Hardcore graced London’s XOYO club last night with OFF!, Fucked Up and Cerebral Ballzy all raging through a night of chaos in the capital. Watch 6 minutes of Keith Morris’ OFF! right here from the show.
If you want to see them before they jet home, they play the Old Blue Last tomorrow night with Pettybone. Info on fb here.
Read our review of the First 4 EP’s here.
If you look down under right now and have a peep at the Australian indie scene, you are sure to find some unique acts that are bubbling away under the radar that have potential to cement their music into British culture.
Whilst listening to the likes of Tame Impala and Metals this year, we came across some talent from Sydney who will soon have the world at his fingertips. A songwriter whose debut EP Hello Anxiety came packed with such high pedigree, that we had to delve further than usual to find out what makes this 5 track offering so addictive.
Welcome to a world of greatness that should hopefully reach UK shores in 2012. Welcome to the musical splendour of Guineafowl.
Welcome to Crossfire. What can you tell us about your debut EP ‘Hello Anxiety’ and what was the most Anxious moment recording it?
Thanks for having me. The most anxious moment was being in an actual studio. Prior to recording the EP I had really only been recording at my house, which for the most part was home to zero microphones and next to no instruments. So recording in a studio with hundreds of mics and a massive mixing desk made me extremely anxious.
Does this debut release title generally reveal to the world that you are generally a ‘man wreck’ (!!!) or could this be a way of actually relieving the stress of being a musician?
I think the title has two implications. The first would be that to release one’s first artistic offering is an extremely nerve wracking procedure and therefore I have anxiety as a result of saying ‘hello’. The other one is that being in an artistic world will bring me personally more anxiety. Both are true, I am a man wreck.
What is your process for creating these songs and what’s your studio set up?
My process tends to change from song to song but I always write and record at the same time. My current studio set up is very advanced, a computer AND a microphone, but I am starting to acquire more instruments. I have being buying some second hand synths lately and they are allowing me to make some interesting and messed up sounds.
Are there any hidden noises or instruments that came to be included on this EP by accident? Any sounds you will only know of and not us out here listening in?
Actually there are quite a few. I lived in a pretty noisy house, so all the demo recordings used on the EP have back ground noises like buses, traffic and the sound of furniture being moved around coming from the antique store downstairs. The most blatant accidental noise can be heard on ‘Botanist’, my cat meows really loudly and then some keys fall off my coffee table. You can hear both really clearly in the opening few seconds of the song.
Who are the artists that have inspired you to pick up an instrument and to being an artist yourself?
My family. I come from a family of painters and so perusing art was something that if I were inclined that way to peruse. Picking up an instrument happened because I have always had a fascination with them and I have had a go at playing a range of them with varying degrees of success.
Who are your contemporaries in the music scene out in Australia and who do you currently rate?
Australia has a fantastic music scene; at the moment I am particularly enjoying music by another Sydney artist named Jack Ladder. He has assembled an amazing band and is playing some very dark, moody music. It’s excellent.
How difficult was it to try and master speaking backwards on this latest video you have released?
It was really difficult. I had to practice four to five times a week with the director of the clip leading up to the shoot, and recited lines on my own every day. We pretty much had to create a whole new language to get it right.
If you had to collaborate with on a track, who would you choose?
David Bowie immediately comes to mind. I just think he is one of the best writers of all time. His ability to push himself and his music is uncanny, and I would think that he could do the same for me.
What’s the best advice you’ve ever received from a fellow musician?
Tim Rogers, lead singer of seminal Australian band You Am I, once called me good looking, I guess that counts as advice.
And the worst?
I have yet to be given bad advice, but as soon as I am, I will let you know.
Who would be the top five acts on your ‘Fantasy Festival’ bill?
The Cure, David Bowie, Talking Heads, Radiohead and Blink 182 (too much full on music needs to be broken up a little with some pop punk).
Who would you throw egg rolls at, at the same festival if you had to pick a band that sucked the most in your opinion?
In all honesty, even if I absolutely despised a band, like hated their songs and their playing and their outfits, I still would not throw something at them. I would just deflate their tyres before they left the show.
Did you grow up riding a skateboard at all?
I used to skate a lot when I was younger. I wanted to get back into it recently actually and I took this deck that I had saved for when I was about thirteen, into a pro shop to get trucks on it. The pro took one look at it and said, “You should not skate this, it is a classic”. I was a late 90’s World Industries Flame boy deck with two very alluring devil girls on it. It is a wicked, wicked deck, but will forever remain on my wall.
Which pro skaters are singing Guineafowl on their travels right now?
I doubt any are singing me yet, but I once listened to EP mixes whilst playing Tony Hawk Pro Skater, does that count?!
Any stupid skateboard related stories?
I was once trying to jump some stairs outside a shopping centre in Sydney, when I slipped and the board went right through a glass door into the centre. I casually walked inside, picked up the board, bowed to several confused old ladies and then bolted.
If you had to pick a fight with 2 dangerous animals what would they be and how would you finish them off in a battle?
I would fight a Lion and a Rhino. They would so not be able to work together and eventually turn on each other, especially when I tell the Rhino what the Lion said about his wife. Thus leaving me to claim victory.
Lastly, when will you be playing here in the UK so we can chuck egg rolls at you?
SOON!! I am planning to bring my band over at the end of the year.
Don’t miss Guineafowl’s debut EP ‘Hello Anxiety’ that is out now on Dew Process Records Get a free download here.
Going to Reading Festival this weekend? If so, the Crossfire Sound System with both Zac and James Sherry onboard have been confirmed to host a headline DJ slot on Saturday night.
If you are there backstage, you can find Crossfire’s founders spinning party tunes with a punch backstage in the Relentless Energy Drink VIP tent from midnight until 2am. See you there for total carnage…
Ian MacKaye and Amy Farina are planning to hit the studio again.
Though there are very few details, the two, who together make up The Evens, have announced they are going to Inner Ear Studios to record a new single. Their last release was Get Evens in 2006, so it’ll be interesting to see what comes out after the five year hiatus.
La Dispute have posted a new track online.
The song, Harder Harmonies, is taken from their upcoming album Wildlife which is released on October 4th via No Sleep Records. It will be their first album since 2008’s Somewhere at the Bottom of the River Between Vega and Altair.
You can check out the new track here.
Those Horizon boys are back again, this time with a video for the track Visions taken from their latest album There Is A Hell…
Directed by Denmark’s Plastic Kid, who is responsible for the album artwork, it’s a straight up banger. If this doesn’t get you in the mood for their sets at Reading and Leeds Festivals, nothing will.
Get that volume turned up LOUD.
Dilated Peoples MC Evidence has delivered a nugget of fun for fans.
The rapper, who releases his new solo album Cats & Dogs on September 26th through Rhymesayers Entertainment, has had crew mate DJ Babu mix up five tracks from the album to give fans an idea of what is to come from the record.
Have a listen below and download the mp3 from here.
Evidence – Cats & Dogs (Album Sampler Mixed by DJ Babu) by SureShot Promotions
The Paradise in Kensal Green has announced it’s Notting Hill Carnival parties.
On Sunday 28th, the line-up will feature Stereo MCs, Jack Beats, Ayah Marar and Ms Dynamite, with tickets priced at £15. The following day DJ EZ, Zinc, Alex Nut, Benji B, Moxie, Semtex, Scratcha DVA and more will be spinning at the Deviation hosted party, tickets only £10 for that one.
Make sure you get involved if you’re around the area, both line-ups looking very big indeed. You can get tickets in advance from www.theparadise.co.uk
GWAR have teamed up with Altamont for a t-shirt series.
The move makes Altamont the first ever brand to work with GWAR and as you can see by the photo to the right, it’s got them down to a tee [geddit?].
Inspired by the band’s “sci-fi/horror inspired costumes, obscene lyrics and graphic, politically-themed stage performances”, there are three designs: Gig, Pit and Scumdogs [pictured].
Last December, Altamont creative mastermind, FOS, interviewed GWAR lead singer Oderus Urungus, check it out below.
Visit Altamont’s site here.
Problems To The Answer
Earache
Ladies and gentlemen, the ‘angriest record of the year’ award is well and truly in the bag already. The mid-00s resurgence of thrash was quite rightly a cause for celebration after the genre’s relative drought in the 90s, but in terms of genuinely great record, few of the new school bands held a candle to SSS’s blistering debut. Combining thrash and hardcore with a seething, British malevolence, it infused a classic sound with a fresh sense of vitality.
Fast forward a few years, and although little has changed musically in the SSS camp, they’re sounding ever more refined – and ever angrier. Ripping through 25 tracks in 40-odd minutes, vocalist Foxy takes aim at the meat industry (‘The Kill Floor’) and the mess that is this country’s state education (‘Tales Out Of School’). Much like Gallows did on ‘Grey Britain’, SSS are holding a mirror up to some of the worst aspects of humanity, and it does not make for a pretty picture.
Doesn’t sound like much fun? You couldn’t be more wrong, mainly because ‘Problems To The Answer’ rocks like a bastard, with the riffs never less than razor-sharp, and the pace almost relentless. Napalm Death vocalist Barney Greenway even pops up to lend his leathery lungs on a couple of tracks; clearly, he knows a great band when he hears one.
The sheer velocity means that a few of the shorter tracks do become hard to distinguish, and although the two instrumentals (‘Future Primitive’ and closer ‘Strangenotes’) provide some variety, they both last longer than is really necessary. Ultimately, though, that matters little. In thrash terms, SSS are much closer to prime-era DRI and Crumbsuckers than to anything from ‘Death Magnetic’ (a fact for which we should be forever thankful), and, like too few bands, they’re getting better with time. Long may they rage.
Alex Gosman.
