Jazz Café
26/02/2006
As a four piece in their heyday, the Pharcyde produced some of the most chilled and happy hip hop around, and despite losing two members, the reproduction of that music in 2006 still sounds as fresh and as fun as it ever has.
Flanked by a keyboard player, a drummer called Big Sexy and a happy-go-lucky DJ, Booty Brown and Imani Wilcox took to the stage and kicked off immediately with the dancing and smiling that wouldn’t end until every last fan had left the venue smiling and dancing themselves. Even without Tre and Fatlip, their classic tracks brought people ramming closer, dancing and chanting along as Imani showed brilliant stage presence.
Booty Brown’s nasal delivery, most recently heard on the last Gorillaz single, swept through the classic tracks that every person in the crowd sang along to, like the brilliant Ya Mama and the laid back Running Away, vibing alongside the scratching of the DJ and the percussive accompaniment of the ever delighted Big Sexy. A new track was knocked out and this had everyone swaying along, enjoying the new notes of the group.
The show didn’t even lose its impetus during the commemoration of the recently passed J Dilla, who, Imani explained, made the music that helped shape the Pharcyde’s way of thinking. But instead of a minute’s silence for the great producer, a medley of his work was played and Imani, trying hard not to be tearful, danced as if his life depended on it, whilst Booty chilled in the corner, raising his hand up at the changing of each track.
The crowd interaction was on point all the way through the show, not least in the final track before the encore, Passing Me By, which was screamed back at full force by the sell out crowd, and the track that followed their return, Oh Shit. The vocals grew louder and louder, especially after Booty said that he’d told the Icelandic crowd how hyped London was and he didn’t want us to make him look stupid.
As they left the stage, amidst one of the loudest and prolonged applauses I’ve ever heard, it was clear that everyone in the audience was thinking exactly that. Oh Shit! They’d just witnessed a legacy that was still evolving and showing no signs of letting up.
For those of you itching for a taster of Archie Bronson Outfit’s next album, the wait is over!
Loughborough four piece The Voom Blooms‘ are currently plotting the seduction of NME Club tour goers with their killer live sets. Their debut single ‘ Politics and Cigarettes’ and B Side ‘ Thoughts of Rena’ are both stand alone pieces that form the perfect introduction to this exciting new talent.
Hailing from NY City Diamond Nights have a sound more akin to Phil Lynotts Dublin than they do to East Coast America. The Girl’s Attractive is the second single taken from their critically well received debut Popsicle, sounding part Thin Lizzy, part Space Hog, remember them, thought not, Black Sabbath and even early Japan especially on tracks like Drip Drip.









The lovable trio from Long Beach California are back with a new album chock full of happy beats and what can only be described as fun-on-record. If you like your hip hop to be a ray of sunshine with amiable rapping, then do yourself a favour and check this new release that drops this week.
The most hyped UK artist in years has finally dropped his album, after what seems like an eon of waiting. On the back of his critically acclaimed and furiously bought This Is My Promo mixtapes, the London born rapper has served up a nice mixed bag for the album.
We’ve all seen graffiti adorning the walls near our houses, lighting up drab walls and boring train journeys, but unless you’re really interested, you won’t know much about the history of writing. And that’s where this tome comes in, because it charts the rise of simple tagging of a neighbourhood to the full scale bombing of subway trains and the writers’ battle with the various Mayors of New York.
A Graphic Short Story
It’s Pancake Day today, but tonight the punters in the Electric Ballroom will be – ahem – ‘flipping’ out for an entirely different reason. Hardcore bills as good as this don’t come around very often; four outwardly diverse bands who ultimately share the same musical background and attitude, with one of the genre’s true masters in the headline spot. Unfortunately your correspondent misses Mistress because of London Underground’s incompetence, but apparently the grindcore quintet went down well.