“We’ve still got our appetites”, repeats the chorus hook from Root For Ruin’s opening track, the very question on the lips of Les Savy Fav fans hungry for new music. The band’s last album Let’s Stay Friends saw them reach new levels of critical and commercial appreciation, but three years later the band are back, wrestling the commitments of being in a touring band with having families and growing up. Not a particularly punk rock idea to be getting across in the opening paragraph of a record review, but rather, the grim reality of life as a maturing indie band that sticks to their guns.
The good news is fans of the Fav needn’t worry, as the band has cooked up another great record to fuel their energetic live performances. The opening two tracks ‘Appetites’ and ‘Dirty Knails’ are vintage Les Savy Fav rock tracks, taking the distinctive guitar sound the band have perfected on recent albums and turning it up loud. From here on, however, things take an interesting turn.
‘Sleepless in Silverlake’ is a slow burner, using a wistful lead guitar line with lyrics about staying up late drinking and pissing cares away. ‘High and Unhinged’ is a song about “waltzing our way to the bottom of the barrel”, while ‘Dear Crutches’ is wearier still. It’s this song which gets to the heart of ‘Root for Ruin’, an album about getting older, feeling cynical and the effects of being constantly on the road. While I hate bands that whine about touring, this isn’t at all the tone taken by vocalist Tim Harrington. Instead, the singer gives an honest account of his state of mind, adding an extra dimension to the band’s recorded sound.
Don’t get me wrong, this is not a downbeat album, and there are still rock tracks aplenty. Single ‘Let’s Get Out of Here’ is the poppiest the band have ever been, approaching something very close to a radio friendly sound. After the success of an out and out rock album with Let’s Stay Friends, however, it would make no sense to repeat that process all over again. Les Savy Fav have taken this point in time to nicely re-evaluate their career, mixing enough of the spirit of old with something new and refreshing. Perhaps not what I expexted from Les Savy Fav, but to these ears this is a resounding success.
Yes, it’s the freaking weekend baby and we hope that you’re getting used to this notion that we give you ten free tracks around this time every week now. The staff have been searching high and low for free downloads that are totally legit so you don’t even have to be let down and hanging around with the digital economy debacle that’s in the hands of people who don’t know how things work. Well those cretins have no sovereignty where we gather! And where we gather is a bloody ruckus, so let’s see what we got in the Cloud this week…
Best Coast get another place in our ten because their album ‘Crazy For You‘ is one of the best to wash away the stress this summer so pick it up. Les Savy Fav have made another killer album that you should be buying come September but for a taste we have ‘Let’s Get Out Of Here‘, a continuation of their perfectly crafted art-punk sound. Hypnotic Brass Ensemble lay a stunning Outkast cover and amongst many more musical treats we have a inexplicable accurate rendition of the noises heard from within Pikachu’s Cunt. You can thank new Warp producer Rustie for that one…
Right now clubs all over London are wiring their speakers to turntables powered by the late 90s as two-step, funky garage and rolling house beats are making a huge impact on clubbers as the dubstep sound becomes rinsed and wobbles it’s way outside. It’s the sound that hip indie groups are craving for the b-side of their record and if they’re lucky, mega-production troupes like C.R.S.T might take their collection of sharp, warm synths and back-to-the-future garage beats to it.
They’ve already knocked out one of the dopest, most uplifting remixes of the year for one of the only sensible selections for the Mercury Music Award, The XX. Annie Mac has been further blogging their bouncy re-imagination of Count and Sinden’s summer indie/dance crossover hit ‘After Dark‘. The sound that this eclectic South Wales production collective (each member comes from a background of dabbling in various corners of electronic music) is most definitely on the up.
Stanley caught up with Rodski who spends most of his time being one quarter of the C.R.S.T crew, one half of DJ powerhouses Chesus and Rodski as well as being Cardiff’s biggest skateboarding DJ. Read on to learn more about the importance of blogging, why brostep sucks and how DJs are capable of telekinetic powers…
C.R.S.T Photography: Cam Sweeney
Skate Photography: Gareth Phillips
Portrait: Sam Sam Sam @ Bigger Than Barry
What’s your full name, age and current location?
Rodski, I’m 27 and I’m from Cardiff.
How long have you been DJing?
About seven years altogether, too fucking long…
When did you meet Chesus?
I met Che about three or four years ago while we were both working in Size? in Cardiff.
How often do you two DJ together now?
We only play together as CRST now, we’re chilling for the Summer but we’ll probably be playing two or three shows a week once the students get back.
How did C.R.S.T come about?
We just all went down Tony’s one day to mess around and found that it worked out really well as four so we stuck with it.
Who does what in the group? Four-man production crews aren’t too common…
We just all do whatever needs doing at the time. Live we’re pretty much the same as any other DJ set except we have a pissed up roider onstage to keep things interesting, ha.
Briefly describe what exactly is the music you make…
Garage. Not Future Garage, just Garage. And some house, haha.
What does Chesus’ hip-hop experience as ‘Metabeats’ bring to the sound?
Che’s been doing hip hop since day one, he’s the Welsh Dilla innit. He makes C.R.S.T. wonky.
B-More has always had a place in club music, but in the latter end of the decade we saw it become a bit of a trend after Diplo and others made it more popular. That’s passed a little but do you think that B-More could ever be unpopular?
Well, pretty much all the new hip hop and R&B stuff that’s in the charts is essentially Baltimore club. As soon as they get bored of it it’ll die off. Theres only so many 80s classics you can run that break over…
What about dubstep?
I like some of it, just not all this bait bro-step stuff that all the students are bumming. It gives me a fucking headache.
You’re probably one of the most prominent DJs in Cardiff right now, what’s the club scene like there?
Shite. Without the students it’s dead but that’s the same all over. It’s getting better but still not a patch on places like Bristol and Leeds. Bigger Than Barry is always good. The night they do at The Mint in Leeds is madness.
You’ve supported some pretty gnarly acts, who has been your favourite to play with?
Rico Tubbs is always a good laugh, Martelo and of course Swansea’s finest, Doc Daneeka.
What are your top three records right now?
Any Hudson Mohawke, all the new Girl U.N.I.T. stuff and Ganja by Scratcha DVA
Blogs and regular charts seem to dominate and dictate DJs playlists, what’s your opinion on the influence of blogs, is it a good thing or does it take away the special something of going to record stores and seeking out rare gems?
Without blogs there would be no way to get stuff out to the public and overseas, so blogs are definitely a good thing as long as they don’t bootleg stuff.
Tell us about the radio show you do on Sub FM, who’s running it and what’s a regular night like…
We do 3-5pm every other Saturday afternoon and play pretty much whatever. Biggups to Whistla for running the station and supporting new music.
Tell me, what’s your favourite garage track of all time?
Haha I dont know, anything by Todd Edwards is up there.
Favourite Daft Punk track?
Probabaly Teachers or Bangalter’s solo stuff on Roulé
Okay I can dig that, how about the best drum beat you’ve ever heard and the best break to sample…
Fuck knows, ask Che. He’ll tell you…
You’re welsh skateboarding’s most famous DJ, who’s killing it in Cardiff right now on the board?
Pirate Man, the retard brothers, Gareth Leak and Josh Underwood.
Did Dykie snake your wallride footplant trick in May’s Sidewalk?
Yes! He’s a player hater.
A lot of arsey people would combine the bikes, the boards and the turntables with being a hipster. What would you say to these people?
Fuck off you stupid cunts.
You went on Clever Vs Stupid… you won the mind power race car thing right?
Yes, because I am an evil genius.
Lastly, what’s coming up this year for you?
We got about five releases out in the next two months then three EPs and possibly an album on Cheap Thrills starting from August, plus loads of remixes and shows. Fun times!
Any shout outs and biggups to make?
Thanks to all the labels, DJs and friends who’ve helped us along the way. And to Lau’s in Cadoxton for general excellence in fried cuisine…
You can download C.R.S.T’s funky garage flex Dubplates 2 mix for free directly below this sentence. Scroll down a little more for the tracklisting…
Big shows at the Academy regularly bring excitement to Brixton, but tonight the south London district is positively buzzing. The moment I pop my head out of the tube station the place is heaving with ticket touts, t-shirt sellers and more importantly hip hop fans. This level of anticipation can only mean one thing; Wu-Tang are in town and ready to rock the stage.
As ever with the clan there have been a few hitches, most significant is the absence of Method Man who is tied up with filming commitments. Yes, filming commitments, which probably tells you everything you need to know about how far the clan have come over the past 2 decades. While the members have never been anything short of prolific, the clan these days can essentially be seen as a brand and this most recent tour is their way of keeping it alive.
Not that I’m complaining, I was just five years old when Wu Tang released the now classic Enter theWu-Tang (36 Chambers), and this is to be my first time seeing them perform as a group. It’s a relief, then, that when they finally appear on stage (about an hour late), they come out all guns blazing. Arriving on stage they launch into an opening salvo of ‘Protect Ya Neck’, ‘Clan in Da Front’ and ‘Bring Da Ruckus’, transforming the crowd’s early hesitancy into a sea of Ws. It’s a set comprised heavily from the group’s first two albums, with classic cuts included from individual members own personal triumphs. Just what the crowd wanted, basically.
What’s great about the performance is seeing how the clan’s characters and relationships take form on stage. Ghostface Killah prowls around and dominates the space, Raekwon is happy in the shadows while GZA is the more mysterious and thoughtful of the MCs, getting the spotlight just once as he runs through his own classic ‘Liquid Swords’. Even the late ODB is (perhaps predictably) recognised, but a run through of ‘Shimmy Shimmy Ya’ goes down particularly well. The most prominent member is by far the abbot himself, The RZA, whose energy is relentless throughout. Bounding around the stage with a bottle of champagne in hand, RZA is definitely in party mood and it’s perhaps him who shines the brightest.
Despite the many positives, the Wu Tang show is not without its flaws. The sound, for starters, is too muddy to give some of the finest hip hop productions of all time the clarity they deserve. Method Man’s absence is also felt at times, and while U-God stands in admirably, Meth holds so many of the groups key verses that he is sorely missed. Even a somewhat thrown together Wu-Tang show, however, is a live experience that is so completely engaging that none of these negatives matter. With so many big personas on stage, it’s difficult to know where to focus your attention. As the clan launch into their last song, a storming rendition of ‘Gravel Pit’, the fans are sent home happy and the brand is kept alive. Even after nearly 20 years in the game, Wu Tang prove that their clan still ain’t nuttin’ to fuck with.
BOM BOM BOM BOM GZZZZZZ WEEEP WEEEP GZZZZZZZZ WEEP WEEP GZZZZZZ BZZZZZZ WZZZZ WAAAAP WAAAP BOM BOM BOM. Yeah, so that’s what this EP sounds like and considering Aku Raski, the big bearded beat bringer better known as Huoratron does not muck about with delaying the loud and messy drop then let’s not bother with pleasantries in the opening paragraph of this review. Hopefully you’ll agree that this record is so much of a sensory clusterfuck that you’ll forgive me for that unintentional gross overuse of alliteration in that last sentence.
It would be very easy to dismiss this record as nothing more than noise that just so happens to cause your eyes to squint and your arms to start pumping towards the sky a lot, which it does, but its influences are cleverly selected and crafted with precision and cultural capital. The Rollin’ & Scratchin’ inspired electronic punk euphoria is matched by timeless 90s house beats. You know the ones, those perfectly inserted hi-hats that Deadmau5 often relies upon to make those 10 minute progtronics seem a little shorter. Huoratron on the other hand blends the two sounds into something that doesn’t mess around, works independently without the need for clichéd build ups, it’s just instant POW POW WWWWWWWWWWWWWWWAAAAAAAZZZZZZZ.
Pick any song, they’re all as relentless as the last. Prevenge is an EP that summons your passion for music, whether it’s overwhelming love or punishing hatred, this record will at the very least make you feel something.
Stanley
You can download gBay free from the Crossfire Soundcloud below or watch the gnarly video for Corporate Occulthere.
Weezer have confirmed the rumours of moving labels as they announce the release of their new album, titled ‘Hurley’ on September 13th through Epitaph Records.
The follow up to 2009’s Raditude will feature a song called ‘Time Flies‘ written by Mac Davis who has previously penned Elvis Presley’s ‘In The Ghetto‘.
While they work on their currently untitled new album due for release later this year, New Jersey’s heaviest stoner rock group Monster Magnethave announced that they will be touring Europe again, hitting the UK in November.
The dates are as follows…
18th November – Millennium Music Hall, Cardiff
20th November – Corporation, Cardiff
21st November – Sub 81, Reading
22nd November – University, Southampton
23rd November – HMV Institute, Birmingham
25th November – Moho Live, Manchester
26th November – Electric Ballroom, London
The sweeter sounding voice of the progressive future-thinking Rinse FMKaty B has just posted her new video only one month after her enormous Benga assisted dance anthem of the year ‘Katy B On A Mission‘.
‘Louder‘ features genre-dodging beat machine Zinc on production as delves further into his ‘crack house’ sound. Have a look below for the new video from a woman who’s completely dominating London right now…
Tonight at 10PM EDT (that’s 3AM for us here in the UK) Arcade Fire are set to stream their live show at Madison Square Garden for all to see on their Youtube VEVO Channel.
If this news isn’t awesome enough for you yet then be prepared to want to stay up very late (or get up very early) tonight as it was confirmed last month that eccentric filmmaking genius Terry Gilliam (transatlantic Monty Python activist and director of Brazil and 12 Monkeys) will be directing the show, whatever that actually means. Even he himself isn’t too sure…
‘I’m trying to find out what this fucking thing is‘ admitted the director only yesterday, one day before showtime.
Either way, with the two creative forces somehow merged together we are certainly in store for something very special. Be sure to tune in tonight, or tomorrow morning, depending on where you are.
The very slick new video has surfaced online for Georgia 5-piece rock outfit Dead Confederate’s new single ‘Giving It All Away‘, scheduled for release on August 16th.
The song, which features J Mascis of Dinosaur Jr. playing guitar like only he fucking can, appears on the band’s new album ‘Sugar‘, due out on August 30th.
Watch the new video below, directed by Jason Miller it features the band getting dissected by children found on Craigslist. Something different…