes the stage that proceedings really kick up a gear – leading the band through a spine-tingling version of the first MC5 single ‘Looking At You’ and ending with the band’s call to arms ‘Kick Out The Jams’. If there’s a better, more life-affirming song than this in rock n’roll I’m yet to hear it. When the song explodes into life, it damn near takes the roof off. Sure, they can’t resist the temptation to drag the song out a little to long but those first few minutes are rock n’roll perfection. And it’s not every night you can see a genuine rock legend play a pub in Camden.

Brother Wayne Kramer, the last remaining MC5 guitarist – we salute you. Keep on fighting.

James Sherry

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Album Of The Week Album Reviews Buzz Chart Reviews

Run The Jewels

RUN THE JEWELS
www.foolsgoldrecs.com

run-the-jewels-artEl-P and Killer Mike is such an explosive combination, it’s almost too good to be true. We glimpsed it with El-P’s production skills on Killer Mike’s R.A.P. Music but their combined lyrical genius on Run The Jewels cements theirs as one of the most exciting collaborations in hip hop. Full stop. Each has a unique vocal quality and flow, yet they complement each other entirely and the crunching electronic production is so satisfying pumping through your speakers. Run The Jewels also walks the line between clever lyrical nuance, and out and out crass content expertly with some truly immense lines throughout.

Observe –

The company of women with opinions and fat asses
That’s my list of demands

There will be no respect for The Thrones
No master mastered these bones
Your idols all are my rivals
I rival all of your idols
I stand on towers like Eiffel, I rifle down all your idols
Niggas will perish in Paris, niggas is nothing but parrots

I move with the elegance of an African elephant
I presented the evidence eloquent as a president

‘Banana Clipper’ features a guest turn from Big Boi who slots cleverly into this dynamic and a skit-driven turn from Prince Paul adds yet another facet. But really, all you want to hear is Killer Mike and El-P bouncing off each other in glorious rap unity.

Kanye’s album is interesting but this is out and out bangers. Download now. For free.

Winegums

 

Categories
Buzz Chart Single Reviews

Pixies

Pixies
‘Bagboy’

www.facebook.com/pixiesofficial

pixies_bagboyPIXIES fans are literally in meltdown right now. On Friday they issued a brand new track called Bagboy that flew round the internet and it’s a peach too. No let down’s, no mention that they are over it by anyone who has good ears for music – the only bad news is that Kim Deal has left the band. It sounds like she is singing on this though. Deal has been replaced by Kim Shattuck who has played played bass for The Pandoras and guitar for The Muffs in the past.

Bagboy is the first track to be released by the band in 9 years, recorded last October and produced by Gil Norton. Made from their trademark upbeat drums and led by Black Francis the track calls to ‘cover your breath, polish your speech’. What that actually means, we have no idea, but get ready for the UK tour dates below and I guess, a full album.

NOVEMBER UK TOUR:

18 – Olympia, DUBLIN, IRELAND
21 – Apollo, MANCHESTER, UNITED KINGDOM
22 – Barrowlands, GLASGOW, UNITED KINGDOM
24 – Hammersmith Apollo, LONDON, UNITED KINGDOM

Download the new tune Bagboy for free here:

Categories
Live Reviews

Negative Approach live at the Underworld

Negative Approach
The Underworld, London
June 29th 2013

NegativeApproach_londonJohn Brannon has the most devastatingly powerful voice in hardcore, period. Hunched over, dripping with sweat, bulldog face distorted and screwed up, his vocal bellows crackle with distortion and harsh noise. It’s a voice that never fails to impress and punch you in the guts and is a large part of what makes Negative Approach still so compelling in 2013. There’s not many classic early eighties hardcore bands that can still deliver this much hate, bile and punch in 2013. Hardcore bands don’t tend to age well, it’s a youth explosion, a teenager’s rage – but Negative Approach have something else entirely and their basic brute force thug punk rock has aged none.

Sadly, attendance isn’t that great tonight. The band were last here only six months ago and that combined with a pretty dire supporting bill (actually quite hilarious sports hardcore wife-beater vest wearing beatdown boys!) has made for a pretty sparse attendance. None of this, however, weakens Negative Approach’s delivery in any way. Right off the bat, they peel of song after song of classic, stripped down hardcore rage. To younger ears, many of their tunes might sound simplistic and basic in a modern world of cross-genre pollination but the beauty of Negative Approach’s music is its simplicity and utterly brutal delivery and speed. Songs like ‘Nothing’ and ‘Dead Stop’, with their creep-crawly bass intros and guttural vocal belches and grinding guitar, just feel so damn good and make you wanna break stuff. In truth, Negative Approach are probably the beginning of what became god awful ‘tough guy’ hardcore, but the difference here is NA came from a world before the influence of metal and their sound is purely rooted in punk and their brother’s in Detroit rock n’roll – they are an amped-up, fast and brutal Stooges or MC5. And their roots in punk are clear by their choice of cover versions tonight – we get classics by 4-Skins, Blitz and Sham 69 – which explains exactly how NA got their sound. They are that perfect mix of UK bootboy OI! punk and US hardcore speed.

For once, a legendary band who are not pissing on their legacy and still deliver the goods. Long may they continue.

James Sherry

Categories
Music News

Moones launch first interactive drunk music video

We all know that YouTube’s annotations are generally a pain in the arse, but UK band Moones decided to use it to their own alcoholic advantage in their new promo video for new song ‘Better Energy’. They have built in buttons that allow the viewer to choose how drunk they play. You watch them play in usual pre-pub time, and then have 3 other options until they are hammered.

London band Moones are made up of three members. Lags Barnard who you may know from his work in Gallows on guitar, Tariq Khan, whose sister is Bat For Lashes and Ollie Kristian, ex-member of The Leisure Society. the trio have definitely found a great way to entertain their audience.

Go through the motions with them here and hope that in phase 2 that there’s a sick button.