Categories
Features Skateboarding

Brexit Through The Gift Shop

brexit_skateboarding_eu_referendum

With an eye on clinching that (whimsically imaginary) Pulitzer Prize for skate journalism, we set about writing on the EU Referendum with impartial balance. We hit up friends in the industry, hoping for both pro and anti-Europe positions, but probably shouldn’t have been surprised when, being both skateboarders (tending towards internationalism) and businessmen (concerned with buying stuff and selling stuff), they overwhelmingly came down on the side of ‘stay in the EU for the love of God’.

This created a quandary. Should we, hungry for all the prawn-cocktail and cocaine dinners our journalistic prowess would surely bring, find a Brexiter at random to contrast with our friends at Keen Dist, or should we make a clear argument for voting one way or another? Pissing away future work for News International and a soul-sick early grave, we opted for an honest attempt to influence wavering voters. Because, quite frankly, being stuck on an island under the sole direction of gazillionaire Old Etonian xenophobes is too awful to imagine.

Thinking about something as small as skateboarding or, even worse, writing about it, can feel like the ultimate exercise in spoilt disengagement: sweating the small stuff whilst the wider world goes to hell. But knowing a lot about something little, and caring about it deeply – even something as ridiculous as grown men making four wheeled planks balance on two wheels – provides a microcosm within which we understand the consequences of those big, nebulous issues. I know shit all about the minutiae of European treaties, but do know something of the skate brands and individuals they affect, having spent twenty years soaking up otherwise pointless information from magazines and, latterly, social media feeds. That’s why skateboarding matters every bit as much as the stuff proper adults care about. If TV pundits claim to know all the ramifications of Brexit, they’re bluffing.

Some arguments for voting ‘leave’ on June 23rd are good, logical and are not incompatible with compassion and internationalism. Putting aside the Brexit campaign’s ugly stereotyping and opportunistic manipulation of communities decimated by the forces of global capital (blaming EU migrants for low pay and the loss of good jobs is like blaming oil-covered sea birds for the Gulf of Mexico disaster), the EU and its decision-making apparatus, the European Parliament, Commission and Central Bank, are deeply flawed and have acted as brutal agents of neo-liberalism. This is particularly the case with Greece, whose popularly elected left-wing Government (ordained on a pro-EU but anti-austerity mandate) have been forced into a succession of impossible situations. The EU have demanded brutal cuts, which prevent Greece recovering from recession, which in turn prevent it from paying its debts, requiring yet more cuts, and so on.

There is also the libertarian argument, with which many skaters sympathise. If national governments are bad enough, taxing our hard won wealth and demanding we live as service-dependent weaklings, pan-national government is even worse. But there are also good responses to these arguments. The EU may be flawed, but it’s easier to change, and to support our friends in Greece (and Spain), by staying in. Secondly, leaving may rid us of one layer of unwanted government, but we’re still stuck – and even more exposed to the whims of – the UK Government we currently have (quite apart from the fact that the libertarians tend to believe they are strong enough to independently protect themselves and their families – one bad slam and we’re suddenly very weak and very thankful for the health service our taxes pay for and the workers’ rights our EU membership protects, such as paid sickness absence and protection from arbitrary redundancy).

xray_zac_elbow

This leads us to one of the most offensive claims made by the Brexit campaign: that the UK sends £350 million a week to the EU that could instead be spent on the NHS. Quite apart from the fact that this figure has been proven false (it’s not only a significant over-estimate, but it also excludes the funding the UK gets back), think for one moment who is leading the ‘Leave’ campaign. Press moguls, right-wing Tories and UKIP, all of whom have advocated accelerated privatisation of the health service and the end of free healthcare at the point of use. The likes of Nigel Farage support an American-style insurance systems that actual Americans have fought hard to reform (only partially achieved with Obama Care). NHS spokespeople have argued that Brexit would cause a terminal staffing crisis. This is because real terms pay cuts and reduced funding for trainee nurses alongside Health Secretary Jeremy Hunt’s war with junior doctors have caused an unprecedented exodus of UK-trained health professionals. Without being able to recruit from across the EU, the NHS could not currently function. In the last few years, almost every skateboarder I know, myself included, has been put back together by the NHS.

Trade is both the biggest, most frequently cited argument for the UK to remain in the Union, and the argument that makes us most likely to switch off in drooling boredom. We shouldn’t: the EU is the UK’s most important trading partner by some way. Of course it is – taken together, the EU is the world’s biggest economy (it exceeded the size of the USA in 2003). The independent Office for National Statistics estimate that more than 40% of UK exports of goods and services go to the EU and for more than 50% of imports come from the EU.

No wonder the Americans are so keen for Britain to stay in. Owner of Keen, Mike Halls (who distributes the likes of Quasi, Polar, Welcome and Hopps amongst others) told us: “We’re seen as a gateway into Europe for a lot of US brands, whether that’s direct selling to stores or simply working with EU distributors. If we leave the EU who knows if we’ll work out a new trade agreement, and if so what time frame? If we don’t, I know ourselves as a business will have a dramatic change on the export side definitely and one or two of the brands we work with will almost certainly skip us out of that ‘gateway’.”

brexit_skateboarding

Brexiters have tried to underplay the impact on trade or argue that, because the UK runs a ‘trade deficit’ (the value of EU imports exceeds the value of exports), leaving the Union would “hurt them more than it hurts us” – as if noses cut off to spite faces is something worth celebrating. In a free trade area, which is what the EU fundamentally is, we get those skateboard decks and fresh Magenta t-shirts cheaper than we would from elsewhere (where distributors have to pay trade tariffs – either increasing the mark-up they have to pass to shops and then to customers, or reducing the profit margins that keep them in business).

It has been argued that, in the short term, a £ sterling weakened by a ‘Leave’ vote would be good for British products, because it will make the stuff we sell to our continental friends cheaper for them to buy. On the other hand it will make imports more expensive. As A Third Foot are Britain’s only skateboard manufacturer, in skateboarding we import an awful lot more than we export (most of our decks and other hardware, a large share of soft goods, and all skate shoes). Even if the £ recovers strongly and quickly, it creates a lot of uncertainty, which isn’t helpful for our industry – which of course needs to think long term (how much of next season’s range to buy in, etc.).

At a time when the skate industry is in flux, in both a good way, with the rise of the indie brands (many of them European), and a bad way, in the consolidation of the footwear under the sportswear giants, increasing the cost of trade with our biggest trading partner could be extremely damaging for home-grown distributors and skate shops. On this, Mike adds: “Look at UK stores which are currently buying some rad brands direct from Europe. Would they still order in knowing they have to be paying duties and taxes from our friends in France and Germany? Same again for European brands, us as distributors wouldn’t be able to soak up the margin and pricing would definitely have to be evaluated.”

jbgilletOf course it isn’t just goods and services that EU membership guarantees free movement, it’s the other ‘factors of production’ – particularly labour. This gets us to the most controversial part of the debate: immigration. The ‘right to free movement’ means any citizen of an EU member state can work, study or retire in any other EU state. This has costs and benefits – but is only a problem when we have vast inequality across Europe. You don’t leave Spain for Britain for the weather, you leave because Spanish youth unemployment is over twice the rate of Britain. That’s why we have experienced high levels of in-migration from other countries in the EU: British employers need more people to work for them than Spanish, Czech or Polish employers. Reduce the inequality, and you reduce the movement of people. Britain leaving the EU will not help those southern and central European countries recover from recession – and if they don’t recover, people will still arrive at Dover, Heathrow and Gatwick. The refugee crisis shows that desperate people will try to risk everything for a better future regardless of whether or not they have a legal way into that country. If we work together to ensure that there are fewer desperate people in the UK, in Europe, and in Africa and the Middle East, immigration will fall off the newspaper headlines.

As it is, skateboarding has benefited massively from free movement. How many amazing European skaters have you got to hang out with? In Nottingham over the last few years, we’ve had welcome additions to our scene from Poland, Italy, Spain, France and Germany. What would the Long Live Southbank desk have looked like without European free movement? Anyone who’s tried to spend time living and working in the US, or Australia, will know what a horrible nightmare a restricted visa-based immigration system can be. Skate lore is full of legendary characters like JB Gillet separated from their sponsors for stupid-ass visa reasons.

This leads us back to the cultural argument. Skateboarding is inherently internationalist. It celebrates travel and interaction with new scenes alongside localism. It enriches our lives through ‘worldwide connections’ in the words of our French bros at Magenta. This is not dissimilar to the original dream of European cooperation, seeded from the horror of the Second World War by idealistic British as well as continental politicians. The dream was to strengthen links and common interests to make future apocalyptic conflict impossible. Turning away from that dream requires a very cold heart, even if the current reality of the EU falls so far short. The people who reject this dream aren’t just the suit wearing, smooth-talking politicians, but scary looking white dudes who march through Athens, Stockholm, Cologne and Paris waving Swastikas.

Photo: David Lagerlöf

Photograph: David Lagerlöf

Finally, it’s worth thinking what the UK’s public realm would look like outside the EU. British politicians of all parties have been unwilling to invest public money in cities and towns outside London and the South East since the 1970s. Instead, the ‘regeneration boom’ that started in the late 1990s, gifting skateboarders across the North, Midlands, Scotland, Wales and Northern Ireland with skateable spaces, was largely due to European funding – known as the European Regional Development Fund (ERDF) and European Social Fund (ESF) to their mums. Britain may pay in to the EU each year, but it gets millions of Euros back through these two funds and, rather than being spent exclusively in London (where private investment is overwhelming concentrated), the funds’ rules mean it has to be spent in areas of need. The skatepark revolution in Scotland is largely funded by Europe (the Scots claim that, if we leave the EU, they’ll try again to leave the UK in order to re-join Europe).

Take my usual day’s skateboarding. I get a tram into Nottingham city centre (funded by EU money). I meet my friends to skate the blocks in the vast, open area of the regenerated Sneinton market plaza (funded by EU money). At the end of the day, we may eat good, affordable food and watch the sun go down outside Broadway arts cinema bar, which puts you face to face with the 12 stars of Europe on a plaque acknowledging the funding that paid for the place. In total, more than £100 million of EU funding has gone into the regeneration of Nottingham alone since the millennium – and like Sheffield, Leeds, Liverpool or Manchester – this Northern town, hammered by the de-industrialisation of the 1970s, 80s and 90s, now looks like an optimistic place to live, work or study, rather than the barren, dilapidated ‘Shottingham’ it was in 1996 when I first moved here.

Of course, you should make your own mind up – but you should think about it carefully. It’s not hyperbole to describe the EU Referendum as likely to be the most important thing you ever vote for. And for pity’s sake, please get out and vote on Thursday the 23rd. Current polling suggests only half of people under 35 expect to vote. If this is true, it’s your future, your right to travel, work, trade and study anywhere in Europe that people at the end of their working lives will be deciding on.

Written by Chris Lawton
Illustrations tweaked by Scott Madill.

If you have strong views, skate and/or music knowledge and would like to write for Crossfire, please contact us.

Categories
Features Music

Reviewed: Download Festival 2016

download_FESTIVAL_review_heck

Download Festival 2016, Donington Park, 10th-12th June 2016

Words: Alex Gosman
Photo credits to: Ben Gibson, Jen O’Neil, Ross Silcocks, Matt Eachus & Derek Bremmer for Download 2016

Damn, that was a fun three days, despite some traditional British weather making an unwelcome guest appearance! Yep, Donington Park’s annual rock and metal bash recently celebrated its 14th birthday, and Crossfire was there to soak it all up (the music, that is). Here’s how things went down…

FRIDAY

ROYAL REPUBLIC singer/guitarist Adam Grahn’s confidence borders on cockiness, but that’s forgivable for a band armed with songs as good as ‘Make Love Not War’. Whether dispensing between love-life advice, or leading the crowd through a stomp-tastic rendition of ‘Full Steam Space Machine’, the Swedes provide an entertaining and explosive start to Download 2016.

It doesn’t take long for the heavens to open, to the annoyance of most – but not all – people here. “Thanks to the rain for bringing you all in here, and to Babymetal for being a novelty act, so no-one wants to watch them!” declares HECK frontman Jonny to a packed Maverick Stage tent. Who’d be Heck’s manager? Clearly unafraid of ruffling a few feathers, the guitarists spend most of the set either in or on top of the moshpit, to the soundtrack of possibly the finest twisted hardcore attack this side of Converge. Amazing.

Ben Gibson - Heck - c82a6cb4-2f20-11e6-8ac7-ae35dc89c359 - Web

Back on the main stage, KILLSWITCH ENGAGE are delighted to be back at Donington, and have little trouble whipping up one of the weekend’s gnarliest pits. Guitarist Adam D is still the foul-mouthed court jester of metalcore, and although a couple of cuts from recent LP ‘Incarnate’ sound great, it’s a triple whammy of ‘My Last Serenade’, ‘Rose Of Sharyn’ and ‘The End Of Heartache’ that hits home the hardest.

“We’ve been told not to incite any moshpits…so no moshing!” cackles HAVOK vocalist David Sanchez, a man who speaks rather like Steven Tyler on amphetamines. Amusing, yes, but he and his band are seriously good at injecting fresh vitality into tried-and-tested thrash sounds, and the likes of ‘Living Nightmare’ are greeted with the kind of frenzied circle pits they deserve.

MOTORHEAD were due to play third from top on the main stage, which has been renamed the Lemmy Stage after Mr Kilmister’s sad passing at the end of last year. Rumour had it that some of his old friends and bandmates would get together at Download to jam through a few ‘Head classics, but the reality is far less exciting – nothing more than the stage-side video screens showing some old Motorhead festival performance videos, interspersed with some interview clips, mainly from the ‘Lemmy’ movie. Better than nothing, admittedly, but you can’t help but feel that both we and he deserved more.

Thankfully, THE WILDHEARTS are here to provide some (not quite so) old-school rock n’ roll thrills. The rain appears to have let up, but much to Ginger’s delight, the Maverick Stage tent remains packed, and that’s understandable when classics like ‘Nita Nitro’ and ‘Everlone’ sparkle as brightly as they ever have.

Matt Eachus - Killswitch Engage - 2c52a9b4-2f3e-11e6-97cf-7e5f4a9d322b - Web

And so it’s back to the Lemmy Stage for RAMMSTEIN, the first of this weekend’s headliners. The German industrial metal titans steal the show with almost frightening ease; be it vocalist Till Lindemann’s Charlie Chaplin-esque entrance, the onslaught of pyrotechnics during a thunderous ‘Du Hast’, or a surprisingly effective (and affecting) semi-acoustic rendition of ‘Ohne Dich’, this is about as great a marriage of song and spectacle as you could hope to witness at Download. It’s a bit of a shame that they’ve toned down the more, shall we say, homoerotic elements of the stage show, but they sound magnificent throughout, and as we head back to the campsites, no-one’s complaining.

SATURDAY

Saturday starts much as Friday ended – theatrically. Swedes AVATAR are dressed like The Joker’s unholy marching band, and easily win over the curious with some genuine anthems in ‘The Eagle Has Landed’, and closer ‘Smells Like A Freakshow’. Over at the Encore Stage, all five members of SANTA CRUZ look like the lovechildren of Michael Monroe, and remain as gloriously in thrall to 1980’s Sunset Strip glam rock as ever. “Who wants to fuck tonight?” screeches vocalist Archie Kuosmanen, a man whose spirits have not been dampened one iota by the rain. Sounds like fun, dude!

It isn’t until TURBOWOLF take the stage, however, that our day truly kicks into gear. The Bristol crew may be buried halfway down the Maverick Stage bill, but they play with all the confidence and swagger of main stage headliners. Chris Georgiadis is a true master of ceremonies, leading his band through gems like ‘Rabbit’s Foot’ and ‘Solid Gold’ with no little panache, and as the tent fills up, you can’t help but feel this should be the start of something big.

Over to the Dogtooth Stage now, to see what the musical yoof are up to. MILK TEETH don’t waste a second of their painfully short slot, getting the whole tent bouncing like it’s 1992 with fuzzed up grunge-pop gems like ‘Vitamins’. DEAD! have something of an identity crisis going on, hopping from power-pop to hardcore to funk-punk (plus various points in between), but deliver it all in a gleefully snotty, carefree way.

Jen O'Neill - Megadeth - 09ee2a12-2ff5-11e6-9b8d-ae35dc89c359 - Web

MEGADETH’s set, like their recent ‘Dystopia’ album, sees Dave Mustaine and co back to their snarling best. Predictably, recent cuts like ‘Post American World’ go down almost as well as classics like ‘Peace Sells…’, but there’s an extra surprise in store; namely, the appearance of Nikki Sixx for a (admittedly ramshackle) cover of the Sex Pistols ‘Anarchy In The UK’. “Hell has frozen over!” declares a grinning Dave.

Ross Silcocks - Municipal Waste - 0379b564-3083-11e6-9b42-7e5f4a9d322b - Web

The rain has started again, but the thrash party doesn’t stop – it merely squeezes itself into the Dogtooth Stage tent for MUNICIPAL WASTE’s first UK show in four years. The band sound like they’re channeling a new-found hunger as they rip through what seems like 50 songs in 40 minutes, and their irreverent sense of humour remains intact, with ‘I Want To Kill The President’ reworked as ‘I Want To Kill Donald Trump’. Oh, and they deservedly get the circle pit of the weekend.

As annoying as the rain can be, it seems appropriate enough for BLACK SABBATH’s final UK festival show, and it lends their opening self-titled anthem that certain extra gravitas. Considering all the mockery directed at Ozzy Osbourne during (and since) that awful reality show, he truly seems in his element tonight, doing what he does best with a gigantic crowd firmly on his side. Sure, he’s a little off-key for the first few songs, but that matters little when Tony Iommi’s riffs sound ten times as imposing as they do on record. Wisely sticking to the classic early stuff, Sabbath barely put a foot wrong tonight, and the sound of thousands of voices singing along to the likes of ‘Iron Man’ and ‘NIB’ will surely linger long in the memory.

“Let me here you shout ‘One more song’!” cries Ozzy, following the penultimate ‘Children Of The Grave’, and the place goes utterly nuts as the band launch into ‘Paranoid’. There’s a certain sadness to knowing we’ll never see them here again, but also a sense of pride in seeing the gods of British metal conquer a festival that probably would not exist, had it not been for their pioneering early 70s work. Gentlemen, as you sail off into the sunset, we salute you.

Ben Gibson - Black Sabbath - 2de77208-3017-11e6-94e3-7e5f4a9d322b - Web

SUNDAY

MONSTER TRUCK and their riffs seem like they’d work better at a Deep South chili cook-off, but they still sound pretty good in a mud-soaked East Midlands field. Sleepy heads nod respectfully as we all wonder how bare-chested guitarist Jeremy Widerman can be so perky at this ungodly hour.

AMON AMARTH give this weekend’s main stage headliners a real run for their money in terms of stage show. Armed with two huge dragon’s head props that regularly spew smoke, along with a decent helping of pyro, they stomp their way through ace Viking metal anthems like ‘Raise Your Horns’ like a true band of the people. Magnificent, and deserving of a far higher slot next time around.

Matt Eachus - Amon Amarth - 04f15eec-309c-11e6-a4ca-7e5f4a9d322b - Web

WITCHSORROW play quality doom metal, and for half an hour, they turn the Dogtooth Stage tent into their own dark church, full of baying acolytes whose appetite for monolithic riffs was clearly not completely sated by Sabbath. The band sound great, and have surely converted a few more to their cause. We wander out for a while, and catch the last couple of DELAIN songs; Dutch symphonic metal that proves oddly catchy, even as the weather continues its onslaught.

There isn’t a single dull moment during FRANK CARTER AND THE RATTLESNAKES’ set, with no little credit due to the man himself. Whether singing atop the crowd (or in the middle of it, for a poignant ‘Beautiful Death’), telling stories of past circle-pit injuries, or getting the power cut for inciting a wall of death, he’s the perfect frontman for the Rattlesnakes’ fury-fuelled anthems. ‘Juggernaut’, in particular, sounds utterly unstoppable today, and the sing-along to the closing ‘I Hate You’ could make Maiden blush.

Derek Bremmer - Frank Carter & The Rattlesnakes - 5713310c-30ae-11e6-ac6c-ae35dc89c359 - Web

ELECTRIC WIZARD boast some of the best non-Iommi riffs of the weekend, and hone them ever further during their monstrously slow and heavy set. They also get bonus points for drowning out the sound of Disturbed frontman David Draiman croaking and hacking away on the main stage. Now there’s a man who needs more fibre in his diet.

The day is drawing to a close, but BILLY TALENT aren’t about to let us slack off. “I know you want to go home, get in the bath, jerk off and watch Game Of Thrones – so do I!” Thank you, Ben Kowalewicz, for arguably the quote of the weekend. And thanks also to your band for firing on all cylinders – ripping through the likes of ‘Red Flag’ and ‘Fallen Leaves’ like the punk rock warriors you are – despite having more than enough great tunes for a perfunctory ‘Greatest Hits’ walk-through.

Ross Silcocks - Iron Maiden - 7232ebb2-3158-11e6-a60f-7e5f4a9d322b - Web

The Main Stage crowd rise en masse from their soggy camping chairs as UFO’s ‘Doctor Doctor’ booms out from the PA – a sure sign that IRON MAIDEN are about to kick off. To a degree, your enjoyment of tonight’s set depends on how familiar you are with Maiden’s recent ‘The Book Of Souls’ album, although the affecting, Robin Williams-inspired ‘Tears Of A Clown’ impresses old and new fans alike. Bruce is in fine form (if we had a shot of whiskey every time he shouts “Scream for me, Donington!”, we’d never make it back home alive), and there’s a veritable feast for the eyes, too – with various props from the ‘Powerslave’ era wheeled out, along with all manner of Eddie-related antics.

The second half of the show sees an onslaught of hits; ‘The Trooper’, ‘The Number Of The Beast’ and a closing ‘Wasted Years’ all received like old friends by a crowd that’s exhausted but damned if they’re gonna fold before Download 2016 does. Semi-regulars on the festival circuit they may be, but Iron Maiden still create a sense of occasion whenever and wherever they play, and tonight they close proceedings in fine style.

Overall? Download Festival 1, weather gods 0 (but, y’know, full marks for trying). Here’s to 2017, whatever it may bring…

Matt Eachus - Killswitch Engage - c266cb9e-2f41-11e6-bb25-7e5f4a9d322b - Web

Categories
Skateboarding News

Danny Way – Now You Know

danny_way_highest_air_megaramp_record_skate_skateboard_video

This new feature on Danny Way is worth a watch. He discusses his life in skating, from the early days, to having kids, playing music, XYZ days, jumping the Great Wall of China, his views on the 2020 Olympics and more.

We interviewed him exclusively in 2004, if you missed it, dive in.

Categories
Skateboarding News

Tyshawn Jones and Sage Elsesser pro for FA

Tyshawn_Jones-Sage_FA

Tyshawn Jones and Sage Elsesser are fronting pro boards in this photo from the weekend. Congrats!

Categories
Skateboarding News

DGK – Dane Vaughn La Graw Full Part

dane_vaughn_skate_la_graw_video

Watch Dane Vaughn and his big old pop cruise the streets of LA in this new DGK edit.

Categories
Skateboarding News

URL {un real life}

url1

The south coast scene are on tape once again from Sirus F Gahan whose new URL edit has footage of Ben Woodhouse, Harrison Woolgar, Rupert Antoine, Joe Coward, Dexter Daniels, Alex Barron, Sam Ibekwe, Tom (shakes) Delion, Alfie Williams, Dan Fisher Eustance, Parky Doodles, Zak Gilbert, Phil Russell and Rich West.

Categories
Skateboarding News

Axel Cruysberghs – Welcome to Toy Machine

toymachineAxel Cruysberghs has found a new home at the one and only Toy Machine this week with new footy.

Categories
Live Reviews

Adam And The Ants live at Brixton Academy

Adam And The Ants
Kings Of The Wild Frontier at Brixton Academy
Friday 10th June

adam-ant-Live_

I was ten years old when Adam Ant mania first swept across the nation in 1980. Girls loved him, boys loved him, he was beautiful, a dandy man, a pirate, an original punk. I loved him because I was completely captivated by those Burundi Drums; the ferocious tribal rhythms that propelled Adam And The Ants’ second album ‘Kings Of The Wild Frontier’ into the world’s pop consciousness. My dad had a small African drum that I endlessly tapped and whacked, imagining I was part of the ants tribe. I so badly wanted to play drums. And that all started with Adam And The Ants.

The first time I saw them live was on The Prince Charming Revue tour in 1982 at the Hammersmith Odeon. My parents took me and it totally blew my mind. He had a huge pirate ship onstage and those tribal drums and the whole spectacle electrified me (my mum less so, she stood up in the interval and tried to go home thinking it was the end of the show. She now says she wasn’t bored, she was just gagging for a smoke).

Fast forward thirty-four years and I’m standing at Brixton Academy once again waiting for Adam Ant to arrive onstage and do it all over again, playing ‘Kings Of The Wild Frontier’ in its glorious entirety. I’ve seen Adam Ant a few times in the last few years since he returned to the stage. Whilst at those gigs he’s mainly focused on his incredible punk-era material, reinstating his position as one of the original punks, he’s only dipped his toes into the sparkling waters of his mainstream pop years. Now, however, it’s time to revisit the record that for a brief moment in the early 80s, made Adam one of the most iconic and recognisable names in pop.

With two drummers perched high on two risers, Adam strutted to the front of the stage, looking every bit the star he was back then (if he doesn’t take off his hat he looks much the same) and as the band kick into the album’s opening track ‘Dog Eat Dog’ the whole venue detonates in a rush of adrenalized nostalgia that melts away the years and resonates with every individual who was touched by this glorious sound. The sound is fantastic, the impact huge and before we’ve even had a chance to draw breath here comes ‘Ant Music’, another huge hit from the album that has the entire crowd chanting along with every word (“cut off its head, legs come looking for you!”).

As the album plays out and Adam throws himself into every word, note and beat, for such a huge mainstream selling record at the time, it becomes clear how strange and unsettling much of the album is. Although written with an entirely different band to Adam’s debut ‘Dirk Wears White Sox’, ‘Kings…’ was crafted with punk still beating in its heart, a long way from the pop sheen of ‘Prince Charming’ and what came after. ‘Ants Invasion’ particularly, sounds utterly menacing tonight; that creeping riff crawling across the venue, biting all in its path, Likewise ‘Killer In The Home’ is moody, bleak and immensely powerful.

With that sophomore played in full, a few short breaths to recover, the band are back to plough through a selection of tracks that cover Adam’s entire career. Early punk era-tracks like ‘Beat My Guest’, ‘Never Trust A Man With Egg On His Face’ and ‘Cartrouble’, despite their age, still sound utterly contemporary, such is their influence and the forward thinking nature of their writer. These, mixed with moments from his mainstream pop years (‘Prince Charming’, ‘Goody Two Shoes’, ‘Stand And Deliver’) make for a joyfully electric set that should give Adam the respect he deserves. His wilderness years behind him, it’s great to have the ant army back.

James Sherry

As an extra bonus, enjoy these scrap book Ant raps from when I was a child. :)

Adam_Ant

Adam_Ant

Adam_Ant

Adam_Ant

Adam_Ant

Adam_Ant

Adam_Ant

Adam_Ant

Adam_Ant

Adam_Ant

Adam_Ant

Adam_Ant

Categories
Skateboarding Product Reviews

Descent Summer 2016 decks

descent_skateboards1

Chris Pulman’s passion, creativity and positive stance on skateboarding has led him into a full time role to carve out the future of his beloved Descent Skateboards. A new deck range has been released this month so ask your local skate shop if they are stocking them with Joe Roberts’ new designs.

descent_skateboards

descent_skateboards3

descent_skateboards3

Categories
Skateboarding News

Myles Rushforth Descent edit

descent_skateboards_logoMyles Rushforth is back with more footage since his Fresh Eggs and Coke footage today battling crusty British spots for Descent, filmed by Mark Baines and edited by Adam Todhunter.

Press play and look out for new Descent deck range heading to your local skate shop.