Categories
Music News

3 die after V-Festival

Yet again, 3 innocent lives have been taken in another car accident after a music event.

The accident, involving six people in their late teens and early 20s, occurred around 3am on August 21 on the M25 in Essex closing the motorway. According to police, the vehicle left the motorway between junctions 28 and 29 and overturned after hitting a small ditch.

Servicemen and women tried desperately to save the festival goers who were on their way home from the Staffordshire festival. The three people who died were thrown from the vehicle, while two passengers received minor injuries. The driver remained trapped in the car for an hour until emergency services managed to cut her out.

Do yourself and others a favour and click this link here that will take you to the Make Roads Safe wesite and sign the petition as Western governments are being urged to increase the amount of aid for reducing road accidents around the world. The Commission for Global Road Safety says it is a “global epidemic”, killing 1.2m a year, sign up now..

Categories
Buzz Chart

The Dresden Dolls

How best to describe the Dresden Dolls? ‘Punk cabaret’ isn’t a bad place to start, but it doesn’t fully do them justice. This Boston-based duo consist of Amanda Palmer on vocals/piano/songwriting duties, and Brian Viglione on drums/backing vocals; together, they create a dark but theatrical sound that has won them a cult following across the globe since the release of their self-titled debut in 2004.

Backstabber‘ is the second single to be taken from this year’s excellent ‘Yes, Virginia‘ album. Don’t let the carefree piano melody and sweet harmonies fool you – this is Amanda’s bitter, cynical ode to past deceptions. “Don’t tell me what to write, and don’t tell me that I’m wrong”, she warns, before joining Brian in joyfully unleashing waves of condescension over said ‘Backstabber‘ in the chorus.

Sounds interesting, no? Check out their website and decide for yourself!

The band’s forthcoming UK dates are:

August 23rd – Edinburgh Fringe Festival (Spiegel Tent)
August 25th – Leeds Festival (NME/Radio 1 Stage)
August 27th – Reading Festival (NME/Radio 1 Stage)
November 3rd & 4th – London Camden Roundhouse

Categories
Buzz Chart

The Steal

They ain’t called The Steal for nothing! Having formed in Kingston in October 2005, this melodic hardcore lovin’ quartet got together to have fun and pay tribute to the classic eighties punk rock they were brought up on.

We’re talking the classic shit here folks; 7-Seconds, Gorilla Biscuits, CIV – all the good stuff before emo took over and everyone’s fringes were blow-dried sideways and the fashion police moved in on the scene.

The Steal may be thieves but the source they’re taking from is as fresh and inspiring as the day it was created. And although their influences shine through this debut album as clear as the day, every song is littered with killer hooks and riffs and songs that will stick in your head like glue.

This is quality punk rock. Put down that fucking hair dryer and let’s walk together and rock together.

Categories
Live Reviews

Bauhaus – Live

The Forum
07-09-2006

Being stripped of my photo pass the first night, this review stretches over 2 evenings…

With their admiration not only coming from fans, their following also stems from all their tribute albums dedicated to them by adoring bands. With Peter Murphy‘s fame he is an icon that demands respect, as he sways onto the stage. A come-back long in anticipation, with Love and Rockets and some solo acts in between.

Clad in flamboyant and at the same time seemingly understated dandy black shirt, and jeans-the standard Rock ‘n Roll uniform that’s painted its way through the decades. Peter, and gang may be showing signs of wear and tear, but their eloquent style has not faltered. He stands elegant, brimmed with German-like pride, as they enter immediately into ‘Double Dare‘. The crowd falls silent in complete obedience, a change from the punk-mosh-pit-mayhem I am used to. Peter Murphy is the staple diet of Goths and the Industrial revolution, as is legendary Ian MacKaye to Punk Rock.

The ‘Billy-fuckin-Idol’ looking bassist, David J, is strapped low, and finger strumming up a fury. You can almost see the smoke heaving off his bass guitar. If his flowing baselines weren’t enough for you, David is also set to be making a movie called ‘Control’ with Joy Divisions’, Ian Curtis.

Peter dances like a madman, getting lost in the moment, swinging his arms wildly, whilst not skipping a note in ‘Hair of the Dog‘. His sexy dance moves match his rough low Elvis-esque voice.

Daniel Ash’ semi-acoustic adds depth to the sound, and his stage theatrics are on par with Peter. He bathes in the main stage light as Peter moves (almost) backstage, taking a mysterious break from the all the attention by…dancing with a light? Peter is renowned for his stage theatrics, and his pedantic need for perfection. So dancing with a pole, and striking random model-esque poses is why you see them live and don’t just wallow in their CDs-it is a Live Performance after all.

Daniel takes a break from guitar, and sax, by playing violin with his electric guitar for ‘Hollow Hills‘. From this they break into one of their hit tracks ‘Dancing‘, whilst I spot a few middle-aged men in suits stirring up a Goth-mosh pit, with people dancing in the aisles.

They break their encore with an acoustic, and end perfectly with ‘Dark Entries’ . You wouldn’t expect anything more neat and tidy from a Goth rock band.

Words and pics: Niki Kova’cs

Categories
Live Reviews

Winnebago Deal – Live

with Exit Ten and The Blackout,
London Metro,
14/8/06

The Blackout are an energetic bunch, to the extent that they’re not even halfway through their first song when blonde co-vocalist Sean Smith accidentally collides with the drumkit. Given that they hail from South Wales, comparisons to recent tour buddies Lostprophets are inevitable; but whilst songs like ‘Go Burn City Hall‘ and ‘You And Your Friends‘ are mining heavier territory than Ian Watkins’ crew’s recent output, the Blackout are on the lips of every rock magazine right now and righty so.

The drama factor increases with Exit Ten, who take the stage bathed in strobe lights before blitzing the front rows with some monolithically heavy thrash riffing. Originality isn’t their forte either, but the occasional Killswitch Engage-ism can be forgiven for a band with such a knack for a stadium-sized chorus; not least on ‘Resume Ignore‘ which is lifted by Ryan Redman’s soaring vocals to genuinely epic heights. Be sure to keep an eye out for this lot.

A bomb is most effective when detonated in an enclosed space, and as Winnebago Deal explode into life with a thunderous ‘With Friends Like These‘, it’s clear that small, sweaty clubs like the Metro are their ideal environment.

The Oxford duo inject a much-needed dose of punk rock aggression into the proceedings; whether ripping through ‘Cobra‘ like Motorhead on speed, or uniting the crowd for the shout-along chorus of ‘Did It, Done It, Doing It Again‘, these guys exude a wonderfully evil sense of purpose as they give our eardrums a thorough punishing.

This is rock n’ roll at its most visceral and intense, and tonight Winnebago Deal ensure that we leave feeling exhausted but satisfied. Job done.

WordsAlex Gosman
Photo’s by Niki Kova’cs

Categories
Buzz Chart

Steve Turner and his Bad Ideas

If you were to read Steve Turner‘s musical CV it would list lead guitarist of Mudhoney right at the very top being his most famous role over the years. Then as you worked your eyes down the list of other credible projects such as the grunge catalyst Green River, and the rawkus Monkeywrench with Mudhoney singer Mark Arm, the scuzzy garage skills of The Fall Outs, the wonderfully named The Thrown Ups and others, you realise that Turner has kept to his routes from day one and has never fallen down the bad music hole once.

With the addition of a further 3 solo albums to boast about since learning how to play guitar and sing at the same time, Turner is back with another project released this month on Funhouse Recordings that needs your attention. ‘New Wave Punk Asshole’ is a 16 track long player that creaks garage soul and punk prowess that you could possibly associate with the solo projects of one Graham Coxon.

If you look at the influnces of both of these musicians you can hear that UK Punk played a role in the spikyness of the Brit’s songwriting and likewise with Turner with the psych garage sound the 60’s.

Mainly though the one simple 2 things they both have in common is that they both come from popular bands and they both have the songwriting skills to keep us all happy with amazing music.

‘New Wave Punk Asshole’ does not spit noise down your ears though, despite it’s roots in punk. Kicking off with the attitude filled ‘No One Gives A Shit’, this record keeps it’s superfuzz big muff quietly in the mix to deliver standout tracks ‘Reject the Future’, ‘Everyones an Ex’, ‘Cold City’, ‘I know You Scorpio’, the wonderful ‘Pushing Up Daisies’ and ‘The Partys Over‘ that has more in common with Coxon’s songwriting than any other tracks on this album.

Turner’s 60’s roots reflect best on ‘Baby Baby Baby Baby’ that has more in common with The 13th Floor Elevators than Mudhoney, so if you are looking for ‘Touch Me I’m Sick‘ you will not be finding it on this record but that is what is so great about Turner’s solo projects, as you are always going to get something different when it’s released on August 24th.

Chuck Bangers

Categories
Live Reviews

Flogging Molly – Live

London – Mean Fiddler
25/7/06

Sonic Boom Six seem to have been supporting just about every band and their dog lately, but with performances as animated as tonight’s, they really ought to be headlining venues of this size by now.

Still, livewire vocalist Laila Khan and the boys don’t seem too bothered, as they serve up a gloriously colourful collage of rap, ska, dub and hardcore with an enthusiasm not seen since the days of their much-missed kindred spirits King Prawn. A welcome treat for the early birds.

Swedish quartet Two Point Eight provide the perfect soundtrack to a cider-fuelled moshpit with their raw street-punk anthems, but it’s hard to overlook the fact that songs like ‘Red Eye‘ and ‘Cop Kids
are virtual Rancid rip-offs, right down to vocalist/guitarist Fredrick Bjorck’s Strummer-esque drawl. For all the bile and conviction in their performance, there’s precious little to get excited about.

Flogging Molly, however, are a band to believe in; and as ‘Screaming At The Wailing Wall‘ incites mayhem amongst the sold-out crowd, it’s clear that the converted are out in force. Having been written off by many as a ‘bar band’ in their early days, Flogging Molly’s present popularity is a victory for authenticity and passion in the face of an increasingly cut-throat music industry; and the sense of celebration is almost tangible as Dave King and his crew rip through folk-punk crowd favourites like ‘Drunken Lullabies’ and ‘Selfish Man‘. Fiddle/tin whistle player Bridget Regan is the unsung heroine of the band; her studied presence a perfect foil to the chaos that surrounds her, and by the time they close with a barnstorming ‘Seven Deadly Sins‘, the floor is a sea of sweat-drenched smiles. A triumph, no less.

Alex Gosman

Categories
Music News

Boy George sweeps the streets

Pop singer and DJ Boy George has started his 5-day community service in the US this week.

Cocaine was found in his New York apartment last year by cops after the 80’s star reported a burglary at his luxury Manhattan home last year.

If you are reading this and indulge in a bit of “schwingy” now and then, you may want to make a note of this alarming self tragedy of how to not get yourself busted!

Categories
DVD Reviews

Flogging Molly – Live DVD

‘Whiskey On A Sunday’
Side One Dummy

If you’ve ever seen Flogging Molly live, then you’ll most likely agree with singer/guitarist Dave King’s assertion that “on our day, there aren’t too many bands that can touch us“. With their raucous but heartfelt blend of traditional Irish folk music and punk rock, this Los Angeles-based septet have come a long way since their inception in 1997, and the ‘Whiskey On A Sunday‘ DVD documentary chronicles this journey in fine style.

It soon becomes clear that Dave’s aforementioned boast is born not from arrogance, but from a genuine belief in his bandmates and the musical chemistry that exists between them. A native of Dublin, he tells the story of his poverty-stricken childhood before explaining the various circumstances that ended up with his arrival in LA and the subsequent formation of Flogging Molly (and yes, the band’s name is explained too!). Each of the members is interviewed in a similar fashion; giving an insight into their backgrounds, characters and the details on how they originally came to join the band.

Despite the absence of any ‘Behind The Music’ style scandal, it’s a genuinely captivating film: giving the impression of an honest, hard-working band that have overcome music industry apathy and countless other obstacles to attain a rabid fanbase – several of whom are also interviewed. Naturally, the documentary is peppered with plenty of live and ‘on the road’ footage, including a clutch of songs from a triumphant, sold-out homecoming show at LA’s Wiltern Theatre. If you’ve yet to see Flogging Molly live, then this is proof enough that you’re missing out.

The tracks on the CD consist mainly of live and acoustic versions of some Flogging Molly favourites; the former convey the spirit of the band’s live shows surprisingly well, whilst the stripped-down approach gives the chosen songs a more tender, folk-oriented edge.
There’s also a previously unavailable studio recording of ‘Laura’ on offer.

Live DVDs with a clutch of (largely pointless) ‘extras’ are ten a penny these days, so it’s great to discover that Flogging Molly have put as much effort into ‘Whiskey On A Sunday’ as you’d expect from a band with their passion and work ethic. Whether you’re a newcomer, or a seasoned fan, this DVD is well worth a look.

Alex Gosman

Categories
Live Reviews

Send More Paramedics Live

Gallows
Pickled Dick
Kingston Peel
9/8/06

(pics from The Barfly show)

There’s a group of guys who like they’ve been in a very serious car crash. There are remnants of fake blood capsules strewn around the toilets. Oh, and that goddamn craving for the taste of brains has come over me again. Looks like Leeds’ finest zombie-core export, Send More Paramedics, are back in town!

So, how best to start this most black-humoured of occasions? Probably not with Pickled Dick, a trio who play excellent melodic punk rock in the vein of early Snuff, but whom are met with little more than sparse applause.

Gallows are a different proposition entirely; the twisted hardcore rock n’ roll wreckage of songs like ‘Abandon Ship‘ and ‘Last Fight For The Living Dead‘ positively seething with all the rage and resentment you’d expect from a band whose existence has been dogged by countless misfortunes. Boasting a tattooed, wild-eyed lunatic of a frontman in Frank Carter, this lot are as compelling as they are unsettling; and on tonight’s evidence, they’ll settle for nothing less than your total devotion. Look out for this lot on the road as they have a live set that eats their record on In At The Deep End for breakfast and the record is a corker, so you work it out.

How far exactly can one band take their obsessions with 80’s thrash, hardcore and classic splatter films? Send More Paramedics have had their share of detractors, but tonight, the opening blast of ‘Nothing Tastes Like This‘ is enough to dispel any remaining doubts of the band’s potential.

Forthcoming album ‘The Awakening‘ is their most accomplished and varied record to date, and the sight of blood-splattered vocalist B’Hellmouth gleefully urging the pit to greater efforts is proof enough of SMP’s onstage confidence. The sweat is dripping off the walls of the Peel as new track ‘Blood Fever‘ whips the crowd into a mass of flailing bodies, and by the time the band finish with the anthemic ‘Zombie Crew‘, they’ve got a whole army of would-be-undead minions chanting along in unison.They’ve always been an entertaining band, but never before have Send More Paramedics sounded so essential. Never heard of them, you say? Well, get that nice juicy brain of yours over here!

BURRRP.

Alex Gosman