Categories
Interviews

Nick Zorlac Interview

zorlac wallrideIn skateboarding there are friends and the there are friends and the latter are the guys that will stop skating if you break a kingpin and help out. Nick Zorlac is one of those lads – someone who will go out of his way to accomodate you even though he may have just met you.

Death Skateboards may have an image of destruction, punk rock and annihilistic crusade but deep down the fire burns from a warm heart and the guys on the team have adopted that from the boss.

Death started whilst he was working at a distribution company who forced burn out on him and left him for dead. From there Nick has quietly stuck his fingers up at the people who used him, got on with his life and won. He may be a practicing vampire who loves 80’s music and he may drive for 2 days flat to skate a bank to wall, but he is one of the best out there so we thought we would drop him a line and see what g’wan in the world of Death, a company that has managed to arguably become the most dedicated skate team in the UK.

How long has Death been going now? When did you start out?

Death started in 1998. So it will be a ‘Decade of Distraction’ in 2008 next year. I can’t believe it, time flies.

What made you start Death?

One thing was that I was being a bit self indulgent, I wanted a board that said ‘Death’ on it! Mainstream media loved pronouncing that skateboarding was ‘Dead’ after the late 70’s boom, and after getting sick of people reiterating this year after year in different ways when they see you skating, I thought fuck it we must represent Death then. Also it was a protest vote against companies that were springing up that were started by non skaters with the sole purpose of making money. Suits sitting around trying to think of non offensive names and concepts that everyone would like. Instead of having a cool idea or vision of what they wanted to do they were just trying to find a commercially successful formula.

To me, that is not what a skate co. is all about. With Death I wanted to do something that was a reflection of I liked, and what skating was to me. It started as a very limited thing, I didn’t actually really have plans to sell the boards commercially. I did some stickers and tees for myself and some friends. I thought kids would hate it. I put a sticker on my mate Hemm’s shop door (Then it was called Big Worms, now its called Motel 6). A couple of weeks later he was all ‘kids keep asking for those Death boards, when will they be ready?’ This was echoed by a lot of shops all round the country. So I went with it.

Did you ever think it would last the time it has so far?

I used to have a drinking problem. If you’d have asked me when I started Death what I would be doing in 9 years, to be honest I’d have been surprised to still be about myself, let alone my company.

catesWho was the first pro rider?
Cates. He wrote some bollocks or other on my griptape one time when I set a board up, so I jokingly said I was going to do a board with ‘Cates is a Cunt’ on it to get him back. Then I was winding him up one day that they were nearly ready. He believed me, but strangely seemed quite stoked on it. So I went ahead and got some done. They sold out so I did him another board that had felt material on the graphics and you got these massive joke sunglasses with it too. And then I just carried on bringing out Cates Pro models and people kept buying them. All cos he wrote on my griptape, ha ha.

Have you always used the same wood manufacturer?

No. I work with a number of different woodshops simultaneously. Ones I consider the finest in the world by the way, and I’ve been around for a while. I find certain strengths from each manufacturer more suitable for specific models in our range dependant on what we are looking for in each one. This means that whatever my riders like in terms of weight, concave, responsiveness etc etc there is always something for them within our range of boards. Generally the pro boards are a bit longer wheelbase and deeper concave than the team boards. We have good relationships with all our manufacturers, which is important to get our boards exactly how we want them. I don’t skimp on cost, I’d rather make less margin but have the highest possible quality boards. If I wasn’t happy riding my own boards then what would be the point?

For people that ride your boards but would never know, where are they made and what is the process?

The best wood, the best glue, years of experience and a sprinkle of magic dust. I could tell you more but then I’d have to kill you.

How many models have you released now to date?

Some of our obsolete boards are on our website in the ‘past products’ section. I’ve lost count. But it’s not as many as you might think, because some of our graphics run for years. I don’t like withdrawing a graphic when I still like it, and people are still asking for it. Some of our first graphics are still going strong today.

You like to use holograms and silver on your boards, do these make the boards more expensive to manufacture?

Yeah they do. But they are limited runs so its not a big deal.

I read on the internet that if you scrape off and smoke the silver graphics on your Death boards, they can sustain a high as powerful as crack in a pipe? Is this true?

You ‘read on the internet’ did you?? I wondered why you keep asking me for the silver graphic boards.

Why do you think people choose Death over another UK or US brand?

You would have to ask them.

Who designs your graphics?

With the longstanding team boards, I have an idea in my mind of what I want and Jaybone translates my ideas in to something on a computer that we can use. With the pro boards, a few different people have done graphics. Like Fos, Chris Bourke from Spine, Kyle Green, Toby Walker, Mark Ward, Alex Duke, and Jaybone. Sometimes my ideas again, sometimes the pros, and frequently 100% down to the artist. Thanks!

Was there ever a rider who submitted the worst artwork ever to you for his board graphic?

Nothing bad, Art is subjective. Ha ha.

What is your fave Death board graphic to date?

The original skull. It was the start of it all, still does good today, never fails to provoke some kind of reaction and I’ve never got bored of it.

Which current pro would you love to see on Death if you could steal one?

I’m not into stealing pros. But I can tell you this – my favourite skater of all time is John Cardiel. I thought I knew what skateboarding was. Then Cardiel visited Harrow. Seeing him skate redefined my perception of skateboarding. Pedal to the metal is an understatement. I couldn’t believe what I was seeing. Cardiel footage is gold dust.

death teamWhich old school pro skater ever would you have loved to have seen ride Death and why?

I always thought Grosso was sick. Well I still do. Big airs, massive loud lein to tails and bodyjars, solid tweaked and stalled inverts, the longest boardslides in pools. Always facing adversity. Finally learning Mctwists at around 30 years old. And I always thought his interviews in Thrasher, Transworld and RAD were the best. He gave away so much in those interviews. Brutally and refreshingly honest. Also, Jeff Phillips (RIP), Duane Peters, Alan Petersen if you can call him old school, Ben Schroeder.. I could go on and on.

Will we see any girls sponsored by Death in the future?

I’ll never say never.

You love the internet don’t you big boy?

I don’t mind it. It has its downsides though. It keeps you connected with what’s going on, yet isolated at the same time cos you are staring at a screen instead of interacting with other humans. It’s a time vampire I know that much.

Do you feel as though you have to come out sometimes and put things right much in the same way that Jamie Thomas has done recently in a recent online interview?

If people don’t like our graphics or anything else about us then that’s fine. I never expected or would even want everyone to like us. But a couple of times I have had to go on there to set things straight when people have got facts wrong. I’m not into telling people what to think, but they should at least be using the real facts to be making their own minds up. And yes I have had to confront people because I have thought they were out of order. Same as I would confront someone if they were being out of line in the street, in a skatepark or in a pub. I don’t see the difference although a lot of people seem to get a bit carried away when they get behind a keyboard and think that it somehow doesn’t count.

What is the difference between the skaters of old (pre internet) and now?

When I was a kid, we used to study every magazine word for word, and watch videos until they wore out. Now, skating is everywhere. On the internet, on TV, new cheap or free dvds every month, there are more magazines too. So I think kids have access to a lot more skateboarding media than we did. This is a good thing for them, but I think that maybe we appreciated what we had more. Also I think in general we made more of an effort to go to comps and demos, you would get a large chunk of the UK’s skateboarding population under one roof which was sick. But none of this matters, times change. As long as people keep rollin’, having fun and don’t get cliquey then it’s all good.

Do you think that the skateboard industry is taking the web more seriously now as opposed to 3 years ago?

Of course. Its not just mags and vids anymore. The power of the internet is huge. It does seem that the skate industry has been a bit slow to catch on to this. Including me. But I have trouble just getting through my emails let alone, I get thousands of the buggers.

Zorlac hookYou are crocked right now right? Explain what happened and where it’s going.

On Feb 10th I busted my arm at the top and displaced my shoulder. Fucking nightmare. Wasn’t even doing anything, just a freak slam. Rolling backwards, something stopped my board, I fell backwards into the transition and SNAP. It’s a big bone so it took ages to heal but I’m getting stronger by the day.

Being a man that skates as much as he can fit into a week, how have you coped being on the sidelines?

By working a lot. It’s the longest time I’ve had off my board for more than 20 years, It’s not been fun. But what can you do? It makes you realize how much you take being able bodied for granted. I used to be like ‘fuck I do too many frontside airs’. Now I’m all ‘I wish I could go out and do a frontside air!’

Does it look likely that you will be sessioning the summer of 2007?

I hope so, the cast is off, and I’ve started physio.

Where would your first spot visit be?

Probably the ramp in our garden. We found some ply in a skip so we’re going to fix it up nice. But anywhere and anything really..

Where is the best spot you have ever skated?

Don’t have a single best spot really. It was really fun at Snoz’s creation ‘The Ripped’ just before I got hurt. I have a lot good memories from Southbank, Marseilles, the old Uxbridge mini ramp (where we held Herricks wedding reception!), St. Albans and Harrow Skatepark.

You also run the Power Distribution Company with various brands on board such as Consolidated, Heroin etc it must be hard running this kind of job with so many shops closing down in the UK?

It’s pretty gnarly at the moment with people buying stuff and doing well with it but trying not to pay. It goes in cycles though. You have to survive the bad times to enjoy the good times. It’s a miracle, but somehow we have done so far. Our brands are super strong which helps. So many people give up so easily. I did two jobs for over 4 years when I started Power (Distribution) to fund it. Some people want to make money and not even get their hands dirty. And then when they discover its not that easy they just walk away from the mess they have made leaving other people to pick up the pieces. That is the worst part of being a Distributor.

Del BoyHow could life be easier for distributors and the industry if shops changed one main thing from their operation? What would it be?

It’s not up to me to tell people how to run their business. But it would help if people paid their bills on time and took responsibility for what they have committed to.

Could skater owned shops do more for the scene?

Some do more than their fair share, some don’t.

Which one UK SOS shop is your favourite to deal with and why?

There are loads. Support your local skateshop!

Is it true that Consolidated are going to issue a rollerblade boot?! Ha!

Yeah, and pigs fly. Actually, if it was in the form of some elaborate piss take, you never know. They once did an advert once promoting Consolidated Cowboy boots that didn’t exist if I remember rightly. Consolidated are good for democracy in skateboarding and their ads are wild. The first Consolidated video is one of my faves of all time.

I heard they are stoked on Ben Raemers who is filming a part for their up coming DVD?

Yeah, Ben rips. I hope he goes pro on Consolidated one day. They are stoked on Olly Tyreman the other UK Con rider too, and he will have stuff in the new DVD as well. I think its going to be called ‘Going Bananas‘.

What did they make of your visit this year to Con HQ?

They hated us. Ha ha, nah I don’t know I think they thought we were mad cos we insisted on getting Mexican food every day, for every meal! We had the best time. I’m stoked they are distributing Death stuff for me in America and other countries cos I totally trust them. I had some bad times in the past with someone else who distributed Death in the U.S for us.

Is America starting to get used to seeing Death Skateboards now with the introduction of new team riders?

It’s hard to tell. Melcher and Zarosh are so rad. To have them as my US riders, and have adverts in Thrasher is the best thing. I never imagined things would go this far. Who knows what will happen..

Will you be taking on any more US riders?

If the right rider appears, then yes. I’m not in a rush though.

What are your thoughts on what the International Association of Skateboard Companies are saying regarding the shop board situation? Do shop boards kill the industry somewhat?

Blank boards and shop boards rarely support pros, magazines or the industry in general. It’s a downward spiral for skateboarding. But I’m not going to tell people what to do either. I just put out stuff that I like, and support my riders and customers as best as I know how. Some people must like quality and attention to detail of our products and graphics etc to like Death enough to pay the little bit extra rather than buying a blank board. Personally I can’t stand blank boards. I think they are boring, meaningless, and a step backwards. When there is no branding, or professional endorsement, a product has nothing to prove or live up to. And there is seemingly not much to choose between one blank and the next. So people are tempted to just go for the cheapest.

In turn some manufactures feel the need to offer cheaper blanks to be competitive. Corners are cut. Cheaper materials and techniques are used in manufacturing. And you can end up with something that is a pig to skate as well as boring to look at. If blanks help kids to afford to keep skating then you have to take this in to account. But when we were young kids we’d buy a second hand pro deck over a blank any day. And then when we got a bit older and earning a bit we’d spend days looking at shapes and graphics.. planning and saving up for the deck we figured was the one for us. Nothing else would do! I think that pro board graphics and shapes are an important part of the magic that makes skateboarding the best.

Is Death registered as a UK Skate Company with the IASC?

No. No one from there has approached me. Rightly or wrongly I feel under the radar of that kind of organization. I feel pretty isolated from that kind of thing. Maybe because I am based in London not California.

kangaroo faceDo you think it is necessary?

I don’t know the answers. I’m still that kid with the skateboard; I don’t feel like I’m ‘Industry’.

Do you think that the skate industry should have some sort of governing force?

It has always had one. Skateboarders! We choose what we buy.

Rumours floating around the internet mention that the only reason that the IASC have set up their ‘club’ is because US brands no longer dominate the sales of skate shops in Europe due to their own homegrown industries – do you think this is true?

That does make sense. Skateboarding has definitely decentralized, and it must be difficult for companies that used to dominate worldwide to lose a lot of their market share. Nothing lasts forever though.

Does this body have a right to tell other countries skate companies that they should not be stocked in skate shops if they are not members?

It sounds complicated. I always thought skateboarding was about breaking rules, not making them. I don’t think shops will take kindly to being told they can’t stock their best selling brands!

Does this affect Death Skateboards in any way?

Not at the moment. Time will tell.

What is the most fun thing about running a skateboard company?

Getting ideas and turning them in to reality (which I am addicted to). Riding and putting out products that I’m happy with. Giving shops products that do good for them and they make decent margins on. Stoking riders out and helping them to push their skating. The process of making videos and adverts. Traveling. Pulling surprise moves, like having Ricky Oyola on the last ‘Big Push‘ tour. Working with some really cool people. Not being part of the 9-5 world. Living a life that if I wrote about it in a book, people would think was fiction. Being involved in skateboarding full time.

And the downside?

People who you help out but in return stab you in the back. Shops that sell and make money on your stuff but don’t want to pay for it. Accounting and paperwork. Timewasters. Long hours. Responsibility. Stress. Finding out what certain people are really like after years of thinking they were the best.

kangaroo face

You guys seem to support the UK scene quite a lot sending riders to demo’s etc how important is this?

There is nothing like seeing your favorite riders tearing up a spot. Hopefully our riders have inspired some skaters somewhere along the line.

Tell us about the Relentless energy drink hook up? Is this a continuation of what Eastpak have done with Death riders over the last few years?

Eastpak have helped us get to some amazing places over the years, e.g Goa. Relentless are doing the same. We also get a load of drinks to keep us energized to skate and go on missions to find insane terrain! It’s cool as well because they are putting in to skateboarding but not taking out, i.e they don’t sell anything that skater owned companies sell. Well I don’t know of any skater owned drinks companies anyway!

How do you pick your riders as you seem to have doubled the size of your team over the last 12 months!?

In their own way, each of my riders represents the essence of skateboarding to me. It’s never been about being ‘the best’, which is a concept a lot of people have trouble with. Same as some people will never understand starting a company which you think has little or no chance of ever being popular or actually making any money.

How did Melcher get hooked up on Death, as it seemed to be a surprise to most?

He emailed me and asked to ride for us! I was as surprised as anyone. I think he had been asking Niall from Kingpin about us, and Niall encouraged him to get in contact. I’m glad he did. His footage on ‘Better Than Life‘ is going to be mental.

richie jacksonWhen you first saw Richie Jackson’s part in the Escape From Boredom DVD, did you have to grab your crotch to believe what you were seeing?

I was so stoked. I love that section. The first time I saw Richie I knew he had some unique shit going on but was really not prepared for that section turning up!

I heard he was almost stolen from your team last year at a US trade show, how would you feel if that was possible?

Shit happens. If a rider gets some crazy deal that would be really good for them then I’d totally understand if they left. In fact in certain cases I’d encourage them. But what I would say as well is that there are some companies who may be committed to a rider whilst they are at their peak of popularity or when they are the new thing, but then will drop them as soon as they are no longer a money maker. I don’t think like that, Death is a very stable and long term home for our riders. And now we have worldwide distribution, if a pros boards are demanded in whatever country, we now have a channel to get them there.

Will the US and OZ connections ever be flown over for a full tour in the UK?

Bloody hell that would be expensive. But yeah it would be sick.. I need to think about a way of making it happen!

How do you personally Escape from Boredom?

By skating, watching skating or doing something else to do with skating! Of course I am in to other stuff. But skating has consistently been there for me, and always held my attention.

Death seems to have a fantastic amount of energy and fun as an identity compared to other UK skate companies; do you think that other UK teams are too serious about their steez?

Nah, people should do what they want and how they want. It’s good that there is different approaches and styles.

Dan Cates’ interview in Document Magazine this year was definitely one to read. Deep down are you proud to have such a good bunch of riders on the team?

Yeah it’s a good crew. We have a lot of fun times. I like the diversity of skating we have. My riders feel part of something too; it’s not just about getting given boards or whatever. Hence the Death tats.

cundall

Who gives you the most grief?

It changes. Everyone has bad days/weeks/months! They always snap out of it though. Cundall has turned over a new leaf recently and is skating really good, shooting loads of photos and filming tons.

Which rider gets through the most boards in a month?

Probably Boots. But he does some gnarly stuff though, and eats loads of fried chicken and 5 trifles every time he goes out so it’s no surprise really!

We have seen the trailer for the new DVD scheduled for November called Better Than Life, tell us what you have planned for it?

Ground breaking (literally!) full sections from our new pros Patrick Melcher and Zarosh. And of course the inimitable Richie Jackson, Mark Nicolson, Dan Cates, Rob Smith, Horsey, Carl ‘Potter’ Wilson, Boots, and many more. Insane Terrain worldwide, tricks you have definitely never seen before, fast times, good times, you know what we like. As far from the 9-5 world as we can get. All the shit that makes skating Better than (normal) life!

Are there surprises in store?

Of course!

Where have you filmed so far?

UK, Australia, USA, Israel, Sweden, Bulgaria, Spain, France, India and more places that I can’t think of right now.

death premiereIs Nicholson behind the project?

Yeah, Nicolson is so good at video stuff. Amazing skater too. Toby Batchelor helps me out with video stuff as well, and there are loads of contributors too.

Are there plans for Death Skateboards summer tour this year?

Document magazines ‘Big Push‘ takes up most of my tour budget. It’s worth it though. We’re going a bit mad on this years one, should be even crazier than the last two. Don’t miss that issue!

What are the 3 key things people need in their lives to survive?

Tacos
Quesadillas
Nachos

What 3 tunes can you not leave the house without for a road trip?

More like 30,000 tunes with the advent of the Ipod! Although some older guys are not at one with recent technology.. Herrick quote from a recent road trip ‘No way, is all the music we have been listening to today come out of that little white box?’ as he nods towards my iPod.
I must say I’ve listened to Devo the whole time I’ve been doing road trips, that’s always been on the play list.

Any thanks, shouts & links?

Thanks to…well you know who you are! Full list will be on the vid.

Our website is www.Deathskateboards.com

Also www.myspace.com/deathskateboards

Video links:

better than life

Categories
DVD Reviews

This Is My Element DVD

Element are back with a highly anticipated full length release – they chose to jump aboard the Go Skate Day bandwagon and roll at 350 locations around the world, 350!!! So we trooped down to the Richmix Cinema in Shoreditch to check it out.

This release isn’t going to everyone’s cup of tea, it has a very similar feel to TransWorld or Cliché videos, and I think they tried to capture the vibe of videos like Sight Unseen and Bon Appetite – with relaxed skating (in their natural element?). Element’s 2007 roster is pretty sick, actually, very sick, but the heavyweights barely featured for more than a handful of tricks – this gave the Ams a chance to shine.

So after an intro of portraits of the team the pint size rasta Nyjah Huston opens up the skating- hammertime! Highlights were a hurricane down a huge rail (at least 8) and a lush front 5-0 backside shuv, with some nice random lines chucked in like flip manual roll to 6 step firecracker at speed – lots of heel flips and front shuvs over gaps – dudes going to be an all time great by time he is 20 years old, kind of a rasta Koston, assuming he grows into his dreads that is!

Next up is the only man in skateboarding who could wear skin tight white jeans, waist coat and a black glove – no, not Bam, but The Muska. Pretty short section, but he is the newest, and possibly least visible pro on the team – his section was filmed all over, lots of Miami footage and his skating seems to have gone in the direction of Cardiel’s rather than the Shortys super-doopah dope vibe, he still has it, and killing bowls is now in his repertoire, good to see him back in front of a camera, and still with a mean frontside flip and plenty of trademark tailslide to fakie on handrails!

Brent Atchley
was the secret weapon on the last DVD, Elementality – and his latest section is much less hard hitting, still a very talented skater, but this was just a day to day section, kicks off in a fullpipe with nice ollies to 10 o’clock to ollie down (nasty metal pipe) and also hits up some long relaxed lines at a freshly resurfaced Burnside.

Another new guy who wasn’t on the last vid was Chad TimTim, I was writing notes as the names appears and look back at them and I scrawled “Chad TimTim…. skates damn fast” just zoomed around SF with big nollie flips caught on their way up, and bought the “World Industries” style of street skating to the vid, nothing quirky or setup, just straight street and schoolyard sessions.

Element and Bam Margera seem to be the least likely partnership, and it shows even more in this DVD, his section of old old footage at Philly is very predictable, but not as predictable as him zooming around in a tastelessly coloured Lamborghini getting pulled by cops for driving badly and speeding, and “his elementality” is to break the law on camera and when questioned just replied with “How much do I have to pay?”, which was cool… when Sting did it in Quadrophenia!

The Am’s definitely packed the video out, Jimmy Lannon had a nice Julien Stranger vibe about him, ready to ride any location, and new guys Soichiro Nakajima and Josh Rio established themselves as fast clean and technical skaters. For me the highlight of the Ams was definitely Collin Provost and Levi Brown. Povost is a kid from Huntington and has pop! Lots of pop and isn’t scared to hit rails with 15-plus steps either – very relaxed, and has some growing to do, but he is in good company here at element. Levi Brown pulled off what Atchley did in the last vid, came out of nowhere and killed it, skating some desolate old town with nicely drifted front 360s, a sweet tre nose slide on a bigass hubba, but his first trick killed it for me and the audience, simply up a flat bank and frontside flipping on it – catching it almost 3 foot high, just proper pop – expect much buzz about this Arizonan ripper.

Tosh Townend is all grown up now, still dreadlock soldier, and still skating long lines at beach front locations – exactly what you expect, but the Pro to shine on this vid is Tony Tave– a very efficient looking skater, with some hammer ollies, especially over an escalator which would be a perfect photo to shoot! Lots of night footage and one trick hammers on rails and some drainage ditch flip to long long roll in – very scary, very competent skating.

The major let down on this video is the pro talent they have amassed. Bucky Lasek has a handful of tricks on vert, but nothing much new since his section in “The End”, some nice nollie flip backlips and a frontside 360 heelflip slob airs at Burnquists ranch, but no 900 or megaramp action! Other wasted talent includes Jeremey “J-Dub” Wray, Chris Senn, Vanessa Torres and Mike.V. These guys had half a dozen tricks each, if that. Darrell Stanton had a great chance to establish himself as a major Element pro too, but decided to wear big sunglasses and bad shirts instead, but his murder flips are sick, and I’m sure he will go all out for the Volcom vid “Lets Live” video project (due out anytime now). Jake Rupp and Colt Cannon were sorely missed too, shame they left the setup after Elementality.

All in all, the vid was “ok” and from the biggest company in skating with a huge roster I expected more, maybe the point was to do a chilled vid, but didn’t they already do that? The filming was “ok” and they stuck with the same team as last time, the editing “ok” but the montages weren’t as enjoyable as the ones French Fred would have on a Cliché vid, and the music score was all by Odd Nosdam from Anticon, with their slow instrumental breaks, it didn’t work for everyone and got a bit mind numbing! All in all everyone I asked about it after the show said “it was ok”- I can’t see this DVD being as memorable as “Fully Flared” DVD by Lakai or the next release from Enjoi (“Turd Life”) and the highly anticipated “Nothing But The Truth” by NikeSB which are all ready to drop in the upcoming months.

Bottom line on TIME: It was “ok”.

Philip Procter

Categories
Buzz Chart

Chemical Brothers

The Chemical Brothers have been wowing audiences all over the globe with their potent mix of dance beats and hook-laden hits and now they are back with a new album, We Are The Night.

The new record brings forward all their experience and panache and matches it up with their unfaltering guile and innovation, proved brilliantly by the new single Do It Again.

Featuring the vocal talents of Ali Love, the track begins with a thumping bassline, propelling the beat into the catchy hook and the bleeps that get that body swerving and head banging.

Love’s high pitched vocals fit perfectly into the mix and confirm just why the producers are so highly thought of when creating their tunes which are both mainstream and yet firmly esconsed in the dance world they came from.

With guest spots from the likes of Klaxons on All Rights Reserved which is another club banger, harking back to the early and mid 90s, and Fatlip bringing some rap to the plate in a strange but very powerful collaboration on The Salmon Dance, this album is one that demands to be listened to.

Abjekt.

Categories
Skateboarding News

Altamont Hendrix Collection

Altamont have hooked up with with acid’s favourite love-child Jimi Hendrix from beyond the grave to release a range of clothes featuring artwork by the guitarist.

Ok, so they haven’t really performed a séance and got him to scrawl on tshirts, but they are including Hendrix as a collaborator for their Fall line featuring some of his very rarely seen artwork.

As a company with ideals forged from the infamous Altamont festival, this partnership seems perfect.

Check www.altamontapparel.com for further info.

Categories
Music News

Band Of Horses new album details

Band Of Horses have just finished the final touches of their new album.

The album, which will follow up last year’s Everything All The Time, has yet to be titled but is being planned as an October release. Frontman Ben Bridwell said that the new album has some country leanings and though most of the tracks haven’t been named either, the few that have are called Ode To The LRC, No One’s Gonna Love You and Window Blues.

The band’s line up has changed with Bridwell the only remaining member, though Robin Peringer of Modest Mouse will play on their upcoming summer tour dates.

www.bandofhorses.com

Categories
Skateboarding News

Hackney Olympics

hackney mapSeeing as the real Olympics are going to be there, and we aren’t invited, it’s time to show them who’s boss with another Hackney Olympics at the infamous Bumps on Saturday 7th.

Booze, sun (probably not), skating and probably a lot swearing will make this probably the best day ever.

This is a totally unorganised event, so don’t expect any product toss, or you’ll get beaten up by drunks. This involves you lot turning up and making it fucking rad.

Turn up at Hackney Bumps from midday and prepare to rip the place to pieces, as well as some flesh off your body.

Categories
DVD Reviews

Heroin “Magic Sticky Hand”

Magic Sticky HandMagic Sticky Hand- no, not what you get when you’re bored and the only thing to entertain you is Mrs. Hand and her five lovely daughters- is actually the latest video from Satan worshipping, gnarly drawing loving Heroin Skateboards.

Featuring the guys that didn’t get full sections on Live From Antarctica, this short DVD contains all the standard fannying about and amazing quirky raw skating that Heroin always delivers.

Colin Fiske is tall. Really fucking tall. I mean, his socks are about as long as I am tall, and I’m definitely no midget. Hill-bombing mountain road drainage ditches, huge wallrides, hippy jumps on longboards and plenty of rough-as-tits street transition shralping. Win.

Rogie/Bogie/Ste Roe, or whatever he calls himself on the internet when he’s not out snapping another bone, has a plethora (fucking right, I said plethora) of wallie and wallride grab variations, as well as hacking it down snake-run things goddamn fast.

I’d never heard of Jon Monie until I watched this. Heroin do a good job of finding unknown rippers from across the globe and making sure they can do late shove-its. Monie is no exception, and also throws down an airwalk down a rather hefty set. Who the hell does airwalks anymore? He gets the ‘Rad’ seal of approval. Look out for Crossfire’s feature with “J-Money” on the site very soon.
Fos gets a little look-in in this section as well with some Mudchute footage.

Now if you’re unaware of who Deerman of Dark Woods is, you suck at life. The balaclava clad, goat-sacrificing, concrete terrorist is fucking gnarly. Have you ever tried skating a jersey barrier? It’s near on impossible to anything more than hit it and fall off, shattering your pride and pelvis in the process. Blunt 180 melons, melon fakies, and feeble stall 270 out- on what is essentially a wall to stop cars from smashing into other cars. Hellstone sickness.

Chris Ault closes proceedings and proves that grabs on street are sick. And he doesn’t mess round with them either. Legit tuck-knee indys down that Liverpool St. double set, and the pyramid at Mudchute gets a spanking with a fully hucked stalefish. So what more could you ask for? Maybe kickflipping over the stair mound at Stockwell? You got it. Chris has earned his spot on the team, that’s for damn sure.

As well as this mini-vid, the DVD has the bonus extras of the Infection trailer, Pulman’s Viewfinder 2 section, and the Battle of Normandie shenanigans from a while ago.

You should really own this. It’s got skating that isn’t another high-budget Hollywood epic, and that gives you itchy skate feet instantly, it’s got a stupid name that makes you laugh, and it only costs the same as a pint of booze and a packet of prawn cocktail.

Tom Mogridge

Categories
The Mix

The Mix – 29/06/07

We’re back in the Mix once more and with it comes your usual slice of hip hop and other beat-related goodness from all over the globe. As the rains pour down, despite it being almost July, we know you need a big pick-me-up of amazing music so read on and get down to the funky shit we have lined up for you!

The Jektmosphere

Record Of The Month:
JOE BEATS – Diverse Recourse

(Bully Records)
www.bullyrecords.com

If you’re not familiar with Joe Beats, then let me fill you in. He is the man behind the beats for the Non Prophets, he is the man who brought you the Indie, Rock, Blues Experiment and he is the man who provides the sorts of beats that your ear-drums were made for.

It’s hard to pick out songs that stand out amongst the rest, because the standard is so high and from the first watery guitar loop of Don’t Front, you get pulled along on a ride that you’ll pray never ends. Pour Me One is a track that could easily have come from his Indie, Rock, Blues album, the beautiful guitars sliding perfectly around the cymbals and understated drums in a prime example of what makes Joe so good.

If I did have to pick a particular spot on the album as a favourite, it would be the three tracks towards the end of the album – the pseudo-mexican horns of The Buzz Off into the more swing elements of Merc Ret and finishing up with the pure freshness of Spikes For The Punchbowl, complete with fantastic bassline and backed up by the organ parts.

I’ve made this album my Record Of The Month because at no point did I want to skip a track or feel as though it carried on too long. If you want to chill out to a brilliant instrumental album, then pick this up.

DIZZEE RASCAL – Maths & English
(XL)
www.dizzeerascal.co.uk

So Dizzee is back and with it comes the fanfare of “the best British hip hop album ever made”. That tag is sure to place ridiculous amounts of hype on Dylan Mills who has previously brought the grime scene to the mainstream and, quite frankly, he doesn’t live up to it with this album.

True, there are some bangers on here, Pussyole [Old Skool] being the prime example of that, sampling Lyn Collins and bringing some straight up, fast-paced, in your face deliveries. Following it up with the Korn-esque Sirens is another good move, the downtuned chugging fitting his sharp, cutting voice. But after 3 songs, he’s already used up 2 of the 4 good songs on here.

Flex is a nod back to the garage days, beat wise and is a good fun party record and the pure grimey U Can’t Tell Me Nuffin’ takes Dizzee back to where he came from, but the rest of the album is filler for me.

Where’s Da G’s featuring some nonsense dirty south bullshit guests and this continues with Alex from Arctic Monkeys only serving to ruin Temptation and Lily Allen murdering Wanna Be.

So, if this is the best British hip hop album ever made, then Dizzee’s maths must mean 1 + 1 = 3.

THE QEMISTS – Stompbox [Single]
(Ninja Tune)
www.myspace.com/qemists

Drum n Bass badboys Qemists serve up an awesome slice of sonic action with their new single Stompbox. Throwing in a foot stamping guitar lick over the typically dance-inducing DnB gives you the perfect excuse to have a bit of a rave up in your front room. Oftentimes this sort of track doesn’t work, but fuck me, this does.

The track is backed with When Ur Lonely, another action packed song which features some echoing vocals thrown into the mix. The vocals provide the perfect build up to the eventual banging drum beat. If these two tracks are anything to go by, the Qemists are going to be smacking it up hard when their album drops.

THE BUG F. FLOWDAN – Jah War [Single]
(Ninja Tune)
www.ninjatune.net

I first heard this track on Sinden’s radio show on Kiss and must say I wasn’t too impressed by it. The beat is stripped down to the bare bones, with a shotgun like drum beat and a sporadic and booming bassline, blending the worlds of ragga and grime.

With a beat this skeletal, it’s down to the vocals to give it that extra bit of energy it needs to get your head bumping and unfortunately Roll Deep’s Flowdan just doesn’t do that. With no charisma or character in his delivery, it just sounds like he can’t really be bothered and as such this track comes off as a bit of a damp squib. The Loefah remix doesn’t add anything to the original either, which is a shame all round.

WILEY – My Mistakes [Single]
(Big Dada)
www.bigdada.com

Wiley is the Godfather of grime, so we keep being told. He has already said that this album, his first for the Big Dada imprint, will be his last and as such as received a huge amount of press on it. There has been a big battle made between Wiley and his protégée Dizzee by the press but on the strength of this track and having heard the whole of the Dizzee album, Wiley seems to have the upper hand.

The beat features some nice strings loops and the beat flows brilliantly around the rapping of Eski, Manga and Little Dee. The lyrics might not be the most amazing words ever (“my mistakes are made by me, your mistakes are made by you”) but the beat certainly makes up for it. And with Armani XXXchange on the remix duties, you know it’s going to be a big basslined badboy.

HEXSTATIC – When Robots Go Bad
(Ninja Tune)
www.ninjatune.net

Another Ninja Tune release, this time from electro funsters Hexstatic. The opening track sets the rest of the album up well with a guitar-led beat that sounds like it could have come out of a Daft Punk b-side.

The bleeps and beats continue on Tokyo Traffic, moving you through the fuzzy cosmos with glitchy turns arrive at just the right moment. The use of MCs are used to good effect with Australia’s B+, Edinburgh’s MC Profisee and Ema J, but the problem comes about halfway through the album when you get the impression that everything starts to sound exactly the same.

If you were to listen to one track on its own, you’d no doubt find a fun little number but with the album clocking in at 13 songs and 50 minutes, it wears thin and leaves you wanting a lot more from the duo.

This month’s art comes in the form of Above. The simple idea of pasting arrows around the cities of the world has become and all-encompassing statement and recently Above went to New York to bring his arrows to life. Check the video below for the New York edition and click here for all the others!

And on that note, it’s over to Mojo Jojoe for his picks…

The Joe-Zone.

Record Of The Month
JUSTICE – †
(Ed Banger Records)
www.myspace.com/etjusticepourtous

In 2003, and then again in 2006 dancefloors across the multi-verse were filled with raving lunatics, intoxicated or not, proclaiming their love for one another, chanting, “We, are, your friends!” for that special moment that you wish would last forever. Never, since Daft Punk released Discovery back before the millennium had dance music sounded so compelling, let alone drive raw human emotion wilder than anything The Troggs have ever sung about. Paris duo, Justice had stumbled across the secret for one of the best club songs ever (yeah, that’s right, I’m saying it.), and with that, could potentially be one of the biggest names in real, bass fuelled electro.

Now, a year on from the explosion of the remix of Simian’s Never Be Alone, the Ed Banger frontmen spearheaded their hugely hyped debut album, aptly titled , with the sublime D.A.N.C.E EP. Just imagine the joyful yelps of Ninja from The Go! Team whilst she’s making sweet love to the robot rock production of Daft Punk. Sounds promising doesn’t it? Now picture that on top of another absurdly good bassline, that could only have been crafted by the skilled duo themselves, la Justice. This magic cocktail is a blessing in an era where too many artists, instead of gracing the world with gloriously fresh music are really just a dildo with a gift tag labelled “Radio One” firmly attached to it.

But that was just one flavour of the album, an album in which the French Phantoms appeal to your entire palate. Opening with the epic and powerful Genesis, which war sirens lead into the charging Let There Be Light (have you spotted the pattern yet?) is a fantastic introduction to an early contender for my album of the year. The rest is a pick and mix of the old school funk samples demonstrated in D.A.N.C.E, huge club anthems like the phenomenal Phantom, groggy basslines that have as much time changes as a Glassjaw record and best of all, not one robot voice in sight.

Unlike Canadian rivals, MSTRKRFT, Justice are steering away from spoofing Daft Punk to the extreme and are bringing so much variety to the wheels of steel. Bringing in outside voices, such as fellow Ed Banger Activist and my number one tight unit, Uffie, into the mix works wonders, and sets them apart from the rest.

With a successful set at Coachella under their belt, not to mention superb sets in clubs across the world, Justice are rightfully gaining a rigid fan base. The Bible states “When Justice is done, it brings joy to the righteous, and terror to all evil-doers”, and that is one thing in the Holy Book that you certainly cannot question.

RADIO SLAVE – Misch Mash
(Fine Records)
www.rekids.com

Brighton’s Matthew Edwards, AKA Radio Slave has been slaying clubs with his twisted take on funk dance for quite some time now. He’s given birth to more deranged things than anyone in Essex can dare claim against him. I should know, I’ve lived there for eighteen years after all. So when you pick up a copy of his latest Misch Mash of quirky electro beats from inconspicuous artists such as Trentmoller and Shackleton, you should not dismiss the guaranteed quality that lies within. This is slithering down tempo beats that leak nothing but savage, thumping toilet walls goodness. And it’s fabulously dark.

The second disc features some of Radio Slaves own remixes, which are fine on their own. But considering that disc one has several mixed in swimmingly with other haunting dance tracks at a constantly progressive tempo then it becomes terribly overshadowed. Which is a shame, as his re-working of Pet Shop Boys’ Minimal is dope on rope. Slip this beauty in your CD player, kick back and relax, while it may not be this most overly memorable acid house trip, it’ll no doubt cause a few relapses.

SHY CHILD – Noise Won’t Stop
(Wall Of Sound)
www.shychild.com

NYC’s Shy Child are a bizarre bunch. Title track from this brilliant debut, Noise Won’t Stop kicks its way out through your subwoofer like a cat whose been mistaken by a schoolboy for a pile of books, and his now causing his back much discomfort as it attempts to bring the ruckus to his rucksack. It’s vicious. Propelled by a bouncing bassline, guided along by the pied piper soundings of what could easily be a gang of delinquents armed with kazoos. This angst fuelled dance music, also heavily embraced by such artists like Shout Out Out Out, Hot Chip and overlords of guitar pronged rave, Klaxons, is rarely performed with such flair. As Kick Drum begins, auteur vocalist Pete Cafarella shows how much flair his two-man army can pull off.

This album sounds like the alarms that may go off when the next great world war begins in 2356, dislocated sirens and a robotic sap telling someone to ‘drop the phone’. But until that fateful day happens, it’s a great sound to get loose to. And while this album somewhat hit and miss at rare occasions, it does what it says on the tin. Shy Child are making noise, and aren’t going to stop anytime soon.

NEW YOUNG PONY CLUB – Fantastic Playroom
(Modular Recordings)
www.wearepony.com

I first came across London’s indie-electronica 5 piece, New Young Pony Club during the inception of NME’s overwhelming swarm of new rave bullshit, which for some reason, has yet to fade and diminish. Which is odd, considering the band paramount to all this nonsense, Klaxons, have shunned away the concept of new rave themselves.

Anyway, so when reluctantly opening NYPC’s debut, I was foolishly expecting a barrage of more anthems for doomed youth, exemplified by the likes of the aptly titled Shitdisco. Songs that encouraged adolescents to march forward, proudly bearing their glowsticks and only halting to re-adjust their genital mutilating jeans. Thankfully, I was wrong, and the album was a glorious reminder of why I should never trust anything written in NME!

From opener, ‘Get Lucky‘ all the way through to this album’s denouement, Tahita Bulmer and her posse invite us in to their truly fantastic playroom accompanied by wickedly whippy basslines and teasingly seductive, borderline provocative lyrics. Persistently head nodding and hip shaking the NYPC make a fine effort at blending the spice of indie rock with the undoubtedly cool aspects of dance funk, without ever once sounding like a teen trend that will vanish after one album. ‘Fantastic Playroom’ is unmistakably groovy, and that’s a word I don’t think I’ve ever said before in my life. My, my.

Up in the player is a prime example of what’s great about this album. Entitled ‘Jerk Me‘, it will do just that to every limb of your body. Enjoy!

Categories
Buzz Chart

Spoon ‘Ga Ga Ga Ga Ga’

Oh yeah, I bloody love Spoon I do. And their new album ‘Ga Ga Ga Ga Ga’, (which for purposes of me not going crazy writing it out every time will now be referred to as just ‘Ga’) is another slice, or should that be spoonful (sacked for bad puns- Z) of musical perfection.I’m absolutely loving the first track ‘Don’t Make Me a Target’ so much that I played it three times in a row the first time I listened to the record. Screw it, I’m putting it on again. It’s very ‘Way We Get By’-esque, which is why I’m hooked on it already. Lots of descending piano and guitar riffs that are incredibly satisfying to listen to.Britt Daniel’s voice is as husky and distinctive as ever, but on songs like ‘You Got Yr. Cherry Bomb’ reaches some precariously high notes perfectly. You always know you’re listening to Spoon as soon as you hear that voice.

Ok, I’ve just got to the track ‘Rhthm & Soul’ now and it has had the same effect as the first track did. I’m on play count number two for this one. It reminds me of the Eagles a little bit, couldn’t tell you why. Maybe the very bass-heavy guitars and bright acoustic over the top. “Track trousers, square couches, short legs and squared shoulders, pot holders, egg and soldiers” is a great lyric, even if I couldn’t tell you what it meant. I think that’s why I like it because it’s so random. A bit like Ugly Cassanova’s ‘Things I Don’t Remember’.

‘The Underdog’ reminds me a lot of The Shins, with quick chord changes and hand-clapping, which brings me onto my overall thoughts on ‘Ga’. Although it is a fantastic album, and probably one of the best I’ve listened to for a long time, I can’t help being reminded of other bands by this. I can’t put my finger on exactly why it does, but it does. It’s not a bad thing, because all the bands it reminds me of are amazing. And one of the bands it reminds me off are Spoon, which may sound crazy, but it shows that they are carrying on what they do best- being Spoon.

And I bloody love Spoon I do.

8/10
Tim Mogridge

Categories
Skateboarding Product Reviews

Independent Tees @ Misc

The new Independent Clothing range is now in the shops and it boasts some killer new designs starting with these 2, the Propaganda and Demand The Best. The t-shirts’ soft-as, but the designs are hard as fuck.

Whilst we are on the subject of Indy, you must also check out these new shirts as they make you feel like you are one of the Big Lebowski.

I pulled a Milf in this Page Mill shirt last week cos of the frilly bits on the front, it was a talking point, use it. You know sometimes you can put on a crap cotton shirt and your nipples get stuck on the rough? Well it didn’t happen, my moobs are happy…and if they are, so am i.

You may as well get a new skate bag to throw these in when you next go down to your local SOS. I have been using this London Rucksack and it does everything you need. I visited that London once. I remember i was expecting to see cockney Kings and Queens, pie and mash and fat Pat from Eastenders but only managed to find tourists and no one spoke English! Oh well, at least the curried chips were £4 a pop. Southern twats have all sold out but i tell ya what, these London rucksacks have got it all.

Go get these or die not knowing life was Built to Grind.

Chuck Bangers