Ghost Ramp Records
Somehow, already five albums in, the LA noise-pop ensemble Wavves delight us further with their latest release V. A genuinely electrifying record, it would fit effortlessly into a plethora of different environments – a gloriously sunny festival afternoon or the cramped crevices of a serotonin-soaked house party, Wavves’ latest release, simply put, is pure magic.
Stepping away from their earlier material, V sees Wavves refine their sound down, cutting back to something with much cleaner edges. Blending indie pop and noise rock seamlessly with lyrical flashes drenched in angst, the smart song-writing and impressive studio work (from the help of Woody Jackson – Beck, Primal Scream etc.) is incredibly addictive and does more than enough to ensure it doesn’t blindly blend with other artists attempting similar things.
The album opens with ‘Heavy Metal Detox’s chewy opening riff swirling us into great expectation. Once V sets off you immediately know what you want, and that you’re going to be getting it just thirty seconds in. The incredibly relatable ‘Way Too Much’, the speedy, Dookie-era, verse chorus pattern of ‘Wait’, and album-closer ‘Cry Baby’, all offer up a cacophonous capsule of creativity mixed with sombre underscoring.
Said to be conceptualized from drawing positivity out of negative experiences and “realistic optimism”, V is undoubtedly the band’s most focused work to date. Wavves have managed to create something warmly familiar but with a fresh, familiar honesty that draws you in even further than before.
Buy the album here.
Words: Joseph Murray