Categories
Live Reviews

Forever Like Red – Live

Islington Academy
30.04.07

Monday’s been a long day, and it’s fair to say my enthusiasm for heading out to a show is lacking somewhat, and by the time I get to Bar Academy I’m not in the sunniest of moods. However Forever Like Red may just be the cure for Monday-gloom, and by the time I leave the venue an hour later, I’m almost smiling.

Formed early in 2006 Forever Like Red brought together the seemingly unlimited talents of Cameron Mashall with guitarist Pelle Hillstrom. Most of the tracks from their forthcoming album ‘Distance‘ that are showcased tonight are written by Mashall, and are without exception the kind of all enveloping tracks that give you goose bumps and stick in your heads for hours.

Taking to the stage Mashall looks at ease, despite the fact the audience is sparse. Backed by Mikkel Heimburger on bass and Jesper Kristensen on drums, the overall sound is rich, full with beautifully crafted, uplifting melodies encased in wonderfully heavy guitars – they’re the kind of songs that you want to go home and listen to over and over again. Mashall has a Buckley-esque turn to his voice, and in tracks like ‘Dream On‘ and ‘Forever Like Red‘ showcases his vocal range without sounding too cheesey or too much like a Buckley-wannabe.

There’s a raw, almost tense, element to some tracks, a sliver of aggression showing through in some hooks that keeps them from becoming too pop rock. Lyrics stick in your mind, ‘Dream on you little fool’ circles your thoughts for hours.. But despite the dramatic flourishes, Forever Like Red have a darker edge, tracks like the climatic ‘Father‘ are raw and emotion driven, guitars cutting through the melody, Mashall twisting and turning on stage, throwing the mic stand to the floor. It’s a dramatic end to a hugely impressive set from the relative newcomers..

Despite the short set list, the band are commanding tonight, the tracks on display are captivating and involving rock, without being too poppy or pretentious. With their Dave McCracken produced debut album due out on Echo later this year, this could be the start of something exciting, and it’s a pleasure to hear a band with such well written tracks. These guys could be the real deal, check them out at Water Rats on 12th June, you won’t be disappointed.

Dee Massey
www.foreverlikered.com

Categories
Music News

The Ponys return to tour UK

Chicago’s The Ponys are back in the UK to play some shows over here.

The dates, which will support Turn The Lights Out, released last month are:

May:

17th – Manchester, The Late Room
18th – Liverpool, Evol @ Korova
19th – Glasgow, The Admiral
20th – Nottingham, The Social

June:

7th – London, Water Rats

www.myspace.com/theponys

Categories
Music News

New Icarus Line album incoming

The Icarus Line are to set to make a comeback with their first album in 3 years.

The Los Angeles group will bring out a digital EP, Get Paid, on June 4, and the album Black Lives At The Golden Coast will be released a week later. The band are the support for the Lemonheads and will be playing some of their own shows later this month:

4th – Galway Warwick Hotel
5th – Dublin Ambassador
6th – Belfast Mandela Hall
8th – Edinburgh Liquid Rooms
9th – Aberdeen Lemon Tree
10th – Sheffield Leadmill
11th – London Water Rats (headline show)
12th – Exeter Cavern (headline show)
14th – London KOKO
15th – Birmingham Academy 2

www.myspace.com/icarusline

Categories
Music News

The Beastie Boys go instrumental

The Beastie Boys have given out more details about their upcoming new album.

The Mix-Up is scheduled for a June release and will be totally sample-free with no vocals whatsoever according to reports. The album will feature the trio on drums, guitar and bass with keyboard player and honourary Beastie Boy Money Mark joining them. Of the new album, Mike D said:

“But as different as [it] might be from To The 5 Boroughs, it’s equally different from instrumental songs we’ve done before, like the ones that were on The In Sound From Way Out! That was kind of one direction and this one [has] different influences, like Public Image Ltd., Gang of Four, the Slits, Killing Joke.”

The tracklisting is:

1. B For My Name
2. 14th St. Break
3. Suco De Tangerina
4. The Gala Event
5. Electric Worm
6. Freaky Hijiki
7. Off The Grid
8. The Rat Cage
9. The Melee
10. Dramastically Different
11. The Cousin Of Death
12. The Kangaroo Rat

www.beastieboys.com

Categories
Music News

Bad Brains sneak preview!

All you Bad Brains fans can rejoice as the band have posted a 30 second clip of their new track Jah People Make The World Go Round on their myspace page.

The song first surfaced on the Henry Rollins show but this is the first official taste of the album Build A Nation which is due out in June.

www.myspace.com/badbrains

Categories
Music News

Motion City Soundtrack album news

Motion City Soundtrack have announced details of their upcoming album.

Even If It Kills Me will be released in July and was produced by Ric Ocasek who has worked with Bad Brains, The Cars, Pink Spiders and Weezer. The track listing for the album is:

1. Fell In Love Without You
2. This Is For Real
3. It Had To Be You
4. Last Night
5. Calling All Cops
6. Can’t Finish What You Started
7. The Conversation
8. Broken Heart
9. Hello Helicopter
10. Where I Belong
11. Point Of Extinction
12. Antonia
13. Even If It Kills Me

Make sure you check out our interview with the band if you haven’t already by clicking here.

www.motioncitysoundtrack.com

Categories
Music News

Sage streams whole album

Sage Francis has made his entire new album, Human The Death Dance, available to hear by stream.

The Epitaph signed rapper releases his new album next week and will be heading out on tour with a live band, Alias, Buddy Wakefield and Buck 65 to support the album.

You can check out his album, which features production from Ant, Buck 65, Reanimator and more on his myspace.

www.myspace.com/sagefrancis

The final version of the single Got Up This Morning‘s video is online too:

Categories
Music News

Linkin Park play the Astoria

Linkin Park will be playing a one off show at the Astoria on May 3rd as their warm up to Download Festival in June.

You can check out a teaser of their new album by clicking here.

In other Download news, The Hedrons have been confirmed on the bill for the Tuborg stage on the 8th of June, making it the second time in a row the band have played the festival.

www.linkinpark.com / www.thehedrons.com

Categories
Buzz Chart

Aesop Rock

It’s been 2 years since we last had a release from Aesop Rock. Following his amazing Labor Days album in 2001 came Bazooka Tooth, which saw him change up the production style and carried on into the Fast Cars, Danger, Fire And Knives EP.

Whether you loved his newer style or wanted him to go back to the days of Labor Days and Float, Aesop Rock has always been able to surprise people, and this title track, taken from his upcoming album None Shall Pass, does it once again. Switching up to a faster beat, Aes Rizzle certainly hasn’t left one thing behind – his crazy use of words, peep the first few lines of this track:

“Flash that buttery gold, jittery zeitgeist wither by the watering hole, what a patrol, what are we to heart huckabee art fuckery suddenly? Not enough young in his lung for the waterwings? Colourfully vulgar poacher outta mulch like “I’m ‘a pull the pulse out a soldier and bolt”. Fine. Sign of the time we elapse when a primate climb up a spine and attach.”

Yeah, we’ll have whatever he’s on please. Right, get this track playing, it’s dope, plain and simple.

Abjekt

Categories
Live Reviews

CSS – Live

Tilly And The Wall
Ratatat

Astoria
23.04.07

The first thing you notice as you enter the Astoria tonight is the gaudily decorated stage, complete with red curtain backdrop and several disco balls hanging from the rafters. It may look more 80s disco than new-rave; but it has to be said that ever since CSS appeared on the scene, they’ve never let preconceived ideas of ‘cool’ get in the way of a damn good party.

Ratatat‘s minimalist set-up (a keyboard, guitar, and solitary snare drum) at first seems at odds with their surroundings, but they sound impressively huge; hunched over their instruments as they coax deeper, darker, groovier sounds from the speakers. Electro-prog-noir? Oh, go on then.

However, it falls to Tilly And The Wall to truly get the party started; which they do in fine style, gleefully bouncing onstage like a troupe of colourful misfit cheerleaders. Those who would dismiss the presence of tap-dancing percussionist Jamie Williams as a novelty most likely haven’t heard the band’s sublime second album ‘Bottoms Of Barrels‘ – a relatively unsung highlight of 2006 – but tonight, cynicism is futile in the face of their buoyant folk-pop charm. The heartfelt chorus of electro-tinged new single ‘The Freest Man’ is a genuine lump-in-throat moment; ‘Sing Songs Along‘ soon has the crowd doing exactly that; and by the time ‘Nights Of The Living Dead‘ brings the set to a raucous conclusion, the Astoria is Tilly’s sweaty, smiling oyster.

CSS are no slackers in the showmanship stakes either; with singer Lovefoxxx an acrobatic expert of seemingly limitless energy as she skips and somersaults around the stage. Right from the start, the band’s enthusiasm is deeply infectious; and as the dirty electro stomp of ‘Alala‘ is wheeled out second, the crowd merges into a throbbing, pulsing mass with many a glowstick held aloft.

The term ‘new-rave’ seems somewhat inadequate here, given that CSS are more your average guitar band experimenting with dance beats. Recent single ‘Off The Hook‘ is an excellent slice of danceable art-punk that sounds straight out of the late 70s, whilst a surprise electro-rock cover of L7’s ‘Pretend We’re Dead‘ gives clues as to the inspiration for the hint of riot-grrl fire in their sound.

It is, of course, a glorious strobe-drenched finale of ‘Let’s Make Love And Listen To Death From Above‘ that truly raises the roof tonight; with the support bands joining CSS onstage to everyone’s obvious delight. The fickle jury that is the buying public will surely seal the fate of new-rave in months to come; but for now at least, CSS are deservedly off the hook.

Alex Gosman
Photo from www.myspace.com/canseidesersexy