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Music News

Mac Demarco shares new song ‘The Way You’d Love Her’

Mac DeMarco.ColeyBrown

Following the announcement of his forthcoming mini LP, Another One, Mac Demarco is streaming lead track ‘The Way You’d Love Her’ on SoundCloud. The Canadian has already sold out his headline London date at The Roundhouse, so be sure to catch him at festivals on the dates below this summer.

Another One is due August 7th via Captured Tracks.

UK Tour Dates
June
6 Manchester, Parklife Festival
7 London, Field Day Festival

September
5 Stradbally (Ireland), Electric Picnic
6 Salisbury, End of the Road festival
7 Glasgow, ABC
8 Bristol, Motion
9 London, Roundhouse (sold out)
10 Birmingham, The Institute
12 Manchester, Beacons Metro Festival

Another One Track Listing:

The Way You’d Love Her
Another One
No Other Heart
Just to Put Me Down
A Heart Like Hers
I’ve Been Waiting for Her
Without Me
My House by the Water

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Album Of The Week Album Reviews Buzz Chart

WAND

Wand_Golem_CoverWand
Golem
In The Red

As the eerie space wind samples that precede Golem greet your ears, there’s a sense of trepidation and tension instilled, but its laced with magic and set to explode. Wand’s opening riffs are as merciless as they come, and take a firm grip on your malleable mind that refuses to let go for thirty five minutes straight.

Tube amps cooking hot and phasers set for the heart of the sun, Wand sound like Sleep on speed. The sheer power and noise behind ‘The Unexplored Map’ is enough to knock you straight through a stone wall, and it’s both terrifying and exciting that this is just the beginning of their nine track assault.

Sure, you could argue that there’s a somewhat saturated scene as of late, with any old Tom, Dick or Harry shouting the odds over a din of feedback and fuzz and calling it “psych”. But Wand are the antidote to these teenage dirt bags, standing alone in their own bold sonic dimension.

Tracks like ‘Reaper Invert’ and ‘Floating Head’ summon the kind of sludge you’d expect to hear oozing like molasses from the double-stacks of King Buzzo, while ‘Melted Rope’ floats up to newfound cosmic territories with delight, seeing frontman Cory Hanson’s vocal warble almost recalling that of Lennon’s, if he’d hooked up with Kevin Parker via some time travel assisted jam.

Wand’s display of fine sonic wares doesn’t stop there, though. ‘Cave In’s misleading riffs morph into a crazed double-time stampede of swirling noise that just cries for the volume knob on your hi-fi to be, not cranked, but yanked clean off in a frenzy of ear-bending glee. Shortly before namesake ‘Planet Golem’ stoops to Sabbath levels of dark doom rock before oscillating into near-speed metal territory.

Long after Golem has peaked, you’re left marvelling at a record that unites both the futuristic and the fantastical. Whether you’re a fan of medieval sludge and doom, or sci-fi synth mystique, Wand show no fear in blending the two together seamlessly.

Golem is out now on In Red Records.

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Live Reviews

Poison Idea live at the Borderline, London

Poison Idea
The Borderline, London
May 7th

jerry_a_Poison_idea_borderline_lond

Poison Idea have history right in the centre of London. All of their 90s appearances in the capital exploded in the centre; from that first incendiary performance with the Hard Ons at ULU in ’91, to the legendary Marquee and Astoria gigs, tonight Poison Idea returned to hit the centre dead-on again at The Borderline. With pretty much all of the rock n’ roll now flattened and demolished in Central London, the heart ripped out of it, it’s fitting to have Jerry A and his kings of punk return to the ruins and re-charge it once again with their vital metallically-charged hardcore punk.

As we climb down the stairs into the pit of punks crammed in to The Borderline, the first thing that hits you is the stench of puke and sweat, the deathly aroma of punk. The room is buzzing (and gagging on the smell) with anticipation for the return of Portland’s legendary Poison Idea who are very much back. Their new album ‘Confuse & Conquer’ is the best they’ve recorded since 1992’s ‘Blank Blackout Vacant’ and Jerry finally has a line-up that is committed, settled and does the music justice. Currently three-quarters through the longest and most gruelling tour they’ve done in many years, Jerry’s punished voice may be raw and ripped but from the moment the band hit the stage, they are bone-tight and packed full of power. With ’87 era-guitarist Eric ‘The Vegetable’ Olsen back in the band and stick-thin drummer Nathan Richardson pounding the skins with more power than his appearance might suggest, Poison Idea kill it tonight.

Yes, it takes a few songs for Jerry’s voice to settle in but once it does, it’s as snarled and powerful as it ever was. “This one’s for Nigel Farage,” he says as the band steam into ‘Discontent’ (“listen Nazi, never again,”) and the entire room detonates into a flurry of limbs and sweat. And the hits just keep on coming. They play pretty much every essential song you could want to hear – ‘Just To Get Away’, ‘Getting The Fear’, ‘Punish Me’, ‘Taken By Surprise’ and ‘Give It Up’ , all of which square up well with the sprinkling of new ‘Confuse & Conquer’ tracks the band play tonight.

At the end a woman’s boot is thrown onstage. Jerry picks it up, empties half a bottle of cider into the bottom of it and swills the contents into his mouth. “Tastes like a size 6,” his says before the band wind the set up with a double stab of Johnny Thunders and Avengers covers. A perfect punk rock night. We’re so fucking glad Poison Idea are still here.

James Sherry

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Music News

Metz share new music video

metz_the_swimmer

Having released their long awaited second album, II, this week via Sub Pop, Metz have shared a brand new music video for ‘The Swimmer’ to mark the occasion.

Watch the story unfold in a frenzy of Gif-style jitters below, packed with all the Chris Cunningham-esque face stretching and big googly eyes you like.

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Music News

The Who to headline Glastonbury

The_Who_Glastonbury
Joining messrs West and Grohl at the top spot, today The Who have been announced as the third and final Glastonbury headline act.

Taking to the stage on Sunday night, the band are set to close the festival with a bang, “unless of course the fireworks get wet”, singer Roger Daltrey added.

Currently mid-way through their 50th anniversary tour, The Who will also headline the British Summertime Hyde Park festival on June 26th, supported by Johnny Marr, Gaz Coombes and Paul Weller, who is also set to play Glastonbury in the penultimate Sunday night slot on the Pyramid Stage.

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Buzz Chart

Bop English

CONSTANT_BOPBop English
‘Struck Matches’
Blood and Biscuits

Bop English, more commonly known as White Denim mastermind James Petralli, has been hard at work crafting a solo venture of, whilst certainly epic at moments, rather retrospective proportions. Peering through the psych-pop prowess that you’d expect from the man that wrote a song like ‘At Night In Dreams’, amidst the haze of riffs and effects, the singers roots come to light in a way that didn’t quite fit the White Denim mould.

‘Struck Matches’ flares up into an acoustic-guitar driven hark back to the glory days, with Petralli layering slap backed vocal delay’s over wah-wah’d licks a plenty. His warped horn section and Texan drawl almost conjuring memories of golden boys Petty, Harrison, Lynne & co. as he leads the way into an infectious Wilburys-indebted boogie that demands multiple replays.

Lyrically, Bop’s dealing with what sounds like a precarious balancing act between consciousness and mind-melt after being handed the pipe and not knowing exactly what lay within the bowl. He sees a walking disaster, but all that’s to be found here is a triumphant ode to blues-rock, teaming with hooks and Americana appeal.

‘Struck Matches’ is taken from Bop English’s Constant Bop LP, out now via Blood and Biscuits. Catch him live in the UK on the dates below.

MAY
29th Glasgow, Broadcast
30th Liverpool, District
31st Birmingham, Hare & Hounds

JUNE
1st Bristol, Louisiana
2nd Brighton, Sticky Mikes
3rd London, Oslo
4th Manchester, Night and Day

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Album Reviews Buzz Chart

Gallows

desolation_sounds_artworkGALLOWS
Desolation Sounds
(Venn/PIAS)

I like to feed on broken hearts,” roared former Gallows vocalist Frank Carter, but it seems that these days, his ex-bandmates like to feed on adversary. Be it Mr Carter’s 2011 departure, or that of his guitarist brother Steph two years later, each obstacle placed in Gallows’ way sees them return stronger, darker – and, dare we say it, better?

Certainly, Desolation Sounds is no mere re-tread of past glories. There’s still plenty of hardcore rock n’ roll vitriol on display in the likes of ‘Leviathan Rot’ and ‘Leather Crown’, but in general, this is a more expansive and ambitious beast of a record than its predecessor. Witness the eerie choral intro of ‘Chains’, which gives way to sludgy, granite-hewn riffs, or the brooding, gothic vibe of ‘Bonfire Season’, with Wade MacNeil’s mournful vocals lending a sinister edge to proceedings. Later, the clipped, almost robotic rhythms of ‘Death Valley Blues’ and the Mastodon-gone-schizophrenic attack of ‘Swan Song’ will have wondering just what else these guys have up their sleeves.

Overall, Desolation Sounds is the result of Gallows being completely true to themselves, and just as it must have been a liberating experience for its creators, it’s deeply compelling for the listener. Oh, and most of these songs will probably sound even better live. Find out for yourself at the following dates:

May
22nd – Glasgow Cathouse
23rd – Leeds Slam Dunk Festival
24th – Hatfield Slam Dunk Festival
25th – Wolverhampton Slam Dunk Festival
26th – London Garage
27th – Manchester Sound Control

Alex Gosman

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Live Reviews

Social Distortion live at Shepherds Bush Empire

Social Distortion live at Shepherds Bush Empire, May 3rd 2015

socialdlive_Many Social Distortion fans out there will tell you that the band’s 1983 debut Mommy’s Little Monster is their best record to date. This baffles me. Don’t get me wrong – it’s a great punk rock record, but one almost entirely free of the country and other American roots music influences that, to these ears, define Social Distortion among their Californian punk brethren. These aforementioned influences were incorporated in fine style on 1988’s ‘Prison Bound’, but further refined on 1990s self-titled record; my personal favourite, and also home to some of their best-known songs (including ‘Story Of My Life’ and ‘Ball And Chain’). Arguably, it is this album that would give a Social D newcomer the best snapshot of what Mike Ness’ crew are all about, and the man himself clearly agrees with me; to the extent that his band are currently playing the album in its entirety every night, to celebrate its 25th anniversary.

These seasoned veterans certainly look and sound good as they rip through the opening ‘So Far Away’ and ‘Let It Be Me’; so it’s a shame that the crowd don’t seem half as up for it as they were when Social D last played here (about four years ago). It’s at times like these that I wish that I could empty the venue and re-fill it with a couple of thousand clones of myself. Ok, that would mean a whole crowd of slightly podgy 30-something caffeine-addicted misanthropists, but they’d give lesser-known cuts like ‘A Place In My Heart’ the sing-along and jump-around that they deserve, and THEY’D LEAVE THEIR FUCKING CAMERA PHONES AT HOME. Thankfully, though, Mike seems happy, and kindly takes the time to say hello, remind us that we don’t have to go to work tomorrow, and ramble like a star-struck kid about having met The Clash bassist Paul Simonon earlier that day.
sociald
If that sounds a bit too cosy for comfort, it’s worth pointing out that the Social Distortion (and Mike Ness) of today are a far more stable and – dare I say it? – professional beast than they were 25 years ago, and at times tonight, a little Mommy’s Little Monster-style sense of danger wouldn’t have gone amiss. The songs have stood the test of time, though, and even recent cuts like ‘Gimme The Sweet And Lowdown’ are played with kind of vigour that suggests Mike still has a few axes to grind after all these years.

The one-two knockout punch of ‘Ring Of Fire’ and anti-racism anthem ‘Don’t Drag Me Down’ are pretty much as good an encore as you’ll hear from anyone, and whilst it’s been fun revisiting Social Distortion’s past tonight, they’ve also proved that – over three decades in – there’s still plenty of gas left in this rock n’ roll machine.

Review: Alex Gosman
Photo credit: Albert Saludes

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Music News

Ozzy hints at farewell Sabbath tour and final album

Black_Sabbath_Image by © Tony Frank/Sygma/Corbis

Having cancelled a forthcoming performance that was billed as Black Sabbath’s farewell gig, set to take place at Tokyo’s Ozzfest in November, Ozzy Osbourne has revealed there are now plans for a final album, as well as a world tour, in 2016.

At a recent press conference at Monsters Of Rock in Brazil, Ozzy expalained: “The plan is that next year we’ll do the final Black Sabbath tour and album. I’m not stopping… my wife spends all my money so I can’t.” But the plans “could change,” he adds. “We all live in different countries and some of them want to work and some of them don’t want to, I believe. But we are going to do another tour together.”

Keep your ear to the ground for details of, what looks to be, the band’s last hurrah. And keep a closer eye on Geezer, here.

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Music News

Mac Demarco details new album

Mac DeMarco.ColeyBrown

Mac Demarco has announced the follow up to his critically acclaimed Salad Days with a new 8-track mini album titled Another One for August 7th.

Famed equally for his goof ball tendencies as well as his blurred guitar pop, the new album’s ‘making of’ video sets fans up for more of the same. Be sure to catch him on tour at the below dates and read about our last encounter with the man himself here.

UK Tour Dates
June
6 Manchester, Parklife Festival
7 London, Field Day Festival

September
6 Salisbury, End of the Road festival
7 Glasgow, ABC
8 Bristol, Motion
9 London, Roundhouse
10 Birmingham, The Institute
12 Manchester, Beacons Metro Festival