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Skateboarding News

Mike V’s lost ‘Sole’ footage

Mike Vallely is back with a weekly video series. Mondays With Mike V is now into episode 2 and this one features footage of Kristian Svitak and also Mike’s apparently lost Element “Sole” video footage. Following his cracking Battle Commander edit shot at the Berrics last year you should probably know that this is well worthy of a viewing, watch it here.

Categories
Skateboarding News

Vince Del Valle: Beware of Sasquatch

This could well go down as edit of the week here, check out Black Label Skateboard’s ATV Vince Del Valle‘s recent part from Brandon Jensen‘s latest flick Beware of Sasquatch. The DVD also has parts from Cory Kennedy, David Gravette and many more with music from Pink Floyd, The Brian Jonestown Massacre, Cold War Kids and The Black Angels to name a few. Enjoy this!

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Skateboarding News

Earth Pain 3

Fun times need to be documented and here’s a good example of why. Sam Taylor, Tom Knox, Joe Sivell, Darryl Nobbs, Shaun Currie and more feature in Earth Pain 3 put together by Kyle Platts with footage from Stockwell, Mile End, Mudchute, Cantelowes and more.

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Skateboarding News

Who Clothing ‘Question The Mark’ offcuts

Who Clothing have dropped a lively throwaway edit ahead of their full length team promo ‘Question The Mark‘ that will be available as a free download as of May 18th.

Enjoy these offcuts from the Welsh massive featuring Rhys Meek, Taylor Oakley, Andy Coleman, Owen Hopkins, Dave Butlin and Tom Gibbs.

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Skateboarding News

Mystery get Webtastic

Mystery Skateboards have a new edit courtesy of TWS featuring Jimmy Carlin, Ryan Bobier, Dennis Durrant, Pete Eldridge, Tom Asta, Lindsey Robertson, Ryan Smith and Windsor James. Get your snowballs ready for this one and if you are a fan of Mystery check out their new Spring collection here.

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Skateboarding News

Blueprint demo at MK Plaza edit

Here’s another edit from Blueprint’s MFWTCB tour, this time from their Milton Keynes plaza demo put together by Paul Scott.

Blueprint Jam @ Milton Keynes 7/4/2010 from Paul Old Skool Scott on Vimeo.

Categories
Skateboarding News

Eddie Belvedere’s BBC interview on dumb council

Earlier this month 25 yr old Eddie Belvedere and Tony Da Silva (29) were stopped by a community police officer in Manchester for skateboarding illegally. Hilariously, the council decided that the best course of action was to send letters to their parents urging them to talk to their sons about their crimes and the story ran in the The Telegraph and the Manchester Evening News.

Eddie was also interviewed by BBC Radio in Scotland, listen to his side of this ridiculous story here accompanied by some pics courtesy of Stupid Bloody Tuesday‘s Dan McCourt.

Ed talking skateboard on BBC radio Scotland from dan mccourt on Vimeo.

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Skateboarding News

Crailtap edit with TNT, BA and more

If you are looking for a fun indoor edit to watch whist you are browsing the web today enjoy this footage of Brian Anderson, Tony Trujillo, Rick Howard Mike Carroll and more at the Crailtap TF.

Categories
Features

Deckades Exhibition – Bristol

Images and words courtesy of Jerome Loughran

The opening of the Deckades art show last weekend in Bristol was a runaway success with many people travelling from far afield to see Shiner Distribution‘s unparalleled board collection as well as the many hand painted boards that were procured from various skate related artists.

The collection itself was accumulated over a 30 year period. Many of the decks that came through the warehouse to hit your local skater owned shop was down to the vision of Shiner’s owner Chris Allen who had the foresight to stash one of each classic over the years. This major chunk of skate history, with some rare and highly sought- after boards has been sitting in storage for a number of years and this is the first time that it has been on show anywhere so with the help of Howies, the entire vault of this legendary collection were shown in its entirety.

Following the opening night of the exhibition, Allen reflected on the emotions that ran high saying: ‘We are stoked to be able to share our skateboard archive that we have been saving in our vaults for the past 30 years. After the launch party on Friday night it gave me such a buzz to see how stoked people were to see the boards they first rode when they started skating.’

But it doesn’t end there. To add a contemporary feel to it 27 artists were invited to paint a one-off board to be on show and later auctioned off for the childrens charity UNICEF. Artists involved in this project include Kev Grey, 45RPM, Mr Bowlegs, Andy J Miller, Gavin Strange, Will Barras, Rich T, Ponk, Mr Bingo, Nigel Peake, Nick Hand, Millie Marotta, James Joyce, Nick Hand, Matt Sewell, China Mike, Phil Harvey, Marcus Oakley, Mr Jago, Jim Phillips, Geoff McFetridge, Pete Fowler, French, Chris Bourke, Danny Wainwright, Jethro Haynes and Pete Fowler.

Watch a video of Gavin Strange’s deck art here:

Deckades – A skateboarding painting for Howies from JamFactory on Vimeo.

We caught up with legendary Skateboard artist Jim Phillips who hand painted one of the decks for charity about his involvement in such a good cause…

Shiner has archived so many classic decks over the years- were you aware of just how many of these classics were stored in the vault for a special occasion like this?

I’ve heard about the Shiner collection! I saw some of them for the first time today in the Deckades show photos, and I assume there’s more. It’s great that they were valued and put aside for posterity.

We heard that various pro skaters and artists were blown away to know that their own pro models that they didn’t even have to hand were stored away in England in pristine condition, are there original decks in the vault that you don’t even have on the wall yourself?

There are so many old decks that I don’t possess since I’ve done well over a hundred. When I was running Phillips Studios, Dave Freil would bring over the deck proofs on the first printing so that I could approve them and he’d leave them with me. So, I had a big pile of them out in studio C. Those were the first printings of the first editions, but they were no real big deal because the deck collectors were under the radar just quietly sticking them away. In the mid ‘90s I made a website, mostly to sell my rock posters, but eventually I began to get inquiries from skateboard deck collectors about what I had and whether I would sell them. I received some offers for $400, and let’s face it, there’s times when you need money. I was selling them off for a while until I started to see them for sale on eBay for more than six times what I was selling them for. At that point I decided not to sell any more, and I managed to hang on to a couple of dozen of the first edition decks.

Explain how your one-off deck design for this exhibition came about and the process of the end result.

Paul Merrell at NHS approached me and asked if I would like to contribute to the Deckades show for Haiti relief. At first I was reluctant because Dolly and I had already made a donation, plus I’ve done several painted decks for charity and it always seemed to be a bad experience. The front end promises often do not match the end results. One guy, a major skateboard brand owner even, just kept my submission, and a few others never even got back to me about whatever happened. So I told Paul ‘No’. As we were discussing other projects, I asked “So what’s the deadline on the painted deck?”

I always put my best foot forward and take the extra pains to use high quality hot rod enamels which makes the work much more effort than just using acrylics which are very weak paint with lumpy textures. As I started painting I made a photo documentation of my techniques along the way, to include a CD of 36 steps with the deck. I used body putty to fill the truck holes and serial number stampings, and sanded everything to a smooth finish as my canvas. I used One Shot brand sign painter paints, which take about 8 hours to dry, greatly extending the process and danger of smears. I used a mahl stick to rest my hand so that I could paint next to wet paint and not smear it. I take a lot of precautions like masking off the rails and underside for handling and avoiding transferring paint from my fingers. The beginning layer was the background airbrush fade with the subject hand image masked. After that, the background needs to be masked at all times because it is near impossible to repair damage to a fade gradation.

After all the base colours are applied, I painted the black key-lines, and again, since it is a one step process that involves the complete area it is very difficult to keep from dragging a hand through wet black somewhere. After the paint was dry for 24 hours, I laid down a clear coat spray. This part is very dangerous also because the clear coat can eat and wrinkle the painted areas, which I solved by building up layers of very fine mist until there was adequate coverage to spray a thick matte coat. In all, the work lasted more than 30 hours. I named it “Screaming Hand Cares”.

How important is it to you that these exhibitions have UNICEF involvement?

You know Zac, after all is said and done, I am very grateful to be considered in any way an important part of this effort from the skateboarding world, and I am humbled to do my very small part out of the comfort of my home studio when so many must deal with the devastation that has occurred to people’s homes in these places like Haiti and Chile. I’m thankful to Paul Merrell at Santa Cruz, Chris Allen, Shiner, Mike at Howies, Jerome Loughran, all at Crossfire, UNICEF and the many others who have included me in this worthy and noble effort.

You can bid on Jim’s art and all of the others involved right now at EBAY. Get down to the Howies Store in Bristol to view the exhibition. It is free to get in and open until May 17th.

Deckades skateboard exhibition trailer from howies on Vimeo.

Categories
Interviews

Jaguar Love interview

Formed out of the remains of seminal post-hardcore outfit The Blood Brothers, Jaguar Love wouldn’t be the first name you’d attach to an album like Hologram Jams. While Johnny Whitney’s screeching vocals are difficult to mistake, the record is bursting with giddy pop hooks and lively synth melodies.

Of course, the band had laid down these foundations on their debut; but while the critically acclaimed Take Me to the Sea was a departure from the relentlessness of The Blood Brothers, it was still essentially a guitar record. With Hologram Jams, however, the band has announced themselves as an authentic pop force. Crossfire caught up with Jaguar Love’s Cody Votolato to find out all about the new album released this Monday.

How are you finding life as duo?

It’s been really great! Johnny and I have been writing music together for over 12 years. It’s the first time I’ve ever collaborated with just one other person on something, but I think that after so many years we have set up a foundation with a really supportive working relationship both artistically and mentally. It’s been really fun traveling with just one other person as well, although we do now have a live drummer.

Was it strange to be working with a drum machine for the first time?

Definitely. I had never used Reason or Logic which are the two programs we used for Hologram Jams. Johnny had written the Neon Blonde record in Reason so he had much more experience with it than me. It was daunting but I just dove in and figured it out. The first song I came up with via drum machine was Everything is Awesome. It was really cool, because I wasn’t totally sure what I was doing, but was still able to compose a song. There are really just a few things you need to know in order to get a foundation going. I remember being pretty amped about it once I was done. The flood gates pretty much opened up from there and I spent the next few months writing everyday…

What were the reasons behind your switch from Matador to Fat Possum?

It’s a pretty good story actually. I was hanging out with Brit Daniel at SxSW last year and we figured out that his publicist was the same as The Blood Brothers back in the day. He called her up and we all met up to hang. I hadn’t seen her in a long time and catching up I told her that Matador was on the fence about whether or not they wanted to pick up our next record. She was close with the owner of Fat Possum and brought him out to our show the next day at Beauty Bar. It was the same show that Matador was at to check out our new vibe and see if they were into it. I only met Matthew from Fat Possum briefly after the show as they were all quickly off to check out Andrew Bird who is another Fat Possum artist. Johnny and I were sort of in limbo after that wondering whether or not Matador was gonna pick up the record. I got a call a few days later that they were gonna pass. We knew that Matthew liked the show so we reached out. We got home from tour and immediately started working on demos to get him some music. It wasn’t long before we were talking details and confirmed to release Hologram Jams on Fat Possum…Stoked.

What would you say are the key differences between Hologram Jams and Take Me to the Sea?

The most obvious one is the fact that there are no live drums. The electronic feel of Hologram Jams is much different than that of Take Me to the Sea. Aside from that, I think that there is a much heavier pop influence at the core of Hologram Jams that didn’t resonate as much on Take Me to the Sea. Take Me to the Sea has a much more “rock” flavor to it.

After the Blood Brothers re-issues on Epitaph last year, what are your feelings towards that band now?

Nothing but awesome fucking feelings towards the Blood Brothers!

Are you still in contact with the other members of Blood Brothers? And what do you think of Past Lives?

Yeah, totally. I just went and saw them play at Doug Fir in Portland a few weeks ago. They were great!

Was Jaguar Love always intended to be a pop-orientated project?

Yes. Definitely.

There also seems to be a significant hip hop influence on the new record, was that intentional?

We both have always been really into hip hop music. I would say that it had a pretty big impact on this record. I love Dr Dre. The song I mentioned earlier was totally inspired by The Games “Hate it or Love It.” I remember listening to in the shower and thinking, “I wanna song that feels as good as this song does.” Not that Everything is Awesome is as feel good or as good as the production on that song, but it definitely inspired it.

What are the central lyrical themes and concepts on Hologram Jams?

There are several lyrical themes on Hologram Jams including but not limited to;

1. Senseless Jubilation
2. Finding Joy in even the most inexplicable tragedies
3. Cherry Soda and creating new colors from its inevitable regurgitation
4. Exploding Plants
5. Ugly but adorable undersea invertebrate
6. Basement house parties
7. Fun.

How has your live show evolved since dropping down to a two-piece?

Well, we spent all of last year performing as the two-piece. I think it worked in the right atmospheres, but not always. It’s sometimes hard to pull of a two piece and not appear like you are singing karaoke, Haha. We recently found a drummer and have played about four shows with him. I’m pretty sure from here on out we will have live drums. It’s just more fun for everyone involved – band and audience alike. It brings up the vibe considerably I’d say.

Any new records that you’re excited about, or you want to plug?

There is a band from Australia called Young Heretics that only have an EP out right now. It’s called Dreamers, but I have a copy of their unreleased album that is really good. My older brother Rocky Votolato’s new record, True Devotion, just came out the week before ours did in the US too, which is really great.

Finally, what’s next for Jaguar Love?

We’re in the beginning of a US tour taking us back through SxSW into mid April…then hopefully… Europe bound in may…. After that I’m really excited about playing Sasquatch festival in the NorthWest!

See Jaguar Love live this May 2010 at the following dates:

21 May – Stag & Dagger – London
22 May – Stag & Dagger – Glasgow
23 May – Night & Day – Manchester
24 May – Hoxton Bar & Kitchen – London
25 May – Bar Academy – Birmingham