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Introducing Neon Windbreaker

neon_windbreaker

Neon Windbreaker are a Toronto five piece treading the spidery line between noise-rock abandon and melodic structure. Having formed in the spring of 2010, they have played across Canada and the United States alongside Pissed Jeans, Male Bonding, DD/MM/YYYY, Monotonix, This Will Destroy You and many more. We caught up with them in advance of their first ever UK shows coming later this month, and their New Sky EP dropping October 28th.

How did you all come together as a band and who coined the name Neon Windbreaker?

Neon Windbreaker more or less started as a group of friends looking to play noisy music. The only remaining members from our first show are Pat and myself with many members of various Toronto bands having cycled through at one point or another. Our line-up has remained the same save for one member for the past two years and hopefully will remain as such indefinitely. I coined the band name as an in-joke with a friend of mine when at a Japanther & DD/MM/YYYY show given the sheer number of neon wind breakers worn by those in attendance. I should note that I have released multiple records by both bands, have booked many tours for both and don’t mean it as ill will. It just sort of happened that the name stuck.

A lot of noise rock and punk bands take things into their own hands from the off and stick to a DIY ethos. Would you say the same for yourselves?

I think that we take our band and our objectives into our own hands. We all are involved in all aspects of the band, although some members may take a more active role depending on their skills. I release our records through my label, we all book our shows together and write the songs. We are not opposed to the help and support of those interested in helping further the band, so we have been fortunate to have a team of great people working with us, especially in the UK and Europe to help grow the awareness. That said, if we weren’t proactive, there wouldn’t be anything happening.

I can hear a selection of different noise in your upcoming EP New Sky, what were you guys listening to when you wrote these songs and what are your influences?

We all have pretty wide ranging tastes in music stylistically. I would say that we’re all fans of bands like Future of the Left, METZ, Rocket From The Crypt and similar. Some of the songs were written late last year and some right before we recorded, so while we would like to think the record is cohesive, the writing was a bit disjointed.

Tell us about the time you spent recording/writing New Sky and how was it working with Alex Bonefant?

We practice infrequently and write our songs in quick succession. Someone will come in with an idea and Pat and I will write lyrics and we will more or less have a finished song. Two of the songs were finished in the studio. All of our records have been recorded in a few days time. It’s a combination of finding time with everyone’s schedules, the cost of recording music and the urgency of getting things done. Alex is a friend of ours that has worked on some incredible records and we were fortunate to book in with him when he had a short window. He has an incredible ear, really took the time to help us structure the sound and some of the songs and really played an integral role in shaping the record.

How do you guys like to work when it comes to writing? Do you all throw ideas at the wall and see what sticks? Or is there a sole song writer amongst you?

Everyone will come in with ideas and we will riff on them. Usually it comes together very quickly and makes the process a lot of fun. We definitely have ideas that fall short and will end up reworking until we are happy. The band is an equal partnership.

We can’t wait to see you live when you hit the UK in October, are you looking forward to playing in the UK? What really makes a live show for you guys?

We’re very much a live band and is what defines us. While we are really proud of our new 7″ EP, we would think that our live show is the definitive Neon Windbreaker experience. It’s about controlled chaos for us. We like to interact, and make the show as much about musicianship as it is about entertaining. While it’s great to play your songs well, it’s even better to play them well and create a memorable experience that at least temporarily gets lodged into someone’s mind. We’re looking forward to playing the UK and the Czech Republic. As Neon Windbreaker we have never played abroad, although Ben, our drummer is currently on a European tour with Beliefs.

Are there any particular gigs from the past that stand out from the rest? What’s the best gig you’ve played and what would be a dream show for Neon Windbreaker?

I think that since our line-up solidified, almost all of our shows have been really memorable experiences for us. We’ve noticed a trend in that every band we have or will be playing with in Toronto has some sort of phallic reference to their name. So far we’ve played with Big Dick, Pissed Jeans, and will soon be playing with Nice Head.

‘Dream show’ is a tough one, and I think every member would have a different answer. I think to play it safe I will say Rocket From The Crypt.

Neon_WindbreakerAre you guys happiest when you’re on the road playing shows every night? Or do you prefer to get in the studio and write song after song?

Everyone plays in touring bands and has different commitments. We definitely like playing shows and writing songs. Most of us have been friends for 12-15 years. If Neon Windbreaker didn’t exist, we’d all still be hanging out and doing a lot of the same, maybe just not with the opportunity of travelling to the UK to have the chance to play.

So what do you guys get up to when you’re not playing music as Neon Windbreaker?

Ben (drums) – Also plays in Beliefs (No Pain In Pop), Rituals (Hand Drawn Dracula) and a few other great Toronto bands.
Stan (guitar) – Also plays as a solo act under his own name and just finished a new album, which is fantastic
Pat (guitar/bass) – Also plays in Non Stop Girls, Sam Coffey and the Iron Lungs, Milk Lines and three dozen other bands
Mat (guitar/bass) – Is starting many new bands
Eric (vocals) – I run a label called We Are Busy Bodies that has put out records by METZ, Doldrums and dozens of other bands

Where is Neon Windbreaker going next? What’s on the cards for you guys after your UK shows?

We are going to do a number of Canadian dates in support of the 7″ in December and US/Canadian dates in early 2014. We will also start working on another record. Not sure if it will be another 7″ or full-length. We will have to see how the writing process is.

Find Neon Windbreaker on Facebook.

See them play at the following UK shows:

29th October – London @ Birthdays w/Blacklisters
30th October – Brighton @ The Hope w/ Moth & Claw Marks
31st October – Bournemouth @ 60 Million Postcard w/ Bitches & Tigercub
1st November – London @ Old Blue Last w/ Charlie Boyeur and the Voyeurs & Temple Songs

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Music News

Black Flag release album artwork fail

black_flag_artwork_failBlack Flag fans worldwide woke up to the news that this is the official new artwork for new album ‘What The….’ Ha! No joke. This is sat proudly on iTunes right now as the band’s artwork for their new 22 song record. It certainly doesn’t look like a typical Raymond Pettibon piece, more like something The Offspring would chuck out there.

Surely this is some sort of joke from someone who loves hardcore at Apple as it doesn’t seem to be on the SST website or on their social networks, yet.

Recently, Black Flag founder Greg Ginn lost his legal battle to regain the trademark of the Black Flag legacy, allowing rival members in the new band FLAG to tour under the name and use the same branding. It’s a sad state of affairs that seems to just get worse by the week.

black-flag

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Album Reviews Buzz Chart Music

Serious Sam Barrett

James_The_FangJames the Fang and Serious Sam Barrett
‘The North Country Steed’

Ya Dig? Records

Last summer the UK was treated to a Skate Folk tour consisting of Serious Sam Barrett, the Pine Hill Haints and legendary skate rock pioneer Tim Kerr (of Big Boys fame). The shows that I caught were highlights of a fairly washed out slog of a summer. Skating in the day, then cracking a can and on to the show felt like the dream as it’s meant to be lived. Despite a slimmed down trip this time round – with no Tim and only Jamie from the Haints – the couple of weeks it hit the UK was still a whirlwind blast of skating, boozing and good tunes as their sound was bolstered by various crew members in different cities. The tour was in support of new record The North Country Steed, which sees the two put down 13 songs which pay homage to country, folk and rock n roll with a bite gained from identities forged in punk rock. Love, cowboys, skateboarding, whiskey and jailhouses are all fair game for subject matter and the record draws the listener in from the opening title track, with Jamie alternating vocals and fiddle over a mesmerising guitar lick.

‘RWTB’ is the natural sequel to Sam’s ‘Hennessey Nights’, perfectly encapsulating most given weekends in Leeds, while ‘I’m in so much Trouble’ is vintage rock n roll done acoustic replete with Ramones-esque harmonies. The album also includes ‘Silver Dagger’, released as a free mp3 last year with the Serious Sam Barrett/Pine Hill Haints split, and the first studio recording of ‘Mole in the Ground’, long a part of Sam’s live set and here complimented by some impassioned fiddle playing here. Closing proceedings is a cover of Dubliners’ song ‘The Nightingale’, the two taking on the monumental task of covering Luke Kelly in his prime and coming through with a touching version that does the folk legend justice.

Both these guys have been relentlessly touring, sleeping on floors and putting out music for years now and their mutual shows have already demonstrated how their styles complement each other, but it’s awesome to finally hear that put down in the studio. With the two taking turns at vocal duties over for the most part just a guitar and fiddle, the sound has a sharpness and clearness that isn’t always associated with strictly DIY operations but definitely shines through here.

As I have mentioned the record covers various themes, but at its core it is a dedication to music itself; playing, listening and generally immersing yourself in what you love. Stick it on the turntable, crack a can, make a brew or head out and slappy grind the curb on your back street; it’s bound to fuel the hype.

Jono Coote

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Album Reviews Buzz Chart Music

Spring King

Spring_KingSpring King
‘In All This Muck and Dirt’
(unsigned)

Spring King make raw, scuzzy garage pop with a twist. Their debut album, In All This Muck and Dirt is not just any old lo-fi jingle jangle, each track is radically different from the next. The Springsteen-esque motoring of ‘Better Man’ is a total contrast to the piano led, ballad like ‘Heat of The Summer’ but this totally works. The vocals of Tarek Musa keep this ship on course; his flow feels relaxed and natural, easing you into the pop magic, in the same way as Craig Dermody of Scott and Charlene’s Wedding does.

‘Drummer Girl’ is so shiny and summery you need to listen to it wearing sunglasses. And what follows is something quite unexpected. The 80’s organ warble on ‘My Sleeves’ comes with an unexpected trumpet solo creeping into the mix, having its own jazzy freak-out amidst the guitars. It’s not all Miles Davis though, single ‘V-V-V-Vampire!’ is a scruffy punk ditty full of guitar grit and thrashing drums.

Musa is the brains behind this operation, responsible for the recording and mixing of all the tracks on In All This Muck and Dirt as well as writing all the songs too. His talents are also spread across other bands, namely the indie vibes of Kankouran, another triumph for Musa, writing and recording all the songs himself.

With allegedly over 50 more tunes in the bank, Spring King are a well-oiled, garage pop producing machine. Surprisingly the five piece are still unsigned, recording and releasing everything they do themselves, online, with no visible help from any industry folk. Surely it’s only a matter of time before these guys cut a deal and get a record pressed. Watch this space.

Dave Palmer

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Music News

Morrissey releases new autobiography

Morrissey‘s long awaited autobiography was finally released yesterday via Penguin Books following hiccups with his chosen publishers just days before the original release date last month. Supposedly a last minute content disagreement occurred between The Smiths’ frontman and his publisher, but who knows if this was just a publicity stunt to keep us all awake. Regardless, the book is sure to be fascinating as Mozzer’s big mouth finds it difficult to keep stuff in. Put it on your Christmas list.

Morrissey_Autobiography

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Album Reviews Buzz Chart

Destruction Unit

Deep_TripDestruction Unit
Deep Trip
(Sacred Bones Records)

Destruction Unit are without doubt the most exciting cacophony of vicious rock n’roll noise I have heard in quite some time. Hailing from Arizona, Destruction Unit sound like the exact moment a group of young hardcore punk kids put aside their Minor Threat and 7-Seconds records, dropped LSD into their Kool Aid and cranked up Hawkwind to head-melting volume.

Opening track ‘The World On Drugs’ is a shockingly brutal statement of intent; a squealing barrage of feedback opens the track, building in intensity and noise, getting louder and louder, swirling and pulsating, until from out of nowhere a double snare crack signals the start of the best punk rock riff possibly EVER and slams you right between the eyes. From that moment, chaos and bedlam ensures, as each track takes turns to pulsate and pulverise. ‘Bumpy Road’ is a broody, moody piece that ebbs and flows and throbs, getting increasingly louder and more intense until you can physically feel a wet sensation in your ears. You check with the tip of your fingers. It’s blood.

‘Night Loner’ sounds like Loop fed through a meat grinder, whilst ‘The Church Of Jesus Christ’ is utterly menacing and foreboding. In short, ‘Deep Trip’ is no easy listen. It’s dark, scary, aggressive and harsh. And very, very exciting.

Catch them live in the UK this month.

James Sherry

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Music News

Dischord release Fugazi live at Leeds 1995

I remember traveling from London to see this Fugazi show at the Metropolitan University on May 15th 1995. Today, the full recording made up of 37 tracks has been made available through Dischord’s Live Series. Download it from here now for $5 and send this to others you know from the area.

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Buzz Chart Single Reviews

Blessa

Blessa_Between_Times

Blessa
‘Between Times’
No Self Records

It’s satisfying when you stumble across a new band, and even more so when they’re out on a brand new label. ‘Between Times’ is the debut single from Sheffield five piece Blessa. Due for release on new London indie No Self Records from November 11th.

Produced by MJ from Hookworms, who’s already built a fine reputation for himself working with some of the finest new bands out there right (now like Joanna Gruesome and Crows) ‘Between Times‘ is full of shiny, shimmering vocal inflections matched with some watery licks, a reaction to the current music emerging from their hometown. Offering an alternative to the garage rock and punk influenced acts surrounding them, the band say they draw inspiration from New York School poets such as Frank O’Hara and John Ashbery rather than the musical contemporaries you’d suspect. This being the result of front woman Olivia and guitarist Alex studying English Lit together at University, soaking up all the poetry and prose that was thrown at them at the time. This is refreshing to hear considering most find it virtually impossible to describe music without listing some iconic bands from the past.

If this debut single is anything to go by it looks like Blessa are on to something good and are sure to feature on numerous ‘one’s to watch for 2014’ lists. Grab this 7″ from November 11th.

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Features

The Crossfire Halloween Massacre 2013

Last advance tickets here.

Facebook event page here.

Here’s the schedule for tonight:

The Battersea Barge is situated at Tideway Dock/Tideway Walk/Kirtling St, London, just off Nine Elms Lane, SW8 5PZ.

Nearest tube station is Vauxhall. Nearest train station is Battersea Park.

When you walk down Nine Elms Lane, look for the blue gates of the Thames Water building, you will see an alleyway next to it. Follow the alleyway until you see the boat (2 mins walk).

Doors: 8.30pm
8.30pm Lags from Gallows will be playing records
10pm – Baby Godzilla (live)
10.30pm – Matt Stocks DJ
12.00 – Sweet Dreams
1.15am – Shikari Sound System
3am – Boat sinks

Please bring ID and your confirmation number from wegottickets.

There will be only 20 x £20 tickets on the door for last minute people who don’t have their shit together.

crossfire_halloween_massacre_flyer_web_baby_godzilla_gallows_enter_shikari

WE ARE ON:

Are you ready? The Crossfire Halloween Massacre in association with Vans will take place on Friday November 1st and will roll on the Battersea Barge in London for a night of Trailer Trash Slashers vs Heavy Metal Thrashers!

LINE UP:

This year’s live guests come in the gargantuan form of the one and only Baby Godzilla. Lauded as the best live band in the UK right now by many of the UK’s finest rock magazines, this Nottingham four piece will celebrate the release of their new single ‘Don’t Touch That Dial’ on Venn Records with a fiery set of their trademark mix of brutal metal and raging hardcore that is destined to annihilate all who dare to board this vessel. Expect total carnage.

DJs:

This year’s zombie fest welcomes the Shikari Sound System – the electronic alter-ego of English rock band Enter Shikari with special guest DJs Rout (Rou Reynolds) and SGT Rolfy (Rob Rolfe) on board the good ship to drop bombs on the decks until the bitter end.

The Massacre will also be blessed by rocking DJ sets from Gallows guitarist (and Venn Records co-owner) Lags, who will play alongside ex Kerrang! Radio DJ Matt Stocks before the party anthems and slamming beats of Sweet Dreams take over the decks with the Crossfire Sound System.

VANS!:

Those in attendance will be treated on arrival to a special goody bag courtesy of Vans for what is lined up to be Crossfire’s most upbeat party yet.

ADDRESS:

The Massacre runs from 8pm until late on the Battersea Barge at Tideway Dock/Tideway Walk/Kirtling St, London, SW8 5PZ. Please note that the boat is anchored and will not be sailing.

Expect a serious mash up of Classic Rock, Punk Rock, Metal, Hip Hop, Dubstep, Drum ‘n’Bass and party classics. Fancy dress is optional but this event is famous for everyone dressing up to the nines so get slashin’!

TICKETS INFO:

Tickets are on sale in advance only at www.wegottickets.com for £15 + booking fee. On Monday 28th October tickets will be £20. Get tickets early to avoid disappointment as this event sells out annually.

Visit the Facebook event page to invite guests and head to www.vans.co.uk for more.

Categories
Music News

Greg Ginn loses the Battle of Black Flag

This year’s legal battle between Black Flag founder Greg Ginn and Keith Morris’ Flag band has finally come to an abrupt end with the courts ruling that Ginn does not have the rights to won the trademark on the band. Spin broke the news overnight with the following statement:

A judge found that: SST has no rights to the Black Flag copyright; Ginn has no special rights to any of the trademarks; neither Ginn nor the label gave a damn about copyrghts or trademarks until now; Rollins never quit Black Flag (!); fans are smart enough to know which band is which; and nobody tried to screw anybody over, so let’s all give it a rest.

Here’s what all of that looks like in legalese, via FLAG’s camp:

(1) the court found that SST had no rights in the trademarks;
(2) Ginn seemed to have no individual rights in the Black Flag trademarks;
(3) even if either had had any rights in those marks, they had abandoned those rights through a failure to police the mark for nearly 30 years;
(4) the defendants’ claim that the Black Flag assets were owned by a statutory partnership comprised of various former band members – even if these members only consisted of Henry and Ginn, based on (a) accepting Ginn’s argument that he never quit and given that there is no evidence or allegation that Henry ever quit – has merit;
(5) that even if the plaintiffs had some trademark claim in the marks, there was no likelihood of consumer confusion between Black Flag and Flag given the ample press coverage over the dispute; and
(6) the trademark application and registration that Henry and Keith made was done in good faith (e.g. not fraudulently) – and is thus not necessarily subject to cancellation – given that they understood their actions to have been done on the part of the Black Flag partnership (see No. 4, above).

It also looks like Black Flag’s original artist Ray Pettibon is backing Flag’s corner and has designed them a brand new t-shirt this week. This has a been a sad news story where money rules the roost once again. We hope we do not get to see any more of these cases in the future. Damaged indeed.