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Music News

Shoegaze alert!

ride

Last year My Bloody Valentine struck everyone by suprise and announced they were to reform, tour and release a brand new album to follow the legacy of Loveless. Then, a second wave broke with Slowdive announcing similar plans to headline The Forum next month. Tonight, The Jesus and Mary Chain are taking to the stage at The Troxy to play Psychocandy in its entirety.

Quicker than you can say revival, we’re now met with the news that Ride will reform for 2015 to play a string of gigs throughout the new year including a headline set at Field Day and Primavera.

Continuing this wave of reunions and comeback’s are Swervedriver. Just yesterday the mysterious Oxford shoegazers announced their first album since 1998’s 99th Dream. In tow with this as yet untitled album announcement, Swervedriver will play a full US tour next year, including a set at SXSW.

A magnificent celebration of noise and all things Creation Records, but who will be next on the reunion bandwagon? The Weather Prophets? The Loft? Place your bets.

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Features Music

Buzzbombs – 18 featured tracks for November

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King Gizzard and the Lizard Wizard – ‘Hot Water’ – Flightless Records

Despite having a down right daft name, King Gizzard and his Lizard Wizards prove they can kick out a toe tappin’ jam with ease in their new tune ‘Hot Water’. Leaning on a flute indebted groove, this weird country boy ramble borrows heavily from 60s boogie boys Canned Heat, a serendipitous encounter indeed. Crank it up and let the good times roll. – Dave Palmer

Gengahr – ‘Powder’ – Transgressive Records

They may have a band name that will have most spell incorrectly, but on record, this dreamy indie quartet spell out their message in lush waves of laid back guitars and reverbed vocals. Rack up a line from their latest track ‘Powder’ filled with a cool dose of flaccid house. Out now. – Zac

Meatbodies – ‘Mountain’ – Famous Class/LAMC

If you like Thee Oh Sees, Ty Segall, In The Red Records and Mikal Cronin you’ve hit pay dirt, as some of your favourites have come out to play! Meatbodies is the band of a fella named Chad Ubovich, guitarist and crony of Cronin, and axe meister general in Segall’s Led Zep leaning power trio Fuzz. This self-titled record by his own band was recorded with the minimum of daylight and the maximum of smoke clouded vibes in a basement in San Francisco with Eric “King Riff” Bauer at the helm and Segall also on hand with an instrument or two. Like the best moments of Slaughterhouse and coming on like the Coachwhips, the Meatbodies are lean to the bone and waiting to take the throne. By which I mean the toilet from where they will defecate many more solid nuggets of garage goodness. – Nick Hutchings

Two Inch Astronaut – ‘Part of Your Scene’ – Exploding Sound Records

Countless bands look for the 90s for inspiration. Nothing wrong with that – there was a shit load of good music which came out of that decade. Two Inch Astronaut take the template laid out by DC bands like Dismemberment Plan and Jawbox and mix it with fuzzed out urgency and angular riffery that fans of early Biffy Clyro will appreciate. – Joe Parry

The Coathangers – ‘Drive’ – Suicide Squeeze

One of the more restrained tracks from Atlantan punks The Coathangers latest record Suck My Shirt, ‘Drive’ is no less spiky, despite its sugary sweet vocals and pining lyrics of lost love. – Joe Parry

Asylums – The Death of Television – Cool Thing Records

This lot are spot on. TV died years ago and is only there for the sheep-like morons who have absolutely nothing interesting in their lives anymore. Asylums explain their rage in this spitting minute and a half punk rock track that bursts with spazzcore-like energy fronted by scathing lyrics. Load this up and push it hard into the ears of every 9-5 commuter on the journey to their shit job. – Zac

Lola Colt – ‘Driving Mr Johnny’ – Fuzz Club Records

Mysterious six-piece psych collective Lola Colt have finally put the date on the calendar that their fans have been longing for. October 27th will mark the release of Away From The Water, the band’s long awaited debut album. To keep you entertained, they’ve just dropped a cosmic visual for album track ‘Driving Mr Johnny’. Check this out and prepare yourselves for an album of surely epic proportions. – Dave Palmer

Nite Fields – ‘Vacation’ – Felte

Nite Fields deliver admirable shoegaze swirls to please your retrospective ear. The four piece joined forces during the cold, wet Melbourne winter to craft a whole album’s worth of enticing sounds such as these, harking back to Ride and The Chameleons for influence. It’s due early next year via Felte. – Dave Palmer

Diarrhea Planet – ‘Bamboo Curtain’ – Infinity Cat

For ‘Bamboo Curtain’, the fantastically named Diarrhea Planet have slowed down the party punk they’re known for, bringing in some hazy early Weezer vibes. No less immediate than the more franticly paced back-catalogue, the track is a mini-epic that clocks in at just 1.53. – Joe Parry

Self Defence Family – ‘Cottaging’ – Deathwish

My favourite band of modern times, SDF from all over the world. Patrick Kindlon and co. return with another instalment of their Island series (this time recorded in Scotland). Two extremely strong tracks, the B-side, ‘Cottaging’ could be considered a career best. Kindlon’s lyrics detail a failing relationship which is both extremely intelligent and depressingly easy to relate with. Elements of post – punk and alt rock, if you have even the slightest interest in either of these genres, this is pretty essential. – Tim Lewis

Naomi Punk – ‘Firehose Face’ – Captured Tracks

These Olympian punks have lit up DIY spaces and large concert halls alike with disorderly garage tones since their inception in 2012. ‘Firehose Face’s ear shredding bass and guitar grind delivers a ditty that’s both aggressive and anthemic. Their second album Television Man is out now. – Dave Palmer

Die! Die! Die! – ‘Sister’ – Smalltown America

New Zealand trio Die! Die! Die! have just dropped their fifth album Swim. It’s a record of epic aural proportions, suited to those that crave comma inducing guitar fuzz. Let ‘Sister’ set the standards. – Dave Palmer

SSS – ‘Beige‘ – Prosthetic Records

Yep, Liverpool’s SSS are back with ‘Limp. Gasp. Collapse.’, their fourth slab of hardcore/thrash crossover genius, and they’re only getting better (and angrier) with time. ‘Beige’ kicks off with the band’s trademark breakneck speed and razor-sharp riffing, but the subsequent crushing breakdown is as unexpected as it is awesome. Oh, and check out those lyrics… you’ll never eat chicken nuggets again. – Alex Gosman

Serious Sam Barrett – AnyRoad

Yorkshire skate folk ripper Serious Sam Barrett has spent many a year on the road with a ‘board on the tarmac and guitar in hand, and new album AnyRoad is the perfect encapsulation of this life. The record’s perfectly crafted melodies underpin tales of love, booze and hillbombs. Taking elements of folk, country and rock ‘n’ roll, the pace switches effortlessly from high octane stompers to ballads without a song seeming out of place. An infectious enthusiasm for subject matter and for the music itself shines through brightly, this is the perfect encapsulation of RWTB! – Jono Coote

Institute – ‘Salt’ – Sacred Bones

Having already picked up a huge amount of hype from their incredible Giddy Boys EP on Katorga Works, Texas’ Institute are back with the Salt EP. Released by Sacred Bones, home to The Men, Zola Jesus and Pharmakon, it appears to be the perfect label for them. Oi influenced post – punk, two genres that seem to be somewhat in vogue within punk and hardcore, it very much feels like a record that could become quite important as times goes on. One wonders what the signing to Sacred Bones means for Institute, perhaps a more avant-garde approach for the next record? Perhaps something more accessible? It will be very interesting to see. – Tim Lewis

Sandworm – ‘Desert Warfare’ – Thrill Jockey

Sharing a split album with the more esoteric strains of Rhode Island band The Body, Sandworm play a route one squall that’s like a monster rising up from the Dune. ‘Desert Warfare’ is like a Taser to the sub-cortex, but the record from whence this came was probably forged over the more pleasant experience of sharing a pizza. Hawaiian? I’ll tell you why… cos Pat Reilly of Sandworm worked at a pizza joint with The Body drummer Lee Bufford. The other Sandworm member Ben Eberle went to watch The Body more than 100 times in Providence, and as providence would have it, ended up contributing vocals to their albums – and now to top that their band is on the other side of a record with their heroes. Sandworm’s music is as gratifying as a tasty slice of pizza but you’ll feel very dirty afterwards. – Nick Hutchings

DiE – ‘Bind Torture Kill’

The opening track of the second EP from London / Leeds punks. Their first record garnered much praise around the world, New York’s Alright festival flew them out to play on the basis of six (excellent) songs. DiE are clearly believers of the “if it ain’t broke don’t fix it” approach as this new record is more of the same. A perfect mix of SSD and Discharge, who can argue with that? They play the Static Shock Weekend next month and every show is a killer, be sure to turn up. – Tim Lewis

Obstruct – LP PROMO TAPE

Wading in on the front lines of the new wave of UK hardcore punk, Obstruct play pissed off blasts of straight edge madness influenced by early Boston and late 80s NYHC. This is music to get you down the front of the pit or pushing full speed down the street powersliding at cars, whichever is more appropriate at the time. Three short, sharp self-penned blasts bought to a close nicely with a cover of the Varukers’ Soldier Boy, this is hardcore music the way it should be! – Jono Coote

Want to write for us and submit music? Head to our contact us link at the very bottom of the page.

Categories
Music News

Cheatahs announce new EP

cheatahs_sunne

London shoegazers Cheatahs are coming out to play again this winter with today’s announcement of a new EP, Sunne, due for release on February 23rd 2015 via Wichita Records.

Maintaining the DIY credentials applied to their self titled debut album, Cheatahs recorded each of Sunne‘s tracks in their bedrooms, occasionaly stepping into friends Part Chimp’s Camberwell studio when their neighbours threatened to call the noise police.

Stream the first track below and be sure to catch them live in London on Thursday night with new Brighton favourites Our Girl.

November Tour

20th – London – The Lexington
21st – Sunderland – The Independent
22nd – Edinburgh – Sneaky Pete’s
23rd – Leeds – Gold Sounds Festival
24th – Sheffield – Bungalows and Bears (Free)
25th – Bristol – Start The Bus (Free)
26th – Dublin – The Workman’s Club

Categories
Music News

Slipknot to headline Download 2015

Slipknot have been unveiled as one of Download Festival’s headline acts for 2015 this morning, their 3rd time playing the festival. Judas Priest have been named as their support act. Black Stone Cherry are set to headline the second stage and Five Finger Death Punch have also been confirmed to play a set at Britain’s biggest rock festival.

Tickets went on sale this morning for the festival running across the weekend of June 12 – 14 at Donington Park.

download_festival_2015_slipknot_line_up

Categories
Live Reviews

Eagulls live at the Scala

eagulls_scala (2)Eagulls / Bad Breeding
Scala
30/11/14

Words: Tim Lewis
Photo credit: John McNicholas / Camilla Morelli

My introduction to Eagulls was probably unlike most people’s. I was at a show in a youth club in Guildford (The wonderful GYC) back in 2010 watching Fast Point, who had a peculiar looking tape on their merch table. Apparently this was some of the members’ new “indie band” and they were called Eagulls. With little interest in indie at the time, and the idea in my head that Eagulls was a terrible name for a band, I didn’t take much notice. Four years on from this encounter, Eagulls are performing on the Letterman show and have released one of the best debut albums of the year. With this London date being their last time in the capital of 2014, anticipation was high.

Before Eagulls take to the stage, Stevenage’s Bad Breeding are up. From the first song, comparisons to the headliners could be made but this punked version of indie is much more frenzied than Eagulls. Scuzzy, frantic riffs cascade down onto vocals that are soaked in as much reverb as you’re ever likely to hear, and at times they remind of a less avant-garde No Form (Listen to No Form) with odd audio clips playing between tracks to create an unusual atmosphere which feels a little unsure of itself. As the set reaches its climax and half an hour has passed, Bad Breeding’s material begins to sound rather alike. Tonight marks a reasonably impressive outing for four piece, but perhaps a shorter set next time.

eagulls_scala Rounding off the evening are Leeds’ own. Their sound is very much influenced by the punk bands of the 80s with a touch of new wave and really, Eagulls’ music may be the best of its kind since that decade too. It’s a rare thing for a band to enjoy misery so much, though tonight’s youthful crowd are unphased by the gloom and proceed to cause the kind of ruckus one may have witnessed at an early Stone roses gig.

The Stone Roses serve as good comparison too, John Squire-esque riffs fill the room as tracks like ‘Nerve Endings’ and ‘Opaque’ rain down. Fortunately these comparisons do not reach to the vocals, frontman George Mitchell’s tones have far more in common with Robert Smith’s most furious moments than Ian Brown’s most horrific.

It seems odd that a band who write such desperate and bitter music have white balloons dropped from the rafters onto the baying audience as though this was a Katy Perry concert but really, it just improves the atmosphere as they are tossed throughout the venue. The band close on their best effort yet, ‘Possessed’, and pandemonium ensues. It’s a strong ending to a strong performance, but it’s not quite Stone Roses at Heaton Park just yet.

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Album Reviews Buzz Chart

ODB Mixtape

old_dirty_bastard

It’s been a decade to the day since Wu Tang rapper Ol’ Dirty Bastard left the universe by way of an overdose after many years of success with his unique Shimmy Shimmy Ya. Prison spells for crack cocaine possession, shot wounds in the abdomen and aggressive lyrics aside, his legacy lives on as a killer MC who went way too early, so take some of this dope new mixtape that dropped today in homage over on the I.D site put together by NYC producer Tanner.

RIP.

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Album Reviews Buzz Chart

Die! Die! Die!

die!_die!_die!Die! Die! Die!
Swim
Small Town America

Having spent the best part of the last eight years on the road sharing stages with everyone from Franz Ferdinand to Wolfmother, working with the likes of Steve Albini and Kevin S. McMahon, and releasing a shed load of EP’s and albums worth of relentless noisy post-punk, Die! Die! Die! return triumphantly with their new Small Town America release, and fifth LP to date, Swim.

Straight off the mark, Die! Die! Die!’s incentives are clear. They want to make your head hurt. These three New Zealanders kick out the snottiest, riff driven wall of sound you’ll ever need, and follow suit with countless other three pieces that apply the following golden rule to music making – make more noise than any band with more people in it could ever make and more!

For better or worse, the album’s opening and title track is its barefaced forte. The unhinged guitar riffs that swirl around your ear with each chorus almost sound out of time as they’re executed with such speed and zest. It’s desperately exciting and feels as though it could fall apart at any second. Coupled with Andrew Wilson’s compelling vocal line, this opening track boasts a seamless blend of snarl and melody that will have you hitting the repeat button multiple times.

Despite favouring the crash bang wallop approach rather than crafting a serene and sensitive ditty, Die! Die! Die! are not opposed to dynamic change. Songs like ‘Don’t Try’ see the three-piece take their foot off the gas for a minute to take things to a slightly more poignant place. Similarly, ‘Angel’s “ooh’s” and “ah’s” make for an agreeable melodic passage slap bang in the middle of the record, giving you a slight breather from the ruthless fuzz.

Die! Die! Die! roam through their twelve tracks strong Swim with gusto, spitting out chorus after chorus with malicious intent, backed by a wall of thundering bass fuzz and sincere whammy bar manipulation. For those that revel in the fusion of punk energy with wall of sound electric guitars, you are in for a sure treat. The high-energy, adrenalized aural assault that Die! Die! Die! employ to nearly every track on this album will undoubtedly leave your ears exhausted and your head throbbing.

Swim is out now on Small Town America Records.

Categories
Music News

NOFX Fat Mike kicks fan in face on stage

Ph: Heather Ann Phillips

fat_mike_nofx

NOFX frontman Fat Mike kicked fan Alex Medak straight in the face after he jumped up on stage and put his arm around the singer’s neck in what looked like a friendly move. The incident happened at a show in Sydney, Australia this week where Mike had apparently mentioned on stage that he had a bad neck, so having some jerk take to the stage and surprise him in the middle of a set probably wasn’t a good idea. His reaction was instant, the fan got a shock of his life and we guess Mike will be regretting this for a bit.

In an age where people will do anything for internet fame though, we believe this guy maybe got what he deserved. Bands are there to perform for you, security are there to protect them from idiots who could have been out to harm, so although Mike becomes the headline today and has had to apologise on his social networks, we salute him. It’s a punk show after all, and this would have been common place at any show back in the 80s. Get over it.

If you are whingeing about it you probably grew up with emo, and remember, this is how that music is made.

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Features Home Music

Vans x Crossfire Halloween Massacre party gallery

Crossfire Halloween 14_004 copy

What can we say about this party before the photos do the talking?! Fuck, it was fun. Did you come? Did you have a two day hangover?! We are still in pieces writing this drivel so I will make this short. Someone at the venue called it the Crossfire Halloween Moussaka on the night as the place didn’t get shut down for once. Security had it easy and nobody was electrocuted. There were no ambulances called to the scene that I’m aware of no police presence. It was just a straight up fun gig with a whole new bunch of faces alongside the old guard who have been there with us since day one. Glad that the House of Vans wasn’t trashed so thank you all for being respectable for once!

As ever, thanks to everyone who came down and partied hard. Thanks to Vans for having us and all of the people that worked behind the scenes to bring you this, plus all (esp’ Louise) who have to put up with my shit ahead of these events dropping. Thanks to Turbonegro (whose Money for Nothing cover was a highlight) and Cancer Bats for playing live sets. big up to James Sherry’s Crossfire Sound System that rocked the dancefloor, Dogger and DRS for making us dance, all of the artists that busted their balls to make amazing art for a short show and DJ Semtex who blew the place apart for the grand finale.

Enjoy these shots taken exclusively for us by Beth Crockatt. Feel free to share the images but please credit Beth and also tag us on insta and twitter with #crossfirehalloweenmassacre and @crossfirezine.

The rest is now history. Long live the Massacre, its legacy and the people that make it fun.

If you would like to see the Bowl Jam gallery then follow your nose. Turbojugends can find an interview with Happy-Tom here.

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Follow us instagram, facebook, twitter and tumblr if you are social. #crossfirehalloweenmassacre

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Album Reviews Buzz Chart

The Xcerts

The_Xcerts_There_Is_Only_YouThe Xcerts
There Is Only You
Raygun Music

It’s been a long four years since their last release, now Aberdeen’s The Xcerts return with their third, and what looks to be their most defining and immediate record to date, There Is Only You. Revisiting both the streamlined power-pop from debut In The Cold Wind We Smile, and an exorcised version of their sophomore release Scatterbrain, a relentless touring schedule has shaped The Xcerts into a leaner, sharper three-piece, ready to (at last) step out from the shadows of their peers. Chorus after infectious chorus and melody after melody, There Is Only You has earned them the right to do just that.

Opening with the morose, string-leaden ‘2.12.12’, any expectations of a slow, delicate introduction to the album are laid to waste with ‘Live Like This’, a dense and crushing statement of intent. This song, much like the rest of There Is Only You, is heavy but never cold – guitarist Murray Macleod’s desire for the lustful and beautiful fuzz of the Smashing Pumpkins seems to have been fully realised.

As the self-proclaimed purveyors of ‘distorted-pop’, this mantle has never sounded more accurate than on the album’s lead singles, ‘Shaking In The Water’ and ‘Pop Song’. I remember hearing the former at a gig in Exeter two years ago, and that chorus line buried itself into my subconscious even then – if these aren’t already live anthems, they soon will be. In fact, just about every song has a lyrical hookworm in there somewhere, you’ll realise it when you’re mumbling a spare line a few days later.

Despite revelling in heartache and love-lost lyrically, a great buoyancy and optimism weaves through the entire album. The sorrow is disguised by the music itself – the feel-good grind of ‘Kids On Drugs’, the twinkle-rock beginnings of ‘I Don’t Care’, the upbeat bounce of ‘Kick It’ – it’s incredible what an egg-shaker and tambourine can do for a record’s mood. Only once are the happy/sad dynamics torn apart, during album-closer and title track ‘There Is Only You’. Starting out as a passionate and sorrowful lament, the album avoids a bitter endnote by reprising the hopefulness found earlier in the record. To take two contrasting parts and splice them together in this way is a profound and beautiful end to a fantastic collection of songs.

With over a decade already behind them, The Xcerts are veterans in their own right, but There Is Only You feels like a turning point – solid ground on which to build a long, impressive future. Any insecurity about their position on the rock music family tree should be a distant memory by now, for There Is Only You will surely be the album that introduces the world to The Xcerts.

Chris Bunt