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Stupids interview

peruvian_vacation

The Stupids were a shining beacon of light, colour, fun and energy in the harsh black n’ white world of UK 80s punk. While all around these Ipswich teenagers bands screamed and raged with paranoia of nuclear war, depression, misery, riots and the oppressive system of government and stage, Stupids, although still caring and fearful of such matters, strapped on their skateboards, harnessed every single drop of their teenage energy and set about to have as much fun as a human being could possibly have. Songs about skateboards, food, dogshit, insects, dumb stuff, having fun and more skateboarding flowed from every pore.

Their debut album ‘Peruvian Vacation’, released in 1985 is a ferocious rush of youthful energy that detonates in every direction, setting the Stupids off on a journey that would see them heralded by John Peel, garner much-media attention and tour the world. Many members passed through their ranks before the band conked out in 1989. Various members split off into different directions and musical worlds. Feeling the punk rock itch again in 2008, founding member and Stupids guru/drummer/singer Tommy Stupid reformed the band with original guitarist Marty Tuff for the ‘Kids Don’t Like It’ album, released alongside their back catalogue on Boss Tuneage Records. Picking up exactly where they left off, the Stupids exploded into life, touring around the world for another lap of honour.

Back again on Friday 11th of April at the Black Heart in Camden, the band return for their first London gig in three years so we caught up with Tommy to reminisce and bring us up to date with arguably the most important skate punk band the UK have ever had.

stupids

When you initially reformed The Stupids in 2008 what were your hopes and aspirations for the band this time around, were you happy with how the band was received all of these years later?

I think for 15 minutes we thought more people would be as excited about our new record as we were. We were pretty astonished that we’d made a full LP that we were really happy with, but it took much longer for the message to get out there. Unfortunately other aspects of our lives took over in the meantime (both good and bad) so we had to put things on hold again about a year after we made it, at the end of 2009.

It wasn’t until earlier this year (2014) we decided to get things rolling again. With new bass player Wild Johnny Stallion in tow (John Roscoe) we quickly got back up to speed and immediately went out and toured France for 10 dates solid with an superb bunch of guys called Swine Punch from Lyon.

Why France in particular? Do you prefer cheese and wine in your older ages these days rather than dog logs?

Because they asked! We can sense when a kindred soul reaches out and extends a genuine invitation. It was 10 days solid of hardcore travel and gigs with possibly the nicest bunch of French guys you’ll ever meet. It was awesome. Seek out Swine Punch.

When you returned to playing live, did you still get the same energy rush out of it as you did as a teenager?

Of course not. Nothing beats the reckless oblivion of being a rampant 15 year old with a giant boner and on stage…..but nearly.

You cited the Stupids’ return as ‘unfinished business’, is returning to punk every so often an itch that you need to scratch?

For me, I’ve always “been a punk”. It did indeed feel like a return to the music after a decade of total immersion into dance/rave music culture in the early 90’s. Punk attitude in its base form goes far beyond the template that’s generally set out for it: Leather jackets, distorted guitar, Sex Pistols, Maximum Rock ‘n Roll etc. Rave culture originally felt very punk in its wreckless freedom of expression and ultra DIY attitude. Apart from that, yes, I desire punk rock, it is my wife.

Talking of scratching, if you look back to recording the hip hop style track ‘Stoopie Boys’ track what memories spring to mind?

Another one of those stupid 15 minute ideas where you think its going to be amazing etc and then it wasn’t/isn’t. Aside from that, it was great! At the time i was living in a squat with this guy Sean from God Told Me To Do It, on Woodstock Road in Finsbury Park and we were both enjoying the phenomena that was NYC Hip Hop. Schooly D, LL Cool J, Beasties and so on. I had recently bought a terrible drum machine to help me record 4-track demos (Yamaha RX21) so we dragged that down to RMS studios, Marty programmed it and then used an AMS delay (or was it a BEL……., can’t remember) to drop in scratches and samples, and we all “rapped”. Great fun, but shit. The Clarks Commando’s is my fave line and I still use the expression “pull a def U-ey” to this day when I’m driving.

The Beasties were killing it on the hype front at that time, you’d hit the cover of the NME on 22nd August 1987 with a great big feature on skateboarding, shit kicked off…

It’s pretty crazy thinking back on it all. Nothing was planned, no pre-conceptions of any kind, just teenagers going nuts doing what we thought was cool and reacting to what we thought was cool. There have been a handful of moments in my life where “pop culture” – for want of a better term – just spins into overdrive and everything seems to come together all at the same time and you have total synergy. 1987 was one of those times. It was completely random that 3 dorks from Ipswich were being courted by the cream of society, from Big Audio Dynamite to David Bowie to Smash Hits centre spreads and NME front covers. It beggars belief – a bit like a Chauncey Gardener situation, but we didn’t think about it for more than 30 seconds and thought it was a laugh a minute. I know it upset the old Vicars of the UK Hardcore scene at the time as it went against the punk rock rules, but we all seem to be able to have a civil conversation these days.

Ph: Tommy and Stevie from the NME cover shoot in 1987 shot by Lawrence Watson.

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Do you remember playing on the side of Mon’s ramp in Oxford back in the day whilst a skate jam went down? What other spots did you skate back then, Meanwhile 2?

I definitely remember playing Mon’s Ramp Jam, that was NUTS. I’ve forgotten most about it and I would love to hear more about it. We never played Meanwhile 2 but we were there almost every day in the late 80s skating the shit out of it. That is absolutely my all-time fave spot. I love the fact it’s still there. One side sharp, the other round with a small curved transition at the bottom and then FLAT. Very odd set up but i love it and would be happy to go and skate it tomorrow. You need wide trucks though to be able to grind it. Totally unique spot.

What rig did you ride back then?

Oh there were looooads. The first “wide set up” I had was a Sims Kamikaze with Indy’s and Kryptonic Blues. I made the mistake of swapping the deck for a Vision Agent Orange which snapped about a week later. After that a Santa Cruz Rob Roskopp 3 mini, a Madrid John Lucero Jester, a Bullit mini that I copped off Pushead, an Alva Malba, a Madrid Bill Danforth, a Caballero with Boneite, a Hosoi Hammerhead………………..I could go on.

We have been working on a lengthy Latimer Road vert ramp feature here with Dan Adams, Lance Mountain and many others in the last 6 months that should be ready soon. Did you delve into any vert at the time?

I didn’t. Vert skating was boring for me cos I was scared of the height. I could sometimes manage a backside grind or an edger if the ramp wasn’t too big. For a time Latimer really was the primo UK skate spot. I do remember going down and watching Lucien Hendricks skating but I always preferred banks. Even to this day I prefer banks and bowls.

Reading an old Stupids interview in Kerrang! Magazine recently from 1988 you are very critical of bands at the time (Anthrax, Suicidal Tendencies) that used skating to make their image look cool but didn’t actually skate unlike the Stupids members. Do you still skate?

I do still skate, however the Stupids haven’t written a skate song for a very long time. We stick to relevant themes like organic produce, divorce and those annoying dicks who go to festivals and bring bongos.

Have you checked into what skateboarders are doing lately?

I do, I love skating. For me it’s about the flow rather than the tricks and I enjoy watching someone skate with style and energy rather than micro technical tricks. Saying that, Rodney Mullen is my all time skate hero.

The punk scene is very different now to how it was when The Stupids were first around as we enter an era of nostalgia and reissues, but what do you think is better about the scene now? Or worse?

Obviously I’m older so I can afford to buy more records and go to more gigs. Personally I think punk is a wholly nostalgic scene these days. There’s no real descent, no real attempt at subterfuge.

So, let’s talk about this deluxe re-issue of ‘Peruvian Vacation’ that is due out soon. It’s an epic record and a firm favourite for us in here. What will be included on it? Will any more of your back catalogue be getting luxury re-issues?

Aston and Julie at Boss Tuneage Records have made a huge amount of money over the last few years, especially with the Stupids stuff. I believe it’s kept them in Ferrari’s. Anyway, their way of thanking us for elevating their lifestyle was to re-issue the re-issues in an even more decadent and luxurious fashion. Peruvian Vacation is a double LP affair with the various demos and extra tunes from that era and the first time on vinyl in most cases. It’s going to be fucking amazing! Next up will be another one, no idea what but it’s going to be velvet and gold and just ultra lush.

Peruvian Vacation has a very memorable intro with its ghoulish bells, ripping guitar solos and the sound of you shouting ‘fucking shit’! Explain the setting of how that album was recorded.

At the time cross-over metal was the absolute THING in hardcore and we wanted to take the piss. We were in Andrew Fryer’s parents attic in Stutton, Suffolk, (Treetop Ave Studios) and we made use of his tape echo and his copy of BBC horror sound FX. We co-opted Ed Shred, (or Wenn as he was known in those days) to act as Satan and we did it all very quickly…….you know, 36 hours. Peruvian Vacation was insanely cheap and fast to record. I laugh when I read stuff like “the first Ramones album cost $1000 to make”, well, Peruvian cost less than £100. So piss off.

Recording in a house must have had its limitations then, it must have been a blast…

Yep. We caused the ceiling to collapse onto Andrew Fryer’s parents bed. Other than that……jeez……we used Dolly Mixtures equipment without asking them! All the drums and guitar amps…..Dolly Mixture. We also recorded over Andrew’s sister’s show tunes groups master tapes, which you can hear at the beginning of This Is the Norm…..that might have someone from Dolly Mixture in it too! So, all you hipster dicks that shop at Rough Trade east and buy Dolly Mixture re-issues….piss off.

Did Bruce Springsteen ever get in touch by the way?

I think he might have touched Wolfie at some point.

You’ve had a lot of people come and go over the years. You now have Ipswich legend John Roscoe on bass (formally of bands such as Perfect Daze and Sink). How did that come about?

Our last bass player finally left about a year and a half ago and at the time I was up to my neck in a Klute LP and running my rather shit drum and bass label, Commercial Suicide, so I said to Marty, I can’t be arsed to look for another bass player but if one falls into our laps then I’m up for it. That weekend I was up in Ipswich, bumped into Johnny, mentioned we’d stopped because of the bass player and he just said “I’ll do it” without even asking. So, for the first time in my life, a bass player fell into my lap. I think he seriously regrets it now.

What part of the Stupids career so far are you most proud of?

`Peruvian Vacation’ and ‘The Kids Don’t Like It’, because they’re both two very real, full on band albums, the rest were kinda studio albums.

Do you intend to record a new Stupids album any time soon? Any new tunes in the works?

We do, aye. This ones going to be a dub step album with a touch of hipster house.

Hipster house is so next year, can’t wait for that! We guess you are still a keen punk record collector and listen to a lot of new bands. Who’s on your recommended list at the moment?

Whether they’re new or old, I don’t care, but at the moment I’m bang into Pusrad, Deep Sleep, punk or not I love the Sleaford Mods, they’re about the most truly punk band around at the moment. Ummmmm, there’s a Die 7″ I quite like. I loved Tremors, dunno what they’re up to. Of course there’s tons and tons of other stuff.

What can we expect from the Black Heart gig on the 11th of April, you’re first London gig in 3 years?

45 minutes of sweat.

And lastly… have you ever seen a grown man naked?

Yes, one time and I’m afraid the details must remain with me.

The Stupids play the Black Heart venue in Camden, London next Friday 11th April. They will be joined by Leeds’ Jaded Eyes, who feature members of Voorhees, The Horror, John Holmes, Dead Pets, Geoffrey Oi!Cott and many many more. Grab the remaining few tickets left from here.

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Wolf Alice share a new track from forthcoming EP

Moaning_Lisa_Smile_Wolf_Alice

London four piece Wolf Alice have just dropped the lead track to their upcoming EP Creature Songs.

‘Moaning Lisa Smile’ is the first look in we get from Wolf Alice this year, and it’s a bloody good one. If this brand new track is anything to go by then it seems like Creature Songs is going to be a step towards the grungier side of the indie guitar waters.

Waste no time in pressing play for two and a half minutes of hard rocking grunge. Tainted with bitter sweet, boy girl harmonies and enormous guitar sounds, this is hit repeat good and no doubt the best we’ve heard from Wolf Alice yet.

The band head out on a full UK Tour in May, scroll down for live dates.

Look out for the EP from May 26th on Dirty Hit Records.

Wolf Alice Tour Dates:

May 1st King Tut’s, Glasgow
May 2nd Liverpool Sound City, Liverpool
May 3rd Live at Leeds, Leeds
May 4th Sunday Live, Stockton
May 5th Fruit, Hull
May 6th Leadmill 2, Sheffield
May 7th Think Tank, Newcastle
May 12th Institute Temple, Birmingham
May 13th O2 Academy 2, Oxford
May 14th Portland Arms, Cambridge
May 15th Esquires, Bedford
May 16th Boileroom, Guildford
May 17th Cookie Jar, Leicester
May 18th Wedgewood Rooms, Portsmouth
May 20th The Haunt, Brighton
May 21st 53 Degrees, Preston
May 27th Craufurd Arms, Milton Keynes
May 28th Scala, London

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Music News

Glastonbury Festival announce artists for 2014

Glastonbury Festival have announced the first wave of artists for their 2014 event this morning taking place between 27th-29th June. Take a look at these and then try and work out who the headline ‘special guests’ are. There are more to be announced soon but rumours flying around that a Led Zeppelin line up could be the guests. Thoughts? Rumours also flying around that Shepard Fairey is doing artwork for the band right now for a forthcoming release.

glastonbury_festival_2014_lineup_bands_artists

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Album Reviews Buzz Chart Reviews

OFF! Wasted Years

OFF!
‘Wasted Years’
Vice Music

OFF_Wasted_Years_ART_album_pettibon, sleeveOn track 8, Exorcised, the singer proclaims this to be “as good a day as any”. I concur, the arrival of a new full-length platter from OFF! indeed makes for a notable date in the calendar.

The singer is of course Mr. Keith Morris, formerly of Black Flag, The Circle Jerks, and latterly reunited with former Hermosa Beach alumni to tour the songs of said Black Flag. They call themselves FLAG, but this is OFF! where Keith gets to blast out original material with a bunch of real stand up musical guys.

Wasted Years” is their second album proper, 16 tracks, recorded and written live in a furious studio session. Sparks would have been flying. The OFF! formula is strictly compact and economic, verging on the claustrophobic, but they inject valuable twists and variation to the song construction. Slabs of block-heavy riffage ensure damage levels are ably inflicted, whilst Keith’s barked vocals are as penetrating as ever, dripping in vitriol and venom… a weathered old-timer still raging against the bullshit and lies. Good on him. I am, as with their previous records, very much digging what these guys do.

Great record. Gimme some more…

Pete Craven

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Pusrad

Pusrad
‘Thirty-One Premature Ejaculations’
pusrad.bandcamp.com

Back in the dark and distant eighties there was a band from Sweden called Raped Teenagers. Despite the admittedly horrible name, they were actually completely brilliant; a highly invented, super-fast-jazzy-spazzy hardcore punk band who pretty much took the genre as far as it could possibly go without it cracking around the edges. Or so we thought.

Pusrad feature two members of Raped Teenagers. I don’t know which two because I can’t find any information about the actual members.The full extent of their ‘biog’ on their website reads “two guys from an old shitty hardcore band. We like short songs.” Whilst the first statement is wrong and self-deprecating, the second part certainly can’t be denied. Pusrad only deal in short songs. So far they have recorded 31 songs, released on a tape (entitled ‘Thirty-One Premature Ejaculations’) and across various comps, singles and EPs.

The entire 31 songs whizz by in less than eleven minutes. The longest song ‘Errare Humanium Est’ clocks in at a whopping thirty-seven seconds. Don’t, however, presume that they deal in nothing but monotone short blasts of Anal Cunt inspired grindcore noise, there’s so much going on in Pusrad’s music listening to them makes your head spin.

They have more happening in their twenty-second songs than most bands do in their traditional four minute structures, Pusrad just do it at hyper-speed. Weird, contorted, bewilderingly fast, this is the most mental music you’ll hear in 2014 and it’s as punk as absolute fuck.

James Sherry

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Music News

White Lung Announce New Album

Resilient rock ‘n’ rollers White Lung have today announced their third album Deep Fantasy is due for release June 16th via Domino Records.

Fear not, despite having to wait ’till summer for this exciting installment of noise, the band have put together a playlist of tracks they took inspiration from for Deep Fantasy. From Venom to Van Morrison, there’s something in there for everyone.
Click here to listen.

The first taste of what’s to come from this LP is brought to you by the most kick-in-the-teeth of a new single ‘Drown With The Monster’. Be sure to blast out this gut wrenching track at no less than full volume.

Catch White Lung live in May when they head to the UK to kick off a full European tour, dates below.

May Tour Dates:
10th – The Great Escape Festival, Brighton
11th – Louisiana, Bristol
22nd – 100 Club, London
26th – Gold Sounds Fest, Leeds

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Music News

James Lavelle’s Meltdown line up announced

DJ James Lavelle will host the Meltdown Festival this year at the Southbank Centre between Friday June 13th to Sunday June 22nd. Lavelle and DJ Shadow’s UNKLE crew will play a one off show at the Royal Festival Hall with a number of special guests that include Neneh Cherry, ESG, Chrissie Hynde, Radkey, Mark Lanegan, Goldie and many more.

Talking about the festival he says: “I intend to create a vibrant and exciting collage of counter-culture and collaboration from the worlds of music, film, art and everything in between. I want to bring together my influences from the past, the present and my work as an artist in contemporary society as well as transforming the space in a way that’s never been done before, both artistically and musically. In curating Meltdown I have a responsibility to inspire the next generation of young artists in the same way that I was inspired as a teenager. Together we will push boundaries, shoot for the moon and create something that people will never forget.”

Tickets go on sale April 3rd.

James-Lavelle-Meltdown-2014

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Chuck Ragan

Chuck Ragan
‘Till Midnight’
Side One Dummy Records

chuck-ragan-till-midnight_albumYears spent on the road, clocking up mileage and playing shows in every small town that will have you is a process which naturally produces storytellers. You can’t spend that much time traveling and meet that many people without picking up some tales along with the vocabulary to tell them, which is perhaps why so many punk rock front-men become solo artists with a penchant for the folk troubadour end of the musical spectrum.

This was a particularly obvious step for Chuck Ragan of Hot Water Music, whose gravel-throated post-hardcore always flirted with a more traditional Americana type song writing style.

Never having checked out his output beyond Hot Water Music before, I came to what is his fourth studio album unaware of what to expect about two days ago and it has been on steady rotation ever since then. Playing here with a full band, the record opens at full steam with the song which is currently taking the title of album favourite for me; ‘Something May Catch Fire’ is a swaggering piece of country blues with a chorus that can’t fail to have you shouting along and a piercing fiddle which lets you know exactly what you are in for. The lap steel of ‘Vagabond’ matches the song’s lyrics perfectly, leaving a perfectly burnt image in your mind of the unfolding highways which the song evokes.

I imagine the man is getting fairly sick of Springsteen comparisons but there is definitely an element here also visible in Bruce’s recent work, from the roughly impassioned vocals to the melding of folk, country and rock elements to create gloriously anthemic and uplifting songs. And there is definitely a feeling of hope which permeates this record, with almost every track feeling like the perfect soundtrack to a roadside sunrise. ‘Revved’ is another personal favourite so far, an urgently driven song with a slide guitar that really brings home how much Ragan’s voice is made for this kind of music.

‘Bedroll Lullaby’ perfectly brings together a boot-stomping rhythm with a beautifully elegant piece of fiddle playing and I defy anyone not to listen to it without wanting to immediately hit the road. ‘Wake with You’ shows that the band breaking out of ‘barroom hype’ mode to create a fragile love song made all the more real by Ragan’s lived in voice, with lyrics which will have you crying into yer whiskey. ‘You and I Alone’ ups the tempo again and I’m once again struck by how carefully chosen the band must have been, every note and instrument perfectly accompanies Ragan’s vocal changes.

The opening guitar/vocal moments of ‘Whistleblowers Song’ sends shivers down my spine before building into a powerful chorus which again will have crowds shouting every word in a live setting. But where others would close off a record with a song of this magnitude, Ragan goes down the lesser trodden path and has one more song to sing in the form of ‘For All We Care’, an atmospheric, acoustic-driven ballad which adds a finishing touch that you didn’t even know you wanted.

Some records work perfectly as background music, some slot nicely in with certain day to day activities, but this is one of those records which demand undivided attention. If you are already familiar with his work I’m sure you’ll know already and be waiting for this eagerly, but if you have any interest in alt-country music this will be well worth your time.

Jono Coote

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Music News

Dave Brockie of GWAR RIP?

Ph: Jorge A Gwooki

GWAR frontman Dave Brockie has reportedly been found dead in his home this weekend. 50 year old Brockie, aka Oderus Urungus in the band, played bass in Gwar and founded the band back in 1984.

This lot are famed for their outrageous shows playing thrash metal and dressing up in the most insane outfits you will ever witness, definitely one of the best live experiences you would have ever encountered. Most people would leave a Gwar show covered in fake blood and foam spat from the pussy of a nun or the throth from a six foot penis – so it’s safe to say that the train journey back home sat with commuters on the last train covered in blood was always one to cherish as a result.

The strangest thing is that he posted a selfie on the 18th March on his FB page saying “Happy to be alive today. Hope you are too!”. We hope that this is not some strange rumour gone wrong. If not, it was an honour to have seen Dave Brockie play live and our thoughts go out to all of his family and friends. RIP.

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Brian Jonestown Massacre

brianjonestownmassacre_whatyouisntBrian Jonestown Massacre
‘What You Isn’t’
a recordings

The return of Brian Jonestown Massacre is amongst us and their first offering in ages is an incredible laid-back jam that gives and gives.

Frontman Anton Newcombe is a wonderful genius and once turned up into London for a press day and threatened to hang a journalist out of the hotel window if my memory serves me correctly. There are a million other stories on this band (man) but although he has been, and may still be, a liability to any human life around him, there’s no denying his incredible talent which streams like sunbeams through the curtains after a long night in this new track ‘What You Isn’t’.

See BJM on tour in July and look out for a new album that will be coming out on Anton’s new label.

1st July – Roundhouse – London
2nd July – Waterfront – Norwich
3rd July – Anson Rooms – Bristol
4th July – Rescue Rooms – Nottingham
5th July – ABC – Glasgow
6th July – Riverside – Newcastle
7th July – Academy 2 -Birmingham
9th July – Academy 2 -Dublin, Ireland
10th July – Ritz – Manchester
11th July – Cockpit -Leeds
12th July – East Village Arts Club – Liverpool