The Black Lips have a lot to answer for. Not only do they start riots, piss on themselves and release mostly good but some bad records, they seem to have also inspired this Texan outfit The Strange Boys to follow in their footsteps.
They are certainly not as sexy as the Atlanta outfit and musically they are more sedative but this album should keep you happy if you like a mix of country-led lo-fi, garage. Be Brave is their new album released on Rough Trade Records on 22nd Feb and if you like this, they will be in the UK throughout April at the following dates – stream the full album below:
Thursday 15th April – Leeds – Nation of Shopkeepers Friday 16th April – Glasgow – Nice ‘n’ Sleazy’s Saturday 17th April – Manchester – Deaf Institute Sunday 18th April – Birmingham – Academy 2 Wednesday 21st April – London – ICA Thursday 22nd April – Brighton – Freebutt Saturday 24th April – Southampton – Lennon’s Club
The condensed story of the creation of the first park on the tiny Mediterranean island of Malta in the edit below is just part of a fascinating and heartwarming piece about the history of skateboarding in Malta which you should really check out here.
What makes it of particular interest to UK skaters is that legends Stevie Thompson and Paul Silvester both lived there and contributed heavily to the scene.
Say goodbye to the next half hour of your life.
(ps- anyone interested in finding out more about the Bulgarian/ UK dimension of the Maltese story may be interested in a feature in next month’s edition of this mag).
The recent release, The Wolfman is a remake of the 1941 classic of the same name. When the word remake is used, it is not a new aged remake bringing the werewolf myth to the present day, but once again set in the 1800’s.
The main man of the film is Benicio del Toro. His character, a travelling actor by the name of Lawrence Talbot returns to his childhood home when his brother goes missing, latter found militated. Refusing to leave until the truth behind his brother’s death is resolved, he finds himself in a world where the werewolf legend comes to life and as a result must fight to save himself, his father and his brother’s other half.
Imagine the fear and shock you experienced upon first seeing films such as Werewolf in London and Paris and you will have some degree of understanding of how this film will make you feel; especially in regards to the first time you see the human/werewolf transformation. The opening instantly grips you attention with the first killing by the werewolf, no long dragged out tales just instant werewolf activity, which was appreciated. The next hour or so zooms past with murders or more precisely mutilations of bloody corpses, arms ripped from bodies, insides shredded and throats torn out…which is what you would expect from a film about werewolves! However it is the last half of the film that seems on drag on a bit. Once the identity of the werewolf is established, police are on a wolf hunt and don’t seem to be getting very far in capturing the beast. It gets to the point where you just wish the concluding climax would begin; when it does, those minutes you were beginning to bore simply fade away and present a fight to the death.
As you would expect there are some very vicious killings, some gruesome images and bloody visions in the film, which if you are a lover of horror such as werewolves and creatures of the night you will be thankful for as it give the film so much depth and keeps you eyes glued to the screen. Anthony Hopkins is memorable for his role of Hannibal Lecter and will likely achieve a similar status as Sir John Talbot, Lawrence’s father as well as an unexpected player in the werewolf tale. Alongside Benicio del Toro as his son, there is a shaky relationship that is bought to an end, in more ways than one.
The Wolfman may not have been adapted to a more present day setting, which is typical of many remakes, but it will certainly leave you feeling satisfied.
Noisy Vancouver duo Japandroids have announced their plans to release a five-part 7” series thoughout 2010.
Each single will include a previously unreleased track and a cover song, and will be released through Polyvinyl. The first single, Art Czars, will be released on April 12th backed with a cover of Big Black’s Racer-X.
Meanwhile Japandroids have announced yet another UK tour in May, in addition to their shows across the country next week.
Those dates in full are;
February
Monday 22nd – Freebutt, Brighton
Tuesday 23rd – ICA, London
Wednesday 24th – Cockpit 3, Leeds
Thursday 25th – Deaf Institute, Manchester
Friday 26th – King Tuts, Glasgow
Saturday 27th – Korova, Liverpool
May
Thursday 13th – Saturday 15th May – The Great Escape, Brighton
Monday 17th – DiScover @ The Harley, Sheffield
Tuesday 18th – Jericho, Oxford
Wednesday 19th – Joiners, Southampton
Thursday 20th – The Garage, London
For those of you collectors who appreciate deck collabs look no further than the new limited-edition series Alien Workshop collaboration with The Andy Warhol Foundation for the Visual Arts, Inc.
There are ten iconoclast pro decks, five with works from Warhol’s Death & Disaster Series and the remaining five complete with his iconic Pop works, the complete set is shipped in custom printed board box packaging inspired by Warhol’s box sculptures from the 1960’s.
Having given birth to the likes of Arab Strap, The Jesus and Mary Chain and The Twilight Sad, it’s fair to say Scotland’s musical heritage (albeit great) is centred around some pretty miserable sounding bands. In fact, if your only knowledge of Scotland was its music, you’d be forgiven for thinking the country was a pretty glum and depressing place to live. This is where Errors step in to correct those misconceptions.
Their 2008 debut brightened up even the UK’s grubbiest dance floors, and now the band are back with the ingeniously titled Come Down With Me. It’s not every day a record’s name is inspired by a daytime cookery program, yet Errors aren’t your everyday band. Their unique and arresting sound (slightly frustratingly dubbed Post-Electro) combines blissful electronics with angular guitars, to devastating effect.
Take recent single, A Rumour in Africa, which neatly summarises the band’s charm. In less capable hands this could be a recipe for a post-Klaxons rave disaster, but Errors are subtle yet assured in their craft. Unlike so many other tracks clogging up indie discos, the band move from hook to hook ensuring that their music stays fresh and re-playable.
Check the video below for proof, which features some slightly bizarre male/puppet bonding.