We thought that this track from Mary Epworth and the Jubilee Band would be a fitting start to the week following Mary’s live show at a Cecil Sharp House for the Halloween Music Fair last night.
This amazing track titled Black Doe was released on 7″ in late 2009 on Hand Of Glory was written about looking into the eyes of a deer and brings sun rays dosed in psychedelic charm. If you are a fan of Velvet Underground, Ganglians and Black Mountain then check this out and look out for news of her debut album coming soon.
The last time I saw Flying Lotus, it felt similar to a cold winter morning when your car doesn’t properly start, so you turn on the ignition, sit for a while and wait for it to heat up. The difference being that even though you may have a clapped out Fiesta which is closer to the scrap heap than tarmac, FlyLo working full throttle is the equivalent to the A-Team van careering around Woodstock; far out.
Ironically for someone who valiantly eschews any notion of predictability during his live productions, this similar scenario happened at Koko; with an introductory blitzkrieg of off-kilter drums and keys acting as the pre-cursor before Zodiac Shit’s breezy strings seeped through the musical melee. It certainly sounded huge, owing a lot to the Harman Pro sound system, which must be a recent fixture as a few years ago it would have sounded swampy.
Nose Art had an almost teasing build up before the fuzzy bassline rippled through the crowd and shook Koko’s creaking foundations. And a delightful refix of Roberta Flack brought smiles and head nods aplenty. But it’s always best to treat a FlyLo show not as a chance to hear your favourite song live, rather as a performance of cunning ingenuity.
Visually the man is a conductor, musician, and in many respects a comedian, performing with an almost playful and visceral approach to his live work. Sounds and effects appear like it’s a jam session, and it was unclear as to whether the accompanying percussion and keys provided by Richard Spaven and Dorian Concept respectively were entirely incidental, or just an excuse to create whatever rhythms and melodies they wanted to.
Hats off to the fellow, he knows how to put on a show. Even his shadow looked awesome, and who looks at shadows?
As it’s Halloween this weekend we thought we’d throw in a little something related to the holiday in our round-up of legitimate mp3s you can download for free without feeling bad or paranoid. Just one though (and if you can’t work out which then you’re probably the sort of person who looks at the keyboard real closely when typing), we already have a massive and gnarly Spotify playlist hooked up for whatever party you’re throwing. Check that out over here.
Our round-up features some pretty big tunes that have dropped online in the past couple of weeks. Including Lykke Li’s seedy ‘Get Some’ and Jamie XX’s fantastic remix of Nosaj Thing that makes us question how much spare time he must have after releasing a Mercury Award winning album to be making some many bangers. There’s also cuts from Esben And The Witch, two solo efforts from Wu-Tang members RZA and Ghostface Killa, the latest Wiley banger, the first track to come from Gruff Rhys incoming solo album and new tunes from Cory Gunz, Mark Sultan and The Go! Team.
Grab them all below. And as usual, find all our previous downloads and Crossfader mixes on the Crossfire Soundcloud.
The world of Dutch hip hop is a healthy one for a country as small as Holland – C-Mon & Kypski, Opgezwolle and Pete Philly & Perquisite all put their nation on the map over the last decade and so it was a pleasant surprise to see the latter’s beat-maker had released a solo album. Solo album is perhaps a slightly loose term to use, as despite not having his usual partner in crime lending vocals to the beats, the producer has a multitude of singers and rappers guesting throughout to make the most of his music.
Perquisite, who was named Best Producer in the Netherlands in 2009, has moved away from his more traditional hip hop sounds on the this album, allowing himself to spread his wings by stripping some songs down or getting jaunty on others. His musicianship has always been strong, as proved by his love of using cellos on previous production and this album is certainly an extension of that. Kicking the album off with Set Me Free with Urita and Sanguita, the party vibes flow immediately [as you can see in the video below], Dreams Of Gold and the brilliant brass-infused Bottomline before he moves into more melancholic vibes with the piano-led Time featuring Dazzled Kid of Voicst fame.
It’s the tracks with Janne Schra which make the most impact when listening to the album however. Machine showcases the singer’s wonderful voice, keeping the music tone fairly quiet until a couple of minutes into the track when the woody bow of cello and drums take charge of proceedings and Schra’s voice crescendos into a attention-grabbing aria. Silence is more upbeat and allows her to take over with a sing-a-long chorus whilst GMB raps his verses with fun-filled joy. As with Machine, the female voice takes centre stage over the understated rhythms as Renske Taminiau sings on I Rely On Me, with its lilting chorus and swaying dreamy melody.
So, whilst it is a shame that the Pete Philly & Perquisite team has split up, it’s good to see that the producer hasn’t stopped all together and this album is a testament to his talent and dexterity. This is definitely an album to check out for long train rides or those afternoons when the rain is stopping you going out.
Seven years has passed since Elliott Smith’s untimely death (Suicide? Murder? Who knows…) and so it’s probably the perfect time to acquaint those too young to have appreciated him when he was around with the immense body of work Smith created. I’m sure there are also many who were aware of the singer/songwriter but never took the time to appreciate his work. Since Smith passed away, there have been two other major releases which undoubtedly held more interest for existing Elliott Smith fans than this latest one – ‘From A Basement on The Hill’ and ‘New Moon’. Those releases both included a hefty amount of previously unreleased material from the musical genius with ‘From A Basement…’ comprising much of the material that was intended for his next studio album. ‘An Introduction To…’ is more for those who never really had a chance to appreciate Elliott Smith’s music and need a good place to start. And a good place to start it is.
Even containing a fleeting nod to Smith’s debut release ‘Roman Candle’ with the inclusion of ‘Twilight’, this introductory collection of songs unsurprisingly features almost half of the tracks which appeared on ‘Either/Or’ – the album which brought his first real taste of commercial success. This type of success proved to be more bitter than sweet for the artist as he descended into prolonged periods of drug and alcohol abuse. Also related to the ‘Either/Or’ period and featured on this new collection is the song ‘Miss Misery’, albeit an early version of the track. ‘Miss Misery’, along with several tracks from ‘Either/Or’, was featured prominently on the ‘Good Will Hunting’ soundtrack and even earned Smith an Oscar nomination which led to him performing at the Oscars themselves. By all accounts, he was not so comfortable with this state of affairs. Despite the uneasiness Smith felt with the extreme success of his career at this point, he continued to grow as an artist and later inclusions on this compilation include ‘Waltz #2’ from ‘XO’ and ‘Pretty (Ugly Before)’ from the post-humously released ‘From A Basement on The Hill’.
There are omissions (strangely, there are no songs from fan favourite ‘Figure 8’ on this release). But that’s always going to be the case when you boil down the work of someone so talented and prolific as Elliott Smith to a mere 14 songs. The people who picked the ones on this release have done a fair job at proportionally representing the career of a true songwriting genius. Just don’t stop with this introduction.
You have probably gathered that we are not running a Crossfire Halloween Massacre this year, which we are truly gutted about. This is simply due to illness and simply not being fit enough to promote such a monster so massive apologies to you all but we will be back next year without a doubt.
We know that we cannot match it in any other way but thought you may appreciate clicking through to this Spotify Playlist made up of some classic Thrash and Death Metal bands that have graced our ears over the years. Thanks for all your messages over the last month and have a rocking Halloween where ever you may be going this year.
Regulations, from Umeå in North-East Sweden, are a huge favourite at Crossfire with their kick-ass Hardcore that’s greatly inspired by the classic North American sounds of the early Eighties. Their 3rd album ‘To Be Me‘ is out now on Ny Våg Records in Europe, and Deranged Records in North American and is guaranteed to get your stereo shaking.
Pete Craven spoke to with guitarist Marcus and singer Otto on how they crank out hardcore that is up there alongside the finest ever made.
Ok, can you first please tell us some of background on Regulations history…
Marcus: Alright; Me, Otto and Jens used to play in E.T.A. (Epileptic Terror Attack) and we broke up we started jamming on some new stuff with Robert who recently moved to Umeå. That was back in late 2002. We played our first shows in early 2003. Since then we’ve released a couple of 7” EPs and LPs and toured a bunch of times.
Your home town Umeå has a long tradition of great Punk and Hardcore bands, how much of an influence on you was this scene in your younger days?
Marcus: For me it was a huge influence since it was the local hardcore and punk bands that got me into hardcore and stuff. I went to all (almost) shows back then, from like 1992, and it was just great fun. Listen to the old Umeå bands today, almost nothings sounds good, not any of the records. There’s some good demo stuff though.
What is the message behind the title track of the new album ‘To Be Me’…
Otto: ‘To Be Me’ has no real message but it’s more a contemplation.
When you sing you are living ‘In the Shadow of a Mall’, are you singing about American Malls, or Swedish Malls? Is Sweden losing a lot of its own identity now?
Otto: I sing about Swedish malls – how they pop up everywhere and take away every other type of store. I wrote the lyrics to ‘ITSOTM’ when I was living in a suburb to Stockholm and they built this huge mall that basically took over the whole suburb centre.
What is the political situation like in Sweden at the moment? I get the impression that it is leaning more to the Right?
Marcus: That’s correct, and it sucks. Moderaterna (the name of the party) just try to make life a living hell for everyone that’s not rich and from Stockholm. But there’s a new election this fall and the right wing has never managed to win two times in a row – and we need to make sure it doesn’t happen this time around either.
We have a new coalition Government in the UK. Did our election get much media coverage in Sweden?
Marcus: Yes it did, but I didn’t pay much attention to it though. Too busy playing music!
Swedish bands have a reputation for big touring and you have been all over Europe, North America, South America, even Australia which must be an amazing experience! Were these all DIY tours? Have all they been successful?
Marcus: Touring is indeed a great experience. It’s a great way to see other countries and to make friend with good bands all over. I guess all our tours are done in a DIY way – it’s all done by us together with friends. We hardly ever work with booking agencies and try to stay away from the business side of music. I think that all tours have been successful – they have all been fun! Lots of people showing up, good times.
Where have been some of your favourite places to play?
Marcus: It depends, but New York, Portland, Toronto, Copenhagen and Stockholm have treated us well most times! Umeå is also fun!
Where’s next and why haven’t you been to the UK yet? Make it happen, please!!
Marcus: We’re trying to find the time to do a European tour this year and UK would be great.
With so much of your time invested in the band, are you able to hold down full-time jobs, or studies?
Marcus: A few years ago no one of us had full time jobs – we had shitty jobs that we quit for touring. But nowadays we all have full time jobs or something similar to that. That’s a big reason that we don’t tour as much anymore.
Marcus, you also play in U.X. Vileheads (I just got the first EP which is great!) – are any other Regulations in different bands?
Marcus: Thanks! Yes there are a few Regulations-related bands: Masshysteri, AC4, The Vectors, Instängd to name a few…
I’ve been listening to Punk since the late Seventies, and I am still discovering great old music that I didn’t hear the first time around… like recently I saw The Authorities (from California) who were excellent! Have you heard any old bands for the first time recently that got you excited?
Marcus: I HATE COPS! I’m always looking for old good stuff. Some recent discoveries are Final Conflict (from Minneapolis, recently reissued by Havoc Records), Purrkurr Pillnikk (Iceland), Naked Hippy (USA), Opium (Finland), Problems? (Finland) and Geizz (Japan).
And what about modern bands, who have you got on your turntable at the moment to recommend, please?
Marcus: Right now – Thurneman (Sweden), Complications (Canada), Kakka-Hätä 77 (Finland), Love Potion (Denmark), Syndrome (USA), Devour (USA), Double Negative (USA), Night Fever (Denmark), Wasted Time (USA)… there’s too many to mention… and Pissed Jeans (USA)!
To borrow a line from Sweden’s very own Slam… are any of The Regulations wild riders of boards?
Marcus: Yes we all Skate! Not as much anymore but there’s a new skate park in Umeå that’s really great. Rise Above Skateboards did a bunch of Regulations-skate decks two years ago look out for them!
Find the finest Hardcore to ever be made in Europe by Regulations at Myspace.
Mogwai have taken their typically awesome song titles to the album itself as they announce that their new album ‘Hardcore Will Never Die, But You Will‘ will be released on February 14th 2011 through Rock Action Records.
The tracklisting alone looks promising, but then the Scottish noise and melody blenders have yet to put out anything that hasn’t won us over.The limited edition version of the CD will feature 26 minute long piece called ‘The Singing Mountain’ recorded for Douglas Gordon and Olaf Nicolai’s ‘Monument for Forgotten Future’ installation in Essen, Germany.
The tracklisting is as follows…
White Noise
Mexican Grand Prix
Rano Pano
Death Rays
San Pedro
Letters To The Metro
George Square Thatcher
Death Party
How To Be A Werewolf
Too Raging To Cheers
You’re Lionel Richie
It is to be expected that All Tomorrow’s Parties will feature line-ups chosen by an increasingly impressive list of designated curators. For May’s festival weekend in Butlins Holiday Centre, Minehead it has been announced that Animal Collective will be headlining and selecting an eclectic line up.
The selections made so far only confirm that this is going to be a very special ATP weekend. Tickets go on sale through See Tickets this Friday October 29th.
Confirmed acts so far include…
ANIMAL COLLECTIVE
GANG GANG DANCE
LEE SCRATCH PERRY
ARIEL PINK’S HAUNTED GRAFFITI
BROADCAST
BLACK DICE
MEAT PUPPETS performing Up On The Sun
THE FROGS performing It’s Only Right & Natural
IUD
OMAR-S
PRINCE RAMA
SPECTRUM
DENT MAY
GROUP DOUEH
THE BROTHERS UNCONNECTED
SUBLIME FREQUENCIES DJs + Films
DERADOORIAN
ZOMBY
VLADISLAV DELAY
On first appearances, the members of Foxy Shazam replicate a modern day Addams Family, unfortunately misplacing Uncle Fester and the Thing. Supporting the image of six un-groomed individuals from Cincinnati, Ohio, it is almost a little difficult to take the American rockers seriously. Once the music begins and Eric Nally steps up to the microphone, the rawness of his vocals guide you through the parallel universe that is their self-titled major-label debut. You will not believe your eyes when you view yourself reaching for that repeat button.
If Foxy Shazam was a cocktail, its ingredients would be as follows; 25ml of facial hair, 50ml of diabolical passion, a slice of lyrical genius and the leading drive of Freddy Mercury. Add that magical technique on blending this infectious mix together and you’ve let yourself in for something that’ll change your views on the world – well, maybe after about six or seven more. Don’t believe me? Put their work of art into your music player and hit the ‘play’ button accompanied by a brutal level of volume so that your neighbours can enjoy the album too – let’s not be selfish. After all, caring is sharing!
From start to finish you can hear an eclectic mix of influences ranging from the raw punk era of the 70s through to the pulsating sound of soul-inflamed vocals from the 90s. Whether it’s the climatic chorus of ‘Wanna-Be Angel’ that draws you in (and it will), or the rhythmic combination of beats and female backing vocals on romantic ‘Connect’, the sextet have seriously thought about the direction of their album; aiming to hit all four corners of the globe – and no doubt the FS globe actually contains four corners.
It is patently obvious that this is not an album that’ll inspire you to get romantically involved in the bedroom, but it is the poison that fills your veins on first listen. The moment the melodic sound of camp-inspired rock ‘n’ roll gets into your system; you’re continuously searching for that sense of release and freedom. Hint: the only antidote is witnessing this tribe of beauties live.
At the end of the day, if you don’t admit publicly that you like Foxy Shazam, Nally et al will most definitely commit social suicide!