Categories
Skateboarding Product Reviews

Spitfire Portahellas

Spitfire has undoubtedly dominated the wheel market for as long as I can remember; the simple reason is that they have the best fucking wheels ever! This isn’t my first set of Spitties and definitely wont be my last! They rock and I’m probably a bit biased as they are my favourite wheel co.

The Portahellas, like all their other wheels, are simply amazing and super long lasting. I’m currently riding 52mm black/orange swirls and if you like speed, you’ll love these!!! They are hard enough for endless slides and soft enough to ride on tarmac without vibration. These bad boys haven’t flat spotted at all and I’ve been putting them to the test on my slido-meter. They are immaculate on smooth concrete and mini ramp is no exception, MAC10 all the way.

They are hella good on all terrain and will serve you well, guaranteed!!!

Live FAST, Ride FAST!!!

2P

Categories
Skateboarding Product Reviews

Resurrection Mini Logos

They say ‘old habits die hard‘, but they know shit if you ask me.

A flat piece wood was my choice of ride for as long as I can remember, the flatter the better was a rule I lived by, until my resurrection that is. Seeing that it’s a new year, I thought I’d kick an old habit and try something new, so I went for Resurrected Wood.

I went all out with my new choice and opted for 8 inches of Canadian Hardrock Maple. My first session was rocky, but I gave it enough chance to find myself really enjoying the new experience. The board has a good contrast in concave, not too flat, not too concaved, just an even middle.

The thing I had to adjust to the most, was the high lift on its nose and tail. It’s something I’m not very used to, but it wasn’t hard to adapt and I totally confident with the shape of my wood after my first sesh . The tail seems to be a little bit longer than a usual board, but again, this is something I found useful for stability and super long tail slides.

I’ve been riding this Resurrection Mini for 3 weeks now and it’s still as strong as the day I got it. The wood is really stiff and has a cracking pop to it. Its not lost any of its power and I’m pretty sure a bus couldn’t snap this beast. It’s served me well so far and I can honestly see myself carving away on it for a long time.

If you fancy a board with extra lift, mad pop and extremely solid, then I recommend one of these boards.

They come in 7.5/7.75 and 8 inches and will have you reeled in before you know it…

For more info visit www.resurrectionskateboards.com

Njoi

2P

Categories
Skateboarding News

Zoo York News

Don’t feed the animals.

There is an age old saying that says, “Don’t bite the hand that feeds you“. But, then there is also the one about how “You can take a horse to the water, but you can’t make him drink“… So in a slight follow-on from our recent revelations of murky waters and dodgy dealings within the skate industry, news has been leaked that Zoo York is set for a bumpy ride.

The unique New York roster of skate talent was bought up in a bid to save the dwindling company a few years ago (When skating was riding the crest of its wave!) by urban fashion guru, Mack Echo– founder of Ecko Clothing. Since then, the ethic of Zoo York being a raw skate company has simply flown out of the window…

The latest act of injury for the East Coast beast is the loss of Clyde Singleton, professional veteran and full-time comedian. Clyde left the company after contractual disagreements, but isn’t the first to have retired from such a dubious deal; Team manager Sal Barbier has gone, OG heads Jeff Pang and Rodney Smith are long gone, as are other members of the Original Zoo team, and more recently John Igei bowed out too.

The whole situation is turning sour fast, and could stand as a warning for anyone involved in skateboarding for the wrong reasons i.e. fast bucks.

Categories
More to Life

Smoke on the Water!

“Dun, dun, dun…”
Maxwell Woodger Esq.
Monday, 23rd January 2006

Walking home from an uneventful evening, I stumbled across a sprawling mass of naked bodies humping and jumping to the chords of Deep Purple.

Ummm..?

I stopped and stood in the shadows to watch and make sure this wasn’t some sort of trap or mystical sacrifice. The heaving crowd was working itself into a trance as the Ritchie Blackmore doppelganger went to work on the very obvious melody of Smoke on the Water. A greasy man rubbed his naked belly fat against the sagging breasts of an aged groupie from yesteryear. It was a sick and depraved sight, but I decided to join in.

The reason why Deep Purple wrote the lyrics for Smoke on the Water was due to an event that took place in Switzerland: The band was on their way to record a record at the famous Montreux Casino studios, but as they grew near thick plumes of smoke wafted towards them from across the lake. Apparently Frank Zappa was performing at the Casino and had literally burnt the house down!

So what has this musical introduction got to do with the world today, eh?

Well, elsewhere there is a thick cloud of chemical smoke coating the water of foreign docks and bays. A mix of burnt tyres, tear gas and petrol bombs creates a fog that creeps towards the shores of safe citizens and weary diplomats. Needless to say, the Dockers are pissed. Problems began when the European Parliament introduced a new directive that would open up the continents maritime routes to more competition from abroad. An influx of interest and economic force from abroad would squash what remains of an already unstable business sector.

A man of my stature cannot condone violence, but these burly men of quayside will easily take up arms faster than a sliding butterfly knot (Yes- I know my lingo!) comes undone. You see, years of salty sea air, late night drinking bouts of rare rum and an unhealthy intake of Fisherman’s Friend can take it’s toll on the a person’s character.

The fabric of the Docker’s sociability is frayed, lest torn!

So, what now???

Hell those childish brutes need to get a quick lesson in world politics 101, that’s what! The era of Pugwash and Captain blue beard are gone. Jimmy Hoffa is dead, and the rumours of pederasty didn’t help the man either. No- Today you need to fight fire with fire. Hallelujah! Take on the sharp politicos with their own game: Diplomatic immunity, coffee breaks with Madame Tseng in Paris, and chauffeur driven saloons for all!

Ahh… The political elite might find that a hard pill to swallow.

But essentially there isn’t much you could do. The world is a social place with hierarchy and politics. Just play your role and the cogs can keep turning, right?

The group of frenzied funksters that I was rubbing shoulders with, as a pseudo- Deep Purple band played the anthems, were just a bunch of hair dressers. Nothing to do with loading bay heavies or criminally minded seamen… Just a gang of follicule flamers having fun on a Friday night. Incidentally the sounds of an ode to a burnt casino rolled over us and across the road into the river.

The sounds being carried away by a strong tide towards rougher seas. Perhaps a docker had heard the cries of my blubbery and misty eyed bretheren, and mistaken them for a call to arms- the rum and Fishermen’s Friend are a bad cocktail…

Wherever you are in this bitter world- You MUST fight for the right to party!

Thanks to Jose Lavezzi at www.bazarts.org for the use of the dick shot!

Categories
Skateboarding News

Wanna job in skateboarding?

The following information is a press release and not written by anyone here at Crossfire.

Skatepark project manager required

If you are passionate about skate or BMX, and can demonstrate that you know what makes a skatepark work, you could be just what we are looking for!

GBH Engineering Ltd is seeking talented staff to expand a dynamic team providing custom design skateparks to Councils across the UK. Within this demanding role you will get to travel all over the UK, based from our Poole HQ.

To succeed you will need to be an excellent communicator both face to face and on the phone – comfortable relating to people of all ages.

Some days (and on occasion evenings/weekends) you will find yourself dealing with Board Room presentations, and site assessments with highly qualified suits. Other days you could be back at school, surrounded by a bunch of rowdy kids, all with their own ideas. Do you have the ability to both understand and instill understanding during such consultations?

In the office you’ll be part of a lively, highly supportive sales team, (lead by an experienced skater) working hard together to make skateparks a reality for kids across the country. There is a huge amount of feel good factor, and a chance to make your mark within a thriving company in which individual’s opinions really do count.

The person we are looking for is likely to have already had a few years work experience under their belt, confident and with sound organisational skills. It’s no ordinary job and if you are looking to plod along in a 9-5 way of life, this isn’t the career path for you.

If you think you’ve got what it takes, send us your CV and we’ll be in touch – immediate start available for the right candidate.

Email: sue@gbhramps.com
www.gbhramps.com

Categories
Buzz Chart

Strapping Young Lad

For more than a decade, Canadian maniacs Strapping Young Lad have been one of metal’s most enthralling, yet ultimately terrifying prospects. With their 1995 debut – the peculiarly titled ‘Heavy as a Really Heavy Thing” – Devin Townsend and his merry men set a new standard in the realms of aggressive music. A relentless sonic assault of grinding guitars, pummelling drum fills and blood curdling screams; it was to be an underground cult classic that would stay firmly in the memories of all those who heard it.

Ten years later the quartet would release their fourth and possibly finest album to date ‘Alien‘. Undoubtedly the final step in what would prove to be a slow but sure evolution towards perfection; the result was ten tracks of mind-melting metal mayhem with a new found purpose and maturity. While their thrash/grind roots would remain greatly visible, a spine chilling cocktail of haunting melodies and twisted ideals (including a choir of children) were thrown into the mix to create one of 2005’s benchmark releases.

With a soaring vocal led chorus and enough spiralling grooves to satisfy even the reddest of hillbilly, ‘Love?’ is a stark reminder that while perfection may come with age, we should all remain very much afraid.

Ryan Bird

Categories
Skateboarding News

Satori UK Premiere dates

Satori Movement will premiere the new DVD “Mapping in Time and Space” this January at the following dates:

Please note that the Bristol date is cancelled, please contact 50:50 Store for more details about the date for this premiere.

More info about Satori team can be found at www.satorimovement.com and if you wanna buy Satori wheels and product check out www.crutchshop.com

Categories
Interviews

Ursula Rucker Interview

After working with The Roots and sharing the stage with Gil Scott Heron and the late, great Nina Simone, poet and spoken word artist Ursula Rucker took time out after busy visits to Germany and France to talk to Sam Hesketh about the Wu Tang, the burden of writing and being labelled as a “conscious artist”.

So let’s start with the basics – when did you start getting into poetry and slams?

Actually, I never got into slams, I don’t really agree with them. I did one, but that was to support friends who were putting it on. But I started writing really young, but didn’t realise I was a poet until I had enough sense to realise it and then started going to readings in little book stores and places like that.

Is it a good scene in Philly for poetry then?

It was, it was really nice when I started because nobody was trippin’ on anything, it was just a natural thing and everybody was friends. I don’t know what its like really now because I’m not in there as much but every once in a while I see a reading in the local paper and I wanna go and do it, just to have that special feeling again.

And the music followed pretty soon after?

Yeah it did. You know, the minute I started having the courage to start sharing my stuff from home publicly, everything kinda fell in with it. It was like “Woah, this is crazy”, and that was 12 years ago!

At the moment there are more poets getting into the hip hop scene, Saul Williams and Benjamin Zephaniah for example, do you think that’s important for poetry?

No, I think its nice that people get introduced to poetry in that way, when they realise it can be acceptable, because it’s really like a community. I mean, you can learn it in school and the teachers tell you its all about rhyme and meters and shit, and that can really turn people off, I mean I don’t operate that way. So yeah, it’s nice, but it’s not necessary.

Listening to your stuff, it seems really powerful because its so different from when you turn on MTV and see the rap stars throwing money at the camera and women shaking their booty in hardly any clothes. Do you consciously go out to be different to that?

I don’t consciously do that, but I am conscious y’know? We get put in a box negatively, I mean people like me, Mos Def, Talib Kweli as “conscious”. I’m just conscious like I’m aware. Different people are pre-destined to see and care about different things, from a young age. I had to grow into being a rebel, because I was shy and I had to be brave enough to make a comment, it’s what’s around you.

So, have you ever felt like, you’ve seen something on TV or in your community and you HAVE to write about it?

Yeah! It’s funny you should say that, I’m sure I’m not alone, many people feel like that, artists or not. I was watching something on the TV and I just thought, why do I let things affect me? Why can’t I turn it off? I just can’t! This morning even I flicked on the news, I saw something saying “30 people blown up in Baghdad”, and everyone is de-sensitised to it now, but it’s still such a heavy thing, and I think about how many were children or women or old people y’know? And I’m included, like you hear it every day and you’re just like [hand over face] this. And that’s what I care about, in an age where phones can do everything for you, be your prom date, all kinds of shit, it’s such a time to call on people to pay attention to people.Even if you don’t share your stuff with any other person, if you know in your heart that you’re that type of person, if your art is personal, you’re still progressing as a human being.

Working with The Roots and sharing the stage with real greats, is there anyone that you would absolutely love to work with?

Always the same answer. I had a list, which I did ages ago and I write his name on it like, if I write it enough it’ll happen for 15 years – The RZA. Since the first time I was recording for an album, which didn’t come out as something happened with Sony, and I had to make a wish list for people to work with and RZA was top then. Even if I haven’t always agreed with everything they’ve said about women, as a unit, they are what hip hop is all about, getting together and keeping it constant with good quality music. I like that whole thing, they always take it to the next level.

Well RZA did a world rap album not long ago, with French and German guys on there, so he’s willing to go places other big names don’t go.

Exactly! You can take that shit from the hood, and I mean seriously the hood, you know they are from where they say they are from! And he takes that and doesn’t change who he is when he goes off. He gives who he is to these other people to work with, I love him.

So, when you write your stuff, I guess the poetry comes first and then the music follows?

It works both ways, I mean in my mind the poetry comes first because that’s the major thing, but sometimes I need some sounds, when I’m working on a project. When I work on personal things, I don’t obviously. When I was on this last project, I was bogged down with life shit, and I wasn’t in the right place to write poetry all the time, so I asked Ant, the guy who did most of my album, that I might need music upfront, but I told him the themes beforehand. For this album, I wrote everything in the studio, the day before we recorded it, because I so gridlocked in life. I had to get it where I could get it, and I’m not even really a spontaneous person.

It must be hard then coming over to Europe when you have four sons then.

Its hard, but most of the time its because I’m trippin’. I’ve done this a few times, one kid, two kids, three kids, four kids. They don’t like it when I leave but its only a short trip this time, but its mostly because I’m trippin’. My eldest son is 11 now but he’s into hip hop and everything so it’s cool.

In my dissertation on “Hip Hop and Communication Theory”, I read a theory that even if you only touch one person, in all the billions of people out there, its worth it. And I always get that from hip hop, do you feel that way about it?

That’s what I always say , it’s important like that.

I mean, even my mum likes the album!

That’s the real shit right there. When people play it to their parents and they dig it, that’s the biggest compliment you can give me!

You’re music touching all sorts of people then!

Well that’s it, if someone asks me to describe my audience, I can’t do it. A lot of people might think because I’m black or a woman or a poet, I’ll have a certain audience. But you can’t put it down like that, especially at a live show. When I go to a reading or a University, I reach people on different levels, its all important and all relevant.I mean, I know poetry isn’t on the radar like other things are, but I’m so happy to be here right now, it’s amazing. I have mentors and I know the long lasting reach of poetry, and it allows me to get my shit off and let people know this is what’s troubling me, or what makes me happy and that’s the best thing. It’s all about that urgency of the moment you’re in and you get to write it down.

It’s cathartic as well to write all that down.

Oh yeah, I can’t stop, I have to chase things down wherever I go. I liken it to if I were a photographer, because you know they carry their cameras around everywhere. Or if they don’t have it, they see something they want a photo of and they’d kill to have it, and it’s that moment I’m into.Well, thanks for talking with me, I hope the rest of the day in London is cool.

Thanks so much, make sure you tell a neighbour about the CD and get to a live show next time I’m over!

After the tape stopped, and Ursula found out this was going on a skating site, she told me that her eldest son was into skating and she’d make sure he’d check out the site. On top of this, as I was leaving, she told me that the skating scene in Philly used to be great as the Love monument was used by all the skaters, but the city then closed that down for skating and she felt it was a shame because it was an awesome community to have around.

Ursula Rucker’s upcoming album, “Ma’At Mama” is out on February 6th, on K7 Records.

Categories
DVD Reviews

Scribble Jam DVD

Scribble Jam – 2005 US Tour

www.scribblemagazine.com

Every year, the cream of the US underground hip hop scene make a pilgrimage to the holiest of holy places – Cincinnati, Ohio. Scribble Magazine puts on Scribble Jam every year there, a coming together of the 5 elements, with graf expos, MC, DJ, Beatbox and Breaking battles, plus the biggest names in the underground appearing live on stage. Previous Scribble Jam DVDs have been excellent, showing the best of the battles, 15 minute features showcasing the best of the graffiti and also footage of the live sets of artists such as Atmosphere, MF Doom, Eyedea & Abilities, RJD2, Blueprint, Brother Ali and many more.

Last year however, instead of just holding the big event itself, a 13 date tour of America was put on, with Mr Dibbs, Glue and Blueprint travelling the length of the States to garner interest in the event and also to hold preliminary battles for spots in the main diss-off at Scribble.

Whilst this DVD does have a tour diary featuring the artists who performed, it comes in at only a little over 30 minutes, which doesn’t really give much depth to the interviews and clips are at a premium. This is a shame because what is there is great, some funny anecdotes and some good live cuts, but it just isn’t long enough.

The bonus section, which is usually live footage from the event is this time set out as a map of America, with each section from a particular date on the tour. Again, the unfortunate thing is that the footage isn’t of any of the artists, but the best bits of the battles, some of which are cringe-worthy. There are some great lines in there, but you have to dig around to see them, and it just seems a bit of an effort.

Of course, it is a different type of Scribble Jam DVD because it is of the tour and not the main event itself but I still feel it comes in a little lightweight, and would have benefited from a longer set of answers from Dibbs, Glue and Print and more live footage of them, rather than the amateur MCs. Still, you do get a free CD, which includes tracks from Listener, Mac Lethal, Glue and Abjekt favourites Doomtree and that can’t be a bad thing now can it?

Abjekt

Categories
Features

Crossfire Xmas Jam 2006

Written by: Ralph Lloyd-Davis – 21/12/2006
Photo Credits: Big thanks to Gorm – Ace Joe – Elvin – Steven King.
Sequence Credits: Big thanks to Dom Marley and Leo Sharp (Sidewalk Magazine)
Video Credits: Big thanks to Adrian Downie, Niall Kenny, Alan Christensen and Andy Evans

Road to Ruin – Anarchy in the West-End

“My doctor told me not to let anything get me stressed. You fucked up…”

Those were the words Zac uttered to me as I grovelled apologies for missing my train out to the Crossfire Xmas Jam from Belguim! I felt stupid, and shit. Another ticket would set me back an arm and a leg, and even then I wouldn’t make it to the jam until it was ending…

Then, I got a call from my wife…..There was a flight out the following morning for £50, and I’d get there in time to party. What would I do without such a wonderful woman? I’d probably be wearing odd socks and pour salt instead of sugar in my tea.

Woo hoo! Crossfire, here I come! However, there was a catch to this golden ticket: The plane took off at 7am, which meant 6am check-in, which meant 5.15am taxi, which meant 4.45am wake up, which meant no sleep till Crooklyn!

But it was no good feeling sorry for myself. I was the one who fucked up in the first place. 20 minutes kip, one bottle of rescue remedy and one confiscated deodorant later, and I was gazing dreamily at the sun coming up over London.

Crossfire is the only outfit down South to pull everyone together at this time of the year when the days become nights and water turns into ice, so if you were anywhere within a few hundred miles radius, you know you should have made it down for the annual Xmas get together.

But I’m guessing you were there because the Bay66 skatepark in London’s hip west-end was ram packed full of skaters. I won’t list off each and every British skateboard notable present, just take a look at the news sticky for that, but I think it’s safe to say that if the Westbourne park flyover decided to collapse on that sunny Saturday afternoon, then British skateboarding would be reduced somewhat, Freestyle included- seeing as This’n’That celeb whizzplanker Darran Nolan was present and giving a helping hand. Cheers mate!

Right, enough setting of the stage, what everyone wanted was guaranteed carnage and prizes, so without further a due, Zac grabbed the cowhorn and the unsponsored jam began.

Always a favourite with the crowd, and the worst fear of the on site medical staff, the ski jump opened the show. A few clean melons here, and plenty of ragdoll flailing there, it was tiny little Alex Decuhna (inspired by Lee Blackwell!) who scored a pair of Globe Shoes with a kickflip, and a huge backside 360 that even Danny Way could tip his helmet to.

Honourable mentions must go out to the kid who managed to tailblock drop in on the massive wallride beside the jump, and nutty Darryl who went all Sluggo Boyce on us backflipping to revert over the hill dressed like a Backstreetboy! (Jokes!)

Next damage control zone was the Koston blocks across the driveway. You should have seen the way these unsponsored kids were fiending to have a go at balancing across the blocks. I think they broke a collective record for most under 15’s huddled onto a drop-in bank. After many valiant efforts, and a few bumps and lumps, the chaos claimed its winner, Ollie Smith (with a name like that, he’s hardly going to be a fisherman!) who slid his way through some smooth 5-0s, nosegrinds and bluntslides. Sweet as a nut.

Ollie wasn’t holding back either when the third stage of the unsponsored jam took off. The cheeky fella was thrusting long frontside 5-0s and an oh-so-close frontside nosegrind the full 14 feet of the kicker to curved blocks. This obstacle is a new feature of the Bay66 skatepark, and looks like it was inspired by the London Mayor’s building; a top city street spot.

One pair of Globes was enough for Ollie though, so it was up to technical Jak Tonge to earn his winnings with a perfect manual kickflip out, and a sketchy frontside 5-0 frontside 180 out to fakie nose manual drop down. The exact opposite trick- kickflip manual- was also made by James Baker who bagged a years subscription to Sidewalk Magazine.

To wrap things up with the kids, the mini ramp sesh took centre stage. Eager amateurs lined each side of the deck waiting for the master of Ceremonies to call their name and drop-in. This was a mini version of a skate off where consistency and variety in tricks was the key to success. It wasn’t until the last 5 minutes of this jam that things went ballistic with a full on Texas Death match going down, except the madmen taking part were all under 5ft tall! Wicked!

With so much talent on show, three winners had to be announced. I was designated Judge for the entire Christmas Jam, and to tell you the truth, this was the only moment I felt really intimidated. Little kids eyed me up, ready to throw me into the flatbottom if a disrespected their efforts. Oh no… The midget mafia wouldn’t sway my mind though because it was obvious that little Kyron had killed it lining up frontside flips, sugarcanes and backside 360s into his runs. Mini-me’s Dean and Michael also walked away triumphant with Sidewalk subscriptions and a free Globe deck signed by the European Team for their troubles.

PRO COMP

As a brief interval between the unsponsored and sponsored comps, I’d like to say that the skatepark was buzzing. There were skaters everywhere, so if you noticed something sick go down which I fail to mention, please let it be known on the forums and share the stoke.

Right, anybody who has been to a Crossfire Jam should know that the midi ramp jam is always explosive. There must be something in the masonite or cement ceiling because everyone gets worked up into a frenzy.

Zac heckled the riders and the place kicked off Creature Skateboards rider Marc Churchill was slicing through some of the smoothest smith grinds, taking each one to revert, whilst Brighton beardo Stevie Thompson hopped ridiculous beanplant and backside boneless variations way out of the ramp onto an extension box before leaping back in backwards. Those two guys are seriously under-rated!

Slapping their balls to the wall were Death rider Steak and Ross from Bournemouth. Steak was powering around the ramp like a rabid animal, even going so far as to attempt several Mctwists. The power was obviously in the headband. Ross tried his hardest, and did land on a couple but without rolling away, to stick a head high 360 flip mute grab..

With a park like this on their doorstep, it’s pretty obvious that the local talent could ride too, with Awahd rotating perfect miller flips every go. He never lost his New Era once. Ben Raemer’s mum was there to show support for her son who went one higher than Danny Wainwright this year with a frontside air into the ceiling! His other deep bag of tricks had finger flip liens to tail revert, and a super close kickflip backside crailslide(!). Ben is the future of British skateboarding.

Finally, the tech-wizardry of Chris Oliver and Greg Nowik set the standard for Crossfire cash. On the one hand, Chris was stomping out ridiculous head high frontside kickflip melons, kickflips to fakie, a ludicrously close rock 360 flip to fakie and I even spotted a close attempt at a frontside salad kickflip to fakie. Whoa!

But, no-one could get close to the consistency on White Trash Skateboard pro, and amateur boy racer, Greg Nowik.

As Zac bellowed out of the bullhorn- “Greg eats mini ramps for breakfast, lunch AND dinner!”. Greg was relentless with the massive tweaked airs, double flips, blunt shuffles, a stupid blunt late back foot flip to fakie landing in a switch manual roll away, and the winning trick: a blunt 360 flip to fakie.

The crowd went bonkers, hardcore punk rock from Black Flag, Bad Brains, Flipper and Negative Approach rained from the speakers courtesy of DJ James Sherry and Zac couldn’t feel his hands anymore. Those last Crossfire minutes lasted almost as long as those of British Rail on Sundays, so without hesitation we went straight to the rails.

The rail jams are always a good place to witness prime pitfalls and proper skills. With a triple choice of two hubbas and the round rail, the best British ballbaggers went to work.

Boots opened the show with a third try kickflip frontside boardslide, whilst Blueprint Skateboards Neil Smith answered back with a nollie backside lipslide and kickflip backlip.

East and 50-50 dread head Korahn Gayle pushed out a buttery smooth frontside salad grind to fakie, and flatcap wearing Sherpy mixed things up with a feeble to backside 50-50.

The ratio for bails per make was running at about 7:3, which is fair enough, but poor Adam Howe riding for Plan B took the heftiest slam when he miscalculated a frontside something or other, and flew straight to the floor and sent one of his shoes flying a good 20 feet away! Ouch!

In the end, judgement had a split win between Globe rider James Gardner with his shocking frontside bluntslide (held upright I might add!) bigspin out, and Death Skateboards am Boots hammering in the nails with a perfect bigspin frontside boardslide.

The vert wall jam was next up with a love seat quarter pipe that dominated the far side of the park. Whilst Zac heckled Santa Cruz’s Joe Habgood to get his boots on, Duffs man Rob Smith was already two tricks in with a sick kickflip indy footplant and good bonk of his nose on the ceiling!

Someone else heading for the stratosphere was Death rider Horsey who literally hit the roof on several of his mental beanplant to fakie attempts. The speed freak actually landed on a couple, but couldn’t roll away far enough.

Chris Ault repped in front of his boss, Fos, with stylish wall jams to rock fakie and massive frontside airs out and around. Tranny tamer, Stevie Thompson took off like Horsey on some great beanplant madness. One wipe out almost took a camera man out to Zac’s call of “watch out media scum!“.

Local ripper Awahd rode high up into the wall to frontside air back into the quarter pipe, whilst the Southampton crew came correct with Marc Churchill knocking out a massive frontside air across the whole expanse. Father Christmas a.k.a. Dan Cates heckled Death team rider Lee Blackwell for wearing shorts when he whipped out his trademark (and last year’s winner) kickflip nosegrab fastplant. It was obvious who had won though- Rob Smith with gruesome face paint to boot, had a big bag of tricks and almost shut it down with a kickflip indy footplant finger flip back in! As time was called, Globe and Kill City rider Daryl Cashman repped the tech side of things with a beautiful kickflip nosestall revert – silky smooth.

Helas, it was time to haul out the beast for this year’s special obstacle. Initially the people screamed how they wanted a Ring of Fire, but the local fire department had us wrapped in thick red-tape at that suggestion.

So, plan B was brought forward by Mark ‘Fos’ Foster who suggested a Whale and this beached sea creature was built, thanks to SA. Ettienne and his brother.

Shaped like a wave, with sharp gnashers and a dangerous harpoon wallie bar poking out its backside, The Heroin Whale was definitely a proving ground to separate the men from the boys.

It took a while for everyone to get used to this quirky beast, but once the initial slappies were settled, things really started to heat up. Horsey got a one-footed 50-50, whilst Chris Ault balanced a long manual to 5-0 slappy off the end. Playing it slow, but not easy, Neil Smith gathered the balance to land a rock fakie on the bar Daewon style! and Ben Reamers came closer than ever to a backside 360 out of his pole jam.

As men reduced themselves to pulp trying to tame the beast, little Alex Decuhna from the unsponsored comps stepped up out of nowhere and wallied the rail first go! The crowd couldn’t believe it, and a few of the sponsored guys felt a bruise of their ego.

Naturally, the Whale’s creator, Fos, gave Alex a free Heroin deck for his effort – N.B. The rail was almost a foot taller than Alex at its peak! The man of the hour though was Chris Oliver. After losing out to Greg Nowik during the ramp jam, this time Chris was taking no prisoners. The ginger ninja dropped bomb after bomb with backside smiths, nose grinds, nosegrinds to revert, switch nosegrinds to revert, and to top it all off- a head high kickflip caught perfectly out of a mach ten wallie! Boom!

This shit was done and everyone celebrated with one of the biggest product tosses to date. Unfortunately we could not do the usual product toss to the death this year.

Last year, many kids took it too far and people got injured, this year had to be slightly different. Crossfire would like to stress that it is with great pleasure that we can give out so many free goodies thanks to our sponsors, but skate parks are becoming targets for parents who allow their kids to come to these events and then threaten to sue us afterwards and that just can’t happen anymore.

That said, the rabid look in a child’s eyes when four massive boxes full of clothes, Globe Shoes, DVDs, boards and stickers are carried out and showered from above, is a sight that makes Damian from the Omen look angelic.

It had been a long hard day, but so amazing. The British skate community had come together to celebrate Xmas in the Big Smog, and fun was had by all. With the kids stoked, the obstacles sore and the skaters hyped, the only thing left to do was hit up the party organised down the road at Mau Mau.

Hi-Jinks assured by Ed Pitt’s DJ set and a live performance that took the roof off from Joe Driscoll, a steady flow of booze and good vibes. Merry Christmas everyone!

If you would like to comment on the Xmas Jam you can do it here.

Big thanks to our associate sponsor Globe Shoes for their unconditional support for the second year now. Also big shout out to Independent Trucks, Heroin, Death, Landscape, Blueprint, Casual, Kill City, Karma, Plan B, the Harmony and Blind Skateboards for supporting British Skateboarding, supplying product and organising their pro riders for this event.

If you were there, thank you for your support, if not we will have more planned for 2007 so enjoy downloading the video on this page by right clicking and saving as.

Click the image below to view the Xmas Party Pics..

Merry Xmas 2006!

Official Results:

Unsponsored Jam:

Ski-Jump: Alex Decuhna – BS 360 and a Kickflip

Koston Block – Ollie Smith – FS 5-0 – BS Bluntslide and FS Nosegrind on the top.

Curved Ledge – Jak Tonge – manual Kickflip out and FS 5-0 FS 180 fakie nosemanual drop down.

Mini Ramp: Kyron, Dean and Micheal

Sponsored Jam:

Midi Ramp Jam – Greg Nowik (White Trash/Globe) – Blunt 360 flip in, ollie back foot flip, double flip fakie and huge tweakery.

Rail Jam: – Boots (Death) w/ Kickflip FS Boardslide & big spin FS Boardslide. James Gardener (Globe) – Front blunt slide big spin out.

Taj Mahal Wallride Sesh – Rob Smith (Death/Independent/Duffs) Kickflip indy footplant and roof ripper..

Whale Tail Pole Jam on the Heroin Whale: Chris Oliver (Alai/Vans) – BS Smith, BS Nosegrind revert, switch BS nosegrind revert and wallie kickflip out head height!

Photo Credits: Big thanks to Gorm – Ace Joe – Elvin – Steven King.
Sequence Credits: Big thanks to Dom Marley and Leo Sharp (Sidewalk Magazine)