
Always good to see Daniel Cardone footage, he’s liked a coiled spring on a deck. Watch his footage alongside the rest of the Dumb Skateboards team in their full length, Almost Eleven.

Always good to see Daniel Cardone footage, he’s liked a coiled spring on a deck. Watch his footage alongside the rest of the Dumb Skateboards team in their full length, Almost Eleven.

Get yourself ready for a real northern (UK) scene video starring some of the North’s most highly regarded rippers as Adam Todhunter’s Coast to Coast is made up of footage spanning across the gritty northern land and his travels further afield.
Todhunter may be a name you know from the recently released Supertoxic video, ‘We’re Working On It‘ but this production sees full parts from a variety of skaters, including three friends montages which take this video to an explosive 50 minutes of mind bending, non-stop skateboarding.
It kicks off with a rousing intro sequence, showing many spine tingling slams and slow-mo steez, exposing the viewer to only a margin of what is to come. Sun-tangled chimes fill the air and first in frame is Graham Anderson flowing his way through the streets. This part is shared with Rory Muirhead, both skaters complimenting each others style as they carve with nimble feet through many tight spots that others may disregard completely. Rory finishes off this part with a pristine wallie over a gap and into the street below.
The first of three friends montages commence with Josh Cobbin cruising with a pleasing bag of tricks including: a bs flip, clearing cobbles and a hefty gap with a big flip – all executed beautifully. Rob Mckinney then enter the fray with a humongous nose rag at Berlin’s famous Alexanderplatz banks, alongside Robert Sanderson and Daniel Le Maty whose lines through some rough wasteland terrain are notable. Danny Abel then demonstrates some smooth late shuv action whilst Dale Starkie stomps down some tricky manoeuvres before Lewis Johnson ollies over everything in sight.
Ph: Mani Haddon with a fs tailslide.

Next to step into the spotlight is Lancaster’s Joey Hurst, who is no stranger to a manual pad; filling it with personality as he performs bewildering variations displaying a impressively composed manner. A highlight from this section is a backside flip over a planter. Joey flips the board catching and spinning around at the last moment, making it look simple whilst traveling at speed. This flows through to a shared part showcasing three skaters.
Leading the way is Phil Steavenson bumping his way over railings and lipsliding over gaps and through hedges. Lloyd Hodgson bombs on to your screen, opening strong. He slaps out an extended no-comply over a grass gap, rolling away effortlessly and making it look like child’s play. The flowing nature of Lloyd’s style and his apparent east coast influence is captured well throughout this section; whilst he seems as though he is coasting comfortably, in reality he’s probably fighting the need for his wheels to bite into the ground. One trick that gave me the compelling urge to go and skate was when he slappied up a ledge into a nose slide on the one above it, popping clean back over to flat. Something that I’ll never be able to comprehend.
Stepping up to this standard is Thomas Miller with his similarly smooth style, cutting his way up the brickwork as he wallrides into a nose manual down the bank below, not something I saw coming at all. Dan Hallam shows skill with his long lines and, by the looks of things, his ability to 360 flip out of most grinds with ease. Blink and you’ll miss that flip! Dylan Sewell displays long grinds and longer lines. Dylan pushes the limits with a noseslide of momentous proportions too – over a shrubbery shaded gap and exiting with a 360 shuv to seal the deal and firecrackers an 8 stair. The crackle as the board quivers down each step will fill you with an ecstatic warmth.
Ph: Dan Hallam back lips in front of a cycling bird

Someone’s got to film the filmer, right? Of course they do. Adam Todhunter is as strong a character on the board as he is behind a lens and he serves up the goodness before the second of 3 montage parts. Unwrapping itself with Danny Moore hauling himself over a hip height handrail and Lloyd McLeggon, one of Manchester’s most progressive skaters, with mental manny action and a stupidly high fs noseslide that would put us all to shame. Matthew Smith skims over jersey barriers and Krishna Muthurangl, Aiden Smith, Conor Charleson and Sean Barnes show a wide variety of skill and style, nonetheless showing how fun these four wheels can be.
Johnny Haynes bombs banks, power sliding his wheels into squares followed by Fraser Irvine, whose feet can’t keep still, constantly readjusting for the next trick as soon as the board is under his feet. Helder Lima slides into a laid back line ahead of Jake Veitch and Reese Singleton, who kill it with their clips and are only a small sample of the home grown talent showcased within this video.
Sprays of light divagate their way through the screen, the beat drops and Dan Main smiths into the shot. Bringing the hype from the very first clip as he does a three-piece line featuring a backside flip to switch manual. Dan’s part will definitely make you want to indulge yourself in his laid-back style as he makes delicate manual variations look simple. Intertwined within the precarious manoeuvres are the clips we all undoubtedly love, equally as much, such as carving through cobbled streets and ripping walls as his wheels rebound off them. So British.
Harry Veitch and Connor North are both on their way to becoming well known names within the British scene and share the next montage. Harry has pulled through, blowing up the most awkward of spots with raw enthusiasm. Meanwhile, Connor can be seen charging the streets with flamboyant lines and long slides. Both lads have a clearly distinguished style, definitely two to keep your eyes on. Oh, spoiler alert… Harry has a close call with death in the final clip.
Ph: Ross Zajac gap to noseblunt.

We enter the final montage section with more cram packed four-wheeled goodness than the previous two. Myles Rushforth slashes over a few lambent ledges, not messing around with the quick fire lines featuring the standard DIY pole jam. Making a drive-by appearance, James Headford feebles fluently. This leads into Paul Regan’s pristine pop that nearly knocks himself out with his own knees. Josh Bentley has a few clips unearthed within this montage too. Snapping a no comply down a set is no problem. Sean Tracy gets on that night time mission thing, rolling worry free through the streets leading to Adam Thurtle who power slides across streets and rams off of every angle possible.
Ben Armson and Lewis Elleden join the mix right before Charlie Munro gets hot, hot, hot; speed and power seem to be this man’s forte. Charlie’s team mate Mark Radden doubles up in Berlin with a hip-height crooked grind, knees tucked tightly to his chest. Brandon Justice hops from footpath to footpath, tweaking his nose right the way out. Little Saul Crumlish backside boneless’ a quarter about five times his height. So much so, that it gave me a chill. Sam Pendlebury offers a monster ollie from flat to flat. Ben Larth jams off a broken bollard into the street followed by a steep five-o fakie on a curbside wall. Similarly Calum Adams opens his clips with a wallride 180 out and a front blunt up and into a tight brick banked quarter. Will Sheerin then closes this powerful montage sequence, nollie flipping freely down a four block. You have to see it.
Ross Zajac went to the zoo to open his cameo with penguins and giraffes, reminding you street skating is never short of strange happenings. Karma skateboards rider Ross has definitely been working hard with this offering of big gaps and quick-fire clips, this is shown when he fires a fifty down somebody’s front steps. Highlight from the section include a fakie full cab over a bin launching him into the street. Ross flows incessantly throughout, showing he can skate an obstacle in any way. Whether it is backside flipping a set or a wallride down the side, he’s got it. His laid back attitude makes his style massively addictive too, flipping or doing a 270 out of anything although it was a complete afterthought.
Ph: Will Creswick – Bs Heelflip

Descent and Story Clothing ripper Will Creswick builds up for something big as he storms the penultimate part. This Newcastle local has a ferocious style that comes alive in his night time missions to perfect his no comply combinations. As well as the one-foot action there is plenty of quick-fire tricks too, juggling his feet in-between each movement. Will’s gaps to lipslides got me psyched in this part. Nothing out of the ordinary – until he bonks the trick into a nosegrind within a blink of an eye. His quick footed flair is well on point.
Right before the credits roll, Mani Haddon takes the light, blowing it out in style. Mani’s innate excitement to skate radiates from this part as he bangs out clips in quick succession. Seeking the crustiest northern grit to destroy seems to be his intention, as he Switch Bs 360’s over a cobbled street gap. Mani and his catalogue of tricks delve deeply into this one and come out with some true gems before waves roll over his final piece, which will surely send you into a head spin.
With Coast to Coast being a project spanning over two years, it’s amazing to watch these talented skaters and their tricks transform as the film progresses. Adam encapsulates the individual styles of each skater perfectly bringing their personalities into view, making this a must-watch British scene video and a vital addition to your DVD collection.
Support true skateboarding and check out Adam’s webstore where you can buy the DVD as well as a zine documenting the filming process.
Written by Henry Calvert
Enjoy some of Mani Haddon’s offcuts.

Joining messrs West and Grohl at the top spot, today The Who have been announced as the third and final Glastonbury headline act.
Taking to the stage on Sunday night, the band are set to close the festival with a bang, “unless of course the fireworks get wet”, singer Roger Daltrey added.
Currently mid-way through their 50th anniversary tour, The Who will also headline the British Summertime Hyde Park festival on June 26th, supported by Johnny Marr, Gaz Coombes and Paul Weller, who is also set to play Glastonbury in the penultimate Sunday night slot on the Pyramid Stage.
Bop English
‘Struck Matches’
Blood and Biscuits
Bop English, more commonly known as White Denim mastermind James Petralli, has been hard at work crafting a solo venture of, whilst certainly epic at moments, rather retrospective proportions. Peering through the psych-pop prowess that you’d expect from the man that wrote a song like ‘At Night In Dreams’, amidst the haze of riffs and effects, the singers roots come to light in a way that didn’t quite fit the White Denim mould.
‘Struck Matches’ flares up into an acoustic-guitar driven hark back to the glory days, with Petralli layering slap backed vocal delay’s over wah-wah’d licks a plenty. His warped horn section and Texan drawl almost conjuring memories of golden boys Petty, Harrison, Lynne & co. as he leads the way into an infectious Wilburys-indebted boogie that demands multiple replays.
Lyrically, Bop’s dealing with what sounds like a precarious balancing act between consciousness and mind-melt after being handed the pipe and not knowing exactly what lay within the bowl. He sees a walking disaster, but all that’s to be found here is a triumphant ode to blues-rock, teaming with hooks and Americana appeal.
‘Struck Matches’ is taken from Bop English’s Constant Bop LP, out now via Blood and Biscuits. Catch him live in the UK on the dates below.
MAY
29th Glasgow, Broadcast
30th Liverpool, District
31st Birmingham, Hare & Hounds
JUNE
1st Bristol, Louisiana
2nd Brighton, Sticky Mikes
3rd London, Oslo
4th Manchester, Night and Day

Get in the van with Sam Pulley, Keiran Menzies, John “Bean head” Coppen, Arbel Samsanov and Dan Hill to shred Bangor’s concrete holes in this new edit from Kill City’s Lee Dainton.
Fred Gall takes to these crusty spots like a duck to water in this new OJ Wheels clip. New urethane awaits you in your local skate shop then.

This place has left many in pieces, but it turns out that Frankie Decker tried to throw a late shuvit down El Toro’s 20 stairs of hell recently whilst filming for local Vegas video Snotjob. Did he take one?
I don’t know about you, but one of the most recognizable aspects of skateboarding for me are Vans skate shoes. The patent waffle-gripped rubber soles have been supporting skateboarders for almost fifty years. Say that again: supporting skateboarders for almost FIFTY years!
Vans is a skateboard culture heavyweight with riders spanning several generations, commandeering all sorts of terrain and actively sponsoring events across the Globe. You’d think that the day Vans decided to release their first ever feature length film, Propeller, video dedicated to the skateboard team, they would be shifting the gears on the hype machine for at least a few years prior to it’s screening. Apparently not. They don’t have to. Everyone knows their team is a legit band of brothers that go to war at every spot they skate and the filmer they hired for the job, Greg Hunt, is about as dedicated and craftful as it gets.
Propeller clocks in at about one hour of just skateboarding. Albeit the short introduction featuring the older gods (Tony Alva, Steve Caballero, Omar Hassan, Jeff Grosso, Christian Hosoi, Ray Barbee, and John Cardiel etc…), the rest of the video features a full part from each of the riders – except for Jason Dill who moonlights a couple of tricks in Anthony van Engelen’s amazing ender. To quote a fellow skateboard enthusiast, Ben Powell of Sidewalk, speaking about the last part: “Best over –Thirties part ever. Basically do some good skateboarding or fuck off!”
I think everyone knew Anthony would get the curtains seeing how much time and effort he put into his section, but Propeller still has 45 minutes of bangers from the likes of Chris Pfanner, Elijah Berle, Tony Trujillo, Pedro Barros and others to gawk at. I have to give Elijah and Chris double thumbs up for the raw power they exercise on their boards; Tony has matured a lot over the years but he’s still just as reckless as he was when he was young – more so even, especially in this incredible section; and Pedro bears the ugly stigmata of being the ramp dude, but when you see the lines he threads together on cold concrete mountains, you’ll respect him nonetheless.
As a British native, I can’t forget my fellow countryman Geoff Rowley who has been a figurehead for Vans since the early Nineties. Geoff has a reputation as a notoriously gnarly skateboarder with little regard for personal safety and most of his tricks support that point. I can’t help but get the feeling that after watching Geoff roll down the last of many hellish ditch spots, this section may be an honest farewell and passing of the guard to the next generation of gnarlers. If that is the case following the multiple injuries sustained filming for this then our hats are doffed to a British legend.

Gilbert Crockett and Andrew Allen take care of business in the streets and will probably increase their popularity among the skateboarders who feel they need someone to relate to when watching skate videos. That is by no means an understatement to both of these guys incredible talent, nor is it meant to undermine the likes of Curren Caples, Chima Ferguson, Rowan Zorilla, Kyle Walker or Daniel Lutheran who embody the modern skateboarder, born and bred to rip every kind of spot be it a quirky transition, a kinked rail or a curved ledge. All of these players put down seriously solid parts.
Propeller is a pretty good name for product with a sole purpose to push things forward. Vans kept everyone pushing hard when they introduced their skate shoes to the world, and several decennia later the skate team are leaving their mark on the future generations of skateboarders. Cliché as it sounds in the free internet era, this really is a skateboard video worth purchasing. Vans have supported you for so long, it’s only right that you should show some gratitude.
Download it from today on iTunes. It will be tough call to find a better full length skateboard video this year.
Ralph Lloyd-Davis
Enjoy this drunk phone cam footage of Caballero and Hosoi after the Propeller video premiere in London’s House of Vans.
GALLOWS
Desolation Sounds
(Venn/PIAS)
“I like to feed on broken hearts,” roared former Gallows vocalist Frank Carter, but it seems that these days, his ex-bandmates like to feed on adversary. Be it Mr Carter’s 2011 departure, or that of his guitarist brother Steph two years later, each obstacle placed in Gallows’ way sees them return stronger, darker – and, dare we say it, better?
Certainly, Desolation Sounds is no mere re-tread of past glories. There’s still plenty of hardcore rock n’ roll vitriol on display in the likes of ‘Leviathan Rot’ and ‘Leather Crown’, but in general, this is a more expansive and ambitious beast of a record than its predecessor. Witness the eerie choral intro of ‘Chains’, which gives way to sludgy, granite-hewn riffs, or the brooding, gothic vibe of ‘Bonfire Season’, with Wade MacNeil’s mournful vocals lending a sinister edge to proceedings. Later, the clipped, almost robotic rhythms of ‘Death Valley Blues’ and the Mastodon-gone-schizophrenic attack of ‘Swan Song’ will have wondering just what else these guys have up their sleeves.
Overall, Desolation Sounds is the result of Gallows being completely true to themselves, and just as it must have been a liberating experience for its creators, it’s deeply compelling for the listener. Oh, and most of these songs will probably sound even better live. Find out for yourself at the following dates:
May
22nd – Glasgow Cathouse
23rd – Leeds Slam Dunk Festival
24th – Hatfield Slam Dunk Festival
25th – Wolverhampton Slam Dunk Festival
26th – London Garage
27th – Manchester Sound Control
Alex Gosman
Social Distortion live at Shepherds Bush Empire, May 3rd 2015
Many Social Distortion fans out there will tell you that the band’s 1983 debut Mommy’s Little Monster is their best record to date. This baffles me. Don’t get me wrong – it’s a great punk rock record, but one almost entirely free of the country and other American roots music influences that, to these ears, define Social Distortion among their Californian punk brethren. These aforementioned influences were incorporated in fine style on 1988’s ‘Prison Bound’, but further refined on 1990s self-titled record; my personal favourite, and also home to some of their best-known songs (including ‘Story Of My Life’ and ‘Ball And Chain’). Arguably, it is this album that would give a Social D newcomer the best snapshot of what Mike Ness’ crew are all about, and the man himself clearly agrees with me; to the extent that his band are currently playing the album in its entirety every night, to celebrate its 25th anniversary.
These seasoned veterans certainly look and sound good as they rip through the opening ‘So Far Away’ and ‘Let It Be Me’; so it’s a shame that the crowd don’t seem half as up for it as they were when Social D last played here (about four years ago). It’s at times like these that I wish that I could empty the venue and re-fill it with a couple of thousand clones of myself. Ok, that would mean a whole crowd of slightly podgy 30-something caffeine-addicted misanthropists, but they’d give lesser-known cuts like ‘A Place In My Heart’ the sing-along and jump-around that they deserve, and THEY’D LEAVE THEIR FUCKING CAMERA PHONES AT HOME. Thankfully, though, Mike seems happy, and kindly takes the time to say hello, remind us that we don’t have to go to work tomorrow, and ramble like a star-struck kid about having met The Clash bassist Paul Simonon earlier that day.

If that sounds a bit too cosy for comfort, it’s worth pointing out that the Social Distortion (and Mike Ness) of today are a far more stable and – dare I say it? – professional beast than they were 25 years ago, and at times tonight, a little Mommy’s Little Monster-style sense of danger wouldn’t have gone amiss. The songs have stood the test of time, though, and even recent cuts like ‘Gimme The Sweet And Lowdown’ are played with kind of vigour that suggests Mike still has a few axes to grind after all these years.
The one-two knockout punch of ‘Ring Of Fire’ and anti-racism anthem ‘Don’t Drag Me Down’ are pretty much as good an encore as you’ll hear from anyone, and whilst it’s been fun revisiting Social Distortion’s past tonight, they’ve also proved that – over three decades in – there’s still plenty of gas left in this rock n’ roll machine.
Review: Alex Gosman
Photo credit: Albert Saludes