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Music News

Death Grips UK tour dates for May and June

Death Grips have announced details of a UK tour for May. The band, who released their critically-acclaimed debut album ‘Ex-Military’ in April 2011, will release their second album ‘The Money Store’ on Monday 23rd April and will play the following UK shows:

Saturday 19th May – Glasgow Stag & Dagger Festival
Sunday 20th May – Manchester Roadhouse
Monday 21st May – Nottingham Bodega
Tuesday 22nd May – Norwich Arts Centre
Wednesday 23rd May – Brighton Green Door Store
Friday 25th May – London Alexandra Palace (All Tomorrow’s Parties)
Saturday 2nd June – London Field Day Festival

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Album Reviews Buzz Chart

Cancer Bats

‘Dead Set On Living’
(Hassle)

cancerbats_deadsetonlivingWhilst it’s debatable as to whether Cancer Bats have improved with age (mainly because they’ve yet to release a less-than-great record), ‘Dead Set On Living’ shows that they certainly haven’t mellowed out. It’s amazing that they found time to record the damn thing, given their notoriously long and punishing tour schedules, but it seems that for these guys, there are no difficulties or problems – just challenges to be relished.

It seems appropriate that the Canadian quartet now moonlight as a Black Sabbath tribute band (‘Bat Sabbath’), as this record is stuffed with the kind of thunderous riff action that would surely win Tony Iommi’s approval. Opener ‘R.A.T.S.’ is a prime example; vocalist Liam Cormier unleashing the fury over a groove of seismic proportions, and it sets the tone for much of the album. In contrast, the hardcore influence is less prominent, although ‘Road Sick’ and ‘Old Blood’ would make great soundtracks to a raging circle-pit.

Would a comparison to Pantera be considered blasphemy? In terms of creating a record that’s both catchy as hell and heavy as hell, this is probably the closest that Cancer Bats have come to their own ‘Vulgar Display Of Power’. A step-up to rock’s big league surely beckons, and on this form, they’ll take it in their stride.

Alex Gosman

Categories
Album Reviews Buzz Chart Music Reviews

Schoolboy Q

Habits & Contradictions
(Top Dawg Entertainment)

Schoolboyq_HabitsnContradicWith all the hype surrounding rappers from Danny Brown to A$AP Rocky to Mr Muthafuckin’ eXquire, it seems one has been criminally bumped to one side. Schoolboy Q is an LA rapper and part of the Black Hippy group with Kendrick Lamar, Ab-Soul and Jay Rock, having already released one album last year to some small acclaim.

But it’s with his new album that heads have been turning. A number of people were made aware of him with his stellar guest spot on A$AP Rocky’s mixtape on the track Brand New Guy but on his own album, he really comes into his own over a fantastic variety of beats, allowing him to show fun sides of his personality as well as the straight up gangster flex.

Whether rapping over Lissie samples [Hands on the Wheel], Portishead samples [Raymond 1969], alongside female R&B singers [a brilliant cameo from Jhene Aiko on Sex Drive] or the undeniable thumping Druggys Wit Hoes Again with his crew made Ab-Soul, Q showcases his ability to perform over laid back beats, bangers and everything inbetween. Whilst he might not be the greatest rapper in the world, he is definitely one to give time too.

It’s an album that might not instantly soar up any “must listen” lists, but given time, it’ll embed itself in your mind and demand attention time and again without you even realising it. Schoolboy Q, get to know about him, this dude has talent.

Abjekt

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Features

Introducing Black Moth

black_moth_bandThere are so many bands with the word Black in them that are in my record collection thesedays, it’s a joke. The funny thing is though, most of them are all dead good and that includes the likes of Black Mountain, Black Sabbath, Black Lips, The Black Angels, Black Breath, Black Helicopter, Brightblack Morning Light, Black Flag, fuck, I could go on and on here but the point is, after seeing a few links about the web, I clicked into Black Moth’s bandpages and realised within one tune that this latest band with my favourite colour was going to join the elite and get rinsed just as much.

Black Moth’s lead singer, Harriet Bevan answered questions other than what her favourite colour is, so get stuck into discovering another arse-kicking band from the Leeds scene in England who are ripping speakers apart right now with their own fine dose of stoner rock and psych metal.

So, how long has the Moth been Black for?

Black from the womb to the tomb! But our sound really blackened around about 2010 when we ditched our old 60s garage punk band to form this dark, weighty incarnation.

Location wise, where did the Moth first take flight from?

I suppose we bust out of our cocoon in Leeds, but our first flight was with That Fucking Tank in Bradford. Super sweet first gig.

How long did it take the Moth to transform from maggot to winged beast?

Well there’s a grotty little maggot still in each of us but we transform into winged beasts whenever we’re in the same room as each other. We were gradually writing heavier and heavier songs with our last band until we realised it was a fuckload more fun playing the gnarly, riffy stuff live… so within a few months, we’d ditched anything remotely pleasant and the rest is history.

What other band names were in circulation and in the mix before you chose your current band name?

Oh there were some dreadful ones… choosing a name is possibly the most infuriating thing about forming a band. I can’t remember many but I’m sure we toyed with both “Goatsucker” and “Bellend Sebastian.” We went with Black Moth in the end because it sounds badass. The idea is rooted in evolutionary theory of ‘industrial melanism’- where nature gets blacker and blacker in response to pollutants darkening the landscape. I have always loved the imagery of the moth though, particularly in Tennessee Williams’ poem “Lament for the Moths,” where the moths are the artists of the world that are downtrodden by mammoths. Kind of a battle cry to kick against the pricks and all that.

How do you write/rehearse?

We all write together. There’s no band hierarchy. One of us will show up to practice with a riff and we thrash it out and all throw something into the mix.

How many times do you strike a riff together in any given month and just KNOW it’s the best feeling ever?

Honestly, every time we’re in a room together with our instruments. At least once or twice a week. Playing heavy music is best feeling- there is nothing else like it. Whether were rehearsing or playing gigs, its always a lot of fun, and a surprisingly effective hangover cure.

Is there a better feeling than when it all just clicks in a rehearsal room and you thrash the living crap out of a track or riff knowing it’s a monster?

In a word, no. You put the words straight in our mouth there but frankly, why would anyone go through all the ridiculous shit being in a band involves if it wasn’t for addiction? Addiction to that mindblowing feeling when it all comes together. It’s sometimes unbearably frustrating having to wait until a riff is completely crafted into a song before playing it out to people.

What do Jim Sclavunos and Dave Sanderson bring to the band in the studio?

We were completely stoked to have Jim producing our album alongside his studio engineer Dave Sanderson. Their creativity and energy led us to experiment with different sounds with wild abandon, which has led to such an interesting record with multiple textures.

Jim has an enormous wealth of knowledge and experience as a musician (Grinderman and Nick Cave and the Bad Seeds) as well as a producer. He totally “got” what we were about which is very important. Dave is one of the most talented recording engineers we’ve ever worked with. He really knows his stuff technically as well as musically and this made the whole recording process go smoothly and enjoyably. Couldn’t recommend Dave and 2Fly studios enough.

Are there any instruments on the forthcoming record that you have had to pay more attention to get the right sound you require?

During pre-production we really examined every part of our sound to make sure it was right for the album. But even still when we got into the studio lots of things were revised and changed. I’d say the guitar sound is the thing we played about with most, using different guitar/amp set ups for every song to make sure it sounded chunky as hell whilst complimenting the feel of each individual song.

Who complains the most whilst in the midst of the recording process and who is most chilled?

As a band were pretty chilled in general. We’ve been amazingly resilient in some of the most stressful situations imaginable (E.G. making daisy chains on the side of Das Autobahn next to a royally pooped out van with only a few hours to get to a gig and nobody in the band able to speak German). There’s no stonking great egos in the band to worry about and everyone is down to earth so there was no real complaining. Complaining is never helpful and we’re more than capable of entertaining ourselves in the duller times…

Would you kill for each other?

We would, we could and we have. Quick, next question.

What’s the nastiest thing you have ever done to each other?

Generally we tend not to abuse each other too much. However sometimes whilst on tour after a lot of booze, shit can get ugly. Incidents include our bassist attacking our drummer following a brave attempt to coerce him away from the lamp post where he was provocatively pole dancing for a confused huddle of pensioners. I think he also pushed over an 8 foot goth at a club in London in a rage after she stole a load of our rider… but he apologised about 100 times after. We’re very nice people really… peace out brothers and sisters.

If you had to take out 3 local Leeds bands as part of a life survival test, who would you maim and how would they fall?

I would cut “Cut Yourself in Half” in half, pull “Pulled Apart By Horses” apart using horses, and get my mum to beat the living shit out of “Mother/Destroyer.”

Any of you been arrested?

Dom has a few times for scrapping and cannabis possession as a young scallywag.

Best puke story?

Oh Christ knows we have our fair share of those. Every time I’m face-first in a service station toilet after a gig I wonder if I will ever learn. Probably the most dramatic vomcident was when we had an organist for a brief period. We were playing an totally sweet gig at White Trash Fast Food in Berlin when halfway through the show he had to run as fast as his legs could carry him through the restaurant, sending hotdogs flying, to projectile in the car park. The mess was astounding!

Black_Moth_KillingJar_coverartWorst jobs you have had to do to earn a crust so far?

For some of us it has just been the experience of working in an office environment, hunched over a computer, staring at a spreadsheet in an artificially lit room with the blinds down on a sunny day … that’s about as grim as it gets. Dom says it made him want to gouge his eyes out with a spoon. Jim and I used to work at Kwik Save which should have been hell on earth but actually ended up being pretty funny chucking tins of beans at each other and skidding up the aisles on spilt fabric softener – needless to say the store closed soon after.

Best band story to date…

When we were on tour in Europe last year, our van broke down no less than THREE times, yet miraculously we made every single gig. To elaborate on the aforementioned autobahn incident, we we’re eventually picked up by a very confused young punk who didn’t speak a word of English, and by this point we’d watched so much Alan Partridge we weren’t making much sense either. So we had to resort to a phrase book. It wasn’t much help, so we decided to craft our own helpful phrases such as “would you love me more if I was an accountant?” and “please use contraception” which had him in stitches. We ended up getting drunk on Baileys with him in an apocalyptic scrap yard of smashed up cars, while we waited for our taxi to arrive. That’s right, he somehow convinced our insurance company to pay £500 for a taxi to get us to a gig, which we got paid fifty quid for.

The tour culminated in being towed all the way home to Leeds from Dover, but we knew the metal gods were looking out for us when we climbed, weak and battle-weary into the cab of the pick up truck only to find that our third knight in shining reflective gear who rescued us had Ozzy Osbourne on the Sat Nav.

You have 3 records to store before life is wiped out. What 3 records would you put aside and discuss your reasons for the choices.

Purely off the top of our heads because this is an impossible question:

Black Sabbath – Black Sabbath. To us, this is pretty much the most important album ever made. This is the album that started doom, and really paved the way for dark, heavy music to come afterwards.

Electric Wizard – Dopethrone. The heaviest album ever made. Eight tracks of sludgy, skull-crushing horror.

The Stooges – Raw Power. If the previous was the heaviest album ever, then this is probably the filthiest. Brilliant from start to finish. My heart still skips a beat every time I hear the opening chords of ‘Search and Destroy.’ Music to break into a sweat to.

Any of you skateboard?

Jim used to skate. Some of us used to get high down the local skate ramp and we all used to play a lot of Tony Hawk on the Playstation as kids, does that count?!

That’s should do it yeah. What about the local skate scene in Leeds as it’s one of the best in the country. You must know some rippers from around town right?

Well our pal Dougie McLaughlan from Gentlemans Pistols is a bit of a pro I think? And his girl Sami Graystone is a brilliant illustrator who designs for A Third Foot Skateboards. She’s also in a great band called Solid Gold Brass. Gentlemans Pistols are our local heroes. An awesome live band we have had the pleasure of playing with and working with as James Atkinson produced and released our first single with us on High Magick Records.

Dougie rips. Good call on the Pistols, we should have them in here next. Right then, what’s your Top 3 stoner rock bands of all time?

Sleep and Kyuss are the obvious ones for us. Thirdly I’m gonna go for Acid King, simply because Lori S is my kind of lady.

Lastly, let us know when we will expect the long playing Moth record to land in our ears and why the fuck should we buy it?

Our debut album ‘The Killing Jar’, produced by Jim Sclavunos of Grinderman and Nick Cave and the Bad Seeds will be released on 7th May through London label, New Heavy Sounds. Here’s a teaser. You should fucking buy it, because its totally fucking gnarly and awesome and you’ve bothered to read this fucking interview so you may as fucking well now, right?!

Look out for Black Moth on the road and note that the first 500 vinyl copies of this album will be a deluxe package with full colour gatefold sleeve and awesome cover illustration by Vania Zouravliov that you can see on this page.
The vinyl will be pressed on 180g heavyweight (natch) transparent white vinyl, with a lyric sheet and a free download of the whole album. Go get it.

Live shows coming up at:

May 04 Sheffield with WET NUNS Audacious Art Experiment
May 05 Live at Leeds Festival
May 06 Camden Crawl, London
May 11 Great Escape Festival, Brighton
May 12 The Windmill, Brixton, London
May 18 Psychomagik at the Shacklewell Arms, New Cross, London
May 19 LEEDS ALBUM LAUNCH PARTY at Santiago’s

Categories
Music News

OFF! release new Wiped Out video and UK tour

OFF!

OFF! are back with a full album full of raging hardcore this summer and have unleashed a video to the track ‘Wiped Out‘ to give you a taste of what’s coming.

Last year’s release of First Four EP’s saw the band emerge with one of the most explosive punk rock records we have heard in a while, so you should be stoked when you hear the news that this new self-titled album coming via Vice Records has 16 tracks stuffed into just 16 minutes!

Fronted by Keith Morris (Black Flag/Circle Jerks), OFF! will be charging into the UK in June to play a full UK tour with the full album dropping on May 7th. Get a taster of Wiped Out and get hyped.

18-Jun Brighton Haunt
20-Jun London Garage
21-Jun Glasgow King Tut’s
22-Jun Newcastle Academy 2
23-Jun Leeds Brudenell Social Club
25-Jun Manchester Sound Control
26-Jun Nottingham Rock City Basement

Categories
Music News

EL-P’s Cancer for Cure trailer is the bollocks

el_p_ CANCER_FOR_CUREIt’s always a welcoming thought when you hear that EL-P is coming at your ears with a new album.

Today he released this ball-breaking trailer for ‘Cancer for Cure’, the all new, all in your face record that we long for. Get tazered to his usual depth charged beats here and watch this space.

Categories
Music News

Download Death Grips ‘I’ve Seen Footage’ for free

Death Grips have released a free download this week ahead of their album release of ‘The Money Store’ this month. Take this one away for nothing today.

Categories
Live Reviews

Action Bronson – Live

Barfly, London
25.03.12

Such was the excitement at Action Bronson‘s debut in London that he had to add a matinee show on the day of his Barfly show to make sure everyone that wanted a ticket got to see him. Larger than life is a phrase that gets thrown around a lot, but when you see a man that can’t be taller than 5’8 and is as wide as he is tall, larger than life certainly seems apt.

Grinning throughout his set, Bronson was clearly having a good time from the second he stepped on the stage and past an equally large [and drunk] member of the crowd who continually wanted to hold his hand and chant “BRONSON, BRONSON” at the crowd. The MC invited the guy on stage before realising he had inadvertently taken on a belligerent hype man and ushering him back off.

With the Barfly heaving, Bronson stepped down into the crowd to get in amongst his loving fans, running through tracks such as Barry Horowitz and The Madness as the lyrics were enthusiastically thrown back at him before he waded back towards the stage. Taking a few puffs of a joint near the front of the stage, the grin got wider and he declared he was “tired as fuck yo” – not really a surprise to anyone in attendance.

After half an hour, it was time to wrap things up, though he did drop a couple of extra tracks, including an already fan-favourite tune from his Blue Chips mixtape – Hookers At The Point. It was too short a set, in reality, but for the half an hour or so that he was on stage, it was one hell of a fun evening.

Abjekt.

Categories
Buzz Chart Music Reviews Single Reviews

Total Slacker

Crystal Necklace
(Marshall Teller Records-London)

Brooklyn is long established in delivery amazing indie acts worth shouting about. From The Strokes, LCD Sound System, Dirty Projectors to TV On The Radio, we’ve got a band to tout in the form of Total Slacker. A garage indie outfit with lazy, psychedelic, riff-laden melodies, this is a band that will have a cult following in the years to come.

You may already come across them as their  the single Video Store Rental Guy was featured in Kai Neville’s surf film Lost Atlas and their single Crystal Necklace reached #36 on Pitchfork readers poll.

All references aside, we know you’re going to love this, so point your mouse to the video below and press that play button. Do it!

Nazlee Jannoo.

Categories
Album Of The Week Album Reviews Buzz Chart Music Reviews

Sharks

No Gods
(Rise Records)

In Sharks’ debut full-length, they’ve married an old-school punk spirit with a love of bands like Joy Division and Nick Cave. Creating an aesthetic steeped in punk rock influences like The Clash and The Buzzcocks but with a lighter more radio friendly feel, Sharks are definitely going to be winning over more fans this year. The band have been busy working the US hard on tour with the likes of Social Distortion. But in the UK they’ll be hitting the road with indie darlings Tribes. Their touring partners certainly reflect the flexibility of their sound and the ability for their rousing working class anthems to fit into numerous scenes and genres. Sharks also have ground in common with the likes of The Gaslight Anthem as they purvey a similarly accessible punk-infused brand of simple rock songs.

James Mattock’s earnest vocals are endearing and take turns with some pure rocking guitar riffs which are simple but wholly encompass the band’s approach – straightforward songwriting with catchy tunes and subtle instrumentation. Lead single ‘Arcane Effigies’ is a lilting number with minimal lyrical content but a charm that draws you in. ‘Luck’ features some beautiful-sounding guitar patterns that although they’re very prominent, blend perfectly into the texture of the music and exhilarate the listener in what is otherwise a fairly downbeat track.

Somewhat of an anomaly on US label Rise Records’ roster (primarily known for its championing of various metalcore bands), there is definitely something retro about Sharks. But in the best possible way. They’ll definitely have your feet tapping and before you know it you’ll be singing along with as much heart as is present in this debut from the band.

Winegums.