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Buzz Chart Single Reviews

Allah-Las

allah-las_no_werewolfAllah-Las
‘No Werewolf’
Innovative Leisure

Allah-Las have a superb new album out on September 15th. ‘No Werewolf’ doesn’t even feature on the new record, yet it has been filling our ears on repeat all weekend.

How could anyone resist music so achingly cool? Allah-Las’ dark, yet dulcet tones concoct a serving of garage surf-rock so aurally delicious, that Roky Erikson himself surely couldn’t do anything but grin and lick his chops as this triumphant instrumental brews.

Some might say ‘No Werewolf’ is monotonous, maybe even predictable, but I’d argue the opposite. This is utterly hypnotic, often indulgent, garage rock to make your head spin. Maybe there’s even a hint of primitive psychedelia in there too, or, dare I say it, some rock ‘n’ roll? After all, this is a cover version of The Frantics’ 1960 single, ‘Werewolf’.

Regardless of comparison and influence, ‘No Werewolf’ feels like the fastest two minutes and twenty nine seconds of your life. With each additional play, you just don’t want this song to end, genuinely living in fear of the last chord. Surely the most essential cover version of the year, it’s an understatement to say Allah-Las have outdone themselves.

Dave Palmer

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Buzz Chart

TRAAMS

TRAAMS_selmaTRAAMS
‘Selma’
Cissa

Lo-fi post-punk trio TRAAMS have dropped a new (old) video for ‘Selma’, taken from their new EP Cissa.

A stop-motion experiment in magnetic tape, the video is an ’80s inspired collage recorded to VHS, doused in the neons that made the decade such an eyesore. It’s a great complement to the song itself – the kraut-like repetition judders like bad tracking; the delayed visuals as wonky as the verses. Influences aren’t hard to pick out, but ‘Selma’ is a fun ride and addictive enough to stand on its own.

Catch TRAAMS at Beacons Festival, August 9th on the Vice stage. Cissa is out now on Fat Cat Records.

Chris Bunt

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Album Of The Week Album Reviews Buzz Chart

The Number Ones

The_Number_OnesThe Number Ones
The Number Ones
Static Shock Records / Deranged Records

Ever since the hardest, meanest band ever, Crowd Control, played their last show, the members have been extremely busy. Going on to play in bands such as Strong Boys and Disguise as well as others, the most interesting post-Crowd Control band is definitely The Number Ones, a punk band taking influence from late seventies / early eighties power pop. This LP serves as a collection of all their work up to this point and is vital to anyone with even an iota of interest.

Current fans of the band may be disappointed to find that there are only two new songs, Favourite Game and Heartsmash, however both keep the extremely strong form seen in their previous records. Whilst I understand the disappointment, the demo tracks and ‘I Wish I Was Lonely’ single have been re-recorded and sound all the better for it, while ‘Tell Me Why’ is now one of the strongest songs on the record because of this. The Sharon 7” they released late last year was probably my favourite record of the year so it’s no surprise to say that they are the stand out of the whole LP, ‘Girl’ especially, with the four way harmonies on the final chorus are as brilliant as anything you will hear this year.

Lyrically is where this record really stands above its contemporaries. With ‘Boy’ features the lyrics “That boy crosses my mind a lot, cause he’s more hard than he is soft” and “He’s got six other brothers, they’re expecting and another and then they’ll be happy with their lot”. Lyrics made even more wonderful when sung in their charming Irish lilt, their verse is so brilliantly simple and easy to relate to, I really hope more and more people take note of this band.

The Dublin punk and hardcore scene is something that is very close to my heart. I find myself falling back in love with the scene’s wide range of bands so often, from the grungey, hardcore influenced Nibiru to the Lockin’ Out worshipping Bang Bros, The Number Ones are yet another brilliant and totally different band to what has come before. To have a collection of ten songs on one LP and for it all to be utterly brilliant puts them ahead of any other band attempting this style of music. An album thoroughly recommended to anyone who gets off to The Exploding Hearts, Buzzcocks or even fellow countrymen, The Undertones. Utterly essential.

Tim Lewis

Categories
Buzz Chart Music

Human Hair

Human_Hair_HungersHuman Hair
‘Hungers’
The state51 Conspiracy

London rock ‘n’ rollers Human Hair are the musical result of a friendship between ex-furniture salesman turned vocalist, Jack Lenton and ex-Lovvers guitarist Henry Withers. Naturally, these two musical minds clash from very different ends of the spectrum. With a dark, poetic, Nick Cave reference lingering in Lenton’s vocal corner, and a simplistic Pavement-esque ideal resonating with Withers.

With their separate influences in mind, Human Hair’s sound is rather curious and unique. ‘Hungers’ receives a rigourous floor tom thrashing alongside scuzzy chord abuse. A minimalistic musical concoction is brewed. There’s no need nor want of unessesary decorations, that would only detract from the commanding vocal tones protruding from Lenton’s deep howl.

Hit play below and expose your ears to the weird rock ‘n’ roll of Human Hair, and your eyes to the hilarious visual they’ve knocked up to accompany this track.

Having just dropped their debut album My Life as a Beast and Lowly Form, the London quartet are set to play the Bad Vibrations / Marshall Teller all-dayer at The Shacklewell Arms on Saturday, be sure to head down and check out their live show at 4.45pm.

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Buzz Chart

Broken DC

Broken_DCBroken DC
‘Face the Sun’
Dry Run Records

Rising from the ashes of Capricorns and Pettybone, London trio Broken DC are steaming in with a new 7″, ‘Face The Sun’ / ‘Gnarled’.

Recorded aboard Rory Atwell’s Lightship, back in 2013, this A side is a fierce marriage of hardcore and post-punk.

A thrashing ode to the the firey orange disc that burns high in our skies, ‘Face The Sun’ kicks in with sincerely rocking riffs and animalistic kit bashing. The first half of this track is a full on assault to the ears, with a growling mantra, spat high over primal chord-thrashing.

Recalling the sounds of Metz, it’s not just noise that Broken DC bring to the fold. Breathing space is carved out by a progessive mid-section, unfolding phased-out, unexpectedly intricate guitar lines that build from easy on the ear to a cascade of choral chaos. Watch the video now on YouTube.

‘Face The Sun’ / ‘Gnarled’ is due August 11th on Dry Run Records.

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Buzz Chart Music

Sleep

sleepThe Clarity
Sleep
Adult Swim Singles

Our ears have only just stopped ringing since Destruction Unit dropped their Adult Swim installment, ‘Dust‘, a few weeks ago. Now, the Adult Swim Singles Club come good again with brand new noise from stoner rock titans, Sleep.

Picking up where 2003 LP Dopesmoker left off, ‘The Clarity’ is a straight up, stoned, doom metal phenomenon. Bone-shaking bass throbs, a guttural kick drum pounds, and a smoke-screen’d vocal is shrouded in sub-frequency fuzz. This is not a track for the faint hearted and if played loud and proud through your biggest speakers, is sure to knock you straight on your back.

Exhaling into a face-melting interlude mid-way through, its no suprise Sleep don’t stray too far from their key riff here. Why would they? In a recent interview with NPR, Sleep revealed that ‘The Clarity’ was written in a couple of days, off the cuff, just as Adult Swim approached the band to do a single. Their comment on the near ten minute epic, “‘The Clarity’ is an exercise in musical stream of thought, as all proper music should be.”

Dave Palmer

Categories
Album Reviews Buzz Chart Music

7 Seconds

7_seconds_leave_a_light_on7SECONDS
Leave A Light On
Rise

Slapping a new 7SECONDS album on the stereo in the year 2014 is pretty amazing in itself. The fact that it’s really great is even better!

Around since the dawn of The Eighties, and at the forefront of North America’s Hardcore explosion, 7SECONDS have quite rightly earned their place in history. I first heard them in ’84, via the track ‘Out of Touch’ on a flexi disc, before graduating to their debut album The Crew. I was immediately taken in by the rapid-fire blasts, with songs about friendship, honesty and equality; there was an air of optimism and positivity to their message. 7SECONDS were soon stenciled on the back of my leather jacket. I’ve been tuning in ever since.

All these years later, the positivity is intact, and opening track, ‘Exceptional’, catapults out of the speakers. It’s winning pumped up chorus, “I don’t need your sorrow, don’t need your sympathy, I’ll get up tomorrow and fight the apathy”, pretty much sums up the attitude of this band; don’t sit around feeling lazy and miserable for yourself, get up and make something happen. I’m very much aligned with the can-do mentality. So yeah, of course I’m fuckin’ diggin’ what they say!

Musically, the band solidly deliver the goods. Steve, Troy and Bobby boldly hammer out the tunes, whilst those oh-so-familiar impassioned pipes of Kevin Seconds find the veteran frontman still singing his heart out, slamming hate-mongers and “so-called patriots” go!

A few select tracks grabbed me instantly, ‘I Have Faith in You’, ‘My Aim is You’, ‘Rage Quit’, ‘Someday, Someway’, ‘Upgrade Everything’, but seriously, having spun this album back to back half a dozen times, I’m really into all 14 songs. And any band that’s been going for so long deserves to write a song about themselves, in this case the self-depreciating ’30 Years (And Still Going Wrong)’.

A top album guys, keep rolling along!

Pete Craven

Categories
Buzz Chart Music

Big Deal

Sakura_EPBig Deal
Sakura
Mute

Big Deal didn’t hit the ground running as steadily as a hoard of other bands that emerged at a similar time back in 2011. But as the years have passed, with names fading into obscurity, the release of their latest EP Sakura sees Big Deal proving themselves to be more of a slow, steady burner of a band rather than a flash in the pan.

Opener ‘Talk’ harks back to the good old days of Big Deal. Where there were once choppy and shrill guitar riffs, peppered with juvenile lyrics, Alice and Kacey have now risen to the plate with a new take on production and song-writing. Keeping their youthful essence in buckets but with smoother melodies, making ‘Talk’ a well timed leap forward in terms of progression.

Second track ‘Always Boys’ is less cautionary tale, more lament over relationship behaviour. This track perfectly demonstrates the new found ‘California soul’ slathered all over this EP like a thick layer of sun cream applied in blissful abandon.

The eponymous track’s off kilter melody feels like a genius spur of the moment jam, capturing the essence of why Big Deal tracks always hold such a good vibe; because they can make you feel like you’re the first and only person who is ever going to hear the track. It’s personal, intricate and up close.

Closing up a truly great EP is ‘Figure It Out’ which amps up the ante but only mildly – everything is just so hazy, all you can liken this track to is waking up, the morning after the night before, still slightly drunk but happily so. A joyous listen from start to finish showcasing a mighty song-writing partnership, Sakura is out now via Mute.

Rachael Scarsbrook

Categories
Buzz Chart Music

Jungle

jungle_timeJungle
‘Time’
XL

14th July 1789. It is morning on the streets of central Paris. Leagues of the oppressed working-class rise up against the abusive monarchy, storming the gates of the infamous prison-fortress ‘The Bastille’.

225 years later it is surely no coincidence that the London based duo Jungle are due to drop their debut album on that very same day. Is anyone else tired of these relentless Bastille Day anniversary releases?! No?

Ahead of Jungle’s debut album, released today, ‘Time’ appeared online. This single encapsulates the sonic pallet that Jungle has to offer. Warm, mid-tempo, mid-70’s grooves that lurch and push you along, with sporadic percussion and ethereal synth lines floating all around you.

To top it all off, you are guided by spectacularly uplifting melodies from the two octave apart lead vocals. It’s like the coolest people you know getting you to strut about town with them, arm in arm. The scene would not be too dissimilar to that cold morning in Paris when those groovy artisans took on the squares of the establishment.

Charlie Pelling

Categories
Buzz Chart

Spring King

demonsSpring King
‘Can I’
Transgressive/paradYse

Spring King is back with another installment of upbeat, catchy pop for your ears, and a forthcoming EP called Demons.

‘Can I’ keeps in time with the riotous garage stomp that came with Spring King’s fantastic debut album, In All this Muck and Dirt, back in 2013. A fast, hooky little number for sure but initialy ‘Can I’ just misses the spot hit by songs such as ‘V-V-V-Vampire!’ or the Springsteen-esque ‘Let’s Ride’ found on In All This…

After a couple of spins, though, you come to realise that this track is a true toe tapper at heart. ‘Can I’ dials in some softer, cleaner sounds than those found on the debut album, but nothing goes cold. The production heats up to a slightly warmer state, with cleaner instrumentation and comfortable space to cook up a magnificent chorus.

Demons is due for release from September 8th via Transgressive/paradYse.