Categories
Music News

Save The Astoria!

In case you don’t know, The Mean Fiddler have applied for planning permission to demolish The London Astoria (and The LA2, aka The Mean Fiddler etc) to re-develop as shops and offices.

Now I’m sure you all appreciate just exactly how much we all need even more shops and offices at the junction of Oxford Street, Tottenham Court road and Charing Cross Road (right opposite the empty Centrepoint building) and it’s not like there’s an abundance of decent sized live music venues in Central London (in fact there isn’t one other decent one for miles) so here’s your chance to do something about it:

Sign the petition…Save The Astoria!

http://www.petitiononline.com/savethea/

Categories
Buzz Chart

Brother Ali

The albino MC made big waves with his Rhymesayers debut Shadows On The Sun, combining powerful story telling with a mixture laid back verocity and hyped passion. With Atmosphere’s beatmaker Ant behind him, his beats have always been feel good and cranks the head-nod up to 10. With his Champion EP, he once again proved he is one of the best MCs in the underground right now and everyone has been anxious to see what he’ll come up with next.

His new album, The Undisputed Truth, is out early next year and will certainly be one of the best albums of 2007 is his past record is anything to go by. Showcasing new tracks at Scribble Jam this year, he proved he’s the man and will continue to prove Rhymesayers are the top of the pile right now in hip hop. This track is from the Scribble Jam Compilation CD and is an absolute banger. Love it.

Categories
Features

Triple Shot with David ‘Styley’ Steel

Harrow local David Steel has such a fascination with the art of photography that he can be found on a daily basis in a pro camera shop in the East End of London when he is not freelancing for Sidewalk Magazine. He loves the japanese language, will flog anything on ebay and has a passion for country music as he shoots skateboarding which is of course his favourite pastime. Welcome to David Steel’s Triple Shot..

Full name:

David Steel but known to some as Styley.

How long have you been a photographer?

Looking back on it, I was always the one with the little red boots camera documenting what my friends and I got up to but it was only in 1994 that my friend Andy Hutchison (hutchphotos.com) really inspired me to get a proper camera, make a zine and learn photography. I was on and off living in Indiana in the USA for a few years.

On the first day out there I met Andy who used to make a zine called “Don’t Ask Me”. I used to ride around indy on my bike with my camera and board in a backpack and just shoot stuff to help out with Andy’s zine. He now shoots for Thrasher. I haven’t seen him for years but i want to go back to Indy and meet up again and take pictures of all the hillbillys out there that I became oblivious to!

How did you get into skate photography?

I guess I’ve been into skate photography since the 1st time I looked at T.L.B’s pictures in R.A.D. mag… It just seemed to go hand in hand. Pick up the little red camera and go skate somewhere with your friends and have a laugh. I’m still doing that now. My friends started getting good and I was taking photos of them. It was only a matter of time that their companies needed pictures of them.

What image first inspired you to take up photography?

Not one picture really inspired me to take photos that I remember but more a collective of a bunch of killer shots that got the ball rolling. Out of them all, Slap magazine in the mid nineties used to get me standing in the bookshop missing my buses. They were the photographers skate mag….their layouts were so sick too, to the point that it inspired me to make my own zine – Blue Tile Fever.

If there was one shot from Slap Magazine back then that really made me aware of how good photography would be i would pick this photo of Brad Staba doing an ollie from boat to boat by Lance Dawes. (below).

What were the best and worst bits of advice anyone gave you in regards to photography?

When I really wanted to get into it I would bug the hell out of any photographer who would stray into my path….(thanks and sorry Wig, Horsely and Vuckovich!) The best advice was to read a book about how a camera works. I constantly read this one book over and over until it all made sense. I’ve never really had any bad advice.

Have you ever felt bad about taking a photo? If so, which one?

I took this photo of a friend of mine doing a tre flip on a bank in the middle of this estate. I suddenly heard this weezing behind me and this poor old guy had hobbled out of his flat to tell us we were making a racket….the guy looked like he was on his last minutes…seriously weezing and coughing so we chilled with him till he got his breath back and left.

What were the best and worst days shooting skateboarding of your life ever and why?

Right now I’m as stoked as the first days of picking up the camera…I’m lucky enough to work in a hire company that allows me to experiment with different cameras and lighting, freelancing for Sidewalk who basically let me shoot what ever I want. Sure there’s been low points but without them I wouldn’t of got to the point where I am now which is pretty chuffed. My best and worst days are usually in the lab when I get my film back!

What is your personal favourite skate shot ever that you have shot?

I wanted to do this shot for a while but the Harrow pool was always grim looking, plus not a lot of people can do a bunch of stuff in there.

One day I popped down to the park to find it had just been painted, I ran to the car, grabbed my fisheye and had a peek…it looked sooo sick (I even got a friend to carve over me for a test shot!)

Stevie Thompson had been sessioning the park nearly every day throughout that summer so he became my guinea pig. I set my flashes up and proceeded to lay down in the flatbottom.

The thing was stevie would nearly hit me as he went in and every time he bailed, his board would fly to the flat and whack me.

Luckily someone had a helmet which I wore during the shoot and my friends covered me with their boards to act as armour from stevie’s bails till he made one: Krooked grind to dodge the armored paparrazi in Harrows pool.

I think a shot of me in my wooden armour would of been good too but by the time Stevie landed it, I’d been hit in the head anough times and wanted out. This was a velvia roll I think.

What’s the relationship like between a photographer and filmer?

I’ve been hooking up with Phraeza a lot recently. We just help each other with my contacts and spots for his contacts and spots. Usually having a filmer there encourages the skater to land his trick. They get super stoked after they see the footage and then I email them the picture the next day or show them the digi sequence. Go to www.jahladathelearningcurve.blogspot.com/ to see how many times I get in Phraezas way!

What key advice would you give to upcoming skate photographers?

Read a book…. Check out other photographers of all fields on the web for inspiration…. Use provia! Embrace digi….but learn to print black and white. Use your friends as guinea pigs ’till their legs wear away…..visit gallerys…experiment…..buy a lomo and learn about cross process for a laugh…make a zine/blog or whatever, as long as it gives you an aim to keep on shooting pictures.

Are there ways of getting better/free equipment as you continue to grow or do you have to fund everything yourself?

De-nutrition yourself by eating only beans on toast for a year and with all the money you save go buy your desired equipment. Getting a job usually helps….i once got a free roll of film off Paul Thompson once (Transworld photographer) – he just came up to me for no reason and said “try this” and passed me a roll of provia, i think he saw me put some shoddy film in my camera!…..I’d like to shake his hand.

As for big items I’m sure there is a way to get them free but i wouldn’t rely on that, where theres a will there’s a way….seriously I literally didn’t go anywhere for the time that I saved for my fisheye….I ate pasta and beans and skated in my home town.

Is the work of a skate photographer well paid? Do you get by in life with this income alone?

For me it’s a hobby with a pay cheque…I get paid but without sounding cheesy I know for sure that I would do it anyway… I’ve always done it and I couldn’t imagine not having it as part of my skateboarding days. Linda’s cheques from Sidewalk accounts do aid me extra treats per month so I’m not complaining.

What is your favourite photo that you snapped outside of skateboarding?

Parc de Expositions – tours – France.

I was on a trip in tours, France, spending most of my morning trying to take portraits of dodgy looking French people getting their baguettes in the morning…I wasn’t having much luck.

As I came back to where my friends were I saw this massive sign next to the stadium where the car was. I took a couple of snaps not really thinking too much about it. When I got them back from the lab I instantly was stoked on one of them.

The next week I printed one up by hand and voila, my favourite shot. I just love how you can take a photo in black and white that ends up totally different then the shot you thought you were going to end up with. Tri-x 400, over expose it 1 stop.

Does music ever inspire your photography? What artists can you not leave for a tour without?

I usually hum Dierks Bentley tunes when I’m sitting in a gutter taking pictures of slappy grinds.

If you were to buy a pocket snapper for capturing skating on a budget to get going, which camera would you suggest?

Skate photography is changing so fast and getting so good. Go hunt down a Nikon fm2 with a 100mm lens on ebay. That’s what I started on. Shoot black and white and just play about with it. I used to write down everything I did when taking the shot so when I got my film back full of mistakes I could work out what I had to do to improve things.

Would you recommend digital or film?

Both! I use both. From high end film cameras like a hasselblad down to a lomo….and i’m just starting to use Nikon d2x’s along with my trusty Nikon f4s.

What are the benefits of using film or digital?

Digi for sequences and film for stills…that’s where I stand at the moment…only a matter of time till that will change.

What kit do you use?

Ok…Nikon f4s with a 100, 50 and good old 16mm fisheye. My three flashes are metz 45cl4 with a couple of manfrotto lighting stands. Three quantum freewire radio slaves to fire them off remotely. From work I’ve been playing with the d2x digi by Nikon with an 80-200 lens. When I go travel I take an x-pan panoramic camera and I’m just starting to get into the hasselblad 500c/w sooo crispy sharp and 500th synch speed…blah blah blah

If people reading this wanted to check out more of your photos do you have a website address?

Yeah, go to www.parazz.com/albums/davidsteel

Categories
Music News

C-Mon & Kypski 3rd Album Complete!

Dutch turntable and production wizards C-Mon & Kypski [who were featured in July’s Hip Hop Radio Show] have posted on their Myspace site that their 3rd album, Where The Wild Things Are, is finished.

The album is to feature Sadat X, Pete Philly, Kain The Poet and Benjamin Herman. The single, Bumpy Road, is slated for an October 6th release with the album out on October 20th.

You can get at the single by clicking right here. And check out their myspace site for more.

Categories
Music News

The Bronx hit the UK

The Bronx have announced a series of album playbacks taking place around the UK early next month of which you can go nuts to at the following dates:

8th September Ramshackle @ The Academy, Birmingham

9th September Distortion @ Rock City, Nottingham

9th September Loaded @ The Krazyhouse, Liverpool

9th September Sonic Boom @ The Leadmill, Sheffield

12th September Satans Hollow, Manchester

The Bronx tour dates:

OCTOBER

FRI 13 Dirty Sounds @ The Barfly
SAT 14 Oxford Zodiac
SUN 15 Cardiff Barfly
MON 16 York Barfly
TUES 17 Leeds Cockpit
WEDS 18 Manchester Roadhouse
THURS 19 Liverpool Barfly
FRI 20 Nottingham Rock City
SAT 21 Glasgow Barfly
SUN 22 Sheffield Corporation
MON 23 Birmingham Barfly

NOVEMBER

WED 1 London Islington Academy

Categories
Skateboarding News

Matt Allen wins Back to the Banks

For the second year running and causing even more chaos and thrills was the annual Brooklyn Banks skate jam.

Click here to read the Emerica write up.

Overall Winner
Matt Allen $1000

Bank to Double Ledge
Zered Bassett $1000

Bank-to-Wall
Jimmy McDonald $1000

Rail and Stairs
Ryan Bobier (tie) $500
Jake Donnelly (tie) $500

Marble Kicker
Colin Hale $1000

Categories
Live Reviews

Uxfest 2006

Carling Islington Academy
06.08.06

Powered by penniless music-loving volunteers, Uxfest is a charitable way of supporting local music. With proceeds being donated to Youth Music, Natandy Fund (helping Tsunami victims), Yeldall (for the Homeless). An ultimate festival for lovers of ska to death metal, and everything in between. The only thing that would have made it Rock Harder is hosting it on 06-06-06!

I arrive late and miss the first few bands. Once you in, you aint allowed out, and a gals gotta eat! So I missed opening acts No Warning Shot, Sylosis, OutCryFire, Inner Rage, Profane, Shellshock, French Eths and Forever Never.

I make it in time to catch the one of the best local hardcore bands PDHM. With drums so loud they drown out your own heart beat, the 2 front men bounced around the stage giving an energy injected performance. A husky, rusty metal voice complimented with AFI-like vocals, make the match almost as perfect as chips and mayonnaise!

Over to the Mill stage to catch the last couple of songs from the jazzy ska tracks of Mumrah. A six-piece surfer set, with a guy that does a disturbingly high screeching soprano.

Sacrificing seeing Head On, next up are one of my personal favourites The Blackout. Replacing Captain Everything they still jam-pack the room with adoring fans. Looking like butter wouldn’t melt in their mouths they blow your hair back with their hard as rock set. Seasoning in a new track called Death Angel, their new album ‘The Blackout The Blackout The Blackout ‘ is bound to be a hit.

The most photographed band was definitely the Architects. Missing Engel from Sweden, I walk into a raging hot-box. It may be the smallest stage, but the excited vibe from the crowd make up for it. Whipping up a moshpit of mayhem, the photographers hit their own scrum in front of the stage! A four-piece from Brighton, with a rocking bassist delivering solid Pantera-esq riffs. With the singer Matt, bending back to fully open his Death Metal screams. Catch them on their insanely full diary in and around the UK till mid-October.

Hot new favourites Exit Ten are definitely a room filler, with devoted fans singing along to every word like a Thrice mantra. They play their highly addictive hit track ‘Resume Ignore’, which they have just launched a new music video for. With the finely tuned voice of Ryan this is definitely a band with lasting power which is inching closer, and closer to stardom every second you spend reading these lines.

I change stages to fulfil my curiosity of the Alice In Chains sounding B-Movie Heroes, and hope to stumble across them for more than 2 songs sometime soon.

Kingsize Blues rocked out with the singer doing vocal acrobatics, you cant help but be damn impressed! Singing almost 2 parts simultaneously, Tom Hennessy offers a flawless stage performance. Promoting their fittingly titled album ‘Live Fast and Die’, a slogan they share with Viking Skull, This band is no doubtedly going to have a successful tour in October.

Lighting up the up the Mill Stage are Fireapple Red. Blazing punk giving the political lyrics of Propagandhi some stiff competition, they have already toured with the likes of Bad Religion, Pennywise and Anti Flag! With the singer rocking facial expressions like System of a Down, these punkers are a photographers dream! Don’t be fooled by this humble-looking four-piece, their sound will eat you alive, and have you begging for more. More of which can be found on their latest EP ‘The First Drop’. Their up and coming revised line-up is mostly for charity. Punk ‘n Roll with a big heart…the way it should be!

Big in China, Biomechanical grace the Main Stage with their perfectly rehearsed stances. Describing themselves as ‘British Steel’ metal they play with a similar line-up to Uxfest in the Damnation Festival in Manchester later this October. Demanding the attention of Kerrang, Classic Rock, and Terrorizer magazines Biomechanical successfully appeals to Iron Maiden and Pantera fans alike. Switching between melodic keyboards to metal mayhem they strike the balance between new and retro.

Well known and loved Murder One are back to share their Metal antics. With quirky duo John and Paul giving the crowd their all. Dripping in sweat they squeeze out a back-to-back explosive set. Screaming words of angst from tracks ‘It was Lies’ and ‘Where the Body Lay’, they promote their hot new release ‘Somethings Are Better Left Unsaid’. They are playing a few odd gigs over the next 2 months, so catch ’em while you can…you never know when they likely to disappear into the cracks again…

Boasting not quite heavy rock or metal, Skindred offers a fresh forward thinking sound. The South Wales eclectic four-piece has enough personality to fill the crammed room on their own. With Benji Webbe’s humor, Daniels’ tight basslines, and Mikey Dee and Dirty Arya holding it together in the background, their talents are on the same plateau. In their multi-cultural sound you can hear influences of The Clash, The Specials, and Sublime.

Swinging his dreads about Benji interrupts his own stage performance with lines like ‘Isn’t music exciting!’. Being short of girls throwing their bras at them, they throw a found ‘Clutch‘ badge into the crowd, only to get it thrown back in distaste of it not being a Skindred badge. With fans showing their loyal dedication, it might be time for them to get some made up to silence their next up and coming crowds over the next 2 months. Rocking their encore with the lines ‘Nobody gets outta here alive…’ it plays in my head the whole way home.

Niki Kova’cs
Photos by Niki Kova’cs

Categories
Buzz Chart

The Crimea

The Crimea have been simmering underneath the radar for a few months, relentlessly touring and working on the new album – but with the release of the atmospheric, multi facetted Baby Boom, they have the weapon with which to really crack into the mainstream. Baby Boom, a mainstay of their stunning live shows, sets your senses alight with twinkling keyboards, soothing bass and wailing, almost crying, guitars combining with Dave MacManus’s edgy and breaking vocals.

The lyrics are both comical and tragic ‘we’re just a bunch of buffalos, getting slaughtered’ is closely followed by the wonderfully comic chorus lines of ‘You can call me Fred Flintstone, Tarzan King of The Jungle..’. It’s an inspirational wide sound, every piece of the jigsaw fitting together for a track that is both melancholic but strangely uplifting, a dark sky lit by sparkling stars. The Crimea are one of the hardest working bands out there, and well deserving of success. Baby Boom is a great showcase for them and it’s little wonder it’s been Track of The Week on Radio One – and with a slot at V Festival on the horizon, here’s hoping they win over the crowds.

Categories
Live Reviews

Rolling Stones – Live

Twickenham Stadium
Sunday 20th August 2006

I’m one of thousands of people making their way to Twickenham Stadium and I’m hit by a cloud of greed surrounding the stadium that actually included paying £25 to park your car in a Church Car Park! – “Money goes to charity” says the tubby bloke at the gate as I reverse in disgust – even Jesus’ followers are cashing in on the mighty Rolling Stones tonight but ‘oof, take that Jesus‘ as your nut jobs are getting nothing from me tonight! £25 to park my arse!

Feeder open up tonight’s show with bags of confidence and handle the stadium like it’s the Dublin Castle as they crack out hit after hit but people are waiting for one thing and one thing only and as The Stones step out onto the mammoth rig, 70,000 people go insane to the sounds of ‘Jumping Jack Flash‘ and has me leaping out of my seat with everyone else.

The stage looks like a hotel or even an ocean liner has been dumped into the middle of the stadium. Lights hang from every nook and cranny and people who paid £1000 for exclusive tickets are waiving from the stage either side of the monstrous screen so that people in Row Z don’t miss a thing. As rain pours out of the clouds above, Mick Jagger that has to be careful of where he dances – roadies with towels are soaking up the water as ‘Start Me Up‘ follows the opener and the band are looking good, in fact they are looking amazing! The rain stops as ‘Sway‘ drops over the speakers from Sticky Fingers, although Jagger has to ask the band members which album it was from, then a slower track followed by the classic ‘Ruby Tuesday‘.

The orange and electric blue lights fill the stadium, and I’m sure it looks like a ship, I go with this thought as Mick takes a guitar and performs ‘Streets of Love’, one of the lead tracks from the new album ‘A Bigger Bang‘ that will be released this September – the first studio album from the band since Bridges to Babylon in 1997 but all I want tonight are the classics. I’m a virgin to The Stones live and as I crave for ‘Paint it Black‘ and many more I have to remind myself that these guys have been playing for over 40 years and I should just be patient because you know they are gonna go out with a bang.

Keith Richards has a solo moment and just about makes it through ‘Slippin’ Away‘ and then through the fluorescent bulbs and smoke comes the chicken run! Oh yes, the entire band and keyboard player are moving towards us on a floating platform! The atmosphere reaches a new height as we all sing ‘Get Off of My Cloud‘ at the tops of our voices followed by ‘Honky Tonk Woman‘, and the incredible ‘Sympathy For The Devil‘ where the entire crowd is singing ‘Woo Woo!’ so loud that the local ambulance station must have felt slightly insecure of their technology as this noise was far more superior accompanied by flames the height of a house. They were 100 ft away and felt like they almost burnt your eyebrows off! Add the infectious ‘Brown Sugar‘ to this moment and a party massive was going on here, it was absolutely amazing.

As this was happening you felt like you were at a small gig with the band right there in front of you, and when they were not stranded on the chicken run, Jagger was running full length of the field all night long, amazing really for a man his age. Saying that though, we were invited to this show by one of the crew who has been working with them for 20 years and he said to me that he had not seen the band this hungry for shows in a long time. He said that they were on fire and have a new lease of life in them, so much so that they extended this tour for another year, but he said that this could also mean that it could be the end of an era and they may be going for it for the last time – only time will tell on that note.

The encore exploded with the monumental ‘Satisfaction‘ which literally shook the earth and as this song bit the dust tens of thousands of people stood there with the same hat on. For these cherished moments are what we live for, that split second where you know you have witnessed something special, something so classic that you could not replace it with any other artist.

I didn’t get ‘Paint It Black‘ or ‘Wild Horses‘ but what I did get was a feeling worth its weight in gold….something the Church may have forgotten about in this day and age…

Chuck Bangers

Categories
Music News

El-P Album Blog

Def Jux head-honcho and underground kingpin El-P has decided to write in an online blog to chronicle the latter stages of the making of his second album I’ll Sleep When You’re Dead.

If you want to read what the rapper has to say then all you have to do is point your browsers here.

www.definitivejux.net