Categories
Buzz Chart Single Reviews

Lemonheads

Lemonheads
‘A Circle of One’ – ‘Ever’
Fire Records

If you are about to discover the Lemonheads for the first time here then lucky you. They were an incredible band who kicked out the the punk in the late 80s on their arrival and then slowed their sound down to such a perfect chill over a space of time in 90s and mesmerized ears worldwide.

Re-mastered and ready for much needed re-issue’s, the Lemonheads first three albums (1987), Creator (1988) and Lick (1989) are available on deluxe vinyl via Fire Records including ‘A Circle of One’ from ‘Lick’. This new video that has footage recorded between 1986 and ’89 was shot in Ben Deily and Evan Dando’s back yard and street, and has a cameo from Husker-Du co-founder Grant Hart. Reminisce or discover a gem.

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Music News

Send Rankin your photos in Samsung’s ‘Launching People’

The World of photography, food, music and film are coming together thanks to Samsung’s ‘Launching People’ talent search that will cast its net to find various new upcomers across the UK this month.

Rankin’s work is second to none so if you want to get your own photography in front of him check out LaunchingPeople.co.uk He will be looking for creative individuals with unique photography skills. Submissions should be completed before the deadline of 6th March 2014 so if you are submersed in taking photos and need a break, give it a shot.

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Music News

Black Flag’s bassist quits as Mike V clears the air

Ph: Rob Wallace/Courtesy SST Records

The saga of Black Flag took another few twists today starting with a Facebook post from bass player Dave Klein today, who has quit the band. Klein, who also plays in Screeching Weasel, has decided enough is enough and returns to play for melodic punk act They Stay Dead.

The new Black Flag singer Mike Vallely chose ESPN as the place of his second interview following the unveiling of the new singer’s role in legendary hardcore band this Monday on Rolling Stone. In this blog piece, Mike V explains how his relationship with Greg Ginn that started back in 2003 that has blossomed from becoming the manager of Ginn’s project to the new role of front man.

He said that: “…to be the vocalist for Black Flag today is not some overnight fairy tale come true. It’s the result of a friendship and working relationship developed over many, many years. Even over the past year, as the band’s manager, I was not pining for the job. I was truly glad to support the band in a management role every step of the way. But watching singer Ron Reyes throw away the opportunity was hard to swallow, and I felt the band deserved better than that. Ginn didn’t have to ask me twice.”

That much documented moment where Vallely took the mic from Reyes’ hands on stage in Australia was promted by Reyes (who was the band’s 2nd singer originally back in the 80s) threatening to quit many times. “He had informed Ginn and I several times that the Australian shows would be his last as vocalist for Black Flag,” explained Vallely. “The day of the last show in Perth, he reiterated this to us in no uncertain terms. He texted me several times while we were in Australia, threatening to not play the shows at all and to just fly home.”

Vallely basically had to endure damage limitation on Ginn’s behalf otherwise the show would have ended possibly worse than it did. “This being his last show, he looked determined to use the stage as a platform to air his grievances. I decided from a management perspective that we could not allow him to do that. I walked on stage, unplugged his microphone and asked him to leave. His out-of-shape, ill-rehearsed and noncommittal time in Black Flag was over.”

So there we have it. Mike V has cleared the air and the punk rock circus goes on. I have a feeling he will be a killer front man for the band and would certainly love to see it. It’s a poisoned challice though this band as mentioned in our most-read blog piece this week but just like when we saw the Dead Kennedy’s without Jello Biafra, the sing-a-long was worth going out for in the end.

In skate related news here’s a video on how Black Flag skateboards were originally made. Any bets on Elephant Skateboards releasing one any time soon should yield dividends.

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Music News

Fugazi live recording from Kilburn National, 1990

fugazi_london_kilburn_national_1990

Fugazi released the live audio as part of their Live Series today recorded at the Kilburn National in London in 1990 on Wednesday 19th September.

It was James Sherry’s 19th Birthday, so we went down there to have the best night out ever. In fact so much so, that I was getting crushed at the front so badly that Ian Mackaye asked the crowd to cut me some slack and then asked me to get up on stage to watch the rest of the show from there. So there I sat, stage left, like a dumbass, (a very proud one though) throughout a few songs at the end of the show. I will never forget it and have been waiting for this recording to drop since it launched.

Fugazi were supported by Silverfish and Didgits the audio for this show, download for $5 here. The footage from this show is below, we have on VHS somewhere in the archives too.

Categories
Live Reviews

Mogwai live review from Royal Festival Hall

Mogwai
Royal Festival Hall, London
24th January 2014

Mogwai have just claimed a top 10 album in the UK for the first time in their 19 year career with their eight studio album Rave Tapes. Despite a generally sombre mood which you come to expect from the Scottish post-rock heroes, the band are clearly enjoying themselves and extremely thankful to be playing to such a huge audience at the prestigious Royal Festival Hall.

Rattling through a mammoth 18 song set with just the odd “thank you very much” in between songs, the band took the audience on a true sonic journey – the crunchy ‘Rano Pano’ taken from 2011’s Hardcore Never Dies see’s the audience commit to a light coordinated headbang, while ‘Take Me Somewhere Nice’ and the soaring The Hawk Is Howling opener ‘I’m Jim Morrison, I’m Dead’ provide truly spine-tingling moments.

Very often with bands so deep into their career, audiences favour certain albums and tracks, however there was no visible consensus among the crowd tonight, with newer material like ‘How To Be A Werewolf’ raising as much of a cheer as Come On Die Young’s ‘Christmas Steps’. There were some omissions from the set which I’m sure would have been appreciated by a good proportion – no songs from the band’s debut full length getting an airing tonight – though this is forgivable given the amount of tracks the band have at their disposal.

The heavy emphasis on electronics from their more recent work was often in stark contrast to the heavy distortion of the more guitar led tracks which at times made the set feel slightly disjointed. However, this has become a trademark calling card for the band who have never released an album with a similar tone to the last. Where other post-rock bands have been happy to go through album after album, creating quiet/loud, quiet/loud tracks, Mogwai pretty much perfected this (see ‘Christmas Steps’) and moved on to completely different soundscapes.

Despite their clear modesty, there’s still so much about Mogwai to get excited about.

Joe Parry

Categories
Features Music

Cheatahs interview

Photos by Victoria Roper and Robin Christian (B&W)

cheatahsContemporary shoegazers Cheatahs have made a debut album (review here) that has graced our stereo in here for the last couple of months. Self-produced and sounding fresh despite a nod to 90s bands such as Swervedriver, this four-piece are not shy of whipping up an incredible soundscape. Dave Palmer spoke to them ahead of release to find out how this long player made it onto vinyl.

Tell us how Cheatahs began?

We all moved to London for different reasons initially but ended up meeting and starting this band because we were friends. Nathan is from Edmonton, Dean from San Diego, Marc from Dresden and James is from Leicester.

Before you all united and formed Cheatahs what were your past musical ventures?

James and I were briefly in a band when we first met but didn’t really get to connect over music again until a few years ago. I’ve played guitar in a few bands as has James and Dean but never in something like this where from the beginning it has been us four. From first show to first album.

Wichita have put out some amazing bands, signing with them must have been a huge inspiration. Have you dealt with labels much in the past or have you kept it all DIY ‘till now?

Signing to Wichita was pretty fun actually. We’d met them and got drunk and talked about our favorite bands, a lot of those bands they had put records out for back in the Creation days. We’d previously put out an EP on Marshall Teller Records and a few 7″s on friends labels.

You’ve always worked without the influence of a producer and called all the shots in the studio yourselves. Were you not tempted to team with a producer for your debut?

We were tempted with getting someone in to do the mixing but a “producer” was never something we talked about. We work in a pretty self-critical way that can sometimes be pretty brutal so a producer would have just gotten in the way, or may have talked us into putting something out we weren’t happy with. At least this time around.

You guys have a gargantuan guitar sound. Who are your guitar heroes and main musical influences?

Link Ray, J Mascis, Kevin Shields, Neil Young.

SXSW, Primavera, a US tour with Wavves and Fidlar, and you also toured with Metz. Are you looking forward to having some time off touring?

Touring is a really great, strange and unique experience. Especially the way we’ve had to tour this year. In a mini van, all in the same hotel room/friends floor. It takes a lot out of you and the whole thing is designed to set you up for 30-45 minutes of fun once a day. Luckily, those 30-45 minutes are usually worth it.

Amongst all your gigs last year, how did you cram in the time to craft your debut? How did you find the trip to the countryside, and why Cornwall?

We stayed in last summer! And it was a decent summer in London as well! After being able to play a lot of the songs live for the first time on the Wavves tour we came back and locked ourselves into Dean’s windowless studio and finished it. The trip to Cornwall seems like years ago. It was a totally different experience than recording the record. That is when we wrote it so our heads were in such a different place than when you are trying to realize it. Next time we are definitely doing it in a studio with windows. Or at least not over the summer time. Conrwall was where we found someone nice enough to let us rent their thatched cottage and make noise all day long. It was in a valley so was fairly secluded. We’d recommend it.

Cheatahs

So did the songs on your debut materialize while out in the sticks? Or have you had them down for a while?

A couple of the songs were written in the studio this summer but most of them were the ones we demoed in Cornwall last autumn and tweaked after the USA tour.

Of all the great new bands you’ve shared the stage with over the year do you have any personal favourites? Who do you think is going to make the biggest noise in 2014?

We’ve been really fortunate to play with really nice people this year! Metz are seriously the nicest guys ever and are one of the best punk bands in the world right now. Really looking forward to hearing what FIDLAR come out with next, who are also great guys. Our friends Primitive Parts are getting material ready for a record so we are pretty excited to hear that, and to play with them at our release show at Birthdays in February.

So what’s next for you guys after your debut lands? Where do you want to sail this ship to?

Most probably playing as many shows as we can. Let’s sail to Jamaica, heard it’s nice this time of year!

Cheatahs’ debut album is out on the wonderful Wichita record label on 10th February. Head to their site to order one, find them on Facebook and find them on tour at the following shows.

Categories
Music News

Black Flag announce Mike Vallely as new singer

black_flag_mike_vallely_greg_ginn_photo_Robert Kenney_SST_Records

If you think back to 26 years ago when Mike Vallely caveman’d into his first video part in Powell Peralta’s Public Domain, it’s likely that you would never have laid down £50 on him one day being the vocalist in Black Flag. Fast forward to today and the announcement that Vallely is the official singer of said hardcore legends is a firm reality.

The difference is though that Black Flag shot themselves in the foot during 2013 so badly that this news is no longer being regarded as cool. Luke warm in actual fact, as Greg Ginn’s stubborness has removed Black Flag as we know it from being top of the punk rock league. With Ron Reyes bailing out to the reformed project last year due to embarressment from Ginn’s own narcissism and the much publicised ongoing war with splinter group ‘Flag’ headed up by their first vocalist Keith Morris, Black Flag’s own implosion has left many wondering why we should bother with any of it at all. Speaking exclusively to Rolling Stone today Vallely says:

“We feel that, generally, the band fell short in 2013 because of a difference in the philosophies of Ron and Greg – it just led to dysfunction. It could have been better. Black Flag can be a stronger, more cohesive, tighter band. We want to prove that.”

With Reyes now gone and Ginn and Vallely reunited once again in a different project (following their ‘Good for You‘ band) Vallely seems stoked on his new position: “He (Ginn) told me he made a mistake by working with Ron and trying to pander to a sort of old-school thing.” added Vallely. “He just thought that I was the guy for the job. . . I’m not gonna say no to that.”

So, here we are in 2014. The skateboard scene is filling its pockets and has opened its core door to corporations just like it did back in the 80s, and Vallely said yes to a marriage with Ginn (after managing him for a while too don’t forget) and now finds himself at the helm of Black Flag. He is still skating and runs his own brand, probably still wrestling, still doing what he wants in life and not having to flip burgers for a living. On one hand you have to commend him as he is most likely living a dream, on the other though, that dream may well become his worst nightmare filling boots that are forever going to be covered in more shit than the floor of a GG Allin show. Only time will tell.

Categories
Buzz Chart Single Reviews

Black Lips

Black Lips
‘Boys In The Wood’

Free Download

black_lips_photo_boysinthewood_rainbow_underground

It may have been three years in the making but Black Lips have come back strong yet again with a new album titled ‘Underneath the Rainbow’ and a must-have for March this year. Their opening gambit ‘Boys In The Wood‘ creeps along like a bar room brawl that is about to kick off, a sing-a-long that leans on The Animals for inspiration bringing a 60’s drool straight into 2014 in a haze of bong smoke.

The video made for this track was made by the ATL Boys and comes with a heavy NSFW tag due to its voilent Deliverance. It’s worth getting fired for so play it anyway.

Categories
Live Reviews

Girl Band live at Old Blue Last

Girl Band
23rd January
The Old Blue Last, London

girlband_photoThere are hundreds of adjectives that spring to mind as Ireland’s Girl Band clatter through their first track of the evening. The one I’ll start with is ‘unassuming’. For a band who look so pleasant, they make a particularly ugly brand of post-punk – all chainsaw guitars, throbbing bass and extraordinarily unusual structures. Ugly their sound may be, but it’s also touches on sheer brilliance.

Mixing longing drones with blisteringly raw and fast tracks, the energy never relents despite their chaotic unpredictability. For a band with such little melody, they manage on several occasions to get the packed out audience moving – such is a testament to the thought that has gone into crafting each of their tracks. Each track seems to have just about the right amount of each ingredient – even shoehorning in some quiet moments to allow the each nuance to breathe.

Repetition is a key tool in Girl Band’s repertoire. Many of their songs take an idea and let it naturally unfold and reveal itself, until you’re faced with cacophonous wall of jarring discordance. As the tracks move and swell, frontman Dara Kiely’s lazy monotone erupts into a pained howl, mirroring the rest of the bands erratic chaos. Given more time, audiences will be screaming the lyrics right back at him.

The bands cover of Blawan’s ‘Why They Hide Their Bodies Under My Garage’ is a definite highlight, taking the throbbing techno of the original and skewing it with dark industrial stabs, while recent single ‘Lawman’ gives their set a true feeling that venues this small will soon be out of the question for Girl Band.

Joe Parry

Categories
Music News

NIN and QOTSA with Dave Grohl Grammy performance

These sorts of back slapping moments always suck but Nine Inch Nails and Queens of the Stone Age with Dave Grohl at the Grammy’s performing with Lindsey Buckingham from Fleetwood Mac was a must watch. Why the hell did they break for an advert half way through the performance though? Another example of pure greed ruining the arts. Thanks America, you suck.