We’ve waited a long time for this one. Crowd-funding for the making of ‘Salad Days’, a look at the incredibly fertile hardcore punk movement that exploded out of Washington DC in the early 80s, first started over four years ago when brief snippets and enticing trailers started to work their way across the internets. And now it’s finally here…
We live in an age now where so many bands, movements and artists are getting to tell their stories in film. Every week there’s a new music documentary to see, a story to tell, but Salad Days is something special. From the very start, the Washington DC punk scene documented itself. More than any other punk scene in the world at that time, the participants took care to photograph, film and record everything that was happening. They knew what they were doing was important and special and wanted it preserved. “I didn’t want to own the scene, I just wanted there to be one,” explains Ian Mackaye, who through his work with Minor Threat, Fugazi, Dischord Records and many more is understandably the lynch pin and constant through the whole movie. So the upshot of this is that there is a wealth of incredible footage in this film. It rushes past, much like the music, in a high-speed, high-energy blur. This is not any easy film to sit still and watch in a cinema, as each band and song crashes by, every moment made me want to leap out of my seat and explode.
Ph: Ian Mackaye of Minor Threat, Wilson Center, DC, 1983 by Jim Saah
Film maker Scott Crawford has done an incredible job of capturing the spirit and energy of the time. Having been involved in the scene in DC from a very young age (he was just 12 when he started going to gigs and making fanzines), he was trusted to tell the story and help the various participants open up.
Running chronologically from when Bad Brains exploded onto the scene and everything went FAST with bands like SOA, Void. Teen idles, Minor Threat, Untouchables, Youth Bridge, to the mid-80s ‘Revolution Summer’ years with Rites Of Spring, Embrace, Gray Matter, Dave Grohl’s first band Mission Impossible. They then move onto the end of the 80s as the alternative rock explosion beckoned, and Grohl, fresh out of Dischord legends Scream propelled Nirvana into the mainstream, bringing Fugazi attention they never expected, Jawbox a major label deal and the rest is history.
There are so many magical moments in ‘Salad Days’ that it’s difficult to know where to start but here’s a few. The footage of Void is utterly off-the-hook insane and demonic, the bit where MacKaye talks about Straight Edge and how he still gets people, to this day, phoning him at the Dischord office and screaming “hey Ian, I’m drunk, WHAT ARE YOU GOING TO DO ABOUT IT!!” before slamming the phone down, the self-belief, politics and conviction that run through every band, the thought that they really believed they were making a difference and could change. Subject to change. The realisation of just how young everyone one was when this started…
“Salad days” is a Shakespearean idiomatic expression to refer to a youthful time, accompanied by the inexperience, enthusiasm, idealism, innocence, or indiscretion that one associates with a young person.”
That says it all.
James Sherry
You can pre-order the film on Vimeo as it will be Video On Demand from August 4th.
Obstruct