Categories
Live Reviews

Projekt Revolution – Live

Milton Keynes Bowl
29.06.08

A surprisingly sunny day in Milton Keynes was the setting for a surprisingly top-notch line-up headlined by the scorned by many but actually well good Linkin Park.

Openers innerpartysystem proved naturals on the massive stage, communicating their electro-tinged rock with assured accuracy and getting more than a few heads in the audience bobbing. Next up were The Bravery and though I missed most of their set I did catch their ‘hit’ which sounded like a great soundtrack for the weather. Unfortunately I’m told the rest of their set was dull as dishwater.

Enter Shikari proved their position as one of the country’s most popular rock bands is justified as they put on a ridiculously hyperactive performance with the star turn coming from drummer Rob who treated the crowd to a series of bizarre dances both in front of and behind the drums.

Although I missed a chunk of NERD‘s set, what I did see was also most entertaining. The sight of Pharell grinding up against a random girl from the audience whilst she squealed with delight may’ve been a little sickening but it was also quite fun and proved the guy does have some sort of a sense of fun which I would have debated against before seeing this. New track Everyone Nose was a highlight along with Lapdance and Rockstar.

Pendulum probably got the most people dancing that day with their high octane rocked-up drum ‘n bass getting the majority of the crowd moving and pointing fingers. But… Nothing could detract from the genius that is Jay-Z as the big man was up next. 99 Problems backed by Back In Black? Yes please! Freestyling about girls having a chance with him if they don’t tell the missus and about the queen looking after his jewels? Alright then!

Seriously though, Jay-Z proves he has every right to headline an event like Glastonbury even when fulfilling his duties in a supporting role such as this. Flawless and with a fantastic backing band including a phenomenal drummer, this is someone who can pretty much do no wrong.

Linkin Park are late on. And I’d already decided to leave early. Despite loving Hybrid Theory recently, this band is very much a guilty pleasure for me so as soon as I got my fix of ‘tunes’ from that era I was good to go. The opener was the rip-roaring One Step Closer which basically satisfied my hunger right then and there. As we walked away I sung along to another of the greats but by this point I’d decided that there was no way I’d sit through the shit just for the hits.

An unbelievably eclectic bill attended by an extraordinarily eclectic crowd delivered the goods and each band seemed to be similarly rapturously received with virtually no bottling and little complaint from the crowd. All in all, a lovely Sunday.

Winegums.

Categories
Music News

New Slipknot masks revealed!

Yep, it’s news when those Iowa dudes put new masks on.

The new album, All Hope Is Gone, is out this year and promises to be heavier than ever if the first track is anything to go by. Click here to check out the masks for the new era of Slipknot.

In the meantime, enjoy a song that isn’t new, but is still great:

www.myspace.com/slipknot1

Categories
Music News

Vordul Mega announces new album details

Cannibal Ox’s Vordul Mega has announced the tracklisting for his new album.

Megagraphitti will be released in August and features production by El-P and Bronze Nazarath with guest spots by Vast Aire and Monsta Island Czars’ Tommy Gunn. The full tracklisting is:

1.) Stay Conscious (produced by Zach One)
2.) AK-47 f/ Vast Aire (Cannibal Ox) (produced by Opto)
3.) Opium Scripts f/ Billy Woods (produced by Bond)
4.) Hattori Hanzo (produced y DJ Marmaduke)
5.) Air Battery f/ Tommy Gunn (Megalon of Monsta Island Czars) & Billy Woods (produced by Bond)
6.) Trigganomics (produced by Bronze Nazareth)
7.) Broken Halo f/ Invizzibl Men & Hi-Coup (produced by Lex Boogie)
8.) Light (produced by Bond)
9.) In the Mirror f/ Vast Aire (Cannibal Ox) (produced by Sid Roams)
10.) Beautiful (produced by Armyfatigue)
11) Learn (produced by Ravage)
12.) Peanut Butta Up’s (produced by DJ Marmaduke)
13.) Keep Living f/ Billy Woods (produced by El-P)
14.) Imani (produced by Essex Dogs)
15.) Megagraphitti (produced by Zach-One)

www.myspace.com/vmega

Categories
Music News

The Bronx go mariachi!

The Bronx have posted a live video of a track from their upcoming Mariachi album.

Arrrrrrrrrrrrrrrrrrrrrrrrrriba!

www.myspace.com/thebronx

Categories
Music News

Gallows update!

Gallows recently updated their MySpace with news on their eagerly-awaited second album.

The band said:

“So seeing as it feels like we released Orchestra Of Wolves back in the 19th century, we thought we’d give you a little update on what’s happening with the new record. We’ve been writing for the last few weeks and have about a dozen tracks that we feel could go on the album so far. BUT… we also plan to write a whole load more before we begin recording so this album is going to be all Killer no Filler.

Recording is scheduled to begin on September 1st with the producer GGGarth Richardson who’s worked with legendary bands like Rage Against The Machine, Melvins & Red Hot Chili Peppers. We’re really excited to begin recording and we hope to have the record released worldwide in February 2009. So it’s a little while off yet but will be worth the wait!”

www.gallows.co.uk

Categories
Buzz Chart

Boris

Japan’s progression and efficiency in most fields never really lets us down. Well apart from those Tetris blokes on Youtube. You at the back! Stop sniggering! It’s NOT funny. ‘Smile‘ marks the impressive14th full length effort from the Tokyo rock trio and shows no signs whatsoever of disappointing.

Boris are by no means a one trick pony. They can turn their hand to anything with successful results as shown on previous release ‘Alter‘ (their collaboration with Sunn O))) drone god, Stephen O’Malley who also guests on the album). The band’s diverse streak continues with this release.

On ‘Smile‘ the band slip effortlessly from epic yet peacefully melodic drone of opening track ‘Flower Sun Rain‘ to the down right, balls out, rock’n’roll as heard on tracks ‘Statement‘ and ‘Laser Beam‘. The, at times, breathtaking axe-work, courtesy of stoic goddess Wata, shines throughout this record.

She is perfectly accompanied by band mates; Atsuo, who pounds the skins like he’s on crack but with all the precision of a brain surgeon. Rhythm guitar, bass and Vocals are taken care of by Takeshi who drives this band with elegance and grace then a in split second can unleash a wall of furious noise. Rad, I know.

Lyrically, I can’t understand a bloody word. They must be singing about Satan or cool robots or something. None the less, this album has more layers than a stay at home, alone, in your pants, Saturday sandwich.

So the final score and verdict: Human Tetris blokes on YouTube who suck, score 0. Boris who totally rock your f’n balls off, score 14.

Tom Lindsey

Categories
Buzz Chart

Skitkids

A coupla years back a friend of mine played me a copy of SkitkidsOnna For Pleasure” 12″… oh man, I was hooked… this wasn’t just ordinary D-Beat friends, this was full throttle outta control D-Beat that sounded like it had been thrown in a bender with Lemmy, Fast Eddie Clarke, Filthy Animal Taylor, live ammo and half a gallon of paraffin. In other words – furious and downright explosive!

Well, steel yourselves folks, cuz “Besöket Vid Krubban” is their brand new slab of vinyl, and it’s an absolute riot as these Swedish hellheads blaze though seven incendiary numbers that will have your head banging and fist pumping, the momentum is unrelenting, and I know I might be a biting off more than I can chew here… but this is already shaping up as Record of Year.

Decontrol… rockNfukkenroll… you just know it makes sense!

Pete Craven

Categories
Buzz Chart

Living Legends

California’s Living Legends crew are back with a new record, which boasts every single MC on every single track and this 7 track CD does not disappoint.

The massive basslines are what comes to fore especially on the tracks She Wants Me and Pants On Fire. Having crew-sung choruses also helps the sound of record, getting your head popping and your fist pumping as you imagine just how good this sort of music would sound live. And, having seen this crew play live twice, I can vouch for the fact that shit would kick.

The production all the way through is tight and all the rappers bring their A-game. No, this isn’t just another cliché riddled review, it’s the truth. Even Eligh, who I never really got down with, hits the high spots on these tracks. The song you can hear by clicking the link above is She Wants Me, which is coupled with a brilliant video parodying Flavor Flav’s Flavor Of Love show.

As usual it’s Murs and Lucky that steal the show, but the whole of the Living Legends can be proud to have gathered for this one.

Abjekt.

Categories
Interviews

Jesca Hoop Interview

When asked to describe Jesca Hoop‘s music Tom Waits summed up her melodies with the line “Her music is like going swimming in a lake at night“, and on listening to her debut album ‘Kismet‘ it’s not hard to hear why he had such high praise for her. Hailing from a Mormon family, Jesca grew up surrounded by music, singing in a choir and learning from her opera singer mother.

Whilst she was working as a nanny for the Waits family, Tom sent the song “Seed of Wonder” to KCRW DJ Nic Harcourt, where it became one of the most requested tracks in the station’s history. Having signed to 3 Entertainment (Columbia) Hoop thrilled both fans and critics with her debut album, and has already written the tracks for number two.

Dee Massey stole her away from a jam session with Guy Garvey of Elbow for a chat about life on the road, Kismet and what the future holds.

Firstly welcome to London! How’s the UK treating you so far…apart from the miserable weather?

It’s great! I mean, it’s rainy and blustery but as long it’s not too windy and just wet then it’s ok..

This afternoon you played in-store at the Apple store – how did that go?

It was really fun actually, I wasn’t expecting it to be fun – I mean, you never expect to play in a store and for it to be fun, but it was really enjoyable actually.

Did you manage to blag any free Apple stuff?

They gave us t shirts….[sighs]

That sucks!

I know! [laughs]

Right back to business, can we go right back to the beginning. I understand your mother was a trained opera singer, was she fundamental in your career choice – did she teach you to sing?

Yes – she taught us through church hymns and musicals, we would sing them as little children and it all went from there.

Is it true you had a theatre in your basement?

Oh yes! We had a place where we’d put on productions. There were five of us [children] altogether…and the theatre had a ghost.

Really?!

Yes – it had a ghost.

Did you ever see it?

My mum’s friend, who was prone to those kinds of things, saw her. And my mother I believe saw her. [The ghost] was like a familiar for a dark period.

Your very own ghost! And whilst growing up, as well as the musicals and choir songs, what kind of bands would you listen to?

The Beatles – The Beatles were my first choice anyway. Crosby Stills and Nash, Neil Diamond – all those from growing up at home.

Your music can’t really be pigeonholed into just one genre; it transcends them all in a way – so how would you describe your sound to someone who’s never heard it before?

It’s free willed. It’s very spontaneous and of its own free will – I think that’s the best way to describe it.

You worked for Tom Waits and his family for five years, which must have been an amazing experience. Were you a Tom Waits fan before the job?

I was familiar with him, but I became a fan over time. I mean, I was familiar but I didn’t know I was that into him until then.

I read that he played a fundamental role in getting you signed? Can you tell us a little about that?

Not so much in getting me signed, but in terms of getting that first door opened, which was my publisher, and it all went from there.

So let’s have a little chat about your album, Kismet. Did you go into the studio knowing how you wanted to sound.

Oh no… I knew certain fundamentals, and I knew what milestones I wanted to work everything else around. I wanted a blend of old and new, with rhythm combined with song writing, and some digital and acoustic elements. I sort of wanted to just cross the genres, make it a hybrid.

Are you proud of the results?

I am pleased with it – and ready to move on!

So are you thinking about starting to write the new album?

It’s written! [laughs]

Already!

Oh yes [laughs]

When you write your songs, do you work melodies around your lyrics or write lyrics for the music?

They usually coincide luckily.

You co-produced your last album with Tony Berg – will you co-produce the next album – or would you ever let a producer take total control?

I would always be involved with it; I could never just yield judgement to just one person. [Being in the studio] is my favourite thing to do. We work for very long hours… I love the process of recording songs because it’s such a well rounded scope of feelings. We use pro tools, but we don’t do auto-tuning – you’ve got to sing! If you can’t sing…don’t sing! [laughs] Or learn how!

Well said! You’ve toured with some amazing bands including Elbow – who were singing your praises on XFM last week.

Yes – and Guy [Garvey]’s going to sit in on us tonight!

I’ll watch out for him! How do you find touring – does life on the road suit you?

I love touring. I honestly do, it can be grinding, and it can be hard, but I like the process of travelling and playing from place to place.

What’s been your best experience on stage?

My favourite experience was playing at the Davies Symphony Hall in San Francisco, opening up for Sinead O’Conner, and what was special about it was the room was absolutely unbelievable to perform in, and gave me a gauge of what I aspire to.

What do you like to do when you’re not on tour or in a studio?

I like to cook! And lots of physical activity, riding a bicycle, walking, hiking – when I can I’ll grow a garden, although I live downtown so it’s kinda not the thing to do. [I like] dancing…going to see music, I like all those things.

When do you think you’ll come back to the UK for any people who missed you this time?

As soon as we find someone to distribute the record over here [laughs], that’s what we’re working on, so as soon as those people ring me up!

I’m sure they will.

I hope so!

I have a few quick fire questions which I ask everyone..so here goes! What three things do you always take on tour with you?

Erm…a dry brush for my skin! A yoga mat and a pair of tennis shoes.

What’s the best thing about being a musician?

Writing music and singing it for people.

Do you own any really shameful CDs?

You know what, I’m a huge Billy Joel fan, and some people absolutely love Billy Joel who are aware of where the good line is for music, and know when it becomes bad..and I’m one of those people [laughs] I love Billy Joel!

What’s your favourite alcoholic beverage?

It’s a toss up between sake and a good red wine.

And what’s your best hangover cure?

Oh I wish I’d had one the other day! [laughs] Hangover cure would be sleep and movies.

And finally, could you leave us with some words of wisdom for the Crossfire readers?

My favourite quote on the planet, it goes “The only thing of true currency in this bankrupt world is what you share with another person when you’re uncool”

And on that note – we’ll leave you in peace!

For more info on Jesca Hoop check out www.myspace.com/jescahoop or www.jescaphoop.com Kismet is out now.

Categories
Interviews

Lissie Interview

Photo courtesy of Bryony Shearmur

California based indie rocker Lissie is making an name for herself in the music world, with opening slots for Badly Drawn Boy and Lenny Kravitz, to name but a few. Having signed to Columbia she’s midway recording her debut album which promises to be soulful, enigmatic folk music, tinged with some rock for good measure.

Lissie took some time out before her Borderline show to have a chat with Dee Massey about what it’s all about, from recording in Elliot Smith’s old studio, listening to Celine Dion in high school and what’s happening with the new album..

So welcome to the UK for your first UK tour! You played the Apple Store this afternoon right?

Thank you! Yes, we played at the Apple Store which was cool, I didn’t really know what to expect but there’s a stage in there, and a good sound system. There was a good turn out, and I think there were people who were just shopping who stopped and listened so it was cool.

We don’t really know that much about you – can you introduce yourself to the Crossfire readers?

Well, my name is Lissie…I’m from Rock Island, Illinois, which is 3 hours west of Chicago on the Mississippi river, it’s a kind of a small town. I moved to Los Angeles about four years ago to pursue music. I’m a folk singer, but with a little more rock in there, I played solo for years but now that I’m playing with other musicians I feel that more of an ‘edge’ is coming out, so yeah…I’m basically a folk singer with some edge!

How did you get into music?

When I was really young I always liked to sing, and was Annie in the musical ‘Annie’, ..so I was always in musicals, I loved to sing but then I grew out of the acting side of it…and in high school I taught myself to play the guitar, and started writing songs, and stuck with it enough that I decided 4 years ago to move to LA and give it a shot. ..and here I am! [laughs]

Your first success was in the form of a track with DJ Harry ‘All My Life’ – what was that all about?Well when I moved from Illinois, I went to Fort Collins for college in Colorado for a while, and I met DJ Harry through a mutual friend, and we just decided to collaborate on a song. We wrote it from scratch with me improvising lyrics and melody to this instrumental loop that he had come up with, and we just did it again and again until he was able to pinpoint what the lyrics were, and where the chorus went. So the song got played on some TV shows and movies [including “The OC,” “Veronica Mars,” “House,” and “Wildfire”] and radio.

You got involved with Maverick Records – can you tell us a little about that.

Yeah [sighs], I was on Maverick – after about a year of living in LA I got signed to Maverick Records but after a year or two and nothing had really come of it, and Maverick was closing. I wasn’t really aware of that when I was with them, but basically they were letting everyone go, and they let me go too. [laughs] At that point my manager got me over here to London to sing for some people at Sony BMG UK and I ended up getting signed to Columbia UK, so its been a long process but I just know that I love to sing, I love to be around other musicians and I love to sing with other people and I don’t think that my main goal is the fame or anything, I just wanted to be able to make a living of [it]..and it’s been an adventure….I don’t regret any of the time that I’ve bounced around because I think it’s made me a better musician.

Who are you main influences in your music?

I really like Gram Parsons and The Flying Burrito Brothers, The Mamas & The Papas, Willy Guthrie. There’s a certain kind of music that I like to listen to, that’s simple, that’s telling a story… but the more I grow the more I feel that my music has more of an edge to it, it’s become folk rock, so to speak.

What’s your biggest inspiration for your song writing?

Really just whatever I’m feeling at the time, I’m not really good at writing things on purpose. It used to be more about guys [laughs], if some boy made me sad, nowadays it’s pretty much just where I am emotionally, wherever I’m at.

So where are you with your new album, have you started recording?

I’ve started recording and I’ve got about six songs which are mostly done, and now I’m in the process of going backwards and forwards with the label saying they like this or don’t like this. So we have started, but it won’t be done for a while [laughs]

How do you find the recording process?

I enjoy being in the studio, I think as long as I take it moment to moment I enjoy it. If I get too ahead of myself and think about the end result I think I get stressed out. If I’m just being creative in the moment then I really enjoy it. We’ll work from like 2pm-2am, Monday thru Friday- the engineer has more work to do when the artist has gone, and they have families to go home to, so I feel sorry for them – they work so hard!

I heard you spent some time recording in Elliot Smith’s old room?

Oh yeah! Before he died Elliot Smith bought a studio in LA, and after he did die these people bought it. It’s a space that he recorded in that’s now called New Monkey Studios, and it’s a small room, but it sounds good. It’s affordable, and I know the people that ended up buying it, a lot of the Hotel Café crowd over there. It’s cool knowing that he was there, and he originally bought the sound board and everything, but apparently couldn’t get it to work or something [laughs] Then someone else came along and sorted it out, but apparently Rush used to record on it! There are all these cool little connections. You kinda get used to that when you live in Los Angeles, there’s so many musicians..

It must be amazing being involved in the music scene over there.

Yeah but you have amazing legends in London, all the best musicians came from here!

You have to say that since you’re signed to a UK label!

[laughs] No no! You have like…David Bowie..The Beatles…Rolling Stones, even Donovan.

What’s been your best experience on tour?

I guess one of the best experiences was the second night on tour with Lenny Kravitz, and it was just me, solo on my guitar when this portion of the room started chanting my name, and I just started laughing. It was like ” Oh….I like that!” and then pretty soon tonnes of people were chanting, and it wasn’t even that they were chanting my name, it was more that they were with me and I was able to joke with them and feel comfortable. I felt part of something, and that was pretty cool.

And the travelling’s been cool, my boyfriend plays piano and he’s played with me from time to time, and came on the Badly Drawn Boy tour, and just driving around, seeing the Pacific North West, which is beautiful – it’s so pretty.

What do the next six months hold for you?

Hopefully I’ll finish my album, that’s really my main goal in my life, so that I have something that I can give out, and I can tour and actually have something to leave with people…

And finally I have a few random questions that I ask everyone…firstly, what are the 3 things you always take on tour with you?

If possible my dog , my guitar – that’s obvious I guess [laughs] and Neosporin [laughs].

What was the first gig you ever went to as a child?

One of the first concerts I ever went to was a Neil Diamond concert, but the best concert I ever went to was a Fish concert back in high school.

What’s your most shameful CD that you own?

Well I feel bad..I don’t want to offend anyone! But..ooh..I definitely listened to some Celine Dion in high school [laughs], I do listen to musicals sometimes, but yeah, it’s probably the Celine Dion CDs I used to rock in high school!

Where would you most like to tour and who with?

I’d like to go to warm tropical places! And I’d like to on tour with…someone like..erm…Madonna? [laughs]

What’s your favourite drink?

Probably beer.

And best hangover cure?

Chicken noodle soup [laughs] and Gatorade!

And lastly – do you have some words of wisdom for the Crossfire readers?

I think that there are few lasting virtues in being cool, so you should serve what is true in yourself, and not try to be different for others people just so they’ll like you. I think that’s good.