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Bay Sixty 6 10th Anniversary Comp

The paint was still drying on the ramps when the doors opened at 12pm to celebrate Baysixty6 10 year anniversary and relaunch of the newly completed street course.

There was a great turn out to see Ronnie Creager and the European Blind team as well as a host of other UK and European skaters. For the first couple of hours the street course was absolutely crammed with skaters young and old(ish) experiencing the spanking new street course for the very first time. Then it was time for the first of 3 comps that afternoon with the under 13’s, followed by the over 13’s and then the sponsored skaters, see the results below.

There were bands playing in the adjacent bay too, Undercut, Dead Kids, who’s singer tore down the stage rigging mid set then ran away like a girl, and White Rose Movement, some of you may have recognised the drummer Ed, who used to work in the proshop at the park a few years ago. There were the usual freebies and giveaways from all the brands that supported the event, deep breath, Xbox 360, Element, Globe, Independent, Relentless, Santa Cruz, DVS, Eastpack, Vans, Osiris, Circa, Heroin, Extreme TV, Document, Sidewalk, Death, Plan B, Duffs, UKSA, Crème, Crossfire, Icon, Ortega, Karma, Heathen, 50:50, Innes, Unabomber, Vox, Landscape, & Olympus cameras.

Thanks to everyone who supported the event on the day, sponsors and skaters alike, we hope you all enjoyed it as much as we did and look forward to seeing you all again throughout the summer. And by the way ,the builds not finished yet, as well as tweaking and fine tuning the street course we have big plans for the mini, midi and vert section of the park too, WATCH THIS SPACE!

Written by Rory

Watch the video courtesy of Bay Sixty 6, XBOX and Alan Christensen for this event on the top right hand of this page where they usually are…

Sponsored Comp Results

1st Reuben Rodriquez
2nd Chris Vile
3rd Amir Williams
4th Ivan Rodriquez
5th Darrell Dominguez

Under 13yrs results

1st Kyron Davis
2nd Kieron Androli
3rd Michael Patrick
4th Luke Williamson
5th Michael Patrick

Over 13yrs results

1st Dave Wallace
2nd Joe Vass
3rd Henry Camming
4th Ant Barber
5th Jack Hudson

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Features

Quiksilver Bowlriders 2007

June 7th-10th 2007
Words and footage courtesy of Kevin Parrott
All photos courtesy of Quiksilver

Oh yes! The second year in a row for the best bowlriding event in the world to hold its final at one of Europe’s best skate parks. The second year in a row for the event to have toilets installed for the thousands of visitors. The second year in a row for the podium to be a Euro only affair – Actually, it went one better this year. Yep. This time around the final consisted solely of Europeans. Not that I want to get competitive – but a solely European final in an international event of such stature. Hat’s off to Europe on the come up!

I think I’m getting ahead of myself here. We’d best go through in order and then talk about finals before we get to any sort of podium talk.

Yes – Malmo. This is my fifth visit although my first since the new park was installed to what is the third largest city in Sweden. You’ve not been under a rock for the past two years so I’ll not bang on about how amazing it is. You know that. You know that John Magnusson got in deep with the local government and went full force until Stapelbäddsparken became a reality. You know that from attending the event last year or at least reading about it on here and watching last years video. Right? If you didn’t – You have issues. Plain and simple. It’s cheaper to fly to Malmo than is is to get the train to Birmingham from London. Sort it out.

Anyway – The competition. For the 24 skaters in the quarters, last years top 8 were pre-qualified (and therefore avoiding the initial heats). Chris Senn, Ross Mcgouran, Rune Glifberg, Micky Iglesias, Alain GX, Chris Cudlipp, Andy Scott, and Daniel Cardone were the talented few to achieve this. Yeah, I know what you are thinking – but Omar Hassan and Benji Galloway were a no show so they got replaced.

Through the heats and quarter finals, Mattias Nylén had the runs of his life. 360 Indy’s over the spine, Frontside Blunts in the deep end. He couldn’t fall off. Andy Scott blew minds during the quarters. Alley-Oop Kickflip Mute in the deep like it ain’t no thang. John Magnusson has lines in this park. I guess it is fair to say that he has the advantage of knowing every inch of this park – literally. The one surprising thing was Daniel Cardone – and sadly not in the same way as last year. He fell off. A lot. I guess it just wasn’t his weekend. Everyone gets that.

Casper Plass just skating in the semis after taking a shoulder destroying injury was another surprise – this time a good one, though. Chris Cudlipp took his lanky street style into the bowls. I’m not sure if he is predominantly a streets skater to be fair – He just had that sort of pop you only get from clacking down the road and hopping onto ledges all day. Either way – he looked like he could handle himself wherever. Rune Glifberg, John Magnusson, Alain GX, Nicky Guerrero, Ross McGouran, Frederik Austbo Vince De Valle, Casper Plass, Chris Cudlipp, Andy Scott, Mattias Nylén and Alan Mesquita impressed during the quarters earning their spot in the semis.

Unluckily for Frederik Austbo he managed to injure himself during practice a little earlier. A quick round for the third place members from each heat to decide who would replace Frederik and it turns out that Daniel Cardone has another chance to impress. The performance didn’t last – Only Rune Glifberg, Ross McGouran, Alain GX, John Magnusson, Nicky Guerrero and Mattias Nylén made it through.

Rune cleaned up. It was clear he was in first place once the jam was over. Ross killed it. Do you know how good that lad is these days? No-Comply tailslides over the love seat every shot. John impressed. I don’t think he fell once – and he kept true to his intro video in which he said he doesn’t have the big tricks to rely on, so he’d best just stay on and hit every part of the park. Alain got all Danny Way on us. I don’t mean mage ramp style – Just all round domination be it hips, lines, lips or tits (All concrete of course). It was a tough one to judge beyond the winner. Bring on 2008!

Final Results:

1. Rune Glifberg
2. John Magnusson
3. Alain GX
4. Ross McGouran
5. Nicky Guerrero
6. Mattias Nylén

Check www.bowlriders.com for more.

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Features

DuFFS Concrete Carnage 3

This was the 3rd year of the DuFFS Concrete Carnage at Rom skatepark in Essex. The park was built way back in 1976 and still has so much to offer, lines galore and it can be a full on cruiser or you can get as gnarly as you want to. This park has everything to offer.

Most of the DuFFS squad were in attendance and along with the locals and visiting rippers the session was bound to go off, it didn¹t dissapoint the session moved from one part of the park to the next and with the low key atmosphere loads of good shit was put down. The whole idea behind the Concrete Carnage events has always been to see what can be done at parks that were built before most tricks were even thought about. Rom is a real proving ground, check out the shots and footage and get yourself down to Rom this summer and see what all the fuss is about…..alternatively, you can sit back and watch the video from this event on the top right hand of this page – right click, save as…

Big thanks to Munson for er..being Munson, Gorm for the footage and Gorm for the photo’s – yes we know! There’s bloody 2 of them! We are all doomed!

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Features

Cedric Viollet Triple Shot

1st June 2007

If you open a French skateboard magazine, or even Kingpin for that matter, chances are you’ve spotted a shot from Cedric Viollet. This young Frenchman started taking skate photos slightly by chance, but is now a fully fledged lensman with many miles of film and flights under his belt. You’ll probably spot Cedric cruising around Europe with his black rimmed glasses and finely trimmed goatee, rubbing shoulders with the up and coming youth as well as societies cognoscenti. A classy individual who lives and dies by the 36 exposures. – RLD.

Full name please captain?

Cedric Raymond Viollet!

How long have you been a photographer?

I bought my first camera in April 2000 for my birthday, with tips from a friend regarding what to buy. Up until then, I had never shown any particular interest in photography.

How did you get into skate photography?

Pretty fast – I just took my camera with me on all the sessions we’d have, and started shooting tricks and stuff. In June 2000 I was lucky enough to get a photo published in Freestyler Magazine – a full page shot too!Just a black and white shot with a 50mm lens, plain and simple. I didn’t get another photo published for another year after that!

What were the best and worst bits of advice anyone gave you in regards to photography?

The best advice anyone has given regarding skate photos is try and avoid using a fisheye lens as much as possible. You need to get used to using your zoom and measuring the different depths in your shot, something that will help later when you use a telescopic lens. For the first three years, I used an 85mm, a 50mm and a fisheye lens.

The worst advice would have to come from camera shops that are always trying to push to buy the wrong material and use wrong techniques.

Your inspiration shot here of Adrian Lopez outside Hong Kong Airport, 1998 shot by Thomas Campbell is a beautiful choice, tell us more…

Ever since I started skating back in 1988, I’ve devoured skatemags! So, I obviously saw a lot of photos before deciding to shoot some myself. One of the shots that impreesed me the most was by Thomas Campbell. I think the first time I saw it was in a copy of Skateboarder Mag, and I thought it was really cool viewpoint for a skate photo.

At that time, I still had no idea of how to shoot skateboarding. But now I think I understand how Thomas had to use the natural light and silhouette of the skater, for lack of generated light or flashes. The result is incredible, and as in most situations, constraints can lead to great results.

Have you ever felt bad about taking a photo?

I don’t remember ever feeling bad about taking a shot. I won’t take a photo if I don’t feel right about it first.

What were the best and worst days shooting skateboarding of your life ever and why?

My best sessions are with Boris Proust because he’s my neighbour and we grew up skating and taking photos together. Otherwise Danny Brady because he’s always smiling and has the incredible knack of finding spots where there aren’t any! Everything is kept simple and sweet. The worst scenarios are usually due to poor weather conditions, and not the people involved. Wind, rain, snow, security guards, broken flashes… That stuff happens more often than not and it is an undeniable source for stress!

What’s the relationship like between a photographer and filmer?

Most of the time there is a mutual respect between the two. The most hassle usually comes from newbies who don’t know where to position themselves or feel like they have to prove something to you. The more you work with experienced individuals and the better the vibes, that’s why working with Ty Evans, Fred Mortagne or Ed Templeton is so much fun.

In a bad situation, stress levels run high, as does the pressure, and you have to try and remain focused on the tricks going down. You just have to keep all your parameters clear so as not to get the cameraman in the shot.

What main advice would you give to upcoming skate photographers?

I think the first thing is not to try and become a skate photographer or even a photographer! Just try and take photos for the fun of it and enjoy yourself. Fate will take care of your future. You have to take photography in the stride of things with life.

Chad Bartie, top geezer, amazing Frontside Ollie here as your personal fave skate shot, tell us more….

I don’t usually like taking photos at skateparks, but then I saw that lone silhouette of a person gripped to the fence in the background… I set up my flashes and took a few shots. The skatepark was a very dull grey, so I used a special developing process to enhance and saturate the tinting, creating unusual colours and a strange atmosphere.

Are there ways of getting better/free equipment as you continue to grow or do you have to fund everything yourself?

Photography sponsorship doesn’t really exist. I started shooting skateboarding but I was also had a job at the same time. Any money I earned from shooting photos was injected straight back into buying film, material, batteries and all the other stuff that costs a lot. My job, in the meantime, helped me pay rent and other external expenses like bills and so forth.

When Freestyler hired me, I decided to quit my job and concentrate on photography. It was a tough decision to make and meant full dedication to the camera. I finally went freelance 10 months later. During this time, Clae Shoes was sponsoring various photographers and they helped me out with travel expenses to places like Asia and eastern Europe. Then Sugar offered to hook me up as a photographer on their payroll. This was the first time I actually received some free goods which is pretty cool, I must say.

Is the work of a skate photographer well paid? Do you get by in life with this income alone?

It all depends on what ‘well paid‘ means. I live, I have a roof over my head, no car but a Vespa, which is already sufficient. The greatest return is getting to make a living from taking skate photos and non skate photos alike.

One day I’ll shoot super models and have my pictures on huge bill boards all over New York… I’ll be rolling in a Bedford van with a collapsible bike in the boot to break out and cruise around the city with. I’ll have a house on the beach and a place in Paris for business, and a beautiful girl by my side of course.

Ha, make sure you let us know and we will celebrate with you! Please tell us about the non skate shot you have submitted and the story behind it.

I was walking around with my camera as I usually do when I’m alone in a city – I still remember the exact moment I saw this bench from above on a footbridge.The problem was that was already thinking of all the things that would such a shot interesting… But unfortunately the bench was vacant. So I decided to carry on my travels and pass by again later. A few hours later I’m back and I spot a person with a dog on the end of a leash to their right.

I start to take a few photos and line things up with the floor boards and pylon on the right, but alas nothing happens… An hour passes and I’m still waiting… Then, all of a sudden the person falls asleep and the dog makes a run for it off to the right. The whole thing happened in less than 30 seconds. I took a couple of shots and hope I didn’t mess up the composition.

Does music ever inspire your photography? What music artists can you not leave for a tour without?

When I’m shooting photos I don’t listen to any music because I need to concentrate on what’s going on. However, whenever I take photos outside of skateboarding, I have to have good music playing that will inspire me. The music will get me in the vibe of things and let me wander wherever, like Cat Power, Johnny Cash, Jacques Brel and other sad but soothing music. I don’t know why…

If you were to buy a pocket snapper for capturing skating on a budget to get going, which camera would you suggest?

The best buy is a good old Nikon FM2. It’s the ideal piece of equipment: It’s robust, adaptable to all sorts of fisheyes and lenses, plus when the batteries run out you can still keep shooting! It’s a manual camera which will help you learn the parameters and use of light properly. You can find really cheap ones nowadays seeing as digital cameras are the new craze. An FM2, a fisheye and 85mm lens, and some Kodak Tri-X film – these are main ingredients to a kick start in skateboarding photography.

Would you recommend digital or film?

From my point of view, manual and digital cameras are two entirely different machines for photography. For me, digital cameras don’t represent my vision of things when it comes to photos. I don’t want to see the result right away, that way I can feel excited and satisfied later. You need to pay more attention to detail and make use of a physical object, the film, instead of staring at a screen or rummaging through discs in your drawer.

What are the benefits of using film or digital?

Digital cameras are still far from developing the same results as film has over the years. For example, an image on 24.36 you get about 22 mega pixels of information, something that’s only obtainable with a digital camera worth at least €12,000, so I don’t really see the point… If film disappears, then I’ll probably stop taking photos altogether.

What kit do you use?

For the last couple of years I have been using a medium format with a fisheye and a small telescopic lens for multiple flash skate shots, and a digital camera solely for sequences. On top of that, I have 2 telemetric cameras that are nice and discreet and quiet. One is loaded with Tri-X black and white film, whilst the other one is loaded with colour film.

Thanks for your time Cedric, do you wanna leave these people with a web address to find your work online?

Yeah, thanks. My personal website is www.purplephotographs.com and a group website is www.misc-photo.com

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Features

Quiksilver Bowlriders – London 2007

20th May 2007
Images by Andrew Vost, Zac and Josh Knox

On Saturday 19th June, Cantelowes skate park in London hosted the UK qualifier for the Quiksilver Bowlriders. The event was electric thanks to a fantastic seletion of established and upcoming names shredding the fresh crete that opened just over 8 weeks ago.

Duffs and Consolidated ripper Ben Raemers will be joining the elite on the plane to Malmo on June 9th where the finals will be held at the incredible Stapelbäddsparken. His energy, lines and constant bag of gnarly tricks such as inverts, airs, lip tricks, tech steez and grinds gave him his deserved ticket. Ben has just recovered from an injury and to be back on form like this should get him anywhere he wants to go in skateboarding. You have to raise a glass to this kid.

Crossfire Clothing rider Kevin McKeon was picked in a deserved 2nd place with firm, bolshi lines that included lien tails, back lips, bonelesses, airs, cradle burn and transfers but he must have just nicked his spot from Sam Beckett who came 3rd. Sam is a Globe sponsored rider who has cleaned up on most vert jams over the last year. His attitude to skating is second to none and his endless trick rate can leave you stunned. He pulled a kickflip fakie off the vert extention and so much more it’s a joke. The UK has a hidden talent here that is about to be unleashed to the rest of the world, watch this guy fly in the next year or so.

Scottish skater Benson proved he is yet another face that the scene will be seeing more of alongside his travel buddy Div Adams. The mohawked ginger machine ate this park for brreakfast and then washed it down with Motorhead as his request at the after party. He deservedly won the best trick comp with an ollie over the roll in to FS Five 0 on the vert wall and then backside disastered the cradle! Napalm Jeff will be stoked. Sickness..

But that was not all. Another face we keep seeing purely on merit is Chris Oliver. The Blind Skateboards shredder blindside kickflipped to fakie over the channel the opposite way to how most people take the line. It took a while but as ever he was determined and bloody well took it once the comp had finished! With combinations of huge kickflip melons and pounding lines, Oliver’s name once again reaches your doorstep.

A session from Quiksilver riders Daniel Cardone and Javier Mendizibal went down well with the crowd. Cardone really knows how to fly, no wonder Christian Hosoi has a vested interest in his wings. Awadh Mohammed was back for more once again. His technical prowess is building perfectly as he gets older, expect his steez to rise further this year. Brighton’s Stevie Thompson was also amongst the names on everyones lips with a sick beanplant on the cradle and his usual self styled madness on a board. He was joined by Sparrow Knox who has a mean backside air. UK skate legend Pete Dossett still rules the coping with his hands and his trucks. It’s always amazing to see him ride transition with his grace. Sorry to leave others out here but many more local up and comers from the UK who skated this place to death made this event just as special as those who have been mentioned above. It was a great day out for everyone not to mention the running commentary from Big Bob – Birmingham’s finest.

With the weekend of June 9th coming fast, this was just a taster of what is to come and you can gaurantee that Crossfire will be representing Europes online skate mag community in Sweden to cover just how well Ben Raemers gets on.

You can see more on this event at www.bowlriders.com

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Features

Almost..a Crossfire Gap Jam

17th May 2007
Words by Zac

Before you get stuck into this feature, the video for this event is ready for you to download. It is 22MB so look at the right hand side of this page, right click the file and save the file to your desktop.

It’s Thursday 3rd May 2007 at 1pm and the pies have just been ordered from the piemakers from Lancashire. We know this is the most stupid idea possible for a skate jam but somehow it makes sense, especially as Love’n’Skate have demanded it!

Whilst this jam was being put together from many angles, the butterflies were always there – I mean, what if no one turned up and it became a pipe dream? It’s never happened but we all grew up never to expect everything to work all of the time but this jam had beast written all over it as soon as we decided to get it on the go, it just so happened that the Almost team were in town the same weekend so why not ask right? They are only gonna say no.

So here we are, it’s Friday 4th May at the same time, no lunch has passed into this stomach and phones are off. Where are the Side Effects of Urethane (TSEOU) people? Will they turn up on time? Will the vert wall fit? Will it fall apart? Will the Gap Ledge not fit? Will it fuck.

Those guys built wood all week long for this jam outside of the daily grind and delivered in style to the millimeter. You see, the concept of these jams are not only to bring people together for one day only. The wood that we spent all of Globe Shoes sponsorship money on will be at Meanwhile 2 until it’s burnt down meaning that you people benefit from the effort once the event is over.

At 4pm we visited the bowls to find TSEOU were already at it for 3 hours drilling the pre-cut pieces together with aid of pizza and 1664. Everything had to be cleaned up. Pete Correy was hard at work white washing the walls so he had a canvas for our piece with Alan Christensen and Pete told us a story about how he once rolled up for a sesh here and found a dead body wrapped in a carpet behind the bowls back in the 80’s. This was the catalyst that led to the infamous Smell of Death Skate Jams in London.

Hundreds of skaters, punk rock and beer fuelled these jams that were held at Meanwhile, Southbank and other London skate spots in the 80’s – you have probably guessed that these jams heavily influenced our Crossfire events more than anything else and it all started here at Meanwhile 2, a park that I once fled after a a gun was stuffed into my mouth for 3 old pound notes. The same gun that released a bullet at us as we fled for the tube….

Shattered but stoked, we all left Meanwhile at midnight with paint on our hands and dust on our faces with everything in tact and ready to roll with no pikeys wanting a knife fight. As drills and generators buzzed we were sure the vert wall and ledge would be safe overnight and so it was. It was now time to let the butterflies out….

People came out of nowhere to pay tribute to this spot and bit by bit Meanwhile 2 filled up with people spilling out all over the shop. If only the freakin’ megaphone would work! I mean, you need 4 things to run a skate jam – a megaphone, skaters, beer and a stereo. It’s not actually that difficult. At this point I would like to thank Sam who works at Crossfire HQ as he was hanging on by his fingertips as my car thumped 50 round London streets to find electrical shops. £70 later we were on…

Kevin Parrott and Simon Skipp from the UKSA managed the game of S.K.A.T.E to perfection. 16 riders were hand picked (with bribes of course) and the tedious hour long, tech wizardry session took place in front of a packed flat ground area.

Some riders clearly were going for the caravan for two in Selsey Bill and others settled for the electrical sowing kit, but most went for Bully’s special prize which was £100 green and £50 runner up. The entrants looked like this with the highlighted urchins getting through their rounds without eating the alphabet.

Tom Knox – Daryl Dominguez – Jak Pietryga – Adam Howe

James Gardner – Killian Heuberger – Ross McGouran – Street Nowik

Darren Nolan – Chris Oliver – Guy Burchard – Porno Paul

Greg Lutzka – Lewis Marnell – Awadh Mohammad – Torey Pudwill

I think everyone felt for Awahd as he was drawn out of the hat against 3 of the Almost team! But he held strong until he drew letters.

The quarter final brought out 2 key battles with Heuberger (German Globe guest rider) and Lutzka getting through. For the record Blind Skateboards team rider Chris Oliver screamed through his round without picking up a letter and Tom Knox knocked out 3 sponsored riders who manage to get coverage monthly. Gotta give it up to him.

So the level was set.

Round #1: Tom Knox vs Killian Heuberger
Round # 2: Chris Oliver vs Greg Lutzka

Heuberger had Lutzka on the ropes after Greg lost his nerve on a few tricks. Not even his trademark lucky tap of the Globes could do the trick but he fought back but then was met by a nollie casper flip that’s not on his trick list. Heuberger had it sown up and was £100 better off…

The Gap at Meanwhile is legendary and has been made famous over the years by various skaters but mainly The Gonz who has gone down in the history books for his straight ollie over the abyss back in the late 1980’s and you can see it in the Blind Skateboards movie Video Days although rumours are still floating about that a UK rider did it first and have surfaced since this jam was announced. Kingpin Mag claim that the best trick over it was Tom Penny’s blindside nollie flip. Even Geoff Rowley decided that his last Vans advertising campaign was to be shot there.

But this famous spot in danger of being demolished as the surrounding areas of the underneath of the A40 motorway are already being taken down and replaced with football pitches and basketball courts. Rumours surfaced last year that the trust were considering demolishing the skate area so we decided to host this jam just in case something rash happens but to also present the results of this event to the Trust who organise the land. Hopefully they will see that the park is still cared for even in 2007. Fingers crossed.

It’s 4pm, the bowls are now packed with people peering in to see if anyone had the balls to cross the crevasse. One by one ollies started to pour over the gap. Daryl Dominguez hucked out a kickflip, Chris Oliver got started with a backside ollie, a kid called Nathan decided that it was his day and tried and tried to ollie the beast. Then Greg Lutzka made an alley oop frontside ollie and everyone kind of figured what was coming next! After 3-4 attempts he managed to huck out the same trick with a flip and the place went off.

It was an avalanche, as soon as one went down – another was more determined. Torey Pudwill frontside shuvit, Dan Wileman was determined to land a blindside flip to fakie and made it, Ben Raemers threw a boneless over it, then Chris Oliver carved out a kickflip to fakie, frontside and backside and ended up with the only trick on the ledge (that scared the shit out of most people) and back lipped it as the clock ran to zero! It was electric under there!

But the best part of the day regardless of who you are or what you do was that the little kid Nathan who had tried all day to get this ollie over it decided to make it and the place kicked off. This is what it’s about. Not competing for money, because that is just there to pay for the beer afterwards, but just getting up and doing it in front of everyone under pressure takes balls. We salute you kid.

As soon as Raemers, Nowik and others attacked the vert wall that was built for the day, free shit rained over Meanwhile 2 and then Love’n’Skate’s Stu took over for the pie eating contest. The Almost team were all asked if they wanted to be part of this as a team and 17 year old Torey Pudwill took up the bib on behalf of his US cronies whilst Porno Paul’s team that included both Mark and Laura who had delivered these tasty all butter stomach pounders from Lancashire. All 6 people munched pies over 3 minutes by the truckload and the end result was total carnage with Porno Paul the messiest by a mile, ha, he was so covered in pie I was almost puking with laughter! People poured drinks all over them, pie was thrown everywhere and the day ended on a high.

So, all in all, if you made it along to this event, nice one. We will be back for more of this stuff in July/August at Southbank – the dates will be released when we have them.

Thanks

Big thanks to the The Side Effects of Urethane, the Almost Team, everyone at Globe Shoes, Ben at Sidewalk, Kevin Parrott and Si Skipp from the UKSA, Stu at Love’n’Skate, French and Badger for the flyer design, Greg for banners, Don for stickers, Sam and Joe for their help and understanding, Philip Proctor as DJ, Mau Mau Bar for allowing us to party and everyone who made the effort to support this event!

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Cantelowes – Unleashed

Photo’s by Matt Elms, Zac & Gorm

Web: www.cantelowesskatepark.co.uk

Address(Click for map): Cantelowes Gardens, Camden Road, London – 11am – 9pm

London does not seem to be as blessed as other City’s in the UK for decent concrete skateparks, in fact most councils believe that ye good olde 70’s manufactured potholed spots are just as good as they were when they opened. But thankfully one council decided that this was not going to be good enough for Camden and decided to chop out the old and get in with the new.

But this could well have been another Council disaster like Cantelowes rival bowl at Finsbury Park. Everyone knows that this is a perfect example of how not to design a skatepark in the year 2000 and fortunately the locals made sure they had a say before the cowboys came in and ruined another great session.

But how did this all come about? How did Cantelowes actually get a decent skate park? Crossfire did some investigating to find out as these steps could pave the way to future builds to come by talking to designers Jeremy Donaldson, Hareth Pochee, Jon Sheldon, Matt Elms and skate park builder Nicholas Fyfe from Wheelscape who built the park.

Hi Nic, congrats on the build, just so readers are in the know, what other skate parks have Wheelscape been involved in to date?

Nic: We built Whites Grounds (London Bridge/Southwark) in December, this is supposed to be the first “Indoor skate plaza” in Europe. Larger parks we have built include St Georges in Bristol, South Molton in Devon and Perdiswell in Worcester, and a number of smaller parks.

How was the Cantelowes project different to others?

Nic: The main difference was the enormous amount of users involvement in the whole process from the Cantelocals, a 150 strong user group, and the amount of support and goodwill we received from them while building the park, a very welcome change from some clients who just bung in a park and have no idea how to, or even see the need to involve the users, which is the main reason for 90% of the skateparks built in the UK in the last 30 years being pretty crap.

How was the design agreed on with so many influences and ideas kicking about from many locals?

Nic: Although a lot of people were involved and had their say, the process was well organised and democratic, and there was a good amount of confidence in Matt Elms, Jeremy Donaldson and Hareth Pochee who were the main reps of the group. I was given the end result, a 3D design by Jeremy, so it was easy for me, but it can’t have been so easy for them!

So Jeremy, was this easy?! Tell us how did this all begin?

Jeremy: No, never easy. Back in 2003 I was asked to look at the design and to try to hook up the Northwest crews on the build. Matt Elms worked out a brief with the rest of the Cantelocals setting out the mix of terrain and I picked up there, working out a range of about 6 sketch plans for the weird boomerang space Landscape Architect left us for a skatepark. I took these back to the Cantelocals and we firmed up the ideas a bit before doing the first rendered 3D design drawings (the one with the full cradle). It probably took longer to get to that point than it did to do the redesign but there was a whole saga in between. Over the next couple of years Matt and I worked with the council to try and get one of the three Northwest crews hired to build the project. The plan was for Dreamland to come over to build Camden and then go up to Saffron Walden to do their park. They really wanted to do the project but Camden’s conditions were too difficult to meet. Ironically, little Saffron Walden was able to get through all the red-tape with exactly the same overall team – largely due to the tenacity of Jane Clarke up in SW.

With Dreamland out of the picture by 2006, Camden put the landscape architect in charge of the design at that time. The design was generated between all of us, Cantelocals and the landscape architect, who had a snowboarder in their office draw it up. (Un)fortunately, the scheme came back 100k over budget for a design with bowls that looked like they’d been tipped down a hill or something. At that time, April 2006, I saw the opportunity to get the design back on track, and more critically for Camden, cut over 70k off the budget for starters – I presented an alternative design with a steep bank retaining the football pitch integrated into both the bowl & street areas. At the end of the meeting they asked me to draw it up for them and submit it – we were on!

Over the next couple of weeks, I refined the design for the bowl and, in meetings with the Cantelocals began work on the street stuff that was to be built after the bowl and the OG Cantabank. Just before they were about to dig the hole we were told that the bowl was to be reduced by 20% in size. Of course, you can’t do that without ruining the lines – the best thing was to do a new design based on the decisions already taken. It was at this point that the over-vert pocket returned to the design, instead of a deeper deep end and to tie the whole thing together – can you imagine how differently the bowl would ride if that was just a regular corner? – Too slow!? So, after 3 years, we had the bowl design and part of the street but mostly we had worked on the contractual stuff.

Hareth Pochee got stuck into drawing up the new street course in Autumn last year and I was juggling work, architecture exams, a baby on the way and the park. As it came closer to getting Wheelscape back on site to build the street stuff I was able to put more time in again to work with Hareth and get a few more tweaks in like sloping the side of the driveway and the escalator hip on the crazy bank thing. It was definitely better working as a team, especially as Hareth and I both have pretty demanding day jobs. Also, gotta give a shout out to Tamsin who accompanied us on our skating-with-tape-measure-missions and encouraged calm in the design!

Hareth, did they come out as good as you expected?

Hareth: In terms of the how the built item compares to computer/paper designs I’d say pretty damn good. There are a few glitches that will get ironed out like the street course drainage which is temporarily blocked up with concrete while the grates are manufactured. Also i’m thinking of moving the grind bar to inbetween the curving block and the mudchute to give it a better line. The coping on the flat bank opposite the mudchute is pretty mental cos it sticks out like an angry zit but in a way that makes it better cos its another different thing to skate.

Jon, how you think your ideas for the street section came across once built?

The need to keep some elements of the original bank an hip set-up was most important, and this has worked really well. There were reservations from the start about completely loosing the original lowes, and hopefully everyone is happy with whats been fit in to the space. It’s not the same, it was never going to be, but its got some of the same quirky features. My favourite line in the original park was out of ‘The Steep‘ into the side of the pyramid, and although we don’t have ‘The Steep‘ anymore the big hip is loads of fun. People would show up at the old lowes and hate it. Either they expected something else, couldn’t see any obvious lines, or just couldn’t work it out. We’ve created a monster, now everyone loves the lowes, and we have try hard to get a go!!! The quirk rules! The little banks round the sides, the wall ride on the side of the drive way, the banana-wedge rail, the ‘Lizards finger‘, it all has the spirit of the old Cantelowes.

What other ideas for the street section were put forward that didn’t work?

Jon: I think someone suggested that there should be a section for bladers constructed out of wax!

Ha! – How many tweaks did you have to make before Wheelscape poured the concrete?

Jeremy: When I’m using the 3D CAD model to develop the design, I build the model in a very similar way to how you set out the skatepark when you build it. So, when it came to finessing the things on site that had already been done in 3D, there was little work to do on site. At one point we considered changing the location of the over-vert pocket, we moved the coping one way and then the other until we saw that it was in the ‘right’ place all along; I had this weird sense of deja-vu as I realised that I’d done exactly the same thing before in the virtual world of the computer model – it was reassuring to see that the decisions taken that way so closely mirrored what I did with the real thing. It’s good for the confidence and it’s always cheaper to change a drawing that to pull out a load of concrete.

With the street stuff, we spent more on site time, with Hareth and I literally drawing designs out on the concrete, skating things to try and test the lines, adjusting as a went. Without having put so much time in at the early stage we ended up moving a few things around to get them to work better but, as these were simple box moulds, it wasn’t a problem. Having to move walls of a bowl around, that would be another story entirely, so for that sort of work, serious time has to go into assessing the lines well in advance of digging holes.

How important is this design influence to a project for Wheelscape to be involved in?

Nic: To us its very important, as we are well aware that unless the users have “ownership” of the design process, the park is unlikely to be either welldesigned, or well received, and this does no one any favours, least of all the users. We always struggle to find a coherent user group, and at the end of the day many Councils either do not want the hassle, or dont have the resources to do this properly. There is also a stigma attached to skatepark builders who try to make direct contact with the user group, this can seen as “bypassing the Council officers”, and may infringe the Competitive Tendering laws in some cases.

This has changed, first with the Local Govt Act 2000, which places obligations on Local Authorities to do proper local consultation, and various directives from the EC, which require the involvement of young people under 18 in all local planning decisions as far as possible, which is very far thinking, though it hasent yet trickled down very far. The Big Stash, a project grant designed so that young people are directly involeved in the design, selection and running of granrt funded projects , is one recent example. The whole industry needs to mature, but this is happening and in the last 2-3 years huge advances have been made.

Do you think that Wheelscape came good with the build once your designs were in place?

Jeremy: Wheelscape were a real unknown quantity to us when they were awarded the sub-contract to build the park. Nick Fyfe seemed really keen to do a good job with the concrete but favouring high-tech building methods. We, of course, favoured the skater’s eye and good finishing skills. I’d factored in a level of relative simplicity for a non-skater understanding and building the design but it was still going to be tough. I knew that we had to get some serious skater/finisher experience hired onto Nick’s crew for the concrete pours and he agreed. I had a few contacts and it was coming down to some of the Airspeed guys who were finishing up in Dublin or Dave North, who had just built a massive park out in New Zealand.

In the end, I put the deposit down on Dave’s flight, Nick picked up the rest and a couple of days later Dave and I were sitting in Brixton with a few beers and the design for the bowl. Dave and Nick’s crew bust their balls for 12-14 hour days for the next 2 1/2 weeks pouring thebowl. I was talking to Brett from Dreamland the other day and he’d was really impressed with Dave and the crew’s work and I just want to take this opportunity to thank Dave for coming all the way over here to get the bowl right and I wish he’d had the chance to ride it before he went back to NZ.

How long was the process to build Cantelowes once the designs were approved?

Nic: We were on site for 13 weeks doing the bowl and 5 weeks doing the street course.

Did Camden Council respond well to the decision that the designs were going to be skater influenced?

Nic: I think Camden LBC, Martin Stanton and his team deserve a lot of credit for the way they allowed the extensive public consultation to happen, while constantly being under attack for the time it was taking.

Jeremy, the cradle seemed to kick off a bunch of negativity on the web – why are there none of the negative remarks now it’s opened?

Jeremy: Maybe the negativity came from what they thought it was going to be like rather than what it actually turned out to be? About half the folk wanted over-vert in there some how, it was only one corner and I think it’s an important part of how the whole bowl work. If you want to carve it like a ‘normal‘ corner you still can, if you want to go upside down you can, if you want to get gnarly on it, call in the Plasterer or Stevie Thompson!

What is your favourite part of the bowl itself now you have skated it?

Jeremy:The bowl was designed to provide years of challenges from mellow to gnar, so, for me and hopefully everyone else their favourite bit will always change. But, first off, I just liked getting to skate whole thing as one bowl, as it was intended, feel the speed and start turning the casual lines in my head into bruises on my arse.

What do you all think of the park overall compared to the original?

Hareth: The old park was loved and cherished like a scruffy mongrel dog. When Camden first mooted the idea of a whole new Cantelowes Gardens we actually campaigned to keep the old park a perhaps extend it. When this notion proved to be to much for Camden to stomach we began floating ideas about the new park design. We actually considered making a replica Cantelowes 1 and I drew the whole thing out in Autocad on the new site. No matter which way we bent and stretched it we couldn’t make a Cantelowes 1 design fit into the new site plan. From here we took elements of Cantelowes 1 and incorporated them into the new park design. The new big hip by Camden Road is a take on one side of the old Cantelowes giant pyramid. The “Thing” in between the street and the bowl is inspired by the old Cantelowes back bank with the coping on the top. For me the new park is different, not better, not worse just as rad.

Matt: There is just so much more to skate/ride compared to the original Cantelowes. We were conscious that we should keep the spirit of the original with the banks and hips, and I think that works well, but overall there are just so many aspects to the new park, and its so smooth, it’s a massive improvement! The best thing, I think, is that you don’t get tired as quickly as other spots… as soon as your attention leaves one part of the park you just go and find another. You can have the most fun sessions there, whether you’re skating little weird stuff or flying round the bowl – for example that micro mini / bank is joke! As a result you stay at Cantelowes for much longer than other skateparks, having a really good laugh, and then emerge happy and exhausted hours later!

Jon: It’s too damn busy, all these people from all over the place coming down and taking over our park! Seriously though, it’s amazing, i’ve seen so much sick skating since it’s opened, feeble fakie on the cradle/clam shell, both ways over the roll-in, small kids flying around the place, the older generation popping up again, even a viking metal style guy the fastest thing on four wheels. It’s great that everyone is out enjoying it, but really for the younger kids it has changed their future. The standard just ollied up several steps (excuse the pun), and if they can ride this now, then who knows what they’ll be doing in the future.

So Jeremy are you going to be solely responsible for little kids ripping like Trujillo in London from now onwards?

Jeremy: Nah, it’s up to the kids to rip but they usually do! As far as being responsible for more terrain in London, yeah, I’d like to do more and keep progressing the designs.

Will you be designing more bowls for the South East?

Jeremy: Right now, I’m doing a couple of parks with bowls about the size of Cantelowes (in area) but with bigger street areas. We’re also close to getting going on Stockwell – that will be a bit looser – it’ll have tranny and hips, jersey barriers, blocks, wall-rides – not a bowl in the traditional sense – more like a combination of all sorts of terrain in one whole piece – we want to make that place rip again.

Why will users have to wear a lid in the bowl at all times, will this not change?

Jeremy: I’m not sure what the latest is on this from the council – they are having some serious problems from the neighbours complaining about noise from people using the park when it’s closed amongst other thing and they are trying to work out how to keep everyone happy. Jon and Tamsin are trying to sort them out some safety data re: helmets. Personally, I don’t mind the lid based on riding the whole bowl and having a family to think of.

What other plans do Wheelscape have up their sleeves for future builds?

Nic: We have had a lot of positive feedback as a result of Camden, and we aim to capitalise on it to build more high quality parks. Though there seems to be a move towards freeform concrete, we also have a factory for precast concrete. Bendcrete have done a pretty good job of meeting a demand – they don’t for example have a precast bowl system, and the joints between their pieces are a disgrace. We feel that Bendcrete have given precast a bad name, and we intend to develop more parks which combine the benefits of the precision and economy of precast with the design flexibility of freeform. But at the end of the day, we are here to respond to demand. We are looking forward to working with Jeremy on design, and as he is highly regarded as a designer, we feel we wont go far wrong as long as his watchful eye is on us – you see we’re umm…. not actually skaters ourselves …..(sheepish grin) – just concrete cowboys!!

What should councils avoid most when looking into building a skatepark? What is essential to a successful build?

Nic: Well obviously they shouldnt just charge ahead with ordering one without making some effort to find a user group. They tend to be seduced by nice brochures, (which in fairness portray a steel skatepark looking as good as a concrete one). There needs to be a massive campaign to make Councils aware that steel skateparks are horrible , and long term very bad VFM. (we know, we have built them and we have the engineering capacity same as GBH but we wouldnt touch it) Definitely some kind of concerted effort to establish the UKSA as a nationally recognised consultative body, from whom more Councils take advice before going ahead, and avoid the obvious pitfalls (bad transitions, lack of water runoff, coping details etc) This is important, as the demand is absolutely staggering, we estimate the UK skatepark market is worth £15m a year, and with that sort of allure, there will be opportunist who try to jump on the wagon.

Where can people find you on the web if they would like advice on building skateboard parks?

Nic: Our website, www.wheelscape.com which is becoming a bit overblown, but still has a lot useful information aimed at buyers. We would welcome feedback on it.

Do you guys want to thank anyone or add anything relevant here?

Jeremy: My wife for putting up with the weird hours, long drives and numerous afternoons sat beside skateparks whilst I do ‘research’; Dave North for busting his ass for a bowl he hasn’t ridden (yet!), Nick, G, Marcel and the rest of the Wheelscape crew, Andy and Robbie from Charter; Matt Elms for getting me on the project and for serious project managing skills, Hareth Pochee, Tamsin, Homage, Stevie and the rest of the Cantelocals, Johnny Tuesday-shop; Martin Stanton, director of Camden Parks; Danyel & Dreamland for their efforts trying to get over here & Jane Clarke for getting them to SW; all the dudes enjoying the park.

Hareth: Big up to the skinny kid that told Me and Matt that “Whoever designed the park must have been a complete idiot. Probably some 50 year old fat blokes sat in a boardroom who used to skate in the 1920’s” Yeah kid, you’re cool, can we be in your gang?

Jon: There seems to be an new era of concrete parks popping up all over the UK and Europe, and its great that Cantelowes can be part of it. I think it’s been about 5 years since the first consultations with Camden, but it’s been worth the wait. I hope it never takes anyone else that long, but if it does hang on in there, its worth it!

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Features

Jaka Babnik – Triple Shot

Jaka Babnik is the first serious Slovenian skate photographer who has put Balkan skateboarding on the global skate map, if that means anything. His true dedication to the medium and skateboarding has produced intense and inspiring video and photo results, of which every Slovenian / Balkan skater should be proud of. He helped our skateboarders look special and specific which is exxactly what they are but not many would have known that if he was not everywhere with them with his heart and camera(s). Beside creating his own skate publications/magazines, Jaka published lots of his photos in several European skate magazines, welcome to his Triple Shot interview. – Leon Zuodar

Full name?

Jaka Babnik

How long have you been a photographer?

I’ve started taking photos back in 96, so 10 years.

How did you get into skate photography?

I started skateboarding in 1991, so as time went on, we started taking photos of each other and I just took it a bit more seriously.

What were the best and worst bits of advice anyone gave you in regards to photography?

Uf. I don’t know if I can say that there was any bad advice, because for sure all of them were given with the best intentions. As for the best ones: you have really quality lenses, so try to shoot with the aperture opened as much as possible; stop taking all this equipment around; start shooting other things beside skateboarding…

Published in Transworld Skateboarding, January 1995. Kris Markovich – ollie at Romford’s snake run.
Ph: Jody Morris.

Why did this image you have submitted inspire you so much to take up photography? What effect did it have on you?

I was flipping the pages and when I got to Kris’s photo it was a done deal. Not just because he is one of my all time favourite skateboarders, but that photo has everything. Power, grace and style. And that is what skateboarding is all about.

Have you ever felt bad about taking a photo? If so, which one?

Yes I did. Check the answer to the next question.

What were the best and worst days shooting skateboarding of your life ever and why?

Well, I was not even taking photos. We were filming for “Damage” video and a friend of mine Dean Gostimirovič was trying bs 180 of this roof, when he broke his ankle. Even though he told me over and over again, that I was not in any way responsible for that, I know that I was too eager to get the trick.

And the best? For sure all of those, when you go out, not even thinking about shooting anything and than everything comes together. Quite a few of those lately. When you have no expectations, you can not get disappointed.

What’s the relationship like between a photographer and filmer?

They get in to each others way a lot, just because of different natures of the medium they use. One is interested in the whole trick, from pushing to lending and the other is after just that certain moment in the trick.

I’ve filmed 2 skate videos (“Damage 2002“, “Listen To Srecna Mladina, 2005“) so I have been on both sides. It just depends on the person. If there is mutual respect, than there is always a way.

What main advice would you give to upcoming skate photographers?

Be patient. Don’t push skateboarders into doing tricks. If the trick is suppose to happen, it will happen with out you putting extra pressure on the rider.

Please tell us why you have picked your fave skate shot you have submitted?

The reason why I chose this photo of Primoz Jan doing a flat ollie is it’s simplicity. No fleshes or anything. Not even with Primoz in the photo, but you can still tell from the shadow that he has style. Less is more.

It sure is…are there ways of getting better/free equipment as you continue to grow or do you have to fund everything yourself?

I fund everything by myself, but with time you learn more and more about where to buy films and equipment and obviously if you are a regular customer it is a lot easier to get some serious discounts on film/developing/equipment. And when it comes to free stuff: today nothing is free. I don’t know any photographer, let alone skateboard photographer, that gets free promotional equipment from let’s say Canon distributor, and if you work full time as a photographer for some company and they provide you with equipment, keep in mind that you are there to do your job and that all the gear is not actually yours and that it is just a tool that helps you get the job done.

Is the work of a skate photographer well paid? Do you get by in life with this income alone?

Well, some people make a pretty good living out of skateboarding photography, especially with the money they get for ads, but down here that is impossible. I am lucky enough that my parents support me and help me make my ends meet when my bank account goes in to sub zero numbers. So no, I can not get by solely on skateboarding photography.

Please tell us about the non skate shot you have submitted and the story behind it.

This photo was taken on the skate trip to Thessaloniki/Greece. There is so many packs of dogs just wondering around the city that locals don’t notice them anymore. Well, tourists do. This one was just taking an afternoon nap by the beach, really close to the old skate park, when the old man walked by. As if he knew what the photo was missing in the first place.

Does music ever inspire your photography? What music artists can you not leave for a tour without?

I don’t see that direct link. For sure music inspires me as a person, and my photos are the way they are, because of me as a person but there is so may influences beside music. I don’t have a problem going on a tour with out any of my music. I used to, but not any more. Long drives are always good to do some thinking or have a good conversation.

If you were to buy a pocket snapper for capturing skating on a budget to get going, which camera would you suggest?

This one is a hard one. If you are after the tricks and you want your photos to look like in every skateboard mag, than there is no camera that will fit into your pocket and still make images you are after. But if you are up for a different approach, than check digital Sigma DP1 that is came out in February. But if you’re thinking about skateboard photography a bit more seriously, than Nikon FM2 is still the way to go.

Would you recommend digital or film?

Film.

What are the benefits of using film or digital?

Well, when digital first came out I taught to myself: “OK, at least the quality of photos will get higher. It is like having unlimited Polaroid cameras, so you can check the photo, make the adjustments and take a better one.” But if you check the newspapers or magazines, the quality of images did not get any higher. You have photographers coming for example to shoot photos of basketball game and they are taking photos for so long, that they get “the shoot” that is “good” enough, than leave. So instead of improving they are staying in the average zone. (This last example is based on my observation of the quality of photos in Slovenian newspapers.) Or you have skateboard photographers that are so busy going back to the preview button, they don’t even see if the trick was a make or if guy just broke himself in two. And than all this sequences in the magazines. It is crazy.

Or people go to some exotic place for their holidays and come back with like 800 photos and before digital era the came back with 1 roll. To the certain level things are getting out of hand.

Is digital faster? For sure it is. Is it cheaper in the log run? With out a doubt. Is the quality of the digital image better than with the old negative? NO! Not even close. If it was, people would not be spending hours working on them in Photoshop to make them look like film. If you’re good with Photoshop, than you are a good photographer.

What kit do you use?

Hasselblad 501CM, 30/3,5 and 60/3,5 Distagon lenses, 100/3,5 Plannar lens, 180/4 Sonnar lens.

Any links you wanna share with us?

Yeah, www.art-of-asfalt.com, It is a project that Segej Vutuc and I started, have a peep.

Categories
Features

Fresh Blood – Pt 6

25/04/07

Fresh Blood is injected into the skate scene every year and the select few make the cut and stick out above the rest.

This week we have picked 3 of the UK’s finest rippers, 3 kids that will grow into men by Xmas and will probably slay Santa at our annual Jam. They are all based in the South of England, they have all attained coverage in the likes of the 3 UK traditional magazines and they all rip when they ride.

Who knows, next week you could be filling these pages, send your footage links to us from the contact link at the bottom of this page..

This weeks Fresh Blood focuses on Ben Raemers, Kevin McKeon and Louis Cooper Robinson….enjoy. – Zac Slack

Ben Raemers – Consolidated

Well, if you have not heard of little Ben Raemers by now then you really ought to get out more on your plank. We first met Ben through riding with Mark Munson and his Essex crew. The most vivid memory of meeting him for the first time was the fact that he was so small and could ride out of literally everything – like when you first see Tony Trujillo skate in the flesh.

Over the last few years, Raemers has learnt to attack everything in his sight, ledges, rails, vert, bowls – you name it…and because of those skills he has been rewarded with a hook up on Consolidated Skateboards where his video part should shock the ricta and also rides for Duffs. It will not be long before this lad will be on more covers of skate mags such as his debut on the front of Sidewalk Mag this year. Oh, and he can also skate on ceilings, beat that!

Photo’s: Styley

Full Name: Ben Raemers
Age: 15
Sponsors: Consolidated skateboards, Duffs shoes.
Hometown: Essex!
How long been skating: Approx 6 years.
Favourite tricks: Backside crailslides.
Favourite kind of spots: Concrete.

“Polite, friendly and mild mannered… But when he skates its like Clark Kent changing in to Superman. Albeit fueled by a savage torrent of verbal abuse bellowed at him by skate buddies Munson and Carl Wilson. Ben spins Mctwists, Units, and pretty much anything else (street or transition) that is shouted at him with the ease and style of a seasoned pro. Incredible natural skating ability could not have been bestowed on a nicer fellow.” – Nick Zorlac

Kevin McKeon – Karma

When this kid started skating in a Celtic shirt and Nike sweatpants he was instantly named The Plasterer down at the bowls at Meanwhile Gardens. After a couple of summers of sessioning with the locals down there though and sussing out what decent skateboard equiptment was all about, McKeon started to learn his trade faster than most and was always eager to be involved in the session as opposed to be a voyeur.

These days, Kevin can be found skating anywhere that the internet takes him as he is keen to travel and see the UK and more for himself. This lad is also not afraid to take a slam. When it happens, a thud can usually be heard even in the midst of a battle in Kandahar….be warned!

Photo’s: Gorm

Am’ Full Name: Kevin McKeon
Age: 17
Sponsors: Vans Shoes, Karma Skateboards, Crossfire Clothing Death Urethane, Halfpipe Skateshop.
Hometown: London
How long been skating: 4 to 5 years
Favourite tricks: frontside grinds, backside nosegrabs
Favourite kind of spots: big concrete parks

“I haven’t known Kev long but I know already that he is a bit of a nutter and loves hurting himself. I recently went on a short weekend filming trip with him and saw him take some of the hardest slams and then simply get up rub off his alien sized elbow and carry on as if nothing has happened-impressive stuff.

Its always a good sign when someone so young and new to skateboarding [in my old eyes] rides boards over 8 inches-something more people should do, but when you see the stuff Kev does its no wonder he rides bigger ones-I certainly wouldn’t want to do that stuff on a match stick! Look out for Kev hurting himself at a concrete park near you soon.” – Toby Batchelor (Karma TM)

If you want more – Kev’s Crossfire Countdown is here here.

Louis Cooper Robinson – Girl (flow)

Ph. Horsely

The Level in Brighton has history like no other part of the UK. Back in the 90’s you would sigh when you got in the car to go skate the infamous vert ramp or concrete jungle they had there mainly because of the largeness of the locals. But as you get older you give as good as you get and the new blood at the level are much more open to a sesh than their predecessors. Welcome Louis Cooper Robinson to Crossfire, mainly known as Louis Cooper, whose skills have hooked him up with DVS this year and also featured on Cheese on Tape. Many Brighton locals talk of his bright skateboarding future, let the light shine here.

Ph. Kevin Eason

Am’ Full Name: Louis Cooper Robinson
Age: 18
Sponsors: DVS shoes, Girl skateboards (flow), Royal trucks (flow), Gumball 3000.
Hometown: Brighton
How long been skating: 5 and a half years
Favourite tricks: 360 flips and hard flips
Favourite kind of spots: Banks and Blocks

“Firstly, Louis is a polite and genuine individual who has a positive outlook on life, all of which are important if you want to progress in this thing called life. It just so happens that Louis is also a very good skateboarder who skates for the right reasons, also very important. Louis is the latest addition to the skateboard tradition!” – Kevin Eason

Categories
Features

The Kids Aren’t Alright

Written by Tim Mogridge

Today I met a self-harmer. In fact, I met her over a year ago but it wasn’t until today that I found out she cut herself. At first, I was shocked to see the scars on her arms, but morbid fascination meant I couldn’t stop looking.

Then my shock turned to realisation as from the forcing-myself-to-look-at-something-else stare I became aware that I too have repeated cuts and scars on my arms and legs, all from my way of coping with the world. Skateboarding.

The more I thought about it, the more similarities between self-harm and skating there were. The pain, the scars, the so-called ‘buzz’. It just seemed weird that the two could be connected. Then it dawned on me. Perhaps I wasn’t just a skateboarder. Maybe I might be a self-harmer. The age groups that commonly practise both activities are quite similar. Studies of self-harmers produced a profile of those that cut themselves regularly.

Mid twenties to early thirties, who first started when they were 14. The average age of a skateboarder is around 19, and nearly all of them started around the age of 14. It’s not surprising though that these age groups are similar. It’s widely recognized that the age group of 15 to 24 year olds is a stage of increased vulnerability and high suicide rates. TransWorld estimated that in 1995 there were about 6.5million skateboarders in the US, whilst Favazaa, author of Body’s Under Siege, conducted the largest study of self-mutilation which concluded that about 2million Americans regularly cut themselves. However, self-harm figures are based on those cases that make it to hospital, and since the majority of cases don’t, those figures can seem obsolete.

Similarly, skateboarding is such a wide-spread activity that it seems useless trying to count how many of use there are. So these two cult groups, with their millions of participants, both have the same agenda: to go out and harm themselves. I know that I go and skate until I hurt myself, forcing my body to take more pain so I can skate longer.

Self inflicted violence (SIV) still carries the same stigma that drug addiction does; many people never “come out”. I remember when I first started skating, about the time that skateboarding was coming out its 90’s depression but it still wasn’t ‘cool’ again, and for ages I felt embarrassed to stay that I skated in case I got the piss taken out of me. God knows what I’d have done if I was cutting myself. There’s no standing up and saying “I’m a self-harmer and proud of it”. Repeated self-inflicted slashes of arms, legs, faces, and even broken bones. Skateboarding or self-harm?

Both actually. Self-harmers often cut themselves haphazardly with broken glass or blades, whilst skateboarder’s preferred method is using the harsh concrete of the urban landscape.

Skaters even analyse the surface they’re riding on in terms of how much it hurts to fall on it. And the infliction of these injuries can sometimes go too far to the point that the person ends up hospitalised. A cut too deep, or a trick too hard. A friend of mine once completely tore the cartilage out of his knee, purely from skateboarding.

However, the distinction between these cuts is whether they are intentional or not. Self-harm is a focused attempt to cause pain, whilst skaters never injure themselves with intent, it just happens. Another comparison drawn from both skating and self-harm is the “buzz” that is experienced. The feeling of being alive. Many self-mutilators see their cuts as cathartic, as they confront a fear and feel the sense of accomplishment. In Eurydice‘s book Satyricon, she talks to Kim, a self-mutilator who cuts herself to overcome that fear of doing it. “It’s like ‘Yeah! I did it!” she says. And in the same way, skateboarders skate to get the same buzz, but from the feeling of rolling away from a trick. The scars just prove you did it… eventually.

Kim also explains that her scars are meaningful. “I like to carry my history written on my flesh. It’s signs of a life lived“. And skateboarding is no different in this way. I have four circular scars on the lower left side of my back, right on my pelvis, and they’re meaningful to me because they show I skate. They are marks of my past and will show that I skated long after I put down my board away for good. Bloodletting has been around for centuries as a form of medicine. It was widely regarded the shedding blood relieved tension.

Once again, a common factor of both self-harm and skating is this feeling of releasing tension. I skate to get rid of tension or aggression; a self-harmer often feels that bleeding will relieve anxieties or worries. Ivan Hosoi, father of legendary skater Christian, commented on skating in the 70’s, “It was kids letting their aggression out. They just wanted to get a little cut and bleed.”

Most self-harm stems from a feeling of rejection from society, as if they feel they don’t fit into the ideologies placed before them. Because they are aware of the fact that other people feel the same, a closed community is created for these people, giving a feeling of security. The rejection of society for them is exactly the same rejection that Dr. Iain Borden observes in his book Skateboarding, Space and the City. He notes that Oxford skaters are seen to possess ‘a vicious disregard for family, society and British way of life’.

Being an Oxford skater myself, I know that we see ourselves as an elite group known the world over. We have our identity and resent anyone trying to become a part of it. So I can see that the closed community is important to both groups. It makes us feel different and apart from the rest.

Of course, self-harm and skateboarding, whilst similar in a variety of ways, are worlds apart. I can’t really compare them. Self-harmer’s abuse of their bodies is deliberate. The cuts and injuries I get from skating are just a by-product, and I usually don’t know they’re coming. Self-harmers cut themselves because it’s often the only way that they can deal with severe depression, or it stems from abuse as a child. Whilst both groups find an identity through their alienation from the rest of society, the simple fact is that self-harm is a negative attack on the body, and skating is a positive attempt to improve oneself.

I’m not a self-harmer, I’m a skateboarder. If self-harm comes from a feeling of isolation and depression, then I’ll leave you with this quote from Dan Cates: “Everywhere I’ve ever lived and everyone I’ve ever hung out with has always made me feel out of place. I’ve never fitted in everywhere…That’s why I skate“.

Teen-angst? Put down the knife and pick up a skateboard.

Big thanks to Austin Sneed, D-Wood and Matt Sefton for the images.