Categories
Live Reviews

Pharcyde live

Jazz Café
26/02/2006

As a four piece in their heyday, the Pharcyde produced some of the most chilled and happy hip hop around, and despite losing two members, the reproduction of that music in 2006 still sounds as fresh and as fun as it ever has.

Flanked by a keyboard player, a drummer called Big Sexy and a happy-go-lucky DJ, Booty Brown and Imani Wilcox took to the stage and kicked off immediately with the dancing and smiling that wouldn’t end until every last fan had left the venue smiling and dancing themselves. Even without Tre and Fatlip, their classic tracks brought people ramming closer, dancing and chanting along as Imani showed brilliant stage presence.

Booty Brown’s nasal delivery, most recently heard on the last Gorillaz single, swept through the classic tracks that every person in the crowd sang along to, like the brilliant Ya Mama and the laid back Running Away, vibing alongside the scratching of the DJ and the percussive accompaniment of the ever delighted Big Sexy. A new track was knocked out and this had everyone swaying along, enjoying the new notes of the group.

The show didn’t even lose its impetus during the commemoration of the recently passed J Dilla, who, Imani explained, made the music that helped shape the Pharcyde’s way of thinking. But instead of a minute’s silence for the great producer, a medley of his work was played and Imani, trying hard not to be tearful, danced as if his life depended on it, whilst Booty chilled in the corner, raising his hand up at the changing of each track.

The crowd interaction was on point all the way through the show, not least in the final track before the encore, Passing Me By, which was screamed back at full force by the sell out crowd, and the track that followed their return, Oh Shit. The vocals grew louder and louder, especially after Booty said that he’d told the Icelandic crowd how hyped London was and he didn’t want us to make him look stupid.

As they left the stage, amidst one of the loudest and prolonged applauses I’ve ever heard, it was clear that everyone in the audience was thinking exactly that. Oh Shit! They’d just witnessed a legacy that was still evolving and showing no signs of letting up.

Abjekt

Categories
Music News

Archie Bronson Outfit incoming!

For those of you itching for a taster of Archie Bronson Outfit’s next album, the wait is over!

Hear the songs from “Derdang Derdang” and see their self made new video by clicking on the link below..

http://www.dominorecordco.com/site/minisites/derdang/

For even more amazing Archie Bronson Outfit stuff, hop on over to these wonderful places:

http://www.archiebronsonoutfit.co.uk
http://www.myspace.com/archiebronsonoutfit
http://www.dominorecordco.com

Categories
Buzz Chart

The Voom Blooms

Loughborough four piece The Voom Blooms‘ are currently plotting the seduction of NME Club tour goers with their killer live sets. Their debut single ‘ Politics and Cigarettes’ and B Side ‘ Thoughts of Rena’ are both stand alone pieces that form the perfect introduction to this exciting new talent.

Politics and Cigarettes kicks off with a shuddering beat and a quiet confidence that belies the fact these guys! haven’t even been together a year. There’s an Interpol/Bloc Party vibe, vocals are clear cut and unhurried with emotion driven guitars kicking off with swagger. The Voom Blooms stake their very valid claim on the british indie scene with this single – roll on the album.

Dee Massey

Categories
Buzz Chart

Diamond Nights

Hailing from NY City Diamond Nights have a sound more akin to Phil Lynotts Dublin than they do to East Coast America. The Girl’s Attractive is the second single taken from their critically well received debut Popsicle, sounding part Thin Lizzy, part Space Hog, remember them, thought not, Black Sabbath and even early Japan especially on tracks like Drip Drip.

But don’t be put off by its friendly pop/disco tunefulness, owing as much to keyboard as it does guitar, it sits perfectly in an album that at times rocks hard and at others times offers up songs like The Girls Attractive which is just plain smooooth!

Can’t wait for the remix.

Nelson Bibb

Categories
Skateboarding News

Rampworx News

Understandably, Rampworx has come in for some (sometimes well deserved) criticism for its ignorance to the needs of their loyal skateboarders. Now their frustrations can be tempered by the fact that they have pulled all the stops out for a completely new section at the rear of the skate park.

Over the last 4 months, Rob Godfrey and his team of expert ramp builders (thanks to Gaz, Perry, Chris) have been hard at work during the long cold and dark months of winter and believe me if it’s just you and 3 guys cutting wood in sub zero temperatures, the park is a solemn, ghostly and, almost arctic place post festive season!

So what can skaters look forward to when they roll up to the park this forthcoming spring?

Well, here is a short list of what the ‘build team’ have come up with:


• Mini Half Pipe Flows Into Mini Spine,
• 30 Ft Quarter 30 Foot Long With 8 Ft Flat Bank In Middle,
• 24ft Wall Ride, Quarter To Flat Bank Into Wall Ride,
• Quarter Pipe, Burnside Pillar,
• 24ft Flat Bank With Roll In,
• New Flatbank With Boxes and rails,
• 3 New Drive Ways With Box Rails And Drop Off Boxes,
• 2 Mini Humps,
• Quarter Into 2 Pump Ramps

It’s also worth noting that the park has just launched a brand new membership scheme. For the nominal fee of £20, you get a whole host of goodies including Members t-shirt, sticker pack, reduced door entry, 10% shop discount and a member’s only day.

For more information call 0151 530 1500, or 0151 666 2224 or visit the new site at www.rampworx.com

Similarly email the park at info@rampworx.com.

Categories
Buzz Chart

Ugly Duckling

The lovable trio from Long Beach California are back with a new album chock full of happy beats and what can only be described as fun-on-record. If you like your hip hop to be a ray of sunshine with amiable rapping, then do yourself a favour and check this new release that drops this week.

Now on All City, Ugly Duckling come through with chunky drums, awesome brass samples and some vocal delights, especially on Andy vs Dizzy where the 2 MCs try to battle it out to prove they’re the best in the group.

With Thes One up on Shoot Your Shot, you can’t help by wiggle and wind to the typical People Under The Stairs style beat. But it’s the organ led Yudee! which asks the listener who they want to hear, with the obvious answer being “Yuuuuuuudeeee!” which takes the prize on this album. And when the chorus asks for a clap, don’t be surprised to find yourself sitting there clapping along. Just go with it, it’s all good.

They might be Ugly Ducklings, but the sound is pure Swan shit. Crank up the volume and dance!

Categories
Buzz Chart

Sway

The most hyped UK artist in years has finally dropped his album, after what seems like an eon of waiting. On the back of his critically acclaimed and furiously bought This Is My Promo mixtapes, the London born rapper has served up a nice mixed bag for the album.

Underground smash Up Your Speed finds its way onto the album, thundering along with heavy basslines and a killer verse from the main man and is joined on the CD by Flo Fashion, another big hit from his mixtape days.

But Sway doesn’t just keep it there, he throws in feel good vibes like Products, chilled out RnB numbers and showcases his talent both as a rapper and a producer. His lyrics, as ever, are both witty and intelligent, switching from conscious street smarts to straight up joker antics.

The UK scene doesn’t need any hype with Sway, he’s here, he’s delivered and he’s ready to wipe out any competitors. As he says in his last single, Little Derek’s doing OK, Little Derek’s doing fine!

Categories
The Library

Taking The Train

Joe Austin
[Columbia University Press]

We’ve all seen graffiti adorning the walls near our houses, lighting up drab walls and boring train journeys, but unless you’re really interested, you won’t know much about the history of writing. And that’s where this tome comes in, because it charts the rise of simple tagging of a neighbourhood to the full scale bombing of subway trains and the writers’ battle with the various Mayors of New York.

What is most impressive about this book is that Austin is able to keep the pacing and narrative interesting and easy to read, despite having to explain sociological reasonings behind the writers’ efforts and go into detail about the various institutions that were trying to rid the subways of what they considered to be aggressive vandalism.

Starting in the late 1960s and moving through to the mid-to-late 1980s, Austin goes through the first and second “wars” on writing, which saw huge amounts of money being spent trying to rid the city of murals and tags, despite huge unemployment and housing problems needing the money. Graffiti was targeted as the reason for the citizens leaving in droves, but Austin maps out the truthful reasons, including a look at how New York’s economic plight compared to the rest of the USA.

I was deeply interested in the history of writing, and excerpts from magazines and papers from the time as well as interview clips from the various kings of writing enable the story to be told by the people involved, rather than having to speculate. Though the author is extremely pro-graffiti and makes this clear throughout, it is a great read to see just what problems this youthful art culture caused for stiff Government officials and middle-to-upper class citizens, even when graffiti became a brief favourite of the art galleries.

Thankfully, graffiti continued and grew stronger thanks to its community, and this book is a brilliant at showing how powerful this movement was, and still is. A definite must for anyone interested in the hip hop culture and art.

Abjekt

Categories
Skateboarding News

Embryo Boy

A Graphic Short Story
by Jody Barton

“I’m a survivor… …have you got a spare cigarette?”

Opened on Wednesday 1st of March
6 until 8.30 pm
CIDE 88b Gallery
88 Lower Marsh
Waterloo
London SE1 7AB

Embryo Boy is an unwanted child who won’t give up. He won’t give up smoking. This book sees his conception, double eviction from the womb, search for housing and gainful employment. All with a dark and mischievous humour that will hopefully alienate nearly everyone. Defiantly Anti Life, Embryo Boy has a sense of world weariness not usually seen in one so young. And before you ask ‘does it have a happy ending?’, it doesn’t have a sad ending…

Also there will be some new screenprints, some free copies of the book and more. Embryo Boy will be making a personal appearance.

Propmaking by: Rich Holland and Charlotte Mann.
Sponsored by: MonkeyShoulder

www.jodybarton.co.uk
www.bigactive.com
www.skatecide.com

Categories
Live Reviews

Sick Of It All

Municipal Waste, The Unseen, Mistress
London Electric Ballroom
28/2/06

It’s Pancake Day today, but tonight the punters in the Electric Ballroom will be – ahem – ‘flipping’ out for an entirely different reason. Hardcore bills as good as this don’t come around very often; four outwardly diverse bands who ultimately share the same musical background and attitude, with one of the genre’s true masters in the headline spot. Unfortunately your correspondent misses Mistress because of London Underground’s incompetence, but apparently the grindcore quintet went down well.

The Unseen are out to take no prisoners with their fast, anthemic blasts of hardcore punk, as they tear across the stage in a blur of tattoos, spiked belts and ripped clothing. Songs like ‘Weapons Of Mass Deception’ and ‘You Can Never Go Home’ may be cut from well-worn musical cloth, but it matters little when they’re shot through with so much vitality and conviction. Livewire vocalist Mark frequently jumps down onto the barrier to share his mic with the devoted few at the front, and by the end of their all-too-brief set, they’ve deservedly won several new fans.

“We weren’t counting on having this barrier separating us from you!” growls Municipal Waste vocalist Tony Foresta as his band take the stage. These four young guys look and sound like something from ‘Wayne’s World’, and they’re clearly up for a party, barrier or not. They’ve brought beer bongs! Boogie boards! Blasphemy! (okay, a song called ‘The Thrashin’ Of The Christ’). Musically, they’re heavily indebted to the 80’s US thrash scene (particularly early Suicidal Tendencies), but it’d take a churlish punter not to smile at the likes of ‘Unleash The Bastards’ and ‘Drunk As Shit’, which keep the circle pit spinning and the crowd-surfers on the boogie-boards. It’s early days for the ‘Waste, but they certainly know how to entertain.

Sick Of It All have been in the hardcore game for 20 years, and tonight the New York veterans prove they still have plenty of life in them yet. Granted, their set list hasn’t changed much in recent times, but there are few people here who’d argue with classics like ‘Call To Arms’, ‘Built To Last’ and – of course – ‘Scratch The Surface’, all sounding as incendiary as ever, and which incite utter mayhem in the crowd. This is hardcore as it was originally intended – fast and furious, yet also passionate and intelligent – and when there are so many ’emo-core’ bands polluting the hardcore gene pool, it’s clear that bands like SOIA are needed more than ever. A triumph, all round.

Check out these links for your relevant thrashing hardcore: www.sickofitall.com, www.unseenpunks.com and www.earache.com

Alex Gosman