Categories
Buzz Chart

Channels

A genuine D.C. and Dischord Records super-group, Channels feature members of Jawbox, Kerosene 454 and Burning Airlines. Spearheaded by Jawbox mainman J Robbins, Channels is classic Washington D.C. post-hardcore pop all the way, with Robbins crafting some of his finest songs and addictive melodies since the early-nineties heyday of Jawbox before they took the major label route and promptly floundered.

While his previous group Burning Airlines showed promise, they never quite lived up to the high standards that Jawbox set but ‘Waiting For The Next End Of The World’ sees Robbins back on form and tracks like ‘The New Mandarins’ and ‘The Licensee’ are crammed full of raw emotion and melodies that will raise the hairs on the back of your neck. You could, if you were lazy, call this emo but Channels have nothing to do with the cry-baby indie rock fashion parade that has taken on the phrase. Channels harks back to the eighties D.C. emotive hardcore rock of Rites Of Spring, Embrace and Fugazi and is worth it’s weight in gold. Get it!

James Sherry

Categories
Buzz Chart

Wolf & Cub

Hailing from Adelaide, Wolf & Cub have been making waves in the UK with an extensive touring schedule, and support slots for Wolfmother amongst others (what is it with the Wolf-theme names for Australian bands?) The four piece took the decision to record their debut album back home but transferred to Glasgow for Tony Doogan (Super Furries, Mogwai) to work his magic on the mixes. The result is a mesmerizing piece of art, one that stands out starkly amongst its contemporaries.

The albums sets the pace with a seven minute opening title track, which explodes out of your speakers, raw guitar feedback swirling into under currents of heavy bass, frontman Joel Byrne repeating his mantra ” How does it feel?”. Wolf & Cub string you up and rip into you, psychedelic progressive sounds merge with sweat-soaked rock, heavy bass lines that culminate with the heavily instrumental ‘Conundrum‘, which as the title suggests, seems to be the band working out their sounds in a powerball of a track.

With two drummers, the beats hammered out are thunderous in parts as they roll through the record. ‘Steal Their Gold‘ ups the anti, with user friendly parts that slip into insatiable instrumentals.”This Mess’ and ‘Rozalie Bizarre‘ both become a little repetitive, and Byrne’s high pitched vocals can grate on the nerves a little, but fleshed out with the fuzzy guitars and almost Kula Shaker-esque vibe, it works. Doogan’s mixes create a jagged edge, rough-around-the-edge dirty sound that really works for the band, and has created a debut album that twists and turns, rolling onwards, careering almost out of control until the final track ‘Vultures‘ clocks onto ‘cool down’ mode, and the listener’s allowed to relax, and sink into a track that brings the album to a shuddering halt. And……breathe.

If Wolf & Cub can recreate their studio sound live, then they’re going to the one to watch for 2007. ‘Vessels‘ takes us on a heart stopping journey, and lays down exciting promises for the future. These Australian upstarts turn tracks on their head and give a new progressive slant to Australian rock, and with a start like this, their future looks very bright indeed.

Dee Massey

Categories
Music News

Bouncing Souls frontman goes solo

Bouncing Soul’s frontman Greg Attonito has launched a solo project.

He simply stated “For the past few years i have been experimenting with recording. I’m finally motivated to tackle this myspace world and share some of my creations..Here We Go!”.

If you want to check the solo stuff out, then hit the link below. In addition to the solo music, Attonito has posted pictures of paintings he has been working on as part of a project with Shanti Wintergate.

www.myspace.com/gregattonito

Categories
Music News

Gallows sign worldwide deal!

In the seven months since the original release of their incendiary debut album ‘Orchestra Of Wolves’, Watford quintet Gallows have injected excitement, passion and conviction back into rock with a series of ferocious live shows around the country, followed by a storming set of appearances in Texas for SXSW.

Following unprecedented interest from every record label you care to mention, Gallows can finally announce that they have inked a deal for their own Casanova Records through Warner Bros Records worldwide and have signed to legendary punk label Epitaph Records for North America.

June will also see the band back on the road in the UK for another round of live action and rock n’roll kicks before the band head off on the Warped tour throughout July and August.

June:

Monday 11th – Sheffield Leadmill
Tuesday 12th – Leeds Cockpit
Wednesday 13th – Belfast Auntie Annies
Thursday 14th – Dublin Voodoo Lounge
Saturday 16th – Aberdeen Tunnels
Sunday 17th – Newcastle Academy
Monday 18th – Bristol Bar Academy
Tuesday 19th – Portsmouth Wedgewood Rooms
Thursday 21st – London King’s College

www.myspace.com/burnthegallows

Categories
Live Reviews

Mark Ronson – Live

Sway
Fabric
16.03.07

I’ve seen Sway quite a few times now, so it’s a testament to the man that I’m still entertained whenever I catch one of his sets. This time round, I was treated to him rapping over Chamillionaire’s Ridin’ Dirty, cracking jokes at the expense of Tim Westwood and even blasting out some new material.

The favourites were still there, Up Your Speed always getting a crowd hyped, Little Derek proving the biggest sing a long of the night and Products getting everyone faux-skanking as much as their 2 inches of dancefloor would allow. His charisma was shining through as it always does, much to enjoyment of one guy in the crowd who was involved in a conversation about buying Sway’s album on limewire [a free downloading service] and he proved a brilliant warm up to the main event.

That main event was Mark Ronson and his unassuming frame slunk onto the side of the stage at the tail end of the Sway performance as he began setting up his stuff. Doc Brown bounded out on stage to introduce the main himself and even before the first song had been dropped people were baying for the DJ who duly obliged by throwing out a mix up of Ooh Wee‘s vocals and the original music to Radiohead’s Just that he’s covered on his upcoming album Version.

The set Ronson played was a brilliant mix of classic tracks [Mama Said Knock You Out being the pick of the bunch], some turn of the century tunes and his own production, from Amy Winehouse’s Ghostface remix to tracks off the new album. It was the new material that garnered the best response as he dropped his Kaiser Chiefs cover with Lily Allen’s vocals getting everyone singing the chorus, the horns on his version of Coldplay’s God Put A Smile Upon Your Face bringing a smile to everyone’s face and the emergence of Daniel Merriweather to accompany the upcoming single Stop Me with live vocals.

As if this wasn’t enough, Ronson still sound time to fit in a mash up of The Strokes and The Jackson 5 before blowing the roof off the venue with the full version of his Ooh Wee. Being a great producer doesn’t always equate to being a great live DJ, but thankfully for all of Fabric, Ronson is both and made sure everyone left having had a blast.

Abjekt

Categories
Live Reviews

Mastodon – Live

London Forum
15.03.07

Given the critical acclaim afforded to Mastodon‘s recent ‘Blood Mountain’ album, it was arguably inevitable that tonight’s show – originally booked for the Mean Fiddler – would be upgraded to a larger venue, but it’s still a surprise to see the sold-out Forum so packed. Never the most straightforward of metal bands, it seems that Mastodon may be gaining a large-scale cult following in much the same way as their former tour buddies Tool did a decade ago.

Saviours are a welcome treat for early arrivers; unleashing a clutch of Sabbath-esque grooves so thunderous that they could loosen the bowels of a constipated elephant. Your reviewer curses having eaten so much for dinner, but can’t tear himself away; and with good reason too. Whilst not as musically complex as the headliners, Saviours’ imposing stage presence and sheer power mark them out as ones to watch.

Mastodon are a blindfolded rollercoaster ride of a band; taking influences from all parts of metal’s rich tapestry and twisting them towards their own intuitive ends. Inviting enough on record, they sound utterly huge in the live setting; and as the opening hardcore blast of ‘The Wolf Is Loose’ whips the front rows into a seething frenzy, it’s clear that they can do no wrong tonight.

Maybe it’s the pulsing riffs of ‘March Of The Fire Ants’ that swirl around the Forum like a particularly turbulent ocean. Maybe it’s the way that drummer Brann Dailor pulls off the most complicated of rhythms whilst making it look so painfully easy. Or maybe it’s the shit-eating grin on bassist/vocalist Troy Sanders’ face as the sledgehammer groove of ‘I Am Ahab’ threaten to shake both us and the venue’s foundations into submission. Either way, Mastodon are nothing short of thrilling when they’re on such fine form.

“Thanks for coming, we’ll see you again in June!” declares Troy before the closing ‘Hearts Alive’. If that means what we think it means, then this year’s Download festival is looking more inviting than ever.

Alex Gosman
Photo credit: www.kindamuzik.net

Categories
Music News

Mest singer jailed

Tony Lovato, frontman of the now-ended Mest, have been jailed on suspicion of murder.

Reports are saying that the 26 year old confessed to stabbing his ex-girlfriend’s new lover and is now being held on a $1 million bail.

It is claimed that Lovato was assaulted earlier in the day by Wayne Hughes in a parking lot, and that “at some point, Mr Lovato produced a knife and the victim was stabbed”.

Categories
Interviews

Senses Fail Interview

Drive Thru Records probably lost more than they’ll care to admit when Senses Fail are concerned. Upstreamed and then ditched, the New Jersey (now) quintet have since signed to Vagrant Records; where, and let’s be totally honest now, they fit like a glove.

Their previous works, the six-track EP “From The Depths of Dreams” and their stunning debut “Let It Unfold You” are prize possessions for those who were consumed by the “screamo” scene when it was at it’s peak, so the new album was always going to be interesting. “Still Searching” surprisingly was deemed by many as better than the previous material. Mature, and a real progression.

Gary Lancaster caught up with relative New-comer to the band Heath Saraceno (yes… the guy from Midtown) to discuss getting kicked in the balls, kebabs, and even the new album…..

Who are you and what do you do?

Well Hi, my name is Heath and I play the guitar in the band Senses Fail!

So for those unfamiliar with the band, please tell us a little about yourselves

We are a five piece band from Bergen County, New Jersey, and our latest record called “Still Searching” just came out. We’ve been over here (The UK) twice to support it so far and we’re going to be back again for the Give It A Name festival!

I was going to ask how you all came together as a band, but I know for a fact that you are the new guy as of this last record, so tell us, how did you come to be part of Senses Fail?

Well, the band were of course already established and touring. Actually they’d had a bunch of tours and for whatever reasons had come to the agreement that the old guitar player should not be in the band anymore… they gave me a call and asked me to learn 3 songs. I learnt 3 songs, then I learnt ALL the songs… went into practise with them, ‘cos I didn’t know if they were offering anyone else an audition or anything, so I learnt all the songs, practised with them and it really just fit like a glove. I’ve been with them since!

So if we have never heard your music before, what should we expect when we hit play on the CD player (specifically with your new record)?

Dan Trapp had a great quote from the DVD which is available free with the new record “It’s gonna kick you square in the balls”. Your balls are going to get kicked, pretty hard. If you don’t have balls…

Get some?

Ha yeah get some, and THEN get kicked in it.

Ok so I’d like to talk a little about this tour now, how is it going for you guys?

This tour is going REALLY well. We’ve played a bunch of smaller clubs which we’ve not done here before; we just wanted to come back over because we thought we’d laid some great groundwork and foundations playing Taste Of Chaos. We wanted to come back and play small shows after the huge shows of that tour this is the last show now… ironically when we go back we’re playing on the Taste Of Chaos North American tour! This has been really great though.

You guys are not new to the UK, this is your umpteenth tour, how do you find the fact that kids half way across the world love your music?

It’s really awesome. When you start a band and you are playing in like your parents basement, that’s the dream. You know, that one day you’ll be able to go to England, or Japan, or even like Washington. The next big town! To do it on such a great scale is really gratifying.

Has anything surprised you this time round?

Kids are really into it. They know all the words! They are very excited to see us play the new songs live and personally I’m very excited about the locations of all these venues. They’ve been very close to Kebab shops so I’ve been able to load up on crappy food that no one should eat…

Seemingly us Brits are good at crappy food.

Yes… but! It’s flavourful crappy food! It’s good. Like the other day I had fries with cheese and beans and everyone on the bus wanted to throw up. I thought it was amazing.

You’ve got to melt the cheese.

Of course! Great combination!

Apart from dodgy food then, there must be some tour stories?

Well naw we don’t really do too many pranks!

That’s not a declaration of being too old now is it?

Ha! Well kind of. We don’t really mess around. We just tend to hang out. Back of the bus, throw a party you know. A lot of the times when Sean our guitar tech is around we’ll end up listening to like four alkaline trio records, or if it’s myself and Damon our TM we’ll listen to Nada Surf. We just pretty much hang out, drink and fall asleep!

So what can we expect from you tonight then, as the last show?

Well you might be anticipating a couple of high leg kicks, maybe… I might trip on something. I’m pretty clumsy. I might need a drink to steady myself. We’re gonna play a good mix of stuff. Two tracks from the EP, six from “Let It Unfold You” and seven songs from “Still Searching“!

As a new member do you find playing the older stuff slightly strange as you weren’t a member when it was conceived?

Well no ‘cos at first all the stuff was older stuff to me, so it kind of felt like I was in a cover band for a little while which was fun because I really like playing other peoples songs. Doing that you learn a lot about a guitar players techniques and it gives you a couple more tricks in the bag, but I don’t really feel like that anymore, I’ve added stuff to the old songs live I think.

Customisation?

Yeah exactly! Garret and I have expanded a lot of the guitar parts!

Ok, so now let’s talk little more about “Still Searching“. Now the dust has settled slightly, what are your thoughts about it all?

I’m really happy that people like it. We put a lot of work into it and I’m just glad that there are people who appreciate it.

Compared to “From The Depths Of Dreams” and “Let It Unfold You” it seems very refined. Do you think this is a conscious effort from the band to almost, up the ante?

Well if you look at “From The Depths Of Dreams” to this, there is a four or five year gap. Some of them were in high school. They were like sixteen or seventeen years old when they wrote that. Imagine stuff you wrote at sixteen compared to stuff you write now. There’s a definite growth and maturity. BUT, that word has become so… well, it’s turned into such a bad word. So many bands when asked ‘Whats the new CD like’ say ‘It’s gonna be more mature.’

You know the heavy parts will be heavier and the cleaner parts will be cleaner. At the end of the day it’s either going to sound like your band or not. For this record, we tried to do everything that was in our minds, but we also had to make sure that we didn’t go too far.

We wrote probably 25-30 songs. A couple of them sounded like Boston, a couple sounded like straight up metal. They were fun to play but we had to realise that they weren’t Senses Fail songs. We had to draw the line.

I watched the DVD the other night; the recording session seemed all fun and games, was it that simple?

Well… I wouldn’t say it’s simple, but we knew what we were doing. We had already recorded it a couple of times ourselves. Every time we write a song we would demo it and then listen back to it, make changes and go record it again. We knew pretty much everything we were doing on every track. We had plenty of leeway really. We had time to mess around, go play with the dog etc. The first week… pre production, is usually reserved for arranging everything that you come in with, and we went in with 14 songs with very little re-arranging to do. We spent 2 days re-arranging and 3 days writing songs. It was fun, just jamming and stuff.

Did any of those songs make the final cut for the album?

None of them actually but two are available as B-sides. One of them I think honestly should have been on the record.

Which track was that?

It’s called “Stretch Your Legs To Coffin Length“, it’s on the B-Side to “Calling All Cars”.

How do you think your introduction to the band has changed it?

Well I think everyone gets along really well now. I do a lot of back up vocals too and Garret and I like to throw a lot of harmonised leads in here and there just for fun. That didn’t really happen before. I think that everything… well, I’m not just saying this because it’s my effect, but I think everyone has grown individually as both musicians and individuals lately.

So if there was one message you wished to portray throughout the album, what do you think it would be?

Lyrically… I’ve heard Buddy (vocals) talk about, well… I know for a fact that when we were writing this that a lot of his issues came out in the lyrics. Like, dealing with anxiety and depression, and the struggle to figure out what kind of faith you should have and what should you believe in, not just in religion but in every aspect of life.

If you could go back and kind of, alter anything with it, would you?

No not really, I can honestly say that I wouldn’t change a thing. I’m really happy with it!

Can you pick a personal highlight of the album?

I think the song “Still Searching” is a good climax to the record. It kind of goes in every single direction and we were really proud of the way it turned out. So, if there’s one track you check out, make sure it’s that.

Ok, thanks for taking the time out to speak to us!

You’re welcome, thanks!

You can hear more from Senses Fail at www.sensesfail.com or go to their Myspace.

Categories
Music News

Enter Shikari tear the roof off HMV!

Enter Shikari played to a packed HMV in Oxford Street last week and woke up this morning with a top 4 record!

The band whose debut album “Take to the Skies” was released last week are delighted after all of their hard work and you can see them at the Download Festival, Give It a Name and at the following dates:

March:

Monday 26th – CAMBRIDGE, Junction
Tuesday 27th – AYLESBURY, Civic Hall
Wednesday 28th – PORTSMOUTH, Pyramids
Friday 30th – FALMOUTH, Princess Pavilions
Saturday 31st – BATH, Pavilion

April:

Monday 2nd – DUBLIN, Ambassador
Tuesday 3rd – BELFAST, Mandela
Saturday 28th – LONDON, Earls Court (Give It A Name)
Sunday 29th – BIRMINGHAM, NIA (Give It A Name)

www.entershikari.com

Categories
Music News

When Gallows met Winehouse..

Texas is a busy place once the South by South West music festival hits the city and this year was one of the best on record.

Every loves a bit of inside info so Sherry flew out with Gallows for the ride and sent us this pic of Amy Winehouse who was more than happy to hang with the hardcore band for more rawk limelight.

Could you just imagine her singing along to a 50’s version of ‘Belly of a Shark!’ – Actually, thinking about it – nothing in this day and age is impossible!