Categories
Skateboarding Product Reviews

Line Check: September 2010

The last of the summer wine has been drank and it’s starting to get a bit nippy out so in this month’s Line Check we’re throwing in some jackets and flannel courtesy of the goodship Independent, alongside some fresh cords and denim from Kr3w. Science Skateboards guest artist range is just too good, so be sure to check both the decks and the t-shirts. We’re really digging the LandscapeArt Project‘ series as well as Blueprint’s typical graphic designers’ wet-dream in their ‘Goods‘ series.

Blind and Darkstar have some fresh urethane for you to leave traces of where ever you roll, just be sure you attach them to some nice clean trucks; Tensor and Destructo have the good stuff. Head here for a chance to win those Destructo bad boys. And some new pro models from Supra and DVS‘ awesome Eurotrash range mean that there’s plenty of choice this month when deciding on what’ll be covering your feet as you kick, push and coast.

Categories
Album Reviews Buzz Chart Reviews

Atmosphere

To All My Friends, Blood Makes The Blade Holy
Rhymesayers

www.myspace.com/atmosphere

Using overly long names to title your releases can most definitely be a pomposity that puts people off listening to a band, but Atmosphere have managed to turn that highbrow nonsense into something so ridiculous, it’s great. To All My Friends, Blood Makes The Blade Holy means absolutely nothing, especially when put in the context the music, but then the last two albums from the Minnesotan duo were called When Life Gives You Lemons, You Paint That Shit Gold and You Can’t Imagine How Much Fun We’re Having, so what did you expect?

Title semantics aside, the music is brilliant. Basically put, it takes everything that’s fun in the duo’s Sad Clown series and some of the instrumentation of the last studio album [Lemons] and churns out 10 tracks that surpass most groups’ studio albums. Leading off with Until The Nipple’s Gone, whose seething intro crescendos  a swirling mass of sound for Slug to rap over before moving into more laid back territory with Scalp and The Major Leagues, Atmosphere lay their variety on the table.

The piano based The Best Day, a happy-go-lucky beat laid under lyrics about how crap jobs are takes things into more cheery [sounding at least] territory and Americareful has one of the most innovative Atmosphere beats in a long time. Ant’s production is definitely on point with the booming basslines of The Loser Wins which is reminiscent of Shoulda Known and some of the most far reaching in his catalogue with the almost Addams Family-esque Hope.

Slug’s cynical outlook on the need to constantly portray oneself as beautiful comes to the fore in Commodities, providing yet another example of his sharp tongue  before the EPs [technically this is a two disc job] finish up with an acoustic sound of Freefallin’ and To All My Friends, giving an idea of how their live sound has progressed their songwriting.

If this is how great they are for their EPs, imagine how incredible their next album will be!

Ichiban Waifu

Atmosphere – Freefallin’ by Crossfire Music

Categories
Features Music

Introducing: Funeral Party

Los Angeles based three-piece Funeral Party emerged partly out of their own perpetual boredom of their tiresome and uninspired musical surroundings and partly because of their inherant post-punk-meets-dance-culture influence. Whilst gigging in backyard parties and groggy clubs across East LA suburbs they have manged to recall the true messiness of what makes dance punk actually is. Somewhere between not giving a fuck and the perfect soundtrack for basement club floors laced with beer-stained jeans and your mates’ blood-covered t-shirt.

We caught up with them around the release of their new single ‘Just Because‘ for a brief talk about how they got together, what skate videos they’re hyped on, the name of their potential porn flick and what to do if someone gets stabbed while you’re playing a gig.

Your name comes from a Cure track, right?

Yes.

What drew you to this particular song when identifying yourselves as a band?

A girlfriend of mine was listening to ‘Funeral Party’ by the Cure and I asked what the song was called because it was the most depressing song I’d ever heard. She answered and it hit me: this is the perfect name for our band because it’s so bleak; it perfectly encapsulates the landscape that bore us.

So besides being in the same high school, what spurred you to start making music?

We all came to music in different ways. For me, it was like a drug, something I hid from my family because music wasn’t allowed in my house; my parents felt it was too worldly, and that made it sinful. I think the common the band find in music is that it was and is a way to escape the shitty town we’re from. We all see music as a form of escapism.

What would you all be doing if you weren’t in a band?

Selling drugs, shoplifting, and making art.

You’re all from LA and playing this music that isn’t typical of the west coast music scene. Did the whole dance punk vibe take a while to sink in with some of the crowds there?

Not really. Hard-core and Emo were the dominant milieus where we are from, and Post-Punk and ’77-’80 Punk were the natural backlash against the popular scenes in our area. It was natural to look to Joy Division or Television and Suicide, or contemporary underground bands we listened to as an alternative to Blood Brothers or Modest Mouse, but we really see music as a cohesive continuum, so we weren’t really consciously trying to be anything.

For us, it all started at a backyard party. I screamed “Liar!” at the audience because I didn’t know what else to do, and we started playing and people started moving. From that moment on we were just doing our thing, figuring ourselves out musically. We’re still doing that.

What’s the gnarliest encounter you’ve had at a gig so far?

The gnarliest encounter was probably when we were playing a party in East LA and a fight broke out and some guy got stabbed. It was total chaos, but we just kept playing. Finally, some woman started yelling at us in Spanish an we stopped playing. There was a lot of violence in our early days. It’s just what happens when people are drinking and going off. I’m sure we we have provided the soundtrack to many fights and have not been aware of it.

You all skate too, yeah? Would you be hyped if any of your tracks made it into a video?

Some of us skate, but we are all in touch with skateboarding. We would be excited to be in videos, but it depends on who used it, I guess. I’ve heard they play us on the PA at The Berrics.

What kind of video would you be stoked on most if someone asked if they could use your music?

Like Toy Machine vibes, Static vibes, Baker vibes or Fully Flared vibes… Any of those would be rad. A lot of skaters come out to our shows and our music seems to have the right energy for skateboarding.

Who are your favourite skaters?

Well, Mark Gonzales, Mariano, Dollin, Lance, The Nuge, but we favor locals like Randy Chu and Tony Cervantes. Ben Schroeder is still the gnarliest and hardest working skateboarder we know. He’s skateboarding’s Iggy.

How does the how culture of skating influence your music?

Hard to say, but we all wear plaid.

If you were to make a porn film, what would you call it?

‘Sometimes, You Gotta Make It Alone’ or ‘Give Yourself A Hand’

And if you were to compose the score, what would it sound like?

It would be comprised of Talking Heads cover songs.

What’s next for you guys now that people worldwide are really starting to get into your music?

Our album comes out in January, 2011 and we will continue touring the world.

Funeral Party’s new single ‘Just Because‘ is out now, check out the music video, directed by Mike Relm below alongside the stream for ‘Giants Song‘.

Giant Song by Funeral Party

Categories
Live Reviews

Les Savy Fav – Live

Cargo, London
10.09.10

At any normal gig, the sight of a grown man emerging from a spherical tent wearing what can only be described as a fluffy orange poncho, might seem somewhat out of the ordinary. Strange, even. This, however, is a Les Savy Fav show, where we have learned to expect the unusual, and fully embrace the eccentricity of the band’s front man Tim Harrington.

Les Savy Fav are now veterans of the alternative rock scene, I suppose, and the prospect of them playing in an intimate venue such as Cargo is massively exciting. Having just released their terrific new album Root For Ruin, the band lead off with its opener ‘Appetites’, before delving into a set inclusive of favourites old and new. As ever with the Fav, the band is left to hold the fort on stage while Harrington gets down amongst the crowd, who quickly develop into a tangle of mic cables and sweat.

The show is not without its hitches, as Tim’s offstage antics results in a few losses of sound mid-set. These minor glitches, however, are brushed off by Harrington, who incorporates them into his at times self deprecating sense of humour. Frequent attempts at stage diving also fall flat for the frontman, yet he is quickly lifted by the audience who in this moment look up at him as their king. Regardless of things that go wrong, Les Savy Fav are such an entertaining live band that the mistakes only seem to add to the raucousness of their performance.

Set highlights fall after the encore, as the band re-emerge with an inevitable costume change from Tim. It’s another fluffy outfit for the singer this time around, although this time it’s a full body black and white number. The band close with rousing renditions of live favourites ‘The Sweat Descends’ and ‘Rome’, which finish the show on a high. Another special performance for Les Savy Fav, then, but those that missed out shouldn’t worry, as the band return in November for a larger show at the Electric Ballroom.

Sleekly Lion

Read our album review of Les Savy Fav’s Root for Ruin here.

Les Savy Fav – Let’s Get Out Of Here by Crossfire Music

Categories
Live Reviews

Sage Francis – Live

with B. Dolan & Scoobius Pip
London Scala, 16.09.10

When Sage Francis recently announced that his current tours would be his last, the backpack rap fan in me shed a tear. Whilst I’ve not been the biggest fan of the last couple of Sage albums, he’s always been one of the heavyweights of the independent rap world and his Sick Of… mixtapes, his Personal Journals album and the Non Prophets record he made with Joey Beats are still brilliant, years down the line. Having seen Sage a few times before, it was always going to be an entertaining send-off and he absolutely didn’t disappoint.

Arriving on-stage and tying his Strange Famous flag around his neck like a cape, he pressed play on his CDJ [and why does Sage need a DJ anyway?] and the party started. Tracks from his A Healthy Distrust album sounded huge on the Scala’s speakers [sounding arguably better than I’ve ever heard at that venue] with Sea Lion and Escape Artist kicking things off and immediately getting the crowd singing along, hanging on the MC’s every word. He dropped the original and previously unheard beat for Slow Man from his latest opus Li[f]e and then warmed my heart with Climb Trees, which garnered a resounding “if these walls could talk they wouldn’t shut the fuck up” and Broken Wings, complete with Sage’s miming to the original that he sampled.

Even though he’s a one-man show, without even any backdrop behind him, Francis has no problem in entertaining a sold out venue. During the upbeat drums of Dance Monkey, he provided the crowd with his own little dance routine and, though I’ve seen him perform a similar feat before, it is no less fun this time around. Little asides such as his line “Dubstep didn’t kill Johnny” and turning one of his tunes in Pokerface by Lady Gaga seem to fill him with as much joy as they do his fans and that’s the secret to the vibe tonight – just enjoy yourself.

Not letting up once, he ran through some major bangers – The Ain’t Right, The Cure [accapella] and Damage [during the encore, ably assisted by B. Dolan] from the Non Prophets Hope album, Gunz Yo and his brilliant Makeshift Patriot following his airing of America, Fuck Yeah, were grin-inducing. Even his Yann Tiersen produced The Best Of Days, which isn’t remotely bouncy, had the entire floor jumping up and down and crying out for more even when the encore was done.

If this is indeed the last time Sage ever plays London, then he’ll have done so in the perfect way. Old and new, happy and sad, the set list was brilliant.

Abjekt.

Categories
Free Downloads

Free Downloads – 17/09/10

Here’s the second round up of free downloads to come from the Crossfire Soundcloud this September.

If you had your hopes up for some genuine Saved By The Bell AC Slater riddims then don’t be too disappointed as the producer who shares his name isn’t at all unfamiliar with big beats to get you hyped for the weekend. But if it’s nostalgia you crave then Eclectic Method draws in early Nintendo and Sega samples for a 8-bit mini-mix that’ll have you washed away in thoughts of easier days.

Nika Roza Danilova of Zola Jesus join Former Ghosts for some melodic lo-fi electro complete with diary entry lyrics with ‘Chin Up‘, while Arcade Fire gets remixed by Doomtree’s Paper Tiger. There’s also stuff from Tall Ships, Monotonix, Royksopp, and a recent clip of Big Boi and Andre 3000 together on one track. Oh, and the absolutely awesome ‘Heathen Child‘ off the new Grinderman. Here come the wolfman! This one big!

Grinderman – Heathen Child by Crossfire Music

Gold Panda – Same Dream China by Crossfire Music

Former Ghosts – Chin Up by Crossfire Music

Eclectic Method – 8Bit Mixtape by Crossfire Music

AC Slater – Calm Down Pt.3 by Crossfire Music

Paper Tiger v Arcade Fire by Crossfire Music

Big Boi – Lookin 4 Ya (Feat Andre 3000) by Crossfire Music

Royksopp – Malangen Fra Bruhodet by Crossfire Music

Monotonix – Give Me More by Crossfire Music

Tall Ships – Chemistry by Crossfire Music

Categories
Skateboarding News

Watch: New Michael Mackrodt!

How about this to end the week? Element Europe rider Michael Mackrodt is featured in the latest Get Busy Living Episode and it’s a whole new section! Unbelievable stuff from Element’s first european rider who is apparently on a constant mission. Click the screenshot to get stuck in.

Categories
Skateboarding News

London in slow motion

This edit does exactly what it says on the tin. It’s a bunch of heavy london hitters, skating london in slow motion. It’s banging, watch it.

Featuring Daryl Dominguez, Elliot Jones, Awadh Mohammed, Tom Knox and Aaron Sweeney.

Categories
Skateboarding News

Dylan Rieder gets Epicly Later’d

You should all know who Dylan Rieder is by now. If you haven’t seen this yet then I’m not too sure whether to congratulate you on not becoming the internet’s slave yet or to slap you for not seeing one of the best sections of the year.

Go and watch it, and then watch the first part of his Epicly Later’d below.

Categories
Skateboarding News

Ten tricks with Nicky Howells

Here’s yet another ten trick fix for you this week, this time from the mental feet of Nicky Howells.

How far can this trend go? Probably until a mass skate-garage collective make a song called ‘Ten Tricks’ and finish on the line “three multiplied by three, plus one: web edit done.”

Regardless, bangers from this Welsh hammerhouse below.