Categories
Film Reviews

Alice in Wonderland

Walt Disney Pictures

There has been so much hype regarding Alice in Wonderland that when you go to see it you are automatically excited about what you are about to experience. The majority of us have seen the Disney classic and some of the various adaptations, this one however should not be considered a sequel, a remake or a re-visioning, as it is a stand-alone extension of the Lewis Carroll novels, a tale of what happens when Alice (Mia Wasikowska) returns to a land she visited when she was younger. What director Tim Burton has attempted and quite successfully done is turn what was originally Alice wondering through a strange land encountering one crazy character after another into more of a story, with Alice having a purpose, to slay the Jabberwocky, a dragon controlled by the Red Queen and restore the White Queens back on the thrown.

One of the vital elements created are emotions, not just for the viewer watching but for the characters. There are some psychology aspects, understanding that Alice is a 19-year-old dreamer who doesn’t fit into the Victorian society. Her return to Underland (as it has been called) helps her to develop into a confident, strong-willed and empowered woman who is able to chose her own life’s path rather than flow one designated for her by others. This journey sets her on a rite of passage to find who she really is. In regards to the lovable Mad Hatter (Johnny Depp), there is something that stands out about his personality and makes sense about his crazy behaviour, something rational as opposed to just being mad. The continuous changes in his personality and accent especially show his ever-changing emotions. Then there is the toddler like Red Queen (Helena Bonham Carter), whose big head matches her big personality and attitude and the slightly eccentric White Queen (Anne Hathaway). You don’t realise it as you view but there are psychological elements that play a large role in the characters personalities and come through in their development of the story. Being able to develop the personalities required for such changeable and unpredictable character takes actors with a real passion for their work.

Combining a technique of live action with animation takes this fantasy adventure to all new heights. Having said that the 3D imagery doesn’t overwhelm and please as much as you may have expected, it actually disappoints in many areas. There are still plenty of laughs to be had though, as many as the mad hatter has personalities. It offers moments of excitement when Depp makes an appearance, humour during the futterwacken sequence as well as some more emotional scenes. Admittedly Alice in Wonderland has everything you could want from a Tim Burton flick, however, no matter how deep you delve into the characters and the plot line, there is just something that stops it from really satisfying you. Nevertheless Burton makes another astounding notch on his long list of memorable flicks.

Michelle Moore

Categories
Film Reviews Preview

Saw VI

Lionsgate
www.saw6film.com

The sixth installment from one of the world’s successful horror franchises SAW follows another Jigsaw Killer game set into motion by his apprentice Detective Hoffman with a few surprising nibbles at the end.

Following on from the previous installments, this one revolves around the influence John Kramer (the “Jigsaw Killer”) has had on Detective Hoffman, showing John’s character and personal history via flashbacks and interpreting how this had an effect on the current situation. Here, with the FBI searching for Jigsaw’s successor, Hoffman sets a new game, one centering on an insurance executive who rejects individuals with serious illnesses, thus killing them. In his game/test, he must save as many people as he can, learning the errors of his way. Unbeknown to Hoffman, there is another player and another game, one that he will be tested by with Jigsaw’s grand scheme finally revealed.

Like Nightmare On Elm Street where we learnt a little more about Kruger and his back history the further the franchise went, the same happens with SAW. As the franchise progresses you discover why John Kramer sets these “games” in motion, while specific individuals have been chosen and what John has done to try and set the wrongs other have done right.

The traps that individuals have been placed into in this film appear more personal to those involved than previous films. Where earlier traps have had two or more people fighting for their lives, battling against each other for survival (as this one does in the opening), the remaining traps are based around one man being put to the test on something that Jigsaw believed he had to feel guilty about. The resulting actions taken by those involved are as gruesome as you have come to expect from SAW, the cutting of limbs and flesh, with something even more murderously delightful for those looking for something more horrific.

Without a doubt SAW VI is faithful to the franchise and carries on a long running story, which can have its confusing moments. There is very little that makes it stand out from the previous films however there is some suspense and anticipation over what is going to happen and there is of course a twist in the end that will have you questioning the following installment; other than this it is your basic SAW narrative. A seventh installment of the franchise has been confirmed and looks set to be a 3D sequel…something to look forward to or dread? This is undoubtedly the film that will either secure the franchise for further sequels or be the last.

Saw VI is released on DVD and Blu-ray on 8th March 2010 from Lionsgate.

Michelle Moore

Categories
Film Reviews Preview

Borderland

Borderland
Momentum Pictures

There have been numerous collage road trip films, but Borderland is one with a difference. When three Texas University students travel to Mexico on the eve of their graduation for a weekend of naughtiness, they do not expect to be thrown into a world of paranoia, death and dread when they run into a drug dealing Mexican cult who practice human sacrifice…and this is based on actual events!

Borderland is for fans of films such as Saw and Hostel, where people are tortured for fun. The opening ten minutes are in Spanish with English subtitles which is a little tedious, but well worth staying tuned for the upcoming terror. A night of drink and drugs lead the students into a gangster world where the leader is treated like the Godfather. His actions and those associated with him are horrendous with individuals being brutally murdered with machetes, left screaming as eye balls are cut out and their limbs slashed off in some sort of sadistic ritual to keep their drug dealings hidden and safe from the outside world. At times your stomach is left wrenching, as their actions get so vicious.

The actors involved with this film are brave to take on such roles. Rider Strong is the main man brutalised and there is sheer terror on his face throughout his ordeal, making his experience more realistic. Alongside him are Jake Muxwothy and Brian Presley as his friends also terrorised by the experience but it is Sean Astin who is the biggest of shocks. Forget his previous roles such as Mikey in the Goonies and Samwise Gamgee in Lord of the Rings, here he takes on a nasty and very nauseating persona; he has seen MUCH better days.

Borderland is not for individuals with a nervous disposition but a must see for anyone with a fondness for fear and is available on DVD 15th February 2010.

Michelle Moore

Categories
Film Reviews

Pandorum

Icon Pictures
www.pandorummovie.com

Amnesia is like one very long hangover in the respect that you remember very little about your whereabouts. In the case of Pandorum, imagine waking up strapped in a spaceship like coffin, no memory of who you are, where you are and what your duties were only to later find out, the parts you do begin to remember you wish you had continued to forget.

This is the experience for two of the flight crew aboard the spaceship who emerge from a deep sleep disorientated and alone with very little memory of what is going on around them. As they delve deeper into the creaking ship, they discover some unfriendly visitors onboard. From the producers of the Resident Evil films, Pandorum is an exhilarating sci-fi flick with added action and enough horror to satisfy our sordid little minds. The aliens that have made their way onboard are nasty bloodthirsty extraterrestrials, combining all the worst parts of creatures from horror / sci-fi flicks of the past with enough additional yuck to be disgusted by yet creatively impressed over.

There have been countless alien flicks over the years and I hear you say why is this one any different? Typically alien orientated films involve an invasion of some sorts. Pandorum returns to the days when you first set your eyes upon Sigourney Weaver and her experiences in Alien. In a similar fashion the characters here must fight for existence, but the film still has imagination and originality. Not only with the sub-human look of the characters, but the presences of a space sickness, pandorum, which causes you to become a “little unstable”. This particular feature of the film is very interesting, if not confusing at times.

There are moments that will make you turn up your lip and say “ewww!”, times you want to shout “shh!” at the screen and other moments that will make you gasp with unexpected surprises. Whether you are a sci-fi nut, an alien obsessive or just someone who like a good puzzle, Pandorum has all this and more.

PANDORUM arrives to DVD & Blu-ray on 15 February 2010.

Michelle Moore

Categories
Film Reviews

Daybreakers

Lionsgate
www.daybreakersmovie.com

The vampire craze began in the early days of cinema with Dracula and there have been countless flicks involving the blood thirsty creatures since; Dusk ‘till Dawn, Van Helsing, Underworld and Blade to name but a few. Some have been better than others, however, Daybreakers is a vampire film like no other and will fit in with the better half.

The flick isn’t about monstrous creatures feasting on human’s night in night out, but as a majority population look for a way to prolong their existence when they begin to run out of humans to feed from, or rather farm blood from. The invention of a blood substitute looks bleak so vampires are turning into winged bat-like creatures called “sub-siders”. The prospect of being immortal is something the majority of vampires do not want to lose so even when a cure is discovered they are against using it and would rather take their chances.

It is refreshing to see a different side to the vampire movie. This one no longer looks at them in a sadistic light of maiming and ripping at someone’s neck and slashing open a vein or two for food. But rather a quite civilised majority that adds a trickle of blood to their coffee on the way to work, like the majority of us do with sugar. It is when the added “sugar” bonus gets limited the vampires resort to their hunting instincts that were lost in harvesting blood from humans and bottling it up.

Along with the interesting story there is a terrific cast behind Daybreakers. The incredible Ethan Hawke as vampire hematologist Edward Dalton is a vamp unlike the others. He isn’t a vicious out for blood creature looking for his next food source, but someone who didn’t choose to become a member of the undead and looks at the cure as a blessing. He shows concern, sympathy and gratitude for others unlike Sam Neill as Charles Bromley who on the other hand is the complete opposite, an inconsiderate full of himself vampire. Accompanying these two tremendous actors and blurring the vampire human division is Willem Dafoe as Elvis.

Daybreakers is set aside from all the other vampire flicks out there and stands alone as being one of the finest you will see. The film has a great story to tell and takes on new directions. However, it doesn’t end leaving you fully fulfilled so will surely make way for others like it. Those who say the days of great vampires flicks are over, surely haven’t seen Daybreakers.

Michelle Moore

Categories
Film Reviews

Avatar

20th Century Fox
www.avatar-movie.co.uk

You have likely heard all the hype regarding Avatar, but to fully comprehend the magnitude of this film it is best seen for yourself, as there are no words to describe just how unbelievably enjoyable, realistic and enthralling it really is.

Written and directed by James Cameron, the film centres on a place called Pandora in the year 2154 where humans are engaged in mining a mineral while the Na’vi, the indigenous blue-skinned feline humanoids resist their presence fearful it destroy their sacred bond with nature. Sent in to make peace and learn the ways of the Na’vi is former marine Jake Sully (Sam Worthington), a wheelchair bound man substituting for his murdered identical twin brother. Since Pandora’s atmosphere is fatal to humans, genetically engineered human-Na’vi hybrids called Avatars are created. With Jake’s loyalties split between the RDA (and the prospect of new legs) and the Na’vi, he fails his task to convince the Na’vi to relocate, instead gaining their trust and helping them in a coming battle – Human vs. Na’vi.

Avatar is an onscreen hybrid of full live-action shoots, computer-generated characters and live environments; this makes distinguishing between onscreen images difficult yet incredible to watch. Throughout there are scenes of combat, romance as well as fighting for what you believe in. Visually, the environments are spectacular and some of the finest you will ever see on the big screen. From waterfalls to trees reaching through the clouds and landmasses suspended in mid air, they are like images from a dream being bought to life on screen. Making the images that much more impressive is the 3D effect, which may be less impressive as expected but does engage a viewer more than an everyday 2D film. There has been so much thought and creativity placed into Avatar. As well as scenery there is the look of the Na’vi characters, which are supposedly inspired by a dream Cameron’s mother had long ago of a 12-foot-tall blue woman, with added physical strength exceeding that of humans.

It was brilliant to see Alien heroine Sigourney Weaver back in the limelight and working alongside Cameron once again, but it was Sam Worthington who impresses. Being a relatively newcomer to Hollywood and the big screen, Worthington gives Jake a very ambitions personality and a strong determination to do what is right. If you haven’t seen Avatar yet, you are missing out on something historically epic in the movie industry and will be kicking yourself if you don’t.

Michelle Moore

Categories
Film Reviews

The Hangover

Imagine walking up, trousers round your ankles, tooth missing, tiger in the bathroom, baby in the closet, hospital bracelet on your wrist and a stolen police car in the garage…oh and where is the groom?

They say what happens in Vegas stays in Vegas. This is certainly true when you wake up with a migraine and the lack of memory over the previous nights events. This is the case for four lads on a bachelor party they will not be forgetting, for the lack of forgetting.

Viewers are taken on a roller coaster of a ride as they follow the groom party on a mission to remember what happened the night before and where they could have lost the main man. The Hangover is the type of movie you know has been depicted from events that have happened to some poor soul (probably more than one) in the past. Wild night in Vegas, someone gets married, someone loses a tooth and the police have to get involved eventually.

As far as comedy is concerned, there are bucketfuls, like marrying a stripper, kidnapping the head of a Chinese gang and then there is the vision of Mike Tyson singing while looking for a stolen beloved pet. There is also some action with the groomsmen attacked by armed gangsters for casino chips.

The actors have been brilliant in making you believe they are actually in the situation rather than acting out a script. You don’t get to see much of Justin Bartha as Doug with the being missing and all, but you have Bradley Cooper as Phil, the married and confident schoolteacher, but when out of the building he is a party man on a mission to make his best friend have the time of his life at his bachelor party. Ed Helms as Stu is the boring dentist that calls himself a “doctor” who puts up with a woman that orders him around like a dog, but after a few drinks becomes a fun loving, “go for it” kind of fella. Lastly there is Zach Galifianakis as Alan, the funniest of characters. He is the strange soon to be brother-in-law that cannot be taken seriously or trusted,, mainly due to his looks, behavior and persona. These four characters have such different personalities and watching them combine their efforts is hilariously funny.

If this is not enough to be content with, the DVD has extra content including a gag reel to have you in stitches and a Map of Destruction where you can re-trace the antics of the night before. This is by all means one of the best comedies around.

Michelle Moore

Categories
Film Reviews

The Descent Part 2

If you have ever seen the British horror film The Descent and were delighted by the terrifying and visually horrid images you saw, then you will be welcoming The Descent part 2. The first was a huge success and the sequel looks to be even more frightful.

Continuing on from where the first ended, Sarah (Shauna Macdonald) has made her way out of the cave alive, but without any knowledge of what has happened to her over the past two days. With the search teams looking for the remaining girls having no success in finding their way through the labyrinth of tunnels below them, Sarah must accompany the rescue team back to the cave, with her frightful memories gradually returning and events taking a turn for the worst, again.

From the very start, there are enough jumps to make you elevate from your seat and lose all bowl control as well as the popcorn on your lap. Probably the most startling is the appearance of the creatures. They pop up from nowhere and pounce like rabid dogs oozing from the mouth and ready to feast. The jumps don’t stop there as they continue throughout and never give your heart time to return to a steady pace before hitting out with even more scares. For much of the time a scene will build up your anticipation and anxiety regarding what will happen only to cause something completely unexpected. The ending is very unpredictable and will leave your mouth dropped to the floor with surprise and have your head full of questions.

If you are a closet claustrophobic and just the sight of small spaces is enough to shorten your breathing then this sequel has no place for you. Small tunnels the size of rabbit holes and swimming though water filled tunnels will make the hairs on your arms stand up and when you find what is at the end of the tunnels, you will be even more horrified. The design of the creatures is like something from the depths of hell and this is what makes them so frightful; blind creatures with grey green skin that follow their prey through sound and can rip you shreds with the slice of a nail or the gnashing of teeth.

What makes this film so agreeable for a horror film is the present of fairly unknown actors. Viewers this way have no wishes for someone in particular to survive or be slaughtered. You simply follow the character on their path of torment with an inner desire to shout at the screen ‘BE QUIET!’ or ‘DON’T GO DOWN THERE’ as we have some sense that something dreadful is around the corner.

Out of all the horror flicks been released of late, The Descent part 2 is likely to be the more bloodthirsty one of them all. With the flesh ripped from the skin and blood pouring from gaping wounds, this is the most shocking, terrifying and possibly repulsive film you will see in quite some time.

Michelle Moore

Categories
Film Reviews

American Pie Presents The Book of Love

The original three films wound up as a complete story, a trilogy of some sorts and it has been dissatisfying to see the franchisee being mistreated in the follow-ups. However, this seventh more amusing instalment titled Book of Love sees a return to the original feel, with these three inexperienced souls even more pitiful than Jim, Oz, Kevin and Finch.

It has been ten years since Jim and his pack of sex crazy boys graduated from High School and it appears there is another bunch of wild dogs on the lose hoping to lose their virginity. Rob, Nathan and Lube discover “the bible” hidden in the school library, but unfortunately for them, the book is ruined.

After a couple of unfortunate, yet hilarious experiences, they take it upon themselves to contact everyone who has ever contributed to the book, including the creator Mr. Levenstein (Jim’s father and advisor to the helpless), to restore the book for future generations of “innocent” yet experiential lads.

There are not as many rude and squeamish situations taking place in this one as the original three, which was a little disappointing. Jim’s original fascination with Apple Pie and the naughty things a boy can get up to with the delicious treat is remembered and taken to all new lengths, with one of your favourite sandwich spreads getting ill-treated in much the same way, with added K9 company.

With the original American Pie there was the over zealous, sex obsessed, obnoxious and quite arrogant Steve Stifler, played by Seann William Scott. From here there has been the introduction of his brother and cousins, yet none were up to taking on the reputation of The Stifmeister. Within Book of Love there appears to yet another Stifler in the making, this one trying to be as promiscuous as his relentless cousin, yet although he may have many of the characteristics Seann William Scott first put into his character, he is unable to achieve the same chauvinist personality and cheeky yet lovable attitude.

What made the first three American Pie films so engaging to watch were the reoccurring characters and personalities that developed a little more into adulthood in each film. Seven films down the line, the only returning character you’ll be welcoming back is Eugene Levy as Noah Levenstein, the man where it all began. There is however the introduction of the familiar Louisa Lytton who plays the role of Imogen, you’ll recognise her as Ruby from East Enders. Other than these two characters, the cast are fairly unfamiliar so you never quite know what to expect.

There have been seven films now and you begin to ask yourself whether there are going to be any more in the horizon (hopefully not!). The franchise was complete after three films, so why continue to head in new directions and away from the original premises is a question that has yet to be answered. Book of Love is not one of the worse American Pie sequels there have been, but it will also not be able to achieve the success that the original three had.

Michelle Moore

Categories
Film Reviews

Management

To start, Management is described as a comedy. Good you say to yourself, I could do with a laugh. Steve Zahn has been many comedies, usually as a goofy guy so that should be good. Then there is Jennifer Aniston. She has attempted comedies before creating a few laughs so she should be interesting to watch. Lastly there is Woody Harrelson, a man guaranteed to get you in stitches. However this was not the case.

To start there is the oddly boring plot. Mike (Zahn) works at his parent’s motel as a night manager. Sue (Aniston) visits, the two get intimate and Mike becomes obsessed with her. She leaves, he follows her, the two get to know each other but untimely Mike leaves. After more comings and goings as well as Sue getting back with her ex-punk boyfriend Jango (Harrelson), revealing she is getting married and is pregnant, Mike’s crush remains. When he is given the deed to the motel he decides to turn it into a homeless shelter as Sue said this was something she wanted to do. Upon hearing Sue has left Jango, Mike makes his way to her mothers house where the two declare their love for each other and probably live happily ever after.

As well as the dreary storyline there are a few other odds and ends that are unable to satisfy a viewer. The first is, if you were staying at a motel, got involved with someone, then they came looking for you at your work place, wouldn’t this freak you out? Aniston’s character however takes it all in her stride and allows the man to stay. This is beyond any rational thinking and the type of thing you hear horror stories about in the daily newspapers! The second thing to overcome while watching is the actual lack of comedy. There is nothing funny, a part from Harrelson welding a BB gun, Zahn’s face while skydiving and his attempt at singing. No funny jokes, no comical fallings over and nothing to get you laughing in stitches. It was very disappointing.

These three personalities all have what it takes to make an incredible film, not only bring out the romance (if that is what you are after) but also set the screen alight with humour. The script lacks comedy thereby these three are unable to make any true and honest forms of humour. If you are portraying characters that are tedious, have very dull careers and don’t have the ‘wow’ factor, then any attempts at making a viewer laugh will fail, just as it did here, repeatedly.

Michelle Moore