After having released numerous successful free mixtapes over the past year [many of which can be found reviewed on this very site], there was a lot of expectation for Game‘s [yeah he’s dropped the The apparently] album proper and, thankfully, he’s managed to pull it off. Whilst many more people are buying the new Weezy album, this is the full length to cop if you have to make a choice – stellar beats, top class guest spots and the Compton rapper on fine form.
After a strong opening with hot kid on the block Kendrick Lamar, the action goes full throttle with Dre and Snoop smashing it out the park on Drug Test, a simple yet utterly chest-throbbingly large bassline on Martians Vs Goblins which sees Tyler, The Creator show his legit skill on the mic over a good beat and even give Game some shit for naming his favourite rappers, a slur that’s been used against him for years [to which he jovially replies “Fuck you Tyler”] and the Zombie Nation sampling Red Nation featuring Weezy.
The middle section doesn’t dip either, the Motown-esque hook on Good Girls Gone Bad being following quickly by the sometimes stripped Ricky, which begins with gunshots and crying before Game lays it down plain and simple “My nostalgia is 100% Compton, zero per cent snitch”. Tracks with Ricky Ross and Young Jeezy follow with Game bringing his A-Game throughout. Whilst some critics claim he doesn’t have his own sound, the rapper showcases a flow which simply can’t be dismissed on R.E.D., something that perhaps lacked in terms of consistency over a record before this release.
The only slight on the album is that he has three R&B tracks in a row on the record. I’m a fan of R&B, so that in itself isn’t the problem, but it would have served the overall flow of the album a little better had they been fanned out. Indeed, when the third of the trio is the ultra-catchy Chris Brown led Pot Of Gold, it makes the first two [with Lloyd and Mario respectively] seem totally obselete.
But that’s only a small criticism and with Premo bringing his trademark sound to Born In The Trap towards the end of the record, it ends on a high. It’s a long album, over an hour and with 21 tracks, but within these 70 odd minutes, Game has made his best album yet. If you don’t grab this, you’re most certainly missing out.
The Game has got himself in a little spot of bother over something he tweeted last week.
The LA rapper sent a tweet with the number for the Los Angeles Sheriff’s station in Compton and has been at the centre of a criminal investigation as a result. Reports say that the tweet prompted hundreds of calls which meant the phone system was overloaded. The MC has since pleaded his innocence.
His Hoodmorning (no typo) mixtape was released recently, check out the review here.
The Game doesn’t do things by halves. Not content with having a full album coming out this year [this month’s R.E.D.], he’s continued his habit of putting out extremely strong mixtapes, following Brake Lights and Purp & Patron with the free release of Hoodmorning (No Typo).
The 20 track release, hosted as ever by DJ Skee, features a plethora of names which would make any aspiring rapper green with envy for their album, let along a line-up this strong on a mixtape. And it’s testament to Game’s talent that he continues to shine amongst all of his guests throughout the proceedings.
Whilst Hoodmorning is not the strongest of his mixtapes, tracks like Uncle Otis where he mimics Frank Ocean and Rick Ross and jokingly disses Jay-Z and seriously gives Kreayshawn a dressing down, showcase both his talent and humour, something he doesn’t get enough credit for.
Drug Test could easily be a track from the is-it-ever-coming-out Detox and features Dre and Snoop, Monster In My Head works where it shouldn’t and even Gucci Mane sounds decent [well, by his standards] on Wow. Infrared sees production from Cool & Dre, who very rarely deliver a dude and this beat is no exception, giving Game a beat to work off that wouldn’t be out of place on a Ghostface record.
Even though there are some tracks that are fairly forgettable [and inexplicable B.O.B. verse], it’s hard to be critical as this is a free mixtape and there’s enough on here to indicate that R.E.D. is going to be a heavyweight album. Clink that Candy Corona, Game deserves the toast.
Never one to rest on his laurels, The Game has dropped a new free mixtape.
Hoodmorning (No Typo) follows in the footsteps of his awesome Purp & Patron and Brake Lights mixtapes over the past year and features appearances from Wiz Khalifa, Yelawolf, Redman, Dr Dre, Snoop and Lil Wayne amongst others.
You can grab it for free here – Crossfire approved, so get clicking. Check out Uncle Otis below where Game switches up his style a million times as well as giving a nice dig to Kreayshawn. Banger.
The Game announced the release of a new mixtape last night.
Hood Mornin’ will be dropping on August 1st ahead of his new studio album R.E.D. which is slated for an August 23rd release. He has teamed up with Mars of 1500 Or Nothin’, who has worked with the LA rapper in the past, for the mixtape and if his Purp & Patron mixtape is anything to go by, it will be a good day come August 1st.
Here’s what happens when Game and Mars work together…
The Wu Tang member produced the track Heart Breaker on Game’s recently released free mixtape Purp & Patron but the beat was originally due to be used on R.E.D. the upcoming album from the West Coast rapper. However, due to clearance, the track couldn’t be used and was put on the mixtape. RZA stated:
“We got an offer to have the tracked purchased by someone else…So this is not anything personal, and RZA has nothing but love for Game, but this is business and in all fairness, it would have been cool if they would have just let us know what the intent was, because we began soliciting the track for purchase and its looks like this was a double sale issue when it wasn’t.”
Time will tell what’ll happen. In the meantime, grab the latest installment, Purp & Patron: The Hangoverhere.
The Game dropped one of the best mixtapes in a quite a while when he released Brake Lights last year and somehow, over the course of nearly 30 tracks here, he seems to have outdone himself again. As everyone waits for this new album R.E.D., the LA rapper chucked out Purp & Patron and served another reminder of why he should be considered amongst the current greats.
Going in hard from the very start, an early appearance from Weezy on Soo Woo features some nice brass samples after typical Pharrell production on the Snoop-guested In My 64. The standout track comes in the form of Taylor Gang with Wiz Khalifa this time on team-up duties over one of the best beats I’ve heard in a long, long time, by Che Vicious. Further guest spots include Rick Ross, Jim Jones, Clinton Sparks and even Big Daddy Kane, Doug E Fresh and KRS-One as The Game brings in as many of his mates as he can.
One criticism that’s always levelled at The Game is that he doesn’t really have his own style, he tends to mould himself around the guest rapper that he’s alongside, but this is what makes the new mixtape such a fun ride. He shows a playful side that we’ve never seen before on Children’s Story in a huge homage to Slick Rick and Biz Markie beat, a dimension which is as endearing as it is smile-creating.
Other standout moments include the Biggie-sampling Living Better Now, the DJ Skee mix of Black & Yellow, which has Game joining Snoop and the original MC of the tune Wiz Khalifa for Purp & Yellow, RZA’s guitar-led Heart Breaker and the Travis Barker, Lil Wayne, Swizz Beatz and Rick Ross mammoth Can A Drummer Get Some.
Whilst this is a long old ride, almost two hours worth of hip hop, it whizzes past and showcases Game’s ear for a beat and now undoubted vocal prowess. If this is anything to go by, R.E.D. is going to be one hell of an album.