Categories
Album Reviews Buzz Chart Music Reviews

The Men

Leave Home
Sacred Bones Records

While heavy guitar and punk music might not seem like the most sophisticated of genres, it’s a very difficult thing to do quite this well. Rock music has been passing me by a bit of late, so thank god for The Men, whose spectacular new album Leave Home has come out of nowhere and established itself as one of the best records of 2011.

Capturing this sort of intensity on a full length record is a rarity, especially over the course of 40 minutes when each song averages at about five minutes in length. It’s all well and good bashing out 12 songs in 20 minutes and retaining the listener’s attention, but Leave Home is a varied body of work that is exciting from start to finish. Over the course of the record The Men morph their sound into various different guises, drawing influence from the likes of Pissed Jeans, Fugazi, Sonic Youth, Shellac and more.

Beginning with a couple of pretty much straight up rock tracks, by the third song it sounds almost as though the album has lost it’s temper. The vocals become shoutier, nastier even, while the instrumentation becomes increasingly more distorted and violent. This results in arguably the album’s standout track, L.A.D.O.C.H., which splits the record into two halves with it’s near incomprehensible rage. Sparse yet emphatic drums keep the song grounded among the surrounding feedback and doom laden guitars, while vocals reach levels of aggression that feel genuinely frightening. “The bringer of everything, nothing is here to stay,” screams vocalist Nick Chiericozzi as the track collapses around him. It’s stirring stuff.

The album’s second half has a few more hooks and is generally a little easier to digest, although just as powerful. Batallie is perhaps the highlight here (below), with its melodic post hardcore format and Guy Piccioto aping vocals. The following Shitting with the Shah meanwhile, is the record’s most restrained moment, working more of a loud/quiet dynamic which offers some much needed relief, albeit covered in thick layers of distortion.

With such a broad range of different sounds on display, there should be something here for anyone with a taste for the heavier genres. Alongside Iceage’s superb debut album New Brigade, this is the proof that there’s still room for exciting, no frills rock music in 2011.

Sleekly Lion.

Categories
Music News

Company Flow are great!

Not a current news story, but it’s Monday and we want to kick the week off in style.

We saw Company Flow playing a one-off show at this weekend’s ATP Festival, curated by Portishead and they showed they’d lost none of their prowess in the decade they’ve been split up.

Watch for a live review from Saturday coming very soon but in the meantime, share our excitement by watching them at their peak:

Categories
Music News

Dead Kennedys speak out against Heineken

Dead Kennedys have dished out some verbals against Heineken.

The beer company used the band’s classic track Too Drunk To Fuck on an advert, which was this month taken down by an industry watchdog for promoting binge drinking and now the band have said the following about it all:

“Dead Kennedys emphatically deny that they ever gave Heineken permission to use the song. The band’s attorneys have contacted Heineken to address the un-authorized use. Dead Kennedys have never authorized any company to use this song or any of the band’s songs to promote a consumer product (let alone the consumption of alcohol) in this or any advertisement.”

And here they are in Finland:

Categories
Music News

Black Milk to work with Danny Brown

Producer and rapper Black Milk has announced that he will be working with Danny Brown on a collaborative project.

Milk, whose group Random Axe released their album this year, had worked with Danny Brown on his [Milk’s] solo album Album of the Year and they decided to make an entire album together. Speaking on the collaboration, he said:

“There’s probably going to six or seven cuts on there, just trying to keep momentum going…[‘Black and Brown’] was one of people’s favorite joints from [Album of The Year], so I was just thinking lets throw out a couple joints in an EP. Plus, we have a video coming out for ‘Black and Brown’ too.”

If you needed reminding how dope Danny Brown is too, just watch the video below.

Categories
Music News

Thrice announce new album tracklist

Thrice have announced the tracklisting for their seventh studio album, Major/Minor.

The album, which follows up Beggars from 2009, is released on September 19th and the tracklisting is below. You can also check out the track Yellow Belly on the SoundCloud.

‘Yellow Belly’
‘Promises’
‘Blinded’
‘Cataracts’
‘Call It In The Air’
‘Treading Paper’
‘Blur’
‘Words In The Water’
‘Listen Through Me’
‘Anthology’
‘Disarmed’

Thrice – Yellow Belly by VagrantRecords

Categories
Music News

Sebadoh announce UK shows

Sebadoh have announced some new UK dates later this year.

The band whose Bakesale album has been remastered and reissued [out now], will hit these shores in August:

Mon 22nd – London Electric Ballroom
Tues 23rd – Manchester Academy
Wed 24th  – Edinburgh Cabaret Voltaire

Categories
Music News

Off! hit the UK for live dates

OFF! will be hitting the UK as part of their European tour in August.

As well as playing dates with Trash Talk and Fucked Up, the band which features Keith Morris (Black Flag/Circle Jerks), Dimitri Coats (Burning Brides), Steven McDonald (Redd Kross) and Mario Rubalcaba (Earthless/Hot Snakes/Rocket From the Crypt) will be hitting Hevy Festival and Reading and Leeds.

Here are the full dates and below is a live video of Full Of Shit to get you in the mood.

Aug 4 Rebellion Festival Blackpool
Aug 5 Thekla (w/Trash Talk) Bristol
Aug 6 Hevy Music Festival Kent
Aug 7 Wedgewood Rooms (w/Trash Talk) Portsmouth
Aug 25 XOYO (w/Fucked Up) London, England,
Aug 26 Leeds Festival
Aug 28 Reading Festival

Categories
Album Reviews Buzz Chart Music Reviews

Tech N9ne

All 6s and 7s
Strange Music

For the uninitiated, Tech N9ne is seen as more than just a rapper, he is an underground legend, a self proclaimed Riot Maker and Cult Leader and judging by the reaction he gets at his shows, these are titles you would find it hard to take away from him. From the awe struck faces of people in the front rows to the chaos breaking out in the mosh pits at the back (yes, mosh pits at a hip hop show), it is clear to see that Tech N9ne can never be claimed to be just a rapper.

A phenomenon then, would be a much more accurate description and with ‘All 6’s and 7’s’, Tech’s 13th full studio release, he has enlisted the help of some of hip hop’s biggest including Busta Rhymes, B.O.B and Lil’ Wayne to name but a few. Understandably, some long time fans have expressed concern about these guests being on the album, claiming that they were too mainstream and would dilute the raw, hardcore sound that they had grown so accustomed to.

Luckily, however, almost the exact opposite effect is achieved with B.O.B and Busta bringing possibly the best verses of their career’s to the table in ‘Am I A Psycho’ and ‘Worldwide Choppers’ respectively; Tech truly has managed to bring the best out of his guests and as he promised years ago, he ‘hasn’t turned mainstream, the mainstream has turned Tech’. The aforementioned ‘Worldwide Choppers’ is easily one of the highlights of Tech’s career, let alone this album, bringing Yelawolf, Busta Rhymes whose partially stuttered verse is definitely one of those all too rare moments that absolutely demand a rewind, Ceza who opening the track in his native Turkish, Twista and more all delivering extremely tight verses at the speed of light to avoid being outclassed by Tech (which is no easy task).

For many, Tech N9ne is at his most appealing when at his most introspective and there is no shortage of his trademark self loathing and apologetic lyrical content, most notably on ‘Mama Nem’ and‘If I Could’, the latter of which is a slower paced track featuring an outstanding cameo from Deftones that proves that Tech can still impress with his lyricism just as much as he can with his speed; although there is nothing quite as deep as ‘Suicide Letters’ or ‘This Ring’ from earlier in his career he is still a very open and honest lyricist on this records who isn’t afraid to bare his scars for his fans to see. There has also been a darker side to Tech throughout his career (listen to ‘Trapped in a Psycho’s Body’ from 2002’s Absolute Power for evidence of that) and this is also present on ‘All 6’s and 7’s as shown on ‘Am I a Psycho?’, which features an unusually raw B.O.B launching a scathing attack on Odd Future in his verse (another of the many highlights on this album) and where ‘Trapped in a Psycho’s Body’ may have been Tech’s ‘The Way I Am’, this track is his ‘Guilty Conscience’ with the split personality dialogue between B.O.B and himself taking centre stage.

Lil’ Wayne’s contribution to the album was one of the main talking points leading up to it’s release and it has to be said that ‘Fuck Food’ featuring Wayne and T-Pain hasn’t lived up to the hype, whilst still a solid track, Wayne’s verse feels tacked on and leaves you wondering Tech couldn’t just have recorded the song with himself and long time collaborator Krizz Kaliko who is in typically top form every time he opens his mouth on this record to similar, if not better effect. Still, whilst the song may not live up to the hype, the fact that Tech is now working with rappers as big as Wayne is a huge credit to his hard work over the 25+ years he’s been making music and possibly a path to the extra attention that Tech deserves for his talent and perseverance.

In summary, this is undoubtedly one of Tech’s best albums in which he doesn’t stray from his style despite the popularity of his collaborators, an issue that is accurately addressed on ‘Love Me Tomorrow’. Whilst there may be one or two tracks that could be cut from the album without detriment to the quality, there are highlights aplenty on this release and it’s sure to please the hardcore Technicians just as much as it would appeal to those who may not have heard of him before. The album ticks all the boxes except one, there’s still no collaboration with Bone Thugs n Harmony.

Ryan De Freitas.

Categories
Music News

Soulwax reveal Soulwaxmas!

Soulwax have announced details of their fifth annual Soulwaxmas.

This year’s event will take place on December 16th at the Brixton Academy from 9pm to 3am and tickets will cost £26.50, on sale from Friday 22nd July here.

In addition, their Radio Soulwax app has been a huge success, with over one million streams online. Forthcoming on the app are Hardcore or Die, This Is Belgium Part 2. and the brilliantly titled Axe Attack, where users have to try and guess the artist behind the riff before it’s revealed.

Categories
Album Reviews Buzz Chart Music Reviews

Mallory Knox

Pilot EP
Wolf At Your Door Records

Mallory Knox are a recent addition to the excellent and ever growing Wolf At Your Door Records roster and on the evidence of this EP they are on to something special. From their humble beginnings in 2009 they have made huge waves touring with Never Means Maybe and getting signed to SGR management (the management venture of Stuart Gili-Ross of Gallows fame) and Wolf At Your Door records, taking their rightful place alongside some of the hottest properties in the UK rock scene including Deaf Havana and Lower Than Atlantis.

With a mix of heavy pulsating riffs and more subdued, melodic moments, both of which vocalist Mikey Chapman works his way around masterfully, it is very easy to find yourself addicted to this 5 track EP. Opening track Oceans encapsulates what Mallory Knox are all about in the first 30 seconds, with silky vocals laid over clean guitar tracks bursting into an assault of distorted guitars and forceful drums this is a band who waste no time in getting their sound across to the listener, and it is a sound that the band do not stray too far from throughout the EP.

It would be unfair to choose a highlight from the EP as every track more than holds it’s own but one of the standout moments of the EP is definitely the backing vocals (contributed by bassist Sam Douglas’ sister, Amy) that briefly appear on album closer Q.O.D creating the perfectly peaceful lead in to the crashing guitars that follow. Another thing that definitely stands out about this band is that their choruses are absolutely anthemic, it is very easy to envision huge masses of people singing along at festivals and arenas a few years down the line.

Of course making such a statement at this point could be a foolish decision but such is the quality of the music on Pilot that it is a risk that is definitely worth taking on the back of such a masterful debut EP, it will be absolutely fascinating to see what this band have up their collective sleeve in years to come. Don’t miss out.

Catch Mallory Knox with Never Means Maybe at Camden Barfly on the 24th of July and take a listen to their single Resuscitate below.

Ryan de Freitas.