Categories
Buzz Chart

This Is Skateboard Music

Oh yes, this could be one of the finest records in the history of skateboarding and music! Someone somewhere in Germany came up with the idea of having the cheesiest skateboard tunes EVER on one disc and released it! I guess that the tunes on this CD from the 70’s are the roots of what made skate rock in the 80’s but obviously with a completely different flavour, but what is totally unbelievable is the fact that every tune on this compilation is as camp as Little Britain and makes you wanna actually go into the shed to find your 70’s roller skates and be totally gay in the street! With a mix of classic 70’s funk, disco and surf flavoured Beach Boys style songs on every track you are not gonna be disappointed whatsoever if you have a sense of humour..

85% of the track names start with the word Skateboard such as Skateboard Racer, Skateboard Boogie, Shuffle, Saturday, Queen and so on featuring acts such as The Carvels from the UK, Sneakers and Lace, Daffy Duck and even Marc Bolan’s T.Rex appear with a track at the end of the record! Yeah, and guess what it’s called? “Skateboard!“…this is a must have for pure fun value. It’s the CD you will be picking out of your collection when you get back from the pub with a handful of drunken mates and dance round the table until you collapse with laughter. Expect to hear this on skate DVD’s and web clips for many years to come. It really sounds like someone is seriously taking the piss and is worth every penny.

There is a limited edition double gatefold vinyl pack on sale to, go get one from Diggler and try it for yourself or just buy it direct from herehere.

Categories
Buzz Chart

Gorillaz

So, here we are again, Damon Albarn and his team of cool-ass chimps are back with a fresh slice of twisted beats going by the name of Dirty Harry and believe me when i say that this weapon is not carrying a silencer, because this is a sure fire hit and one of the best tunes on the Demon Days album. With Dangermouse on the production and Albarns futuristic songwriting skills, the Gorillaz have stated their intention to dominate the music charts and have followed it through to match the success of the debut album back in 2002.

The track features a lively, low-slung flavour retrofitted with electro flourishes and featuring an explosive stream of consciousness rap from guest performer Bootie Brown of the Pharcyde. The video is another groundbreaking Gorillaz production which sees the entire band, plus Bootie Brown and the San Fernandez Youth Chorus, relocated to the desert around Swakopmund, Namibia. Directors Jamie Hewlett and Pete Candeland, along with animation director Heath Kenny, have once again produced the perfect visual complement for the music; a startling mixture of live action with CG and 2D animation that follows the band’s attempt to rescue the children’s choir from the unforgiving south-west African desert.

This is the first Gorillaz video to be shot on location, and features an armoured personnel carrier borrowed from the Namibian military, plus an authentic WW2 uniform modelled by Bootie Brown, who found himself buried in the sand for take after take… and didn’t complain once.

B-sides include new tracks Hongkongaton and Murdoc Is God, plus an exclusive live performance of album track All Alone and the Chopper remix of Dirty Harry. Formats are as follows:

CD 1: Dirty Harry / All Alone (Live)
CD 2: Dirty Harry / Hongkongaton / Dirty Harry ‘Chopper Remix’
DVD: Dirty Harry Video / Murdoc Is God / Dirty Harry Instrumental / Dirty Harry video animatic

Dirty Harry is released by Parlophone on Monday 21st November. Go grab it!

Categories
Skateboarding News

Stockwell Skatepark Update

News just in…

The skatepark will reopen at 4:30pm today. (Friday 18th November)

The contractors have done a lot of sanding of the rough surface and redone some areas of the park following the users comments, so while it certainly not perfect, it is a lot smoother than it was and some of the worst bumps and lumps have gone.

Next steps:

The council are keeping back a sum (maybe 10-20% of the £80k) and agreed with the contactor and the engineer that they will return in 6 months to repair the cracks which they expect to appear as the surface settles with the cold and then warmer weather. Over the 6 months the users will make a note of the sections of the park which need to be cut out and replaced and inform the council and Koan -we know of two places but there may be a few more. I said that I volunteered to collate feedback.

10 large abrasion blocks will be left with Brixton Cycles for the users to do some more DIY smoothing on any key sections landings etc if we think it necessary. A couple of metal signs will be put on the wall in the next few weeks once they have been received and reviewed by the council.

Official Opening – I told the council that there is an annual jam in the summer when the weather is more reliable so it might make sense to wait until next year, at least then the final repairs will have also been completed. I think the council want to donate some prizes too.

Check www.stockwellskatepark.com for all info…

News from Dave Carling

Categories
Preview

Have you checked out our new Radio Shows yet? Tony Trujillo has and he recommends that you do the same thing too! Click here to visit our Radio page…

Categories
DVD Reviews

Chill Mag- Filming Crazy!

www.chillskatemag.com

The stakes are high in the media nowadays, and the strongest currency is video footage! Click onto any website, or browse the shelves for a new magazine and you can be sure to find some video attached or a bit of footy to get you stoked. Long gone are the days of a simple free sticker or poster…

French newbies (currently on issue 8) Chill Mag have just upped the ante with a little DVD called Filming Crazy. The guys at Chill base their product on aesthetics and top-knotch skateboarding. No tired angles or foot drags here please! The DVD itself is a small masterpiece with the artistic talent of Leonard Vernhet, Nicolas Malinowsky and Uber-filmer Fred Mortagne guidind you through small skits and animation.

The skateboarding gets taken care of by only the Cream of French skateboarding- Read: Lucas Puig, Paul Allard, Luy-Pa Sin, Flo Marfaing…- plus a few Americans and other Euro pals in there for good measure. There are also a handful of extra bonus edits to flick through, but that’s mandatory with DVDs, isn’t it..?

Something which I thought was a nice touch to top Filming Crazy! Off was the inclusion of their ‘Sponsor-me!’ comp. I suggest you check out the mix of those that didn’t win- which is already pretty shocking considering the last two contenders- but then watch the winner: Alexis Lamendin. Bloody hell! Needless to say, the competion was tight, but Alexis definitely deserves his new sponsor.

So, that just about wraps it up for this little DVD. The whole thing runs at a perfectly motivating 20 mins (Plus a good 15mins of extras) with a good soundtrack to boot. I have no idea how many of you will get a hold of Filming Crazy! But if this is the new standard, I can imagine editors are sweating bullets…

Ralph Lloyd-Davis
11/18/2005

Categories
Live Reviews

Exodus

The More I See
The Underworld, London
14.11.05

The More I See feature ex-Prodigy guitarist Gizz Butt on guitar and are the result of Gizz’s misspent youth spent listening to equal parts metal and punk, cutting his teeth in metal inspired punk bands like The Desecrators and English Dogs, he found brief fame as the punk guitarist in the Prodigy during their controversial hit single period, before returning to relative obscurity with melodic punks Janus Stark then seeing a return to a more metal approach with The More I See. And in many ways they are the ideal support band for Exodus tonight as they have their roots firmly set in the eighties thrash metal explosion that tonight’s headliners hail from. It’s a shame that a muted response from a crowd only really interested in the headliners and a seemingly endless succession of technical problems stop the band from really getting into their stride, but for the most part, they play a solid competent set of old school metal thrills.

Exodus were originally formed back in 1982 by guitarist Gary Holt and future Metallica man Kirk Hammet and were one of the most exciting and powerful metal bands of the era, creating one of the genre’s true classics in their debut release ‘Bonded By Blood’ – a record that is twice as vicious and fast as Metallica’s debut and only really bettered by Slayer in the aggression stakes. However, Exodus have had more then their fair share of bad luck over the years and have been plagued by line-up problems and the tragic and sudden death of original singer Paul Baloff in 2002. But this is not a band that will be stopped easily. ‘Certain members decided they’d rather stay home than do this,’ spits an obviously pissed off Gary Holt. ‘But I will never let Exodus die!‘ And from the moment they hit the stage, they play like a band that has never been more alive! Charging straight into their first album’s title track ‘Bonded By Blood‘, the whole venue explodes in waves of energy as the new revigorated and revamped band bark and snap at the front of the stage like rabid pitbulls.

New vocalist Rob Dukes is a real find. A stocky, barking bulldog of a man with a long beard, he wears an expression upon his face that is permanently pissed off and adds even higher levels of visual and aural aggression to Exodus. Combine this with quite breath-taking drumming from ex-Slayer/Forbidden drummer Paul Bastoph and you’ve got a band that lives up to it’s past and hopefully has a healthy future. The proof is in the fact that new songs suck as ‘44 Magnum Opus‘ and ‘Shudder To Think‘ mix effortlessly with older classics like ‘A Lesson In Violence‘ and ‘Toxic Waltz‘ and this is because Exodus have never lost sight of what made them great in the first place and they play and look like they’re enjoying this more than ever. Long may they continue!

JAMES SHERRY

Associated link: www.exodusattack.com

Categories
Live Reviews

Public Enemy

London, The Forum
16.11.05

They might have been Public Enemy Number 1 fifteen years ago, but today they don’t even make the top fifty most wanted. In hip hop circles, Public Enemy dropped further and further off the radar with every new release after Apocalypse 91 – The Enemy Strikes Back, so it’s no surprise that the Forum’s not even full to half capacity. Seems the kids just don’t care anymore for Chuck D’s rhetoric.

Most of us here don’t care for anything other than the classics, preaching the word to a room full of white, middleclass, 30 something males is like trying to tell a teenage boy if he doesn’t clean his room up, it’s gonna stink worse than his cock. Yeah, whatever. So the numerous, long-winded rants against Bush, Blair and anyone else who has pissed Chuck off recently make for one big yawnathon. As do recent, internet only released cuts like Make Love, Fuck War. In fact, PE’s new material is shit. When once their live shows were one long explosion of hard and fast beats, like some sort of riot on a funk farm, today it is peppered with these slowed down crawls through medoicrity.

Add that to the inclusion of a live band, and you know things are looking bad. Indeed, when they cut away from the hip hop and plumb the depths of rock depravity to give us all a guitar solo that manages to murder Purple Haze (even the worst pub rock band knows not to these days), followed by an interminable bass solo, complete with slap and tickles, you could quite easily be forgiven for tearing your hair out and making a break for the hills.

But that’s only half the story. The other half of the story is made up of some of the fiercest music to ever be spawned that didn’t come from the fret board of a guitar. Behold the power of Welcome To The Terrordome, steel yourself for the aural assualt of Fight The Power, shake that spotty arse to Don’t Believe The Hype. When they come good, Public Enemy show why they are gods, at least in the eyes of the fans here tonight. Classics like these send pulse waves of pleasure over our heads; the stage is like a giant bass bin, you can almost see the sonic boom.

And Public Enemy have, in Flava Flav, the greatest sidekick hip hop has ever known. Imagine if Bez actually had a talent. Now imagine he was black and from New York City and was blessed with a manic hyperactivity and you’re only halfway to the core of Flava. In fact, watching him cavort around the stage like a giant, bouncing banana, you forget that he is also pretty damn handy with the mic, until everyone else fucks off and leaves him to it on the killer 911 Is A Joke. Chuck must recognise that Flav is now the coolest member of the band, since Flava wraps up the evening in true style, blasting the Slayer sampled Channel Zero as the entire PE entourage play at moshing. It’s kinda cute and almost makes up for the whinging when someone throws a plastic beaker onto the stage. “That’s dangerous,” they cry. Oh come on.

Neil Aldis

Photo by Jeanne Ellenby (stolen off the web as cameras were banned from this show)

Categories
Skateboarding News

Ronny Calow crocked

Ronnie Calow is the latest UK rider to join the injury list. Apparently whilst sliding down a wet ramp on the flat of his shoes, Ronnie hit a dry patch as he sliding and ended up breaking his fibia, tibia and ankle which really sucks.

Get well soon mate we are all thinking of you….but not in that way!

Categories
Features

Death Skateboards – Escape From Boredom Premiere

The Trinity – Harrow
16th November 2005

The only reason I hate Harrow is that I always get lost there. Every time I go to visit the Death lot, I’m always phoning a few times to Aneka Rice me in, next time though I will rent a stretched hearse and do it in style, theme it, it would be worth the money as I’m sure we could get use out of it after the event, even if it was hotwired and smashed into a parked police car or something, as that is the usual outcome of these Trinity visits.

They are usually funny as fuck and this one was no exeption.

This will never be like the corperate, over expensive premieres like the usual boring ones at the Prince Charles Cinema with a few bits of popcorn flying around and some tame abuse. No, that will never happen. Put it this way, the movie started after a full punk rock assault from Brandon’s band and a good few lagers, the sheet was attacked with bottles from the off and by midway, once Zorlac’s part kicked in with Nazi Punks Fuck Off by the Dead Kennedy’s (that screamed through the JBL’s) the place erupted into chaos and a mosh pit spawned the dancefloor and met the bar within seconds knocking people everywhere! Ben Cundall has a full part which rocks, new flow rider India Matt aka Steak has a rocking section, Cates gets tech everywhere and kills it, Zorlac has 1 minute 45 secs of gnarly shit, Munson and Potter star as Oregon concrete slaves and rip the arse out of it, Wag, Horsey, Snoopy and Nicolson have bangers and some fuck off slams in this film, the Aussies put themselves on the map with bowl madness, Richie Jackson hammertime and plenty more. It was quite hard to actually watch the film but who cares anyway when it will be in the shops in a few weeks and probably for a fiver or something so you can see it then.

All I remember is that Cates head gets blown clean off, there’s some shit hot skating all the way through and raw as a badgers ass which is the best way to be, the music is punk as fuck featuring all sorts of classics, some 80’s pop and special appearances by Billy Idol and a few other borrowed clips, plus Death mascot Dibble does not star in it….Yep, sorry Dibble fans but Death Skateboards and The Death Squad are 2 completely different entities, so sorry to disappoint, but I hear he does have a star role in the new Motel 6 DVD that if all goes to plan should be an extra DVD with this release before xmas, so you will definitely be wanting a copy.

The one thing i have to say though is that Death is one of the few companies out there that do their own thing and attract thousands of people’s interests. Over the last year or so they are not being slagged off by the sports wearing skateboarder types, purely due to the fact that they make an effort to have fun. Finally this company is being respected for just doing their own thing and this video stamps it authority on those words but without having to say a thing. The closest statement you will get is from Zorlac’s part in the film where flashed text appears and leaves a message clarifying the commitment to the cause but also so you know that they don’t give a monkeys about the haters…but it seems those days are long gone. Give Death a chance before it takes a chance on you..

Enjoy these gay photo’s visit www.deathskateboards.com for more info and for other recent Death related news, click here.

Categories
Features

A Third Foot: Spotlight

with owners Joel and Ken
By Ralph Lloyd-Davis 11/14/2005

One of the first skateboard videos I ever saw was Powell Peralta’s “Public Domain“, and during the intro the viewer is taken on a guided tour throught P&P’s manufacturing plant. The scene is dusty and noisy as hordes of little underpaid immigrants sand away at the next hottest shape. I was too young to know for sure that I would one day work within the skate industry, but I knew for certain that I didn’t want to be one of those poor sods!

Skateboards today are manufactured by only a handful of factories- most of which are bickering over scraps since the fantastic Chinese Manufacturing Coup- so it’s surprising to hear about an outfit in Britain that does it too. A Third Foot was the brainchild of Ken and Joel who have worked long, hard hours since 1997 to bring top-notch product onto the market. Understand that ATF is a hands down unit that prefers quality over quantity when they follow a skateboard process from 7 raw plies to a finished product. The team consists of Kris Vile, Ben Blake, Tom Brown, James Woodley, Rich Lewis, Norm, Bob Sanderson and Damon Levanthal.

Please state your name, age and what you do for a living?

Joel, 34, & Ken, 33. We make skateboards

When did you start A Third Foot?

1997.

Why?

We were always interested in deck production as skaters, and we wanted to have a go for ourselves.

Did you have any previous knowledge of skateboard manufacturing before you began?

Some – bits from magazines here and there.

How difficult was A Third Foot to start up?

It wasn’t too difficult. We had to go to the Prince’s Trust, submit a business plan and get awarded some funding. Then we had to get some fairly crude early presses made, buy some tools, find a premises etc and get started.

How has competition reacted to your manufacturing techniques?

Our techniques don’t differ much from anyone else’s, so we don’t warrant a reaction.

Do you know of other European companies that make their own boards?

As far as I know, there are, or were, factories in Spain, Italy, Germany & Switzerland, I think.

How has the China situation affected A Third Foot?

I suppose it has to some extent. We may have a few more bulk Customers, but at our size it’s hard to gauge. We weren’t really competing directly with US factories anyway.

Who/what inspires you in your production of boards?

Just to make the best decks we can.

What advice would you give to someone aspiring to manufacture their own boards?

Go to China, or somewhere with even cheaper labour.

Will skateboards always be made of wood?

For the near future-Yes. Some experimentation will go on, and someone might find something that works. Who knows?

If you weren’t manufacturing skateboards, what would you be doing?

Making more money.

What are the good sides to running your own company?

No fat fuck to tell you what to do, doing art, talking shop, new projects, buying new toys-tools, and having days off.

What are the bad sides?

It’s damn hard work! The fumes, the splinters, dry skin and of course the team getting hurt.

Your team contains some hidden talent (Tom Brown, James Woodley…)- How do you spot it? Are there any requirements to make the team?

The team’s organic: people come and go but it always maintains a high standard. The team picks itself…

Do you feel a certain affinity with those poor Mexican sods sanding down endless piles of wood in the ‘Public Domain’ intro?

Sure do! It could be worse…

Were there any other names floating around before ‘A Third Foot’?

No, the name fitted like a sock.

If the skateboard manufacturing industry ran a Miss World comp, what would be your pitch?

Just look at my hot curves, my make up is perfect, and my holes have had a good hard drilling!

Go to www.athirdfoot.co.uk for more info…