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Chickenhawk announce UK tour

Chickenhawk have announced a full scale tour of the UK this march. The Leeds based heavy rock group are currently working on a brand new album due later this year, and are likely to road test some new songs on these dates.

Support for shows tour comes from The Computers, with Outcry Collective completing a fantastic bill. The tour is set to stop at;

March

15th – White Rabbit, Plymouth
16th – Cavern, Exeter
17th – The Croft, Bristol
18th – Rock City, Nottingham
19th – Uncle Alberts, Middlesbrough
20th – King Tuts, Glasgow
21st – Roadhouse, Manchester
23rd – The Corporation, Sheffield
24th – The Flapper, Birmingham
25th – Clwb Ifor Bach, Cardiff
26th – Ibar, Bournmouth
27th – TBA, London

Behind the Scenes of Chickenhawk’s ‘I Hate This, Do You Like it?’ video shoot. from Danny North on Vimeo.

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These Monsters announce UK dates

These Monsters have announced a full UK tour ahead of the release of their debut album Call Me Dragon. The album will be released through Brew Records on March 1st.

Catch the band playing at the following dates:

February

13th – Cockpit – Leeds w/ Kong, That Fucking Tank, Blakfish, Humanfly, Hot Club De Paris
15th – Stereo – York
16th – The Flapper – Birmingham
17th – Portland Arms – Cambridge
18th – The Swan – Ipswich
19th – The Lexington – London
20th – The Hope – Chinchester
21st – Whedgewood Rooms – Portsmouth
25th – Firebug – Leicester
26th – The Old Angel – Nottingham
27th – Bungalows & Bears – Sheffield

March

2nd – Buffalo Bar – London – Brew showcase w/ Castrovalva, Hey Colossus
3rd – Hereford – Jailhouse
4th – The Vine – Sowerby Bridge
5th – The Horse and Groom Lincoln
6th – Northumberland Arms – Newcastle

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Album Reviews

We Are The Ocean

Having become fully fledged road warriors over the past couple of years, supporting massive bands and building up a following in their own right, WATO finally released their debut album ‘Cutting Our Teeth’ this week and a video has been unveiled for this single track to coincide.

The band have clearly been honing their craft and the mix of brutality and melody is perfected in a fashion that takes them beyond their scream-sing-scream-sing peers. WATO have tunes and ‘These Days I Have Nothing’ is testament to that with a spookily catchy vocal melody that’s coupled with the grittier juxtaposed vocal that demonstrates a guttural depth and adds to the carefully considered layers in this song.

Pulsating drums and guitars, noodling riffs, breaking down, growling, shouting and hearty melodic vocals make for a meaty offering that shows what this band have achieved thus far and promises a lot more in the future.

Winegums.

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Fan seriously injured at The Prodigy show

A man has been seriously injured at The Prodigy’s show in Dundee, after falling 15 feet from the venue’s balcony. The gig took place at Caird Hall on January 24th, as the band continue to play in support of latest album Invaders Must Die.

The man was taken to Ninewells Hospital where his condition has been described as serious, reports BBC news. Meanwhile police are investigating the incident to determine whether he fell or was pushed.

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Riot at Metallica show

Approximately 120 overzealous Metallica fans have been arrested after attempting to storm the venue they were playing in Chile.

The band were playing in the South American’s country Club Hipico venue when the incident occurred. Fans were restrained by Carabineros – military officials – who used water sprays to keep them back. As well as around 120 arrests, The Latin American Herald reports that a police officer was also injured.

Watch Chilean news footage of the event below;

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Music News

New Murs album incoming

Fresh off the back his third collaboration with Slug at the end of last year, Living Legends emcee Murs has announced plans to release his fourth record with producer 9th Wonder this March.

The pair have been working together since the 2004 record Murs 3:16, resulting in some of the pairs most fruitful output. The new album is set for release on March 30th, and is reportedly titled ForNever.

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Live Reviews Preview

The Method & Houdini Dax – Live

The Globe, Cardiff
27.01.10

Having lived in Cardiff for the greater portion of the last three years, I’ve developed a fondness and a particular attachment to the city, yet my experiences with the new, uninvited zeitgeist that has haunted the city’s music scene has left me frightened and a little pissed off. Let me attempt to elaborate; tonight’s event takes place at The Globe, a gorgeously unique establishment that has waves of incense flooding out the windows that attract some of the most diverse and spectacular musicians to make some noise there.

Apparently, this noise is unacceptable in a city that favours sprawling shopping centres and money over anything that has some personality – so the venue is to be closed if it does not become quiet. Tonight is one of many fundraising gigs to ‘Save The Globe’, meaning things in the future won’t be quiet, but contained a little.

The music scene itself has suffered as a result of standardizing this lovely little city, and a great deal of the fresh, young acts from the capital are sleepy, twee and painfully uninspired, making it very hard for me to optimistic about a city I genuinely love. This, thankfully, cannot be said about the two bands playing this evening. Aside from a support act I couldn’t find memorable if I tried (and from the look of their outfits, oh how they did try – imagine if two Tom Baker impersonators hooked up with a bass player who works in a shitty music store and gives 10% discount to anyone who smiles at him, then made music inspired entirely from their Dad’s driving CD), the night was a hopeful one for the raw musical talent that clearly still thrives in a place where it sadly isn’t always encouraged. And Houdini Dax don’t hesitate in reminding us of that.

Context: the average age of Houdini Dax is 18. I wouldn’t normally mention this, as age is irrelevant in creative work, but how many 18 year olds do you know that aren’t complete fucking twats? I was 18, and I was such an awful piece of shit. Unmotivated, arrogant and ungrateful for how easy life was then. But in just the way they fill the stage, holding the audience’s attention confidently and with substance to match, Houdini Dax go beyond expectations of immaturity and instead of running to tick all the boxes of the young musician’s checklist, use their expert ear for goodness to make their own, then throw it all away and just jam the fuck out. These guys are very talented, play extremely danceable rock ‘n’ roll and offer an inexplicable something that makes good bands good. Watch out for these.

The Method are tonight’s headliners and have long been part of Cardiff’s musical protest for getting people to appreciate and get out to see good fucking music. But all activist tendencies aside, lead singer Rich and his cronies play fantastically energetic, ear-throbbingly good music with a menacing stage presence. Combined with the roaring riffs and synth-infused melodies, The Method demand (sometimes through spoken imperatives) body movement and active audience participation. Tonight happened to be guitarist Johnny Alchemist’s birthday also, and necking a bottle screaming “SING UP YOU FUCKS!” during an impromptu birthday singalong is the kind of attitude you should expect from these guys if they head your way. And they will. Perhaps whilst gurning, but oh they will come your way. Don’t stand still.

Stanley.

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Album Reviews Preview

Let’s Go To War

Fresh from producing for Britney Spears on latest album Circus, Canadian electro pop group Let’s Go to War are back with Life We Live.This is to be the first single from new album Karmegeddon and it sets the record up perfectly with this hip hop infused party gem.

Although Let’s Go To War could be described broadly under various electronic subgenres, perhaps what makes this track work so well is its wide-ranging influences. Whether it’s the gritty Ed Banger inspired electronics, or the heavy sounding boom bap drum beat; it’s all coated in an Andrew WK-like party positivity that makes it perfect for the club.

Perhaps the bands recent remix work for the likes of The Whip and The Music has helped them re-connect with the dancefloor, yet there’s something natural and instinctive about the track which suggests that the two have never been far apart. Here’s hoping for more of the same when the full length drops in March.

Check out the house-party vibes in the video for Life We Live below.

Sleekly Brian.

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Live Reviews

Pendulum presents: Earstorm – Live

Matter
22.01.10

Having only ever been to the O2 a couple of times before, once when it was the ill-fated Millenium Dome and the other to see Beyonce, it was always going to be an interesting night rolling up at Matter for Pendulum‘s Earstorm night. The queues were massive for the sold-out event and it wasn’t until around 1.30am that I managed to get into the venue itself, as Zane Lowe dropped random track after random track.

Still, the crowd were loving it and were well and truyl bubbling for the main set of the night. A DJ preview set of their upcoming Immersion album was the order of the day for Pendulum with Rob, Gareth, Hornet and MC Verse taking to the stage and immediately throwing the crowd into a frenzy.

The soundsystem at Matter really is something and as the bass thumped into my ears, no doubt shortening my hearing’s life-span, pits were circling in the middle of the dance floor, pogoing was happening at the front and those fans right at the very top of the venue, on the third floor gangway were doing their best to rattle their appreciation. The new songs, which ranged from D&B to dubstep to electro, went down a storm [should that be Earstorm?] and the classics like Tarantula got as good a reaction as ever.

Next up was Sub Focus who, ably assisted by MC ID, had the unenviable task of following the main event. However, he didn’t let it get to him and when he dropped his own remix of ridiculously catchy new single Could This Be Real, the crowd went off once more. His ability to switch sounds up whilst keeping the crowd constantly interested was brilliant and it was a shame when his set finished.

However, that sadness was shortlived as Noisia rounded the night up with breathless bassline wobble and heavy hitting rhythms which will surely be blown apart by their incoming Split The Atom album. As the clock ticked towards 6am, those still left in the crowd were going hell-for-leather, giving back to one third of the Dutch group what he was giving them. It was a full-on sonic assault and not one person left the O2 without sweat dripping and limbs aching.

Earstorm was an undeniable success and there will be hoardes of people demanding a repeat after this.

Abjekt.
Photo by Nick Hughes

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Music News

Shy Child announce UK tour

Shy Child have announced a UK tour starting in February ahead of a new album the following month. The band will play six dates across Britain, before releasing ‘Liquid Love’ on March 15th.

The dates are:

February:

27 – Liverpool Kazimier
28 – Bristol Thekla

March:

1 – London ICA
2 – Glasgow ABC2
3- Leeds A Nation Of Shopkeepers
5- Birmingham Academy 3
6- Manchester Roadhouse