Breaking News; I do not have my ear as close to ground as I used to, having failed to register that Canada’s Propagandhi recently released a new album, and it’s on Epitaph. So, having spotted this by chance in a high street music chain, whilst dodging a downpour, I duly stumped up the asking price.
I was a relatively late starter to Propagandhi, with their first 2 albums barely registering on my radar. I had them down as just-another production-line ‘Fat (Wreck)’ band. My conversion came with 3rd album “Today’s Empires, Tomorrow’s Ashes” which hit me like a jet plane. The union of Thrash Metal, Hard Rock and banging Hardcore, played out to a seriously intelligent and impassioned radical-political agenda, won me over. Learned my lesson. Have been onboard ever since.
Like all great confrontational music, you do not stick on a Propagandhi album, and then get on with something else, whilst the ‘tunes’ idly hum in the background. No fucking way. You soak up the finely crafted (rampaging) music, and give your full attention to the lyrical scripture.
“Failed States“ ruminates not just on basket case countries in faraway places, where punks have their heads shaved by religious intolerants, and lesbian footballers are raped by men to teach them a ‘lesson’, but also closer to home, in our own free and pleasant lands, where life is not always so peachy, and it’s important to take a stand. And all this to a riotously furious soundtrack of precision executed music that veers from tender layered moments, to balls-out jackhammer Thrash/Core ultra-heaviness.
For my money, possibly their strongest album to date. Dyna-fuckin’mite.
WE ARE THE OCEAN
w/ Giants
Barfly, Camden
19th September 2012
Giants have been gigging for sometime and have firmly established themselves as a band to be watched with their latest effort, the mini-album, ‘These Are The Days‘. The Essex band storm the stage with Ed Parker, their highly energetic front man, leading the charge. The riffs are fast and heavy, the bass shakes your teeth, and this mash up of skate punk and hardcore blast your brains out of your ears (but in a good way, if you can imagine that?). You can see that hardly anyone in this room had heard of them before tonight, but one thing is for sure, they won the crowd over completely by the time they left the stage. They are definitely ones to keep an eye on.
Then it’s time for the headline act to take to the stage. We Are The Ocean have lost a vocalist since I last saw them, and I’m not quite sure what to expect from the live performance. The band start with ‘Machine’, a solid new track, and the crowd loves it. However, the set comprises the old for the new, and although the bands new screamless line-up is as polished and as slick as Simon Cowells hair, yet there is definitely something missing…
The real problem lies in the fact that the new material is lacking edgey excitement and anxiety. You wait for the songs to reach their heights and then burst through a barrier and stand balls out in front of you, but they don’t. Now that’s not to say the performance is bad, in fact the band are great, it’s the simple fact that they’re not We Are The Ocean anymore. They’ll be people wanting to guillotine me for saying this, but if it was another band you couldn’t complain about the evening. It’s when they stand they’re old material up against their new that you see a sort of sleek and polished decline, and the fact they’re missing that raw, rasping voice in certain parts to push the songs into the stratosphere is noticed.
Like I said, if this was any other band and you’d have had me singing praises. I just have such fond memories of other live shows of theirs that this one was more of a damp squib. Regardless the new line-up works as a polished unit, its just not We Are The Ocean of old.
BETWEEN THE BURIED AND ME
w/ Periphery, The Safety Fire
Sub89, Reading
01.10.12
First on tonight’s bill is the home-grown talent The Safety Fire. The London lads play to a fairly full room considering they go on straight after doors. It seems the ever increasing crowd appreciates The Safety Fire’s techy-brand of metal and although not too familiar with the material played before them, the audiences’ reaction to songs taken from ‘Grind The Ocean‘ is positive, a promising sign for a band who are clearly targeting this market. On a completely irrelevant and non musical note, it has to be mentioned that The Safety Fire display facial hair at its finest. Their set was topped off with a glorious array well kept moustaches.
So away from male-grooming and back to music for a second or two, and its now Periphery‘s turn to take to the stage. With much loved drummer Matt Halpern being forced to withdraw from the performance due to a shoulder injury, a massive burden is placed upon the shoulders of Mike Malyan (Monuments) who has to learn the challenging set in 24 hours and perform to a hungry crowd. Well, the boy did good, there were no notable errors and he played with style, stamina and impressive levels of skill. And as for the rest of Periphery, well they owned the stage, it goes without saying Misha Mansoor was effortlessly exceptional and Spencer Sotelo domineered as a front man.
Between The Buried And Me really deserve to be playing to a sold out show but unfortunately the room is now only around three quarters full. Words cannot describe Between The Buried And Me’s levels of creativity, their captivating set travels through an odyssey of technical music; a progressive journey that climaxes with blistering riffs and intense vocals. Combing old favourites such as ‘Disease, Injury, Madness‘ (taken from ‘The Great Misdirect’) along with newer numbers like ‘Telos‘, BTBAM hold the audience in the palms of their hands. The band perform a masterclass, with a level of musicianship second to none.
AUGUST BURNS RED
w/Devil Wears Prada
18 – NOTTINGHAM Rock City, 19 – GLASGOW Garage, 20 – WOLVERHAMPTON Wulfrun Hall, 21 – MANCHESTER Ritz, 22 – BRISTOL Academy, 23 – LONDON Electric Ballroom
For metalcore fans, this is quite clearly a phenomenal tour, not just for October, but for the whole year. Expect plenty of breakdowns, brutal mosh pits and many a sub-drop. Listen to ‘Meddler’ by August Burns Red and you’ll know exactly what we mean.
EVERY TIME I DIE
w/Stray From The Path, Last Witness
24 – SOUTHAMPTON Brook, 25 – BRISTOL Fleece, 26 – PLYMOUTH White Rabbit, 27 – BRIGHTON Haunt, 28 – CARDIFF Solus, 29 – LONDON Electric Ballroom, 30 – WOLVERHAMPTON Slade Rooms, 31 – MANCHESTER Academy II
Band after band said that Every Time I Die nailed it nightly on the US Warped Tour, and now over on our shores we are expecting exactly the same amount of carnage. With ETID being joined by Stray From The Path (who you might have caught with Architects earlier this year) and homegrown talent Last Witness this is a very healthy looking line up.
GALLOWS
w/Feed The Rhino
03 – BRIGHTON Haunt, 04 – EXETER Cavern, 05 – BRISTOL The Fleece, 06 – MANCHESTER Club Academy, 08 – NEWCASTLE Academy 2, 09 – GLASGOW King Tut’s, 11 – NOTTINGHAM – Rock City Basement, 12 – SHEFFIELD Corporation, 13 – STOKE Sugarmill, 14 – WREXHAM Central Station, 15 – LEEDS Cockpit, 16 – PETERBOROUGH Club Revolution, 17 – BIRMINGHAM Academy 2, 19 – LONDON Underworld
Their latest release received critical acclaim across the board, and now with intense front man Wade Macneil at the helm and Feed The Rhino as support, this isn’t just a must see show but a ‘you’d-be-really-fucking-stupid-not-to-go’ kind of show.
HILDAMAY
w/Landscapes
17 – DERBY Victoria Inn, 18 – GLASGOW Ivory Blacks, 19 – MANCHESTER Star & Garter, 20 – LIVERPOOL Format, 22 – LONDON Upstairs at the Garage, 23 – SOUTHAMPTON Cellar,24 – PLYMOUTH White Rabbit, 26 – PETERBOROUGH Met Lounge
We’ve noted Hildamay as ones to watch for some time now, and with a full UK tour to support their forthcoming album, hopefully this will be their time to shine. With Landscapes also on the bill this will be an awesome showcasing event for British talent as hardcore doesn’t get much more emotional and bleak than the way Landscapes go about it.
NEVER SAY DIE 2012 TOUR!
w/ We Came As Romans, BlessTheFall, Stick To Your Guns, For The Fallen Dreams, Obey The Brave, At The Skylines, The Browning, At Dawn We Rage
15 – UK Birmingham, O2 Academy 2, 17 – UK Manchester, Club Academy, 18 – UK London, The Electric Ballroom
Never Say Die Tours are always great but this year it features two of our favorite artists, Stick To Your Guns and Obey The Brave. Stick To Your Guns put on a hard hitting yet optimistic live show and Obey The Brave are sure to slay with their brutally heavy riffs.
PROXIES
11 – BUCKS Uni SU
If you are a regular reader of Crossfire you’ll know that we rate Proxies very highly indeed. Catch them at their live show to find out what all the fuss is about.
OF MICE & MEN
w/ Memphis May Fire, Secrets
08 – NORWICH Waterfront, 10 – LONDON Electric Ballroom, 11 – GLASGOW Garage, 12 – MANCHESTER Moho Live, 13 – BIRMINGHAM Asylum, 14 – LEEDS Cockpit
Of Mice & Men are the buzz band of metalcore right now. Not only due to their ridiculously strong re-release of ‘The Flood’ which featured 4 astounding bonus tracks, but due to the fact that Austin Carlile and his band mates seem to fully engage with their fans.
After releasing their second (and awesome) album, ‘Freaks Like Us’ earlier this year, check out Straight Lines as they embark on an expansive UK tour.
THE DANGEROUS SUMMER
01 – EXETER Pheonix, 02 – SOUTHAMPTON Mo’Club, 03 – BRISTOL Trinity, 04 – NOTTINGHAM Rescue Rooms, 05 – GLASGOW Garage, 07 – MANCHESTER Club Academy, 08 – NORWICH Arts Centre, 09 – BIRMINGHAM O2 Academy 2, 10 – LEEDS Cockpit, 11 – LONDON Electric Ballroom, 12 – KINGSTON Fighting Cocks
After releasing one of the albums of 2011 in ‘War Paint’, The Dangerous Summer have become firm favorites at Crossfire HQ. This October they are hitting the road with another of our loves, Don Broco.
THE GASLIGHT ANTHEM
15 – LONDON O2 Brixton Academy, 17 – LONDON O2 Brixton Academy, 18 – MANCHESTER O2 Apollo, 19 – GLASGOW O2 Academy, 20 – BIRMINGHAM O2 Academy
It appears everyone has a place for The Gaslight Anthem in their hearts, and rightly so. After a releasing another timeless album ‘Handwritten’ and performing a euphoric set at Reading & Leeds, The Gaslight Anthem are ready to take full control of the UK.
TRIVIUM
w/ As I Lay Dying
15 – MANCHESTER Ritz, 16 – GLASGOW O2 ABC, 17 – BIRMINGHAM HMV Institute, 19 – BRISTOL O2 Academy, 20 – NORWICH UEA, 21 – LONDON Shepherds Bush Empire
A titan of modern metal, Trivium, joined by one of the godfathers of metalcore, As I Lay Dying, in arguably intimately sized venues… this is going to be amazing.
Basement
Colourmeinkindness
[Run For Cover Records]
For only their second album, Basement’s ‘Colourmeinkindness’ oozes with maturity and sophistication. After just one play through its timeless nature is overwhelming, you sense you’ve have heard it before, but not in a negative, generic way; more in the sense that it has the overall feel of a classic.
The rasping vocals and chugging riffs of opener ‘Whole’ kick the record off to a great start and what’s most pleasing is that the rest of the album is just as strong. Although ‘Covert’ drops the tempo, the level of emotion rises as surly lyrics drone over the music in an almost Nirvana-esque style. It’d be easy to analyze each track positively, every song on the album is beautiful. But it’s lead single ‘Spoiled’ that sums up ‘Colourmeinkindness’ in all its glory. The engaging vocals delivered in a soothing nature contrast against a guitar tone reminiscent of Sunny Day Real Estate and Silverchair. ‘Spoiled’ and ‘Colourmeinkindness’ as a whole provide a breath-taking juxtaposition between peace and rage.
With Thrice leaving a void that needed to be filled by a modern emo/post-hardcore band, Basement look like the perfect contender. However after announcing a shock indefinite hiatus which will commence after the release of ‘Colourmeinkindness’ we are again left waiting for the next king to take to the genre’s throne.
It’d be fair to say Basement have made an impact on many hearts in a short amount of time. ‘Colourmeinkindess’ sends them out on an undeniable high leaving one to contemplate what great things this band could achieve if a future was still ahead of them.
Electronic duo Crystal Castles have announced their next record (III) will receive a global release on November 5th and is the first of their full-lengths to be produced entirely by Ethan Kath. The band have also revealed the album’s artwork.
After performing it live at Reading Festival, new single ‘Wrath of God’ was aired on Radio 1 by Zane Lowe on Wednesday 26th September. ‘Wrath of God’ and ‘PLAGUE’ (both from ‘III’) are now available to stream below and on the band’s Soundcloud.
Make sure you catch Crystal Castle’s dynamic live show as they hit the UK this November.
NOVEMBER
22nd – BIRMINGHAM Institute
23rd – NORWICH Norwich U.E.A.
24th – LONDON Brixton Academy
26th – GLASGOW ABC
27th – LEEDS Academy
28th – MANCHESTER Academy
La Dispute/Title Fight
The Garage, London
20th September 2012
From the get go, Title Fight had the audience exactly where they wanted them. Everyone was ferocious, and as eager to sing along with vocalist, Jamie Rhoden. The crowd, ever so relentless, couldn’t help themselves but to climb on the stage at every opportunity.
At any one given time, there were at least three fans either climbing on the stage, or diving off. At first, it was quite cool; fans showing their support and singing along, forgetting about the bruises and jumping into the pit, but the novelty factor soon wore off. If not for the Title Fights’s musicianship, it would’ve been difficult putting up with such distractions. It was impressive to see them pull of a flawless set in the midst of cables being ripped off mics, and roadies on call every few minutes to fix a stand or make sure nothing else was damaged. Gang chants are one thing, but to have the crowd to sing, more like shout, to every word in the set was something else.
Title Fight occasionally drifted off in an almost shoegaze-esque fashion, taking the crowd with them in these calm moments before the storm reappeared. The set list was filled with songs from their debut album ‘Shed’, EP ‘The Last Thing You Forget’, and not forgetting tracks from latest release ‘Floral Green‘. Title Fight pulled of an awesome performance, despite the over eager and somewhat off-putting crowd.
The crowd, the energy, the feel and the atmosphere refined to a less destructive and a more aware audience as heroes La Dispute emerge. The hardcore kids seem to have got crowd surfing out of their systems. La Dispute just make the crowd listen and hang on to every word.
La Dispute, one of bands which make up “The Wave” which have taken Post-Hardcore by storm and stand out because of the their eclectic styles and lyrical content, with the majority of their songs based on true events, accounts and retelling of old stories which they’ve acquired from meeting various people on their travels. And this is precisely why the songs are so gripping. And despite being sad they’re honest memento’s to lives once lived.
Tonight’s set list was varied, covering material from the acclaimed albums ‘Somewhere At The Bottom of the River Between Vega and Altair’ and the most recent ‘Wildlife‘. The show started of with all out bruised bodies and the whole heart shrinks which perfectly exemplifies Jordan Dreyer’s vocal styling, from starting off like a spoken word poem and drifting off to screaming out the rest.
They played, for the first time live, ‘St Paul’s Missionary Baptist Church Blues‘ which was a hit with the crowd. But the outstanding song of the night, one that’s rarely played was ‘Andria’ .
After charging through a truly awesome and emotional set. La Dispute re-emerged for a two song encore. ‘Most Beautiful Bitter Fruit’ and ‘King Park’ which left the crowd roaring out loud “Can I still get in to heaven if i kill myself”. La Dispute need to hit our shores more often, too many people missed out on tonight due to the intimate venue size, plus there are many more epic songs to be heard live.
Born from the ashes of old band esOterica, ESO‘s debut ‘Nothing Left To Lose’ is a bold revival that depicts the struggles of a band attempting to make their desired mark on an impossible industry.
The production of the record is beautiful, so it comes as no surprise to find that producer Matt Hyde (Slipknot, Fightstar) was the master behind the tracks. The overall vibe of ‘Nothing Left To Lose’ is that of an epic theatrical performance, it seems that’s esOterica touring experiences with Marilyn Manson and HIM have influenced ESO’s work on this album for the better.
The record’s stand out track comes quite early on; appearing at number three, ‘The Divide (feat.Wizard)’ sees the band perfect electronic rock, with subtly remixed elements and powerful vocals, its a song that could easily dominate a radio playlist, a club or gig. Just as Pendulum did with tracks such as ‘Propane Nightmares’, ESO have accomplished full crossover appeal with ‘The Divide’.
Unfortunately, ‘The Divide’ really is the only stand out track, with the twelve others becoming much of a muchness. Although the album runs smoothly each track needs to have more differentiation to turn this from a solid debut to an awesome album, perhaps 13 songs was a little overambitious and ‘Nothing Left To Lose’ would have been better constrained to 10 more varied songs for ESO to show off their talent.
Deaf Havana
‘Fools And Worthless Liars – Deluxe Edition’
I have to admit, when I first heard Deaf Havana‘s material after the departure of unclean vocalist Ryan Mellor, I couldn’t help but feel a bit disheartened. It really lacked the punk bite that their early work was full of. But eventually 2011’s ‘Fools And Worthless Liars‘ began to grow on me, and I’d happily put it up there as one of the most solid rock albums to come from the UK that year.
Via a short documentary put out in summer 2012, the band announced they would be re-releasing the album later this autumn. Rather than just doing some fancier album artwork and a couple of bonus tracks, Deaf Havana went the extra mile and re-recorded the whole thing. Ever the pessimist and never fully content, front man James Veck-Gilodi admitted he didn’t feel the album completely reflected his taste in music where as this re-release does.
All of the songs have been reworked, some slightly, others completely, making the album a totally different listen to the record that appeared first time around. Tracks that were previously acoustic are now performed as a full band and rockier numbers are now toned-down gems. Its beautiful. Lets pick a few stand out tracks to discuss…
Opener ‘The Past Six Years’ feels like its heavily influenced by Irish Rock (think Flogging Molly), and despite being a million miles away from DH records such as ‘It’s Called The Easy Life’ it gets this album off to an optimistic and quite literally stomping start. Piano and vocal track ‘Anemophobia’ is absolutely stunning. Broken down to structurally core elements, James Veck-Gilodi sounds vulnerable and desperate against the lonely notes. Its a heart wrenching performance that could connect with even the emptiest of souls. During ‘Hunstanton Pier’ the guitar tone adds nostalgia and brings the lyrical content to life, but its ‘I’m A Bore Mostly’ that epitomises why this album is a must have.
The recording process of using multiple microphones placed around an old warehouse is slightly bizarre but the effect it has on the track puts it into a different dimension. As the music reverberates through your speakers it feels as if you are there with James as he passionately performs. Even the sound of him slamming the door as he leaves the ‘studio’ is included on the track, a unique element that adds a personal touch to the piece, emphasising the emotion.
Again it has to be said, this isn’t Deaf Havana of old, but thats not a criticism. Its not their early punk/hardcore style, its not their most recent mainstream rock vibe, it’s something else. It is a showcase of the band’s (and in particular their dynamic front man’s) extraordinary talent. It is a touching album which has re-worked a commendable original into something worth treasuring.
PIERCE THE VEIL
w/Crown The Empire, The Getaway Plan The Underworld, London
21st September 2012
It’s a great feeling when you can sense excitement in the air. Tonight’s show at Underworld sold out long in advance and every punter inside this dungeon like venue is experiencing the same static charge that makes neck hair stand to attention. Senses are heightened as the show kicks off.
First on are Australian rockers The Getaway Plan. After a short hiatus the boys are over on our shores to seduce with their impressive melodies. Definitely the most mainstream of all acts on the bill tonight, but there’s no shame in that when the sophisticated ‘The Reckoning‘ is delivered to perfection. The Getaway Plan perform solidly, and will most definitely have drawn in a few new fans with their set.
Crown The Empire are what many dislike about metalcore these days. Their gimmick laden nonsense wins the hearts of the crowd but would see metal gods of the past turning in their graves. Random dustup elements, generic riffs and mock brutal breakdowns with dual clean and screamed vocals defines their music. Imagine The Blackout combined with Asking Alexandria finished off with an overdose of American sleaze. In their matching suits and styled haircuts Crown The Empire are every scene kid’s wet dream. Fair play to the band, they know what is working in the market currently, they will develop a loyal following from younger metal fans, but their musical integrity is questionable.
Just like with Crown The Empire, the average age of a Pierce The Veil fan at the Underworld tonight seems to be about 16. But the difference with Pierce The Veil is that their music can appeal to a much wider audience than those screaming in front of them; their music isn’t made to target a particular market, their sound feels sincere and a genuine combination of heart-felt cultural and musical influences.
With tracks from ‘Collide The Sky‘ now making a welcome appearance on PTV’s set list, their repertoire has been turned up a notch. The fast paced ‘Hell Above‘ makes for a triumphant opener that instantly portrays the bands intent to make this show a great one. ‘Bulls In The Bronx‘ contains one of this years sweetest solos and proves to be song structure excellence in a live environment. Old favourites like ‘Caraphernelia‘ and ‘Bulletproof Love‘ result in mass sing-alongs and crowd surfing frenzies. Ending with ‘King For A Day‘ sums up Pierce The Veil’s dominance, they own this show and have performed impeccably tightly in this crowed sweat box.
Pierce The Veil provide a masterclass tonight. Although they could be battling in an over saturated market, they are carving their own way, breaking out and away from stereotypes with something unique and undeniably special.
PROPAGANDHI
AUGUST BURNS RED
Electronic duo Crystal Castles have announced their next record (III) will receive a global release on November 5th and is the first of their full-lengths to be produced entirely by Ethan Kath. The band have also revealed the album’s artwork.
