British big timers Muse are back in the studio to record their fourth album. The record, written in France and recorded in America, has been shaped by Matt Bellamy’s views on recent world events and contains a track written through the eyes of a soldier.
The album is slated for a July release and has yet to be titled.
For more, check out www.muse.mu
More acts have been announced for this year’s Download festival, with grunge legends Alice In Chains being the latest addition. Alongside AIC will be Funeral For A Friend, All-American Rejects, Coheed & Cambria, Ginger and the Sonic Circus, Alexisonfire, Throwdown and Engerica.
The festival, which takes place at Donnington in June, already has Tool, Metallica and Guns N Roses headlining for what should prove to be an awesome weekend in the sun [or rain, seeing as it is in England].
Do yourselves a favour and take a wander over to www.downloadfestival.co.uk for all the latest news on the festival.
Well, just a few times a year do you unwrap a jiffy bag and out leaps something bigger than your record collection! Yep, this is the first of the year for me. OK, let’s start at the beginning, this band are from Denmark and they fucking rock. They rock in a way that Hendrix, Iggy and Hawkwind would have liked to in 2006 – full of drug-filled drop outs and heavy shit like you have never tasted it before.
Imagine Monster Magnet’s Spine of God (their only truly great album) mixed with some OG 70’s rock like Sabbath and Doors, well it’s like listening to that and deeper at the root, so you are literally flying sky high to this psychedelic jam of doom from the first track Ventura Freeway. There are just 7 tracks on this album, it comes in just on the hour and took 9 months to jam onto a listenable format from scratch, yes, read that again – the band isolated themselves in a room for 9 months!
Go track this down today and note that when a good record flies into this office, it stands out like a sore thumb up the arse of a clown on acid. Only the band knows what Causa Sui means but to be honest they could be called anything for all I care, I have this CD and you don’t, so get on the interweb and buy this motherfucker. Oh and one more thing, the press release here says “play loud” – I just came all over the cover.
This album is also available on dope double gatefold vinyl for real music fans. (hey band if you are reading this and I don’t get one I will be flying to Denmark with Mrs Bangers and believe me, you will be shitting bricks!)
Welcome, once again, to the Mix. Spring is just around the corner, though still very cold up here in the north but the sun does keep making an appearance on most days…… Always good to kick off with a little rant about the weather! It’s been a good month for new releases, must be people biting the bullet and getting back into work after the festive season. There’s a big bad bunch of British 12″s, Lp’s, 7″s and CD’s surrounding me in my office at the minute; some are superb! They will be praised and promoted by many im sure of it. Some are absolute turd and just won’t get a mention from anyone if my keen UK ear serves me correctly. Well, on with some of the superb ones.
First up is someone I have been hearing about a lot lately. We have already visited the singles released from this album late last year. But since the Album has just been released I thought it was well worth a visit. I am fond of almost any music coming out of Notts, even the craziest drum and bass I’ve heard in years. There are a lot of grafters putting their life and soul into this shit which gives the music a solid authenticity. C-Mone demonstrates her hard work with the release of a top quality album with a collection of mind-blowing skills, some down to earth hard hitting home truths and a generous helping of C-Mones’ upbringing – which cleverly lets you take a step into her life, and life in and around Nottingham. Some of which I can largely relate to, having lived there for a good part of my life. Probably the best part up to now. The Album features some of the best guests I could think of to invite. These include; Pariz 1, Cappo, Matic, Smiley, Cizzi Grim Pijin & Midnyte, with production by Nick Stez, Marga Boyz, DJ Fever, P Brothers, and Smiley’s Ill-Mannered Productions. What a line up!
The few tracks I’ve picked from this album are in order of preference “The Magnificent 7” is a great track with some heavy beats. You can just hear P Brothers all over this one. Some hot beats here. Check each verse as different artists explode into action displaying some mad skills and timing. The next track on the CD is “Inside Out” and it is a beauty. Some nice flows in this one and I just think that accent lashes out ruthless words like the crack of a whip! And of course track 5 “Second After Second” as I’ve already said is a very intelligent track on my review of the single.
Check this mutha out at http://www.karmadownload.com/album/?2142279 or http://www.tunetribe.com/Artist?artist_id=10254 you can have a listen at any of these sites.
Next up is a freebee for all you peeps that are skint, and its well worth the download I promise you. This is another one from MC Elemental down in Brighton. He is working on three different albums at the moment a solo, a new menagerie and a project with the Lo Fi All-stars. This one is a massive mix (an hour or so long) with Digital Midgets remixes, Menagerie, Dr Syntax, Monkey Sons and a few others. It’s a crazy mix up of all sorts of funky, electrical, mashed beats and rhymes, kind of an Aphex Twin blast at a hip hop CD. Those of you that went out and bought the Menagerie album “Wild Kingdom” will recognise some lyrics from that over some much more experimental beats. Yep, I like it and I reckon that you will. Check this lot out, they’ve got a good sense of humour, something we all need in these hard times or whatever. No guns, six fours with chromes, nines and clips, or any of that bullshhhhh…
These are the instructions I was given to get hold of this little treasure.
Get on this: http://www.megaupload.com/?d=L8MW864U
1) Wait 45 seconds
2) Close advertising pop-up that covers the download tab
3) Download
4) Jump around to top tunes :) … or something like that.
Here we have it! The new Kids in Tracksuits limited 7″ EP “Get your KIT on“. This selection of three tracks is very innovative, much different to your usual mix tape style of cutting beats, throwing in some samples and scratching over the top. From listening to the 3 tracks you can hear the time and effort that has gone into putting this 7” together. There has been plenty of planning and organising the order of each cut, sample and the wild scratching that blends in with each tune. Definitely worth the buy.
There are 3 tracks on the EP 1) Uprock Theme, 2) Rock and Roll, 3) Get Your KIT on. My personal favourite is Rock and Roll, just listen to the scratching rip shit out of the old skool beats.
I haven’t seen Kids in Tracksuits live yet but im sure it will be a real treat when I finally get there. Have a look at http://www.dealmakerrecords.com/getyourkiton.htm to find out more.
If you’re about any of these venues you should come check a Kids live show —
Nottingham – 17th March @ The Rescue Rooms
London – 20th March @ 93 Feet East
Nottingham – 24th March @ The Social
Nottingham – 21st April @ The Rescue Rooms
Sheffield – 22nd April @ The Plug
This week’s sites and sounds:
www.kidsintracksuits.co.uk
www.myspace.com/kidsintracksuits2
www.non-thespian.com/flashholder.htm
www.lastminuterecords.co.uk
And yet another bit of work I saw on my travels:
That’s that for me, I’ve had a crazy week this week. Ill see you lot soon. Take it easy.
Welcome back to another update from Tyrannosaurus Jekt. Once again I’m here to bring you the best of the stuff I’ve heard since I last updated and recommend you some tasty morsels that I’m sure will go down well with whatever intoxicating beverage you’re currently supping on. Right, on with the show:
Biggest buzz and hype of 2006 has to go, without a doubt, to the new Danger Mouse project Gnarls Barkley, where he teams up with Goodie Mob member Cee-Lo who blew it up on the Danger Doom track Benzi-Box. Usually much hyped groups can only disappoint after all the expectation placed on their shoulders, but Gnarls is an exception, bringing out some awesome tracks that will have even the most miserable of grouches breaking out into dance.
The first single, Crazy, is being whored all over the radio with good reason, with the plodding drums being sung over by Cee-Lo, who you can imagine beaming in the studio as he belts out his vocals. Go Go Gadget Gospel, a track which can be heard over on their myspace page, has a superb rolling piano loop running up and down alongside one of the most catchy brass sections I’ve heard before hitting the ears with a choir’s backing. It lifts you up, spins you round and drops you in a cassock so you can be clapping and praising everyone along to the music.
Gone Daddy Gone has a nice 80s feel to it, with staccato electro beats and a fuzzy guitar loop in the chorus. Cee-Lo’s high voice plays well alongside the Blondie-esque vibe and shows yet another side to Danger Mouse’s brilliant production. Even when the mood turns to a rainy night vibe, and Cee-Lo sings about “naughty necrophilia” you still sway with the beat and appreciate just how well the two sides of the group work together. You even get the luxury of hearing a dirty bluesy guitar number being sampled underneath some fuzzy drums which breaks into a faster rhythm for the chorus, again perfectly complimenting Cee-Lo’s sung parts.
Danger Mouse was first known for his mash up of The Beatles, but now his production is so strong and fun that all HE needs is love. And after hearing this album, trust me, you’ll be aching to give him yours.
www.myspace.com/gnarlsbarkley / www.gnarlsbarkley.com
This is something you won’t see very often – Abjekt bigging up a release from Anticon. Whilst the West Coast label has moved further and further away from hip hop, Jeffrey Logan, whose production credits can be found on the seminal hip hop album Lucy Ford [by Atmosphere], has dragged the Ant-fronted label back into the sphere of the genre. His previous work had been excellent, but this new album takes him to an entirely higher level and proves why he is the shining light of the label.
All Day Breakfast brings in flavour from the East, with a dreamy melody that evokes images of a sunset on an island off India, with busy drums rattling around an almost chanting use of instruments. All Around brings in a fuzzy atmosphere which supplants military drums underneath a spoken sample before rolling in with a distorted underscore as the spoken sample turns into a head turning singing part.
Jel always keeps his listeners on their toes and from the scratching and staccato rapping in Trashin to beautifully late night feel of Know You Don’t, there is always a switch up which will surprise you, which will leave you guessing but which will ultimately have you nodding your head in approval, knowing full well that Jel has plenty more tricks up his sleeve, but that each trick will be worth the wait.
The more orthodox hip hop tracks, such as WMD, don’t feel out of place amongst his instrumentals as he is able to work his complex techniques around the raps without compromising the sound he has built up throughout the course of the album.
Jel uses everything on this album. Dark beats, happy beats, twanging guitar samples [Sweet Cream In It is arguably the track of the album] and even sped up samples which sound exactly as the song title Chipmunk Technique would have you imagine bring a full and complete touch to Soft Money. You want it? Jel’s got it. This feels like its going to be up there with the best instrumental albums I’ve heard, it really is that good.
www.myspace.com/jelanticon / www.anticon.com
Joe Beats, most famous for his brilliant production with the Sage Francis fronted Non Prophets [on their excellent album Hope], has done something I didn’t think anyone would do. He’s gotten me to listen to Indie. And not the Indie you find in the NME, but the stuff that you have to dig around to find. The album is described on his own site as “Danceable melancholia for the depressed” and that is as apt a description as I’ve ever read. From the opening track, M Ward’s Sad, Sad Song, you know that this isn’t going to be a party record, but at the same time, Joe is able to manipulate the song so that you still find yourself moving your head in time with the beat.
The best track on the album for me, and one that I always put on repeat is his remix of The Black Heart Procession’s When We Reach The Hill. The guitar sample is a hook which pulls you in and the floating vocals trap you inside the song and, whilst this makes for a great track anyway, it’s the drums and percussion which make the song stand out. It gives the entire piece an uplifting feel and if I didn’t know this was a remix of another song, I’d have believe it to be a straight up underground hip hop record.
Whilst I haven’t listened to many of the originals of the tracks that Joey uses on this album, I am assuming that they do sound very different to the articles that appear on this cd. But regardless, the drums on every single song show such a brilliant variety and depth that you appreciate the arrangement and production on this album hugely, whether or not you’ve heard the original. Not once do the drums feel out of place around the vocals or melody they are coupled with.
As Songs:Ohia’s Coxcomb Red plays out to wrap up Indie Rock Blues, one thing has become obvious – This is a great album. The litmus test for me, which Joe Beats passes with ease, is that this album could stand alone as a hip hop album. That he is able to chop up these songs and splice them with the kind of beats I’d want on an album anyway, shows just how diverse and talented he is. Humble as Beats is, he must know he’s produced a diamond here. I’m a hip hop fan who loves it. My friend is a fan of the likes of M Ward, Andrew Bird and June Of 44 and she loves it. Buy this record as soon as you can. It’ll bring introduce you to whichever side of the path you weren’t into before. Amazing.
Last update I spoke about a much loved group of mine named Oddjobs, and their split, when I reviewed the awesome Power Struggle album. Well this time around, it’s the turn of the other group from the split, Kill The Vultures, which take centre stage. With Anatomy on the beats, a gloomy production surrounds the whole album, giving the listener an uneasy feel, as if a post-Armageddon world with things around the corner were lying in wait. The vibrating guitar sample in Beasts Of Burden jumps from out of nowhere as the MCs, Crescent Moon, Advizer and Nomi break out their booming vocals, accompanied by percussion which doesn’t keep the beat but more holds it at knifepoint.
This album isn’t going to be for people who want to just throw something on whilst they’re getting ready to go out. And that’s what makes it such an enthralling listen. There are so many things going on in Anatomy’s production, but they all run alongside each other without muddling the track. Deep basses, unorthodox drums and the rapping of three MCs who have a world weary sound. Any rose tinted glasses that may have been worn are well and truly smashed underfoot by the Minnesota crew.
7-8-9 is the track which stands out most for me on this release. The distorted guitars strum behind a hugely powerful drum beat which runs around throbbing samples and insists you pay attention as the jangle of bells continues throughout. There is so much to listen to, before you even start listening to the brilliantly lo-fi delivery of the rappers, and that is a testament to the group. You don’t want to finish listening to this CD until you’ve heard every last little part of the music. If Oddjobs got cornered into an alley, beaten up and spat on, you’d get the sound of Kill The Vultures. Awesome.
www.myspace.com/killthevultures / www.killthevultures.com
Next up is a 7″ from Anticon producer Alias and Tarsier of Healamonster & Tarsier fame. The typically floating and softly spoken melody underlayed with busy Alias beats are the best canvas to showcase the art of Tarsier, with dreamy vocals draped over the beat. It starts off slowly, gaining impetus throughout before delivering a sure fire late night winner. Alias’ beats can always be counted on for atmospherics, but the coupling of his production with the talents of Tarsier brings out the best of both.
Check out this single at www.myspace.com/aliasandtarsier and you certainly won’t be disappointed.
Desdamona
The Ledge
(ZLink Entertainment)
Desdamona has managed to combine both spoken word and hip hop, alongside steel drummed rhythms, courtesy of legendary duo Sly and Robbie in this release. From the intro I Wanted 2 B An MC you hear where Desdamona’s brilliance lies, in her lyrics, as she takes you on a ride through a world made up of hip hop greats, moving us from Digable Planets and seeing a little Redman and some Beastie Boys.
What is also impressive is that she sounds completely at home amongst all the differing beats she has on the album. Laid back We Will Always B suits her best of all, allowing her sultry tone to move around the soft cymbals and and the understated beat. And Planet Remix showcases the production, with pianos, chopped strings and shaking percussion as she states “if you drop beats like I flip words…we could change worlds” and one the basis of this album, no-one would doubt her. She should certainly not be labelled as “poet” or “spoken word artist” because she has a broad style and it is that that makes The Ledge definitely one to check out.
www.myspace.com/desdamona / www.desdamona.dunation.com
From the opening few moments of the second track on this album, the Big Jess [of Unknown Prophets fame] produced Higher Ground, you know you’ll be able to bop your head to this album. The rolling piano sample lacing the back of the track gives a perfect platform for Capaciti to let his people know he just trying to reach the higher ground.
The following track, 1 2 3, breaks in the kind of beat that brings up images of twisted carnivals and is reminiscent of Grayskul, and allows Capaciti to rap with confident ability and he shows his truth worth on Messin With My Mind which has one of the best beats on the album, the strings pulling his vocals all over and the fast paced drums adding an extra dimension to his output.
This album might not be the most outstanding collection of music you’ve ever heard, but if you dig booming drums and the sort of hip hop you’d imagine Stephen King would listen to, then you should give this a spin.
Next up is a double album from versatile MC Carpetface. The British rapper, beatboxer and producer has managed to put out 38 tracks which he’s made over the past 3 years and shows his versitility as he switches from the Stereo MCs sounding Positive Formula which skips along with a beat and female back vocals to the jazzy Bug In The System which sounds like its drawn its influence from the old Digable Planets style double bassline.
The best track on the album is the fast paced and vibrating Better Do Right which floats around swerving piano samples as Carpetface plays cat and mouse with the beat, throwing out limited vocals in all the right places. It’s only when you hear “I saw the gimp” that you realise that even in his musical element, the MC likes to spring a surprise or two into his collection. Eclectic and clearly taking from all corners of the musical spectrum, this is one who like a brainsplurge on record.
Just a quick little shout out to a mixtape that’s out in March called Broken Tracks And Dirty Music from a colourful character called Johnny Crump. Basically, this guy mixes up all sorts of crazy shit, knocking out Metallica in the middle of a choir singing. If he can do that and get away with it, you know it’s worth a listen. You can check him out at www.dealmakerrecords.com
Have a little shot of a couple of stickers put up in LA by an artist named Zato One. Simple and yet really effective, cool as you like. In fact, if you see any stickers or graf that you really like, feel free to send the pictures in to me at the address at the bottom of the page. I always love seeing new art.
As always, I’d love to get emails from you readers, if there’s shit you’ve heard on the back of reading this stuff, let me know. If you’re an artist and want to send me your stuff, then please hit me up, I can’t get enough of new hip hop music. The address to write to is: sam@caughtinthecrossfire.com and I am sitting here ready and waiting, so don’t let me be a sad bastard, refreshing my email to find an empty inbox.
Until next time you wonderful lot. Peace.
Abjekt
Scala – London
08/03/06
There’s a first time for everything, and Gemma Hayes’ sold out Scala show was without doubt the first time I’ve witnessed a chicken and mushroom Cornish pasty being raffled off on stage. Finally…a singer who knows the way to the crowds hearts! And despite London being awash with rain, the venue is packed to the rafters, the party atmosp! here defying the icey old and down right miserable London waiting for us outside.
Following her successful debut ‘Night on My Side’ Gemma reportedly suffered writers block before finally producing one the most beautiful albums of the year, ‘The Road Don’t Love You’ – which goes to show, some things just shouldn’t be rushed, and kudos to EMI for giving her time to grow. Walking onto stage she’s a tiny figure, almost dwarfed by her guitars ( which she changes between every track).
Unassuming, dressed in vans and skinny black jeans she is at first a little shy, obviously taken aback by the packed out venue as she stares down at her guitar. But as ‘Happy Sad’ kicks off the set – Hayes’s voice soars above her backing band, and before long a coy grin creeps onto her face. Her tone is wonderfully husky, her sing song Irish accent rich and reassuring. Tracks like ‘Keep me Here’ and ‘Easy on The Eye’ are hauntingly perfect – the soft lyrics belying the fact that the latter…..well basically it’s a track about stalking.
Fresh from winning a Meteor for Best Female in the Irish Music Awards it’s clear as the set goes on that Gemma’s confidence is at full tilt. Chatting to the audience she deadpans as she tells of the text her sister sent her early one morning ‘ Bird flu has hits the UK..it’s killing old and ugly birds..are you ok?’ with a cheeky grin. A brilliant cover of Reckless Eric’s ‘ Whole Wide World’ is welcomed with rapturous applause, the new single ‘Undercover‘ changes the gear down to a mellow saunter. She has the audience eating out of the palm of her hand, there’! s no arrogance to her performance, and her gratitude is endearing. Walking out for the encore she grins ‘ Ah so you’re still here…that’s a good sign!’.
Ending a great night with the anthemic ‘I Let A Good Thing Go’ she loses herself in a crashing guitar solo – it’s clear that she really is going to be a force to be reckoned with. With her confidence growing but without the ego, she’s an artist that has universal appeal. Even if you’re not into your guitar music, you can’t knock talent. And despite not winning the Cornish pasty and almost being blinded by the lighting (blinding your audience with spotlights is never a good idea) Gemma Hayes charms have won us over. Catch her before she goes stellar.
For more info check out www.gemmahayes.com
Isaac Hayes, the voice of sex-monster Chef in South Park has sensationally quit the show after he declared that the creators should have respect for religious beliefs. The episode which tipped the balance for Hayes was an attack on Scientology, a religion he shares with the likes of Tom Cruise, and though he didn’t explicitly state this as the reason, it is widely believed to be the case.
Over the years South Park has pushed boundaries and has lampooned all religions, from Christianity to Islam and yet Hayes has never previously spoken out against the show. The deep voiced singer’s exit will leave a hole in the character list of the show but no decision has been made as to whether he will be killed off or re-voiced.
All fans of Cartman, Stan, Kyle, Butters and Timmeh should scoot along to www.southparkstudios.com
White Stripes frontman has a new project about to hit the shores of the UK. Teaming up with Brendan Benson, the group are called The Raconteurs and will showcase their talent with a release of Steady, As She Goes on April 24th.
The album, slated for a May release will be called Broken Boy Soldiers and the band are starting a UK tour which takes in Liverpool, Glasgow, Newcastle and London.
For an awesome 80s style website, have a butchers at www.theraconteurs.com
Legendary indie royalty The Pixies have had a film made about their reformation with exclusive behind the scenes footage filmed by Steven Cantor and Matthew Galkin.
The film includes footage from live shows and also interviews with the band members, and is getting its debut at the South By South West [SXSW] festival this weekend in Texas.
Unfortunately for fans not at the festival, there is no release date for the film, entitled “loudQuietloud” though there are plans to show it around various film festivals.
Check out www.4ad.com for more.
The famous NME New Music tour, which continually showcases new talent and unearths gems, is back for 2006 with Boy Kill Boy announced as the headliners. Backing them up will be The Automatic, Forward Russia and The Long Blondes.
The tour dates are:
May 6th – Bristol University
May 7th – Cardiff University
May 8th – Wolverhampton Wulfrun
May 10th – Glasgow QMU
May 11th – Middlesbrough Empire
May 12th – Manchester University
May 14th – Portsmouth Pyramid
May 15th – Leicester University
May 16th – Cambridge Junction
May 18th – Norwich UEA
May 19th – Sheffield Leadmill (No Forward Russia)
May 20th – Liverpool Carling Academy
May 23rd – Oxford Brookes University
May 24th – London Electric Ballroom
For more info go to: www.nme.com
Brit Rockers Hundred Reasons will be bringing out a new album, Kill Your Own, on March 20th, and will be doing a number of in-store dates to support the upcoming release.
Those instore dates are:
1. Monday 20th March – Midnight opening signing only
The Rockbox
151 London Road
Camberley
Surrey
GU15 3JY
01276 27500
2. Tuesday 21st March – 5pm performance & signing
Fopp
Units 22-24 Ground Floor
Marlands Centre
Southampton
SO14 7SJ
0238 082 1950
3. Wednesday 22nd March – 5pm performance & signing
Banquet
52 Eden Street
Kingston
KT1 1EE
020 8549 5871
4. Thursday 23rd March – 5pm performance & signing
Fopp
The Frontage
Queens Street
Nottingham
NG1 2BL
0115 941 7602
More details can be found at: www.hundredreasons.com