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Clutch

They look like your dad and have been rocking since you were a baby, but Maryland veterans Clutch are a band that still remain one of rock’s finest overseas imports.

Since their inception in the early 1990’s Clutch have been a band that thrives only on going forward and never back, changing with both age and the times but never dipping in quality. With a salivating blend of blues-laden stoner rock, hilarious socio-political lyrics and enough facial hair to resurface Wembley Stadium, the band are true hard rock royalty in every sense of the word – a band revered and in some cases worshipped by their
contemporary peers yet bettered by none.

Taken from the recently re-released ‘Robot Hive/Exodus’, the curiously titled ‘10,0011,10101’ is the sound of a band at the peak of their powers.

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KoЯn

The last few years have been tough for Bakersfield boys Korn. Previously hailed as the godfathers of a once revolutionary movement in the now loathed “Nu-Metal”, the band found themselves seemingly shunned by much of the music press, their then record label Sony, and even long-standing guitarist ‘Head’ who swiftly exited from the fold after discovering the joys of Christianity.

While many bands may have crumbled and withered away in the aftermath of such events, the four remaining members united with much revered production team The Matrix to produce their most diverse offering to date in 2005’s Virgin Records released ‘See You On The Other Side’. Steering away somewhat from the previously angst-ridden formula that many had since begun to loathe, elements of pop and hip-hop were thrown into the mix to create a sound that would surprise and silence the vast majority of critics and doubters alike.

Released on June 12th ‘Coming Undone’ is the follow-up to previous chart-bothering single ‘Twisted Transistor’, and is yet another reminder of just why Korn have been at the top of their game for more than a decade.

Video links for your viewing pleasure:

Real:

http://exodus.interoutemediaservices.com/?id=2062296a-dfe3-4317-b37d-a2cd501497e2&delivery=stream

http://exodus.interoutemediaservices.com/?id=ba067717-6b49-4608-b4de-272f883633c1&delivery=stream

Windows Media:

http://exodus.interoutemediaservices.com/?id=a9edf485-1f42-4b47-83d0-d5754563fae4&delivery=stream

http://exodus.interoutemediaservices.com/?id=d4a5784f-deac-4117-85eb-b2e665d0caa0&delivery=stream

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The Plastic Constellations

Abjekt’s favourite crew Doomtree are the leading lights in underground hip hop right now, but their talent knows no bounds. Lazerbeak, one of the producers in Doomtree, has been in a The Plastic Constellations since he was 14, and as they’ve grown together, from supporting Low at 15 to where they are now, releasing their third album, he’s ready to show the world he’s not just a brilliant hip hop beatsmith, he’s a great songwriter and guitarist too.

They’ve signed to Frenchkiss Records, the home of big names such as Les Savy Fav and The Hold Steady, and they’ve recieved glowing reports from all over the world. If you want to know how they’ve crossed boundaries of taste, then perhaps Slug of Atmosphere‘s opinion matters most of all, and when he said that the Twin Cities of St Paul and Minneapolis aren’t big enough to hold their energy, you know you’re onto a good thing.

This is the opening track of their new album, Crusades, and showcases their ability to pen a great tune. So now you know them and have no excuses. Get listening!

www.theplasticconstellations.com / www.myspace.com/theplasticconstellations

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The Longcut

Following on from their hugely promising debut singles last year, Manchester based three piece The Longcut are stepping up the pace with their forthcoming album ‘A Call and A Response’. The Longcut are a hard band to label, they seem to have shrugged off any pigeonholing, and thank god for that. This is both innovative and original but still retains familiar guitar sensibilities woven into the mix. Echoes of Mogwai, Joy Division and My Bloody Valentine transcend to stunning, atmospheric melodies and catchy hooks in an album that just entwines itself around you.

Recorded with producer du jour Craig Silvey, ( The Magic Numbers, Yeti), and producer Johnny Dollar (Massive Attack), Dave Sitek of TV on The Radio took over the reins for mixing, the result being a very unique album, like no other you’ll hear this year. Winding and beautiful instrumentals are encased by heavier guitar based tracks, all delivered with self assurance and confidence.

This album will blow you away – The Longcut are anything but another generic guitar band (how many other bands have singing drummers?!) and so long as they can keep their head above the deluge of NME-style hype, they can only go from strength to strength. An intelligent and mesmerising album from a really promising act. The album drops on June 12th.

www.myspace.com/thelongcut

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Slayer

There are few bands and even fewer records capable of standing the tests of time like Slayer and their eponymous 1986 release “Reign In Blood“. While the likes of Metallica’s “Master of Puppets” and Megadeth’s “Rest In Peace” were offering tasty and superiorly technical treats, Slayer were a band tapping into something far more sinister and a damn sight heavier, creating an album that by all stretches of the imagination would redefine the term in itself.

There were no ballads, no delicate acoustic intros and certainly no vocal harmonies; just a devastating blend of hardcore, punk and thrash metal relentlessness that was chewed up and spat back in the face of mainstream society with all the subtlety of a petrol bomb. From the infamous opening scream of curtain-raiser “Angel Of Death” to the now legendary riff of “Raining Blood“, it was a formula that would go on to be copied by many but equalled by none.

In celebration of “International Slayer Day“, Crossfire invites – nay, implores – you to press play and turn the speakers up until the sonic devastation is enough to melt the faces of both you and those within a 1 mile radius. This is a day that comes but once a millennium (06/06/06), so make it count.

Happy fucking Slayer day!

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The Horror

Fuck all of that metal shit masquerading as hardcore, this is the real deal. Fast, pissed off and utterly direct, The Horror plug directly into the roots of hardcore, feeding off the raw power of bands like SSD, Void, Negative Approach, DRI etc and spewing them back into the present in a wave of bile and hate. This is vicious stuff.

This is their second full album and every song’s as short and razor sharp as before. They’ve certainly not fucked with the formula and stick to what they do best – playing fucking hardcore for hardcore fucking kids. Walk The Plank and The Horror. The two best bands in UK hardcore right here right now.

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Captain Beyond

If you like your classic seventies rock and think you have the best of the period covered with your Led Zep, Thin Lizzy, Black Sabbath and Deep Purple records, think again. If you dig a little deeper and peek under a few stones there’s treasures there that will blow your brain. Captain Beyond may never have achieved the commercial success of the era’s monsters of rock but their debut album is artistically up their with the greats.

The whole album just buzzes with genius, classic riffs, jaw-dropping drumming and rhythmic percussion and brilliant songs. Stoner rock greats Monster Magnet covered ‘Memorization Eclipse’ and re-invented it for their ‘Twin Earth’ single, exposing the band to a whole new generation of rock freaks. And what’s good enough for Monster Magnet, is good enough for us.

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Imperial Leather

Back in the eighties Imperial Leather was every punks preferred soap for spiking up their hair. Yeah, we didn’t have gel or fudge in those days, we just used glue and soap ‘cos things were much more punk back then and this record celebrates those glory days! Musically Imperial Leather are classic punk rock with an early eighties sound that is packed full of high-energy tunes and buzzing riffs. The only difference from the old days being that ‘Something Out Of Nothing’ is blessed with a great production that is just on the right side of raw but clear enough to do the killer tunes justice.

Hailing from Sweden, their line-up is a virtual who’s who of Swedish punk rock featuring Amyl Nitrate of the Spider Cunts on vocals (could this shit get anymore punk rock?) and past members of bands such as the mighty Bruce Banner, DS-13, Dischange and No Security – teaming up to create the perfect punk rock explosion. Regulations better watch their backs, Imperial Leather could be after their Swedish punk rock crown!

James Sherry

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Hope Of The States

Hope of the States spent most of 2005 holed up in a studio, with only 6 live dates to keep their fans satisfied. With their limited release EP Blood Meridian being lapped up, the Chichester 6 piece return to the airwaves with ‘Sing It Out’, the first single from their eagerly awaited second album ‘Left‘.

Sing It Out‘ grabs your attention from the start, Sam Herlihy’s dark vocals almost veer towards menacing at first, but with the chorus comes a wave of reassurance ‘ you are not alone, you are not the only one, you were lost and now you’re found, sing it out.’

There’s no clever effects, this is stripped down and simple – and it works. Hope of the States have come back stronger than ever, this wonderful compact, tight track is everything you can hope for – they’ve overcome tragedy and if this taster is anything to go by – their new album is going be an absolute blinder.

Dee Massey

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Ministry

Having been clean from heroin for the last four years many could question whether Al Jourgensen still has the same vision and creativity upon which his Ministry work is known for. Hell even Al himself questioned it. But upon listening to ‘Rio Grande Blood’ all fears are dispelled immediately. Al has not only returned to form, he’s returned with possibly his most political and heaviest work to date.

‘Rio Grande Blood’ can only be described as a relentless assault on the senses from start to finish, much like being repeatedly beaten around the head with a blunt instrument. There simply is no let up. Whether it’s the marine inspired ‘Gangreen’ complete with Sergeant screaming obscenities, or the fist pounding, riot inducing anthems such as ‘Lies, Lies, Lies’ and the title track ‘Rio Grande Blood’ is a perfect example of industrial heavy fucking metal at its finest.

Col Rothwell